Popularity: 2 (history)
Director: | Francis Ford Coppola |
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Writer: | Ronald Bass, Nicholas Proffitt |
Staring: |
A sergeant; stationed in Arlington, Virginia in the late 1960s; must deal with his desires to save the lives of young soldiers being sent to Vietnam. Continuously denied the chance to teach the soldiers about his experiences, he settles for trying to help the son of an old army buddy. | |
Release Date: | May 05, 1987 |
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Director: | Francis Ford Coppola |
Writer: | Ronald Bass, Nicholas Proffitt |
Genres: | Drama, History, War |
Keywords | vietnam veteran, washington dc, usa, cemetery, vietnam war, soldier |
Production Companies | American Zoetrope, TriStar Pictures, ML Delphi Premier Productions, Michael I. Levy Productions |
Box Office |
Revenue: $5,262,047
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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James Caan | Sgt. Clell Hazard |
Anjelica Huston | Samantha Davis |
James Earl Jones | Sgt. Maj.'Goody' Nelson |
D. B. Sweeney | Jackie Willow |
Dean Stockwell | Capt. Homer Thomas |
Mary Stuart Masterson | Rachel Feld |
Dick Anthony Williams | Slasher Williams |
Lonette McKee | Betty Rae |
Sam Bottoms | Lt. Webber |
Elias Koteas | Pete Deveber |
Laurence Fishburne | Sgt. Flanagan |
Casey Siemaszko | Wildman |
Mark Frazer | Soldier #1 |
Peter Masterson | Col. Feld |
Carlin Glynn | Mrs. Feld |
Erik Holland | Col. Godwin |
Bill Graham | Don Brubaker |
Name | Job |
---|---|
Francis Ford Coppola | Director |
Ronald Bass | Screenplay |
Jordan Cronenweth | Director of Photography |
Dean Tavoularis | Production Design |
Judianna Makovsky | Costume Design |
Buddy Joe Hooker | Stunt Coordinator |
Jeffrey J. Dashnaw | Stunts |
Barry Malkin | Editor |
Alex Tavoularis | Art Direction |
Gary Fettis | Set Decoration |
David Burton | Stunts |
Nicholas Proffitt | Novel |
Phil H. Fravel | Stunts |
Brad Bovee | Stunts |
Willa Kim | Costume Design |
George Fisher | Stunts |
Chad Randall | Stunts |
Carmine Coppola | Original Music Composer |
David V. Lester | Unit Production Manager |
David Valdes | First Assistant Director |
Tena Psyche Yatroussis | Second Assistant Director |
Janet Hirshenson | Casting |
Jane Jenkins | Casting |
Bonnie Timmermann | Casting |
Teri Fettis-D'Ovidio | Production Coordinator |
Daniel R. Suhart | Second Second Assistant Director |
Bing Sokolsky | First Assistant Camera |
Bobby Brown | First Assistant Camera |
Jeff Cronenweth | Second Assistant Camera |
Jürgen Vollmer | Still Photographer |
John Gilroy | Assistant Editor |
Debra Bard | First Assistant Editor |
Richard Beggs | Sound Re-Recording Mixer, Sound Designer |
Gloria S. Borders | Supervising Sound Editor |
Ronald Jacobs | Dialogue Editor |
Tom Bellfort | ADR Editor |
Louise Rubacky | ADR Editor |
Richard Hymns | Sound Effects Editor |
Tim Holland | Sound Effects Editor |
Jim Weidman | Music Editor |
Robert Shoup | Foley Editor |
Marian Wilde | Foley Editor |
Dennie Thorpe | Foley Artist |
Randy Thom | Sound Re-Recording Mixer |
Thomas Causey | Sound Mixer |
Joseph F. Brennan | Boom Operator |
Gary Holt | Gaffer |
Thomas A. Barone | Best Boy Electric |
Billy Beaird | Key Grip |
Sheldon Ehrlich | Best Boy Grip |
Rodney Veto | Dolly Grip |
Douglas T. Madison | Property Master |
John Frazier | Special Effects Supervisor |
Marilyn Matthews | Costume Supervisor |
John Napolitano | Costume Supervisor |
Monty Westmore | Makeup Artist |
Bernadette Mazur | Makeup Artist |
Brad Wilder | Makeup Artist |
Philip Leto | Hairstylist |
Anthony Cortino | Hairstylist |
Eric Young | Location Manager |
Wilma Garscadden-Gahret | Script Supervisor |
Dan Lerner | Camera Operator |
Name | Title |
---|---|
David Valdes | Co-Executive Producer |
Francis Ford Coppola | Producer |
Fred Roos | Executive Producer |
