The Leopard Man
Woman alone the victims of strange, savage killer!
1943 | 66m | English
Popularity: 0.7 (history)
| Director: | Jacques Tourneur |
|---|---|
| Writer: | Cornell Woolrich, Ardel Wray |
| Staring: |
| When a leopard escapes during a publicity stunt, it triggers a series of murders. | |
| Release Date: | May 08, 1943 |
|---|---|
| Director: | Jacques Tourneur |
| Writer: | Cornell Woolrich, Ardel Wray |
| Genres: | Mystery, Horror, Crime |
| Keywords | fortune teller, leopard, cult, psycho, publicity stunt, proto-slasher |
| Production Companies | RKