Insidious: Chapter 3
This is how you die.
2015 | 97m | English
Popularity: 5 (history)
| Director: | Leigh Whannell |
|---|---|
| Writer: | Leigh Whannell |
| Staring: |
| A twisted new tale of terror begins for a teenage girl and her family, and revealing more mysteries of the otherworldly realm, 'The Further'. | |
| Release Date: | May 28, 2015 |
|---|---|
| Director: | Leigh Whannell |
| Writer: | Leigh Whannell |
| Genres: | Horror, Thriller |
| Keywords | sequel, insidious |
| Production Companies | Blumhouse Productions, Entertainment One |
| Box Office |
Revenue: $120,453,155
Budget: $10,000,000 |
| Updates |
Updated: Aug 04, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Stefanie Scott | Quinn Brenner |
| Lin Shaye | Elise Rainier |
| Dermot Mulroney | Sean Brenner |
| Leigh Whannell | Specs |
| Angus Sampson | Tucker |
| Steve Coulter | Carl |
| Hayley Kiyoko | Maggie |
| Tom Gallop | Dr. Henderson |
| Tate Berney | Alex Brenner |
| Corbett Tuck | Danielle |
| Tom Fitzpatrick | Bride in Black |
| Jeris Poindexter | Harry |
| Ele Keats | Lillith Brenner |
| James Wan | Theater Director |
| Joseph Bishara | Lipstick-Face Demon |
| Michael Reid MacKay | The Man Who Can't Breathe |
| Phyllis Applegate | Grace |
| Phil Abrams | Mel |
| Erin Anderson | Two-Faced Woman |
| Amaris Davidson | Nurse |
| Ashton Moio | Hector |
| Rubén Garfias | Ernesto |
| Fawn Irish | Lambert Woman |
| Taylor John Smith | Teenage Boy |
| Adrian Sparks | Jack Rainier |
| Jacob Crawford | Male Nurse |
| Garrett Ryan | Young Josh |
| Anna Ross | Dead Teenage Junkie (uncredited) |
| John Zaffis | Theatre Patron (uncredited) |
| Name | Job |
|---|---|
| Leigh Whannell | Writer, Director, Characters |
| Joseph Bishara | Original Music Composer |
| Alexander Gruzdev | Dialogue Editor |
| Jennifer Scudder Trent | Post Production Supervisor |
| John C. Hartigan | Special Effects Supervisor |
| Brian Pearson | Director of Photography |
| Ariyela Wald-Cohain | Costume Design |
| Timothy Alverson | Editor |
| Terri Taylor | Casting |
| Suzanne Diaz | Makeup Artist |
| Cassidy Vick Hice | Stunt Double |
| Tarah Paige | Stunt Double |
| Joey Box | Stunt Double |
| Bart Mixon | Prosthetic Makeup Artist |
| Lori Mazuer | Set Decoration |
| Jennifer Spence | Production Design |
| Jason Garner | Art Direction |
| Nate Smalley | Visual Effects Producer |
| James David Hattin | Visual Effects Supervisor |
| Julie Sessing | Music Supervisor |
| Paul Hackner | Supervising Sound Editor |
| Tyler Bennink | Visual Effects Coordinator |
| Drew Sacks | First Assistant Editor |
| Kevin Massey | Gaffer |
| Erin Connarn | Script Supervisor |
| Jennifer Stoefen | Art Department Coordinator |
| Elizabeth Anne Hanley | Set Costumer |
| Craig Mann | Sound Re-Recording Mixer |
| Emma Johnston Burton | Makeup Artist |
| Victor Anderson | Construction Coordinator |
| Martyn Zub | Sound Re-Recording Mixer, Sound Designer |
| Eleanor Sabaduquia | Makeup Department Head |
| Rachel Barkow | Visual Effects Coordinator |
| Richard Roles | Helicopter Camera |
| Theia Michelle Patra | Craft Service |
| Jacqueline Shulman | Costume Supervisor |
| Matt Kennedy | Still Photographer |
| Sarah Domeier Lindo | Casting Associate |
| Pavy Olivarez | Key Hair Stylist |
| Nicholas McGrath | Set Costumer |
| Richard Henderson | Music Editor |
| Traci E. Smithe | Hair Department Head |
| Liz Mendoza | Makeup Department Head |
| Marc Newland | Second Assistant Director |
| Kristina Baskett | Stunt Double |
| London Elise Moore | Stunt Double |
| Terry Jackson | Stunt Driver |
| Laura Altmann | Production Supervisor |
| Manolo Rojas | "A" Camera Operator, Steadicam Operator |
| Richard Moriarty | "B" Camera Operator |
| Harry Zimmerman | First Assistant "A" Camera |
| Jeff Porter | First Assistant "B" Camera |
| Sarah Brandes | Second Assistant "B" Camera |
| Buck Robinson | Production Sound Mixer |
| Cole Bluma | Boom Operator |
| Mike Sunga | Leadman |
| Jeremy Cisneros | On Set Dresser |
| Brenner Harris | Set Dresser |
| Adam Kirby | Set Dresser |
| George W. Kiel | Set Dresser |
| Dean Lakoff | Set Dresser |
| Mark Sunga | Set Dresser |