Michael I. Levy | Producer |
Stan Weston | Executive Producer |
Jay Emmett | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 15 | 25 | 10 |
2024 | 5 | 18 | 27 | 9 |
2024 | 6 | 15 | 28 | 8 |
2024 | 7 | 15 | 27 | 9 |
2024 | 8 | 13 | 18 | 8 |
2024 | 9 | 10 | 18 | 6 |
2024 | 10 | 11 | 18 | 7 |
2024 | 11 | 15 | 39 | 6 |
2024 | 12 | 10 | 14 | 7 |
2025 | 1 | 13 | 21 | 9 |
2025 | 2 | 8 | 13 | 3 |
2025 | 3 | 5 | 10 | 1 |
2025 | 4 | 2 | 4 | 1 |
2025 | 5 | 1 | 5 | 1 |
2025 | 6 | 1 | 3 | 1 |
2025 | 7 | 1 | 1 | 0 |
2025 | 8 | 1 | 1 | 0 |
2025 | 9 | 1 | 2 | 0 |
2025 | 10 | 2 | 2 | 1 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 814 | 902 |
**_Coppola’s obscure gem about the war at home during the Vietnam conflict_** In the late 60s, a cynical Korean vet (James Caan) would rather be training soldiers for Vietnam in Georgia, but instead he’s stuck at Arlington National Cemetery playing what he calls “toy soldier” with his colleagues ... (James Earl Jones, etc.). When an old buddy’s gung-ho son shows up (D.B. Sweeney), he settles for trying to keep him from becoming another statistic in The ’Nam. Anjelica Huston plays his potential girlfriend and Mary Stuart Masterson the greenhorn’s girl. Directed by Francis Ford Coppola based on the 1983 novel, "Gardens of Stone" (1987) is a worthy companion piece to all those Vietnam War flicks of the 70s-90s as it chronicles what was happening on the home front. It’s a war drama, but not a war action film, yet not a dull, lifeless drama (more on this in a moment). Caan and Jones have good chemistry as old Army buds and Sweeney works well as the “new kid” (he looks like a young Ben Affleck when he broke out ten years later). Meanwhile Mary Stuart Masterson was never more beautiful. In ways the movie’s reminiscent of Eastwood's "Heartbreak Ridge" (1986) with its spunkiness and a smidgen of comedy (which I wasn’t anticipating), although don’t expect the cartoonish character of Cpl. Stitch Jones (Mario Van Peebles). In other words, the proceedings aren’t all dour. Yet there are heavy, moving parts given the topic. Coppola contrasts the beginning scene and ending scene. They’re the same sequence, but it holds more weight the second time around for reasons you’ll discover. I was entertained, amused and moved. It’s a necessary piece of the puzzle in understanding the era of the Vietnam War. While it’s not on the level of greatness of Coppola’s “Apocalypse Now” (1979) or “Forrest Gump” (1994), it’s still a solid Coppola movie with a little sloppiness here and there. For instance, the war games episode could’ve been done more coherently and entertainingly, as was done in “The Dirty Dozen” (1967). But time means money in cinema and they had a deadline. I've heard people complain about how this or that wasn't technically accurate or realistic, but filmmakers aren't interested in being 100% true-to-life. If they were, no one would go see their flicks. Let me put it this way, movies are real-life with the boring parts taken out, as well as exaggerations thrown in. Take "Platoon" (1986), for example. Do ya really think everything that took place in that movie happened to _ONE_ platoon in real life? Of course not. Oliver Stone simply took many different highlights of the 'Nam experience and condensed them into one 2-hour tale of a single platoon. The notable cast also includes the likes of Dean Stockwell, Sam Bottoms, Larry Fishburne, Dick Anthony Williams and Elias Koteas. Bottoms and Fishburne of course worked previously with Coppola on “Apocalypse Now.” Before shooting commenced, Francis’ 23 year-old son, Gian-Carlo Coppola, was tragically killed in a speedboat accident in May, 1986. The reckless driver of the boat was Griffin O'Neal (Ryan’s son), who was slated to play the role given to Elias Koteas. The film runs 1 hour, 51 minutes, and was shot at Fort Myer & Arlington National Cemetery and nearby Washington DC. GRADE: B