Popularity: 2 (history)
Director: | Stephen Frears |
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Writer: | John Lahr, Alan Bennett |
Staring: |
When the young, attractive Joe Orton meets the older, more introverted Kenneth Halliwell at drama school, he befriends the kindred spirit and they start an affair. As Orton becomes more comfortable with his sexuality and starts to find success with his writing, Halliwell becomes increasingly alienated and jealous, ultimately tapping into a dangerous rage. | |
Release Date: | Apr 17, 1987 |
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Director: | Stephen Frears |
Writer: | John Lahr, Alan Bennett |
Genres: | Drama |
Keywords | london, england, england, based on novel or book, biography, playwright, lgbt, 1960s, drama school, gay theme |
Production Companies | Zenith Entertainment, Film4 Productions, British Screen Productions, Civilhand |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Gary Oldman | Joe Orton |
Alfred Molina | Kenneth Halliwell |
Vanessa Redgrave | Peggy Ramsay |
Wallace Shawn | John Lahr |
Lindsay Duncan | Anthea Lahr |
Julie Walters | Elsie Orton |
James Grant | William Orton |
Frances Barber | Leonie Orton |
Janet Dale | Mrs Sugden |
Dave Atkins | Mr Sugden |
Margaret Tyzack | Madame Lambert |
Eric Richard | Education Officer |
William Job | RADA Chairman |
Rosalind Knight | RADA Judge |
Angus MacKay | RADA Judge |
Linda Spurrier | RADA Instructor |
Charlotte Wodehouse | Janet |
Helena Michell | Orton's Friend |
Sean Pertwee | Orton's Friend |
Liam De Staic | Brickie |
Charles McKeown | Mr Cunliffe |
Selina Cadell | Miss Battersby |
Bert Parnaby | Magistrate |
Antony Carrick | Counsel |
Neil Dudgeon | Policeman |
Richard Wilson | Psychiatrist |
Christopher Guinee | Publisher |
Stevan Rimkus | Kenneth |
Michael Müller | BBC Actor 1 |
Anthony Douse | BBC Actor 2 |
John Kane | Director |
Steven Mackintosh | Simon Ward |
Garry Cooper | Actor 1 – Mr Sloane |
Roger Lloyd Pack | Actor 2 |
Joanne Connelly | Stage Manager |
John Moffatt | Wigmaker |
Philippa Davies | Peggy Ramsey's Secretary |
David Cardy | Brian Epstein |
Julie Legrand | Gallery Owner |
Noel Davis | Philip |
Jane Blackburn | Woman in Gallery 1 |
Stella Richman | Woman in Gallery 2 |
Neville Phillips | Man in Gallery |
Jonny Phillips | Youth Outside Lavatory |
Richard Ireson | Man Outside Lavatory |
Ahmed Elgheur | Moroccan Boy 1 |
Moktar Dagmouni | Moroccan Boy 2 |
Sian Thomas | Marilyn Orton |
Stephen Bill | George Barnett |
Karl Johnson | Douglas Orton |
David Bradley | Undertaker |
Simon Adams | Undertaker's Boy |
James Duggan | Labourer |
Max Stafford-Clark | Awards Chairman |
Mark Brignal | Beatles Chauffeur |
Joan Sanderson | Anthea's Mother |
Neville Smith | Police Inspector |
Spencer Leigh | Constable |
John Salthouse | Chauffeur |
Robin Hooper | Mortuary Attendant |
Derek Jarman | Patrick Proktor (uncredited) |
Derek Lyons | Library Patron (uncredited) |
Name | Job |
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Mick Audsley | Editor |
Hugo Luczyc-Wyhowski | Production Design |
Philip Elton | Art Direction |
Bob Ringwood | Costume Design |
Elaine Carew | Makeup Supervisor |
Sally Harrison | Hairstylist |
Peter Owen | Wig Designer |
Ann Wingate | Production Manager |
Tony Jackson | Sound Recordist |
Brian Trenerry | Sound Editor |
Lee Cleary | Second Assistant Director |
Michael Zimbrich | First Assistant Director |