| John Brunot | Property Master |
| Ian Kay | Assistant Property Master |
| Erin Vitali | Production Coordinator |
| Justin Carville | Production Accountant |
| Lori West | Graphic Designer |
| Kurt Altschwager | Carpenter |
| Jesse Poupis | Carpenter |
| Steve Newquist | Special Effects Coordinator |
| Alex Klabukov | Key Grip |
| Adam Neas | Best Boy Grip |
| Gray Lanaux | Dolly Grip |
| Tommy Donald | Grip |
| Dave Snyder | Prosthetic Makeup Artist |
| Kandice Billingsley | Location Manager |
| Mandy Friedrich | Studio Teacher |
| James G. Brill | Transportation Coordinator |
| Ally Conover | Casting Assistant |
| Michelle Gabriel | Extras Casting Coordinator |
| Susan Turner | Extras Casting Coordinator |
| James Ferrera | Unit Publicist |
| Tim Mirkovich | First Assistant Editor |
| Niccole Osborn | Post Production Coordinator |
| Mark Coffey | Assistant Sound Editor |
| Pernell L. Salinas | Assistant Sound Editor |
| John Sanacore | Foley Mixer |
| Alex Ullrich | Foley Artist |
| Jithu Aravamudhan | Foley Artist |
| Judah Getz | ADR Mixer |
| Evan Daum | ADR Mixer |
| Walter Volpatto | Digital Intermediate Colorist |
| Bob Fredrickson | Digital Intermediate Editor |
| Susan Alexander | Digital Intermediate Producer |
| Angelique Perez | Digital Intermediate Producer |
| Aaron Becker | Main Title Designer |
| Phil DeSanti | Additional Second Assistant Director |
| Rick Osako | Unit Production Manager |
| Dan Laz Lazarovits | First Assistant Director |
| Vladimir Tevlovski | Stunt Double |
| Name | Title |
|---|---|
| James Wan | Producer |
| Oren Peli | Producer |
| Peter Schlessel | Executive Producer |
| Brian Kavanaugh-Jones | Executive Producer |
| Jason Blum | Producer |
| Lia Buman | Executive Producer |
| Charles Layton | Executive Producer |
| Laura Altmann | Associate Producer |
| Bailey Conway | Co-Producer |
| Xavier Marchand | Executive Producer |
| Rick Osako | Co-Producer |
| Phillip Dawe | Co-Producer |
| Jeanette Volturno | Executive Producer |
| Steven Schneider | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 41 | 61 | 28 |
| 2024 | 5 | 48 | 72 | 27 |
| 2024 | 6 | 40 | 76 | 26 |
| 2024 | 7 | 53 | 93 | 33 |
| 2024 | 8 | 38 | 63 | 23 |
| 2024 | 9 | 33 | 45 | 25 |
| 2024 | 10 | 41 | 76 | 26 |
| 2024 | 11 | 36 | 61 | 22 |
| 2024 | 12 | 31 | 47 | 23 |
| 2025 | 1 | 33 | 50 | 25 |
| 2025 | 2 | 25 | 42 | 5 |
| 2025 | 3 | 10 | 34 | 2 |
| 2025 | 4 | 7 | 10 | 4 |
| 2025 | 5 | 5 | 10 | 4 |
| 2025 | 6 | 5 | 7 | 4 |
| 2025 | 7 | 4 | 5 | 3 |
| 2025 | 8 | 4 | 5 | 3 |
| 2025 | 9 | 5 | 7 | 4 |
| 2025 | 10 | 4 | 5 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 804 | 909 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 793 | 877 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 580 | 740 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 565 | 716 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 859 | 923 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 282 | 749 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 895 | 895 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 550 | 805 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 892 | 894 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 903 | 910 |
Ruuz
4.0
Certainly the lowest, dumbest point of the franchise thus far, but not **so** bad that I won't be willing to watch the 4th entry touted for a 2017 release. Also does that super annoying thing where it is 100% a prequel, but still called "Chapter X". _Final rating:★★ - Had some things that appe ... al to me, but a poor finished product._
Jun 23, 2021
GenerationofSwine
1.0
Another PG13 horror movie. That rating is like shouting "Don't worry, we aren't going to scare you!!!! Bring your family, bring the kids, we are as bland as tofu." And it is. Like all the others they are going for one or two fast jumps and...that's it. Pointless without the Horror/Comedy label ... , but Hollywood is afraid to attach humor to anything frightening under the belief the Millennials won't "get it." So you have, well, you have a film that is going out of its way to not be scary to keep the rating family friendly... And for some reason I watched it.
Jan 14, 2023