Popularity: 1 (history)
Director: | Amy Holden Jones |
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Writer: | Rita Mae Brown, Amy Holden Jones |
Staring: |
Trish invites her high school basketball teammates over for a night they'll never forget -- or survive -- when an unexpected guest crashes the party: an escaped psychopath with a portable power drill. | |
Release Date: | Sep 10, 1982 |
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Director: | Amy Holden Jones |
Writer: | Rita Mae Brown, Amy Holden Jones |
Genres: | Comedy, Horror |
Keywords | sleepover, cannabis, murder, neighbor, serial killer, slumber party, slasher, drill, woman director, murder spree |
Production Companies | Santa Fe Productions |
Box Office |
Revenue: $3,600,000
Budget: $220,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Michelle Michaels | Trish |
Robin Stille | Valerie |
Michael Villella | Russ Thorn |
Debra De Liso | Kim |
Andree Honore | Jackie |
Gina Smika Hunter | Diane |
Jennifer Meyers | Courtney |
Joseph Alan Johnson | Neil |
David Millbern | Jeff |
Jim Boyce | John Minor |
Pamela Roylance | Coach Jana |
Brinke Stevens | Linda |
Rigg Kennedy | David Contant |
Jean Vargas | Telephone Repairwoman |
Anna Patton | Mrs. Devereaux |
Howard Purgason | Mr. Devereaux |
Pamela Canzano | Carpenter |
Aaron Lipstadt | Pizza Boy |
Francis Menendez | Paper Boy |
Amy Aquino | Pam (uncredited) |
Name | Job |
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Sean Foley | Editor |
Rita Mae Brown | Writer |
Stephen L. Posey | Director of Photography |
Wendy Greene Bricmont | Editor |
Janet Scoutten | Makeup Artist |
Mark Allan | Assistant Director |
Craig Pointes | Second Assistant Director |
Patrushkha Mierzwa | Boom Operator |
Clark Henderson | Post Production Supervisor, Foley Editor |
Rick Lazzarini | Special Effects |
Ralph Jones | Original Music Composer |
Francesca Bartoccini | Art Direction |
Pamela Canzano | Assistant Art Director |
Larry S. Carr | Special Effects |
Andrew Chapman | Electrician |
Ron McCausland | Key Grip |
Uri Katoni | Assistant Editor |
Virginia Sue Cox | Assistant Property Master |
Todd Pike | Assistant Camera |
Laurette Hayden | Post Production Coordinator |
Bruce Teitelbaum | Production Assistant |
Alec Hirschfeld | Camera Operator |
Jeffrey Sudzin | Gaffer |
Sharron Reynolds-Enriquez | Script Supervisor |
Steve Hyman | Still Photographer |
David Strick | Still Photographer |
Charles Grant Craig | Production Assistant |
Amy Holden Jones | Director, Writer |
Aaron Lipstadt | Production Manager |
Mark Ulano | Production Sound Mixer, Sound Mixer |
Mark Shostrom | Special Effects Makeup Artist |
Carol Frank | Assistant Director |
Name | Title |
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Mark Allan | Associate Producer |
Amy Holden Jones | Producer |
Roger Corman | Executive Producer |
Aaron Lipstadt | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 11 | 16 | 8 |
2024 | 5 | 12 | 19 | 8 |
2024 | 6 | 12 | 29 | 8 |
2024 | 7 | 15 | 25 | 9 |
2024 | 8 | 14 | 24 | 9 |
2024 | 9 | 15 | 32 | 7 |
2024 | 10 | 15 | 28 | 9 |
2024 | 11 | 13 | 25 | 9 |
2024 | 12 | 12 | 20 | 7 |
2025 | 1 | 11 | 18 | 7 |
2025 | 2 | 8 | 13 | 3 |
2025 | 3 | 5 | 14 | 1 |
2025 | 4 | 2 | 4 | 1 |
2025 | 5 | 3 | 6 | 1 |
2025 | 6 | 2 | 3 | 1 |
2025 | 7 | 1 | 3 | 0 |
2025 | 8 | 2 | 4 | 1 |
2025 | 9 | 4 | 6 | 1 |
2025 | 10 | 2 | 3 | 1 |
Trending Position
Year | Month | High | Avg |
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2025 | 7 | 806 | 806 |
Year | Month | High | Avg |
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2025 | 6 | 936 | 936 |
Year | Month | High | Avg |
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2025 | 5 | 932 | 934 |
Routine early 80’s slasher in the Los Angeles burbs The original script was written as a parody, but that was changed when production began and it was shot as a serious slasher. Perhaps this explains why I busted out laughing on at least four occasions. The amusing pizza-eating scene and the refr ... igerator sequence are good examples. Despite this, “The Slumber Party Massacre” (1981) IS a serious slasher flick featuring the ‘driller killer’ and it’s pretty well-done. The problem is, there’s an unimaginative bluntness to the proceedings and the final act isn’t all that compelling (I found my mind wandering a couple of times). The female cast is decent, but not quite as good as in the Friday the 13th movies. Diane (Gina Smika Hunter, aka Gina Mari) is arguably the best, followed by the black chick. The movie is short & sweet at 77 minutes and was shot entirely in Los Angeles with the neighborhood sequences filmed in Venice. GRADE: C
Which one was this? I can't really remember. I do, however, know it was the movie where they hire a lot of women and require them all to take their clothes off. The difference is, this one was written by a feminist for reasons probably only she can explain. I recall a shower scene in there som ... ewhere. And then I remember the women running around screaming in undies that are really only worn in the bedroom. Was there a plot? Not really, it was just an excuse for nudity and undies. But, you already knew all of that when you sat down to watch this. Because, honestly in film making, they aren't really trying to pass it off as anything other than an excuse to film young naked breasts and you don't really get anything but that. So, why are you reading this? You know exactly what this movie is about. You knew that before you even clicked on this review. But, at least the review is as honest as the movie. If you are expecting more than that, there is something seriously wrong with you.
Nothing real stand out about another slasher born out of the success of Halloween (and Friday the 13th, which was made for the same reason), but still watchable enough. **2.75/5** ...
The Slumber Party Massacre is the feminist slasher that laid the groundwork for everything Scream would later get praised for. Written by feminist author Rita Mae Brown, it takes the typical slasher formula—a half-naked woman, a deranged killer with a power drill—and flips it on its head. The phalli ... c drill and gratuitous nudity are there, but in such an exaggerated manner that it becomes a brilliant satire on the male gaze. This isn't your average damsel-in-distress flick; it's a bloody middle finger to the male-dominated horror machine, with women banding together to fight back. The film's influence on later works is a testament to its enduring legacy and the knowledge it imparts to film enthusiasts.