Adam Walton | Third Assistant Director |
Ray Barrett | Construction Manager |
Ray Perry Sr. | Property Master |
Julie Sheppard | Assistant Art Director |
John Spottiswood | Scenic Artist |
Jeanne Vertigan | Property Buyer |
Simon Hayter | Boom Operator |
Judi Lee-Headman | Boom Operator |
Peter Maxwell | Sound Re-Recording Mixer |
Katrina Sheldon | Dialogue Editor |
Rosie Straker | Boom Operator |
Malcolm Davies | Gaffer |
Martin Duncan | Genetator Operator |
Jonathan Earp | Assistant Camera |
Britt Harrison | Assistant Camera |
David Morgan | Focus Puller |
Sarah Quill | Still Photographer |
Dominic Seal | Electrician |
Patrick Wheatley | Wardrobe Supervisor |
Annabel Ware | First Assistant Editor |
Penny Eyles | Script Supervisor |
Joanna Campling | Unit Publicist |
Lorraine Goodman | Production Coordinator |
Deborah Harding | Production Secretary |
Simon Moseley | Floor Runner |
Joan Washington | Dialogue Coach |
John Lahr | Book |
Stephen Frears | Director |
Stanley Myers | Original Music Composer |
Oliver Stapleton | Director of Photography |
Debbie McWilliams | Casting |
Zakaria Alaoui | Production Manager |
Alan Bennett | Screenplay |
Name | Title |
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Andrew Brown | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 8 | 13 | 6 |
2024 | 5 | 10 | 17 | 5 |
2024 | 6 | 8 | 18 | 5 |
2024 | 7 | 10 | 23 | 5 |
2024 | 8 | 10 | 24 | 6 |
2024 | 9 | 7 | 9 | 5 |
2024 | 10 | 7 | 13 | 5 |
2024 | 11 | 8 | 15 | 5 |
2024 | 12 | 7 | 12 | 5 |
2025 | 1 | 8 | 18 | 5 |
2025 | 2 | 6 | 9 | 3 |
2025 | 3 | 4 | 8 | 1 |
2025 | 4 | 3 | 5 | 1 |
2025 | 5 | 3 | 5 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 0 | 1 | 0 |
2025 | 9 | 2 | 3 | 0 |
2025 | 10 | 3 | 3 | 2 |
Trending Position
Maybe now, a few decades after this was made and when the politically correct brigade advocate that only gay actors should play gay roles, they ought to watch this and see just how engagingly two straight blokes can do what it says on their CVs and act! This is quite a witty and telling retrospectiv ... e on the turbulent lives of playwright John "Joe" Orton (Gary Oldman) and his general factotum, friend, confidante and part-time lover "Kenneth" (Alfred Molina) set at a time when homosexuality in the UK was starting to emerge from the shadows of illegaility and, even amongst the more theatrical fraternity, was still frowned upon. What now ensues sees their relationship vacillate wildly, temptation rear it's ugly head and an unattractive degree of thoughtless, even callous, behaviour creep into Orton's behaviour towards his obsessive friend. Jealousy and toxicity aren't far away either, especially when Orton starts to see the fruits of his labours and makes a few quid. It's quite possibly the most perverse of love stories and there's a palpable chemistry that straddles loving and loathing between these two men that's well delivered by Orton, yes, but more so by the emotionally cuckolded character played by Molina. It's entertainingly speculative in nature, but that's delivered plausibly and epitomises a great many relationships where success profoundly alters the dynamic with drastic effects. It's also an interesting glance at the hypocrisy of public attitudes in the UK in the late 1960s and though not quite so potently, still resonates today - long after the "Section 28" debate that was about to hit the UK shortly after this was made. Good soundtrack, too.