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Goodnight Mommy Poster

Goodnight Mommy

A mother should look out for her sons.
2015 | 100m | German

(62887 votes)

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Popularity: 1 (history)

Details

In the heat of the summer lays a lonesome house in the countryside where nine year old twin brothers await their mother’s return. When she comes home, bandaged after cosmetic surgery, nothing is like before and the children start to doubt whether this woman is actually who she says she is.
Release Date: Jan 08, 2015
Director: Severin Fiala, Veronika Franz
Writer: Severin Fiala, Veronika Franz
Genres: Horror, Mystery, Thriller
Keywords countryside, fire, cat, austria, lake, mask, priest, punishment, arson, torture, bathtub, twins, divorce, mental illness, dream sequence, doppelgänger, graveyard, woman director, mother son relationship, cosmetic surgery, animal mask, brother brother relationship
Production Companies ORF, Filmfonds Wien, Radius Productions, Koch Media, OFI, Ulrich Seidl Filmproduktion, FISA
Box Office Revenue: $2,193,474
Budget: $0
Updates Updated: Jun 21, 2025 (Update)
Entered: Jun 22, 2025
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Full Credits

Name Character
Elias Schwarz Elias
Lukas Schwarz Lukas
Susanne Wuest Mother
Hans Escher Priest
Elfriede Schatz Red Cross Collector #1
Karl Purker Red Cross Collector #2
Georg Deliovsky Pizza Supplier
Christian Steindl Mesner
Christian Schatz Farmer
Erwin Schmalzbauer Accordion God
Michael Ande Werner von Trapp
Ruth Leuwerik Baronin von Trapp
Name Job
Matz Müller Sound Designer
Severin Fiala Director, Screenplay
Veronika Franz Director, Screenplay
Martin Gschlacht Director of Photography
Hannes Salat Production Design
Hubert Klausner Production Design
Eva Roth Casting
Tobias Fleig Sound Re-Recording Mixer
Tissi Brandhofer Stunt Coordinator, Special Effects Supervisor
Louis Oellerer Line Producer, Production Manager
Roman Schneller Special Effects
Michael Haneke Thanks
Tanja Hausner Costume Designer
Daniel Gilde ADR Recordist
Lukas Spielvogel ADR Recordist
Robert Stopfer Camera Operator, Steadicam Operator
Roman Braunhofer Key Makeup Artist
Sebastian Heyser Foley Editor
Oliver Brunbauer Recording Supervision
Martha Ruess Key Makeup Artist
Stefan Rosensprung Boom Operator
Linus Lau Compositor
Peter Plessas Music Editor
Olga Neuwirth Music, Original Music Composer, Music Editor
Ulrich Seidl Unit Manager
Michael Krocan Visual Effects
Christina Stadler Production Driver
Michael Palm Editor
Erik Mischijew Sound Designer
Martin Stegmayer Visual Effects Supervisor
Harald Gruber Digital Compositor
Lionel Guenoun Sound Re-Recording Mixer
Christoph Amann Sound Mixer
Adriana Colonna Visual Effects
Martin Langenbach Foley Artist
Rainer Heesch ADR Editor, Dialogue Editor
Barbara Seidler Assistant Editor
Christoph Wieczorek Foley Mixer
Richard Lormand Publicist
Stefan Rüll Legal Services
Lukas Kampichler Visual Effects
Nino Volpe Assistant Camera
Christian Hoyer First Assistant Director
Markus Eckert Steadicam Operator
Birgit Bergmann Assistant Editor
Suli Rakicky Special Effects
Reinhard Feichtinger Digital Conform Editor
Klaus Kellermann Sound Designer
Name Title
Ulrich Seidl Producer
Martin Repka Supervising Producer
Organization Category Person
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Popularity History


Year Month Avg Max Min
2024 4 22 34 14
2024 5 37 57 21
2024 6 27 53 17
2024 7 28 58 19
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2024 12 20 38 12
2025 1 25 38 19
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Reviews

Rangan
9.0

> If a mother isn't being one, her own child would doubt her. The Austrian thriller-drama, is going to contend with another nearly 100 movies from the different countries for the upcoming (2016) American Academy Awards. I hope it will make into the final shortlist and my wishes to the cast and th ... e crew. A minimal cast movie, set in an isolated lake house where the 9 years old twin boys and their mother lives. After their mother returning from the major facial surgery, the brothers doubts is she's the same person. They have no choice, but have to go for an unusual route to find out the truth. Initially it was very slow, but keeps accelerating since the beginning of the second half and it ends strongly. You have to be an open minded, that is very important especially for this movie. Try to understand what it delivers than what you want see. I mean prediction is okay, but don't assume in a wider aspect. The narration was so simple and you may think the end is so cliche, but the movie does not bother to provide a surprise. Before going to talk about the twist, you have clear a couple of things. The first question you have to answer yourself is what is 'horror' mean to you. The demons? The ghosts? Other creepy creatures? The zombies? Possession and exorcism? Haunted places and objects? Imposter? You know 'terror' is also called 'horror', which is a very close to the 'thriller' than being an actual 'horror'. Different movies explain in a different way, but this movie is not that distinctive from those, except being unconventional in revealing the details related to the story and characters. > "I want you to repeat ten times > that I'm your mother." This film had a few diversions in the name of the genre. That is the reason why it failed to satisfy the horror fans, but so much better without mentioning that around. You have to be careful from the beginning itself, observing closely every scene. Because the storytelling commences with a hint within the first 10 minutes which is equivalent to the twist. You must get it right, or the rest of the narration won't be interesting enough. So it is a one time shot, for the second time watch it won't be that effective. Some people deny the casual twist that comes in the first act which is too early for them and so they expects one in the final section only to get disappointed. Nothing wrong with the audience getting annoyed, but the film being atypical, just changing the order of all the three acts, that's it. The writer wanted the viewers to keep guessing throughout the their watch. That's the twist in the filmmaking, not in the actual film. Other than that it was not a smartest movie with the turnovers to amaze or confuse you. I mean it has a proper conclusion, and you would know what it is, but should have to wait for how it's going to take place. I have seen many guys criticising that part particularly, but I felt it was good and made the movie a better product. Definitely one of the best films of the year, especially in my perception. From the posters to the trailer and teaser to the movie, it was being truthful. Never intend to cheat you, except like I said if you assume the things to happen in your way. Specially a big NO to the fancy stuffs like graphics and high pitch sudden sound/noise that's very common in horror to scare you. If you are a Hollywood fanatic, you definitely miss those doses and blame the movie. A great directional debut as well as the twins with the real names on-screen. It got some intense scares, but limits the grossness. Had less dialogues and more in acts. Pretty rare movie and I am surprised that the critics liked this film more than the movie fanatics. But I'm happy that I'm not one of those to dislike it being a movie buff. My only disappointment is the outro scene (the exit scene) (in Hollywood it for kissing) which comes after the conclusion and before the end credit (sometimes, along the credit). I strongly recommend it, and I hope you consider some of the points I wrote in this review, otherwise I barely recommend it. 8/10

May 16, 2024
furious_iz
5.0

Less than I hoped it would be. I went into this film spoiler free, knowing nothing more than the tag line. While it was well acted and well paced for the most part, the twist was heavy handed and obvious from early on. Maybe I would have liked this film more if there was more subtlety to it. A ... good film should still entertain if you know the twist or not, and for me, guessing it so early just hampered my enjoyment. The denouement was handled well, but the lead up let it down.

Jun 23, 2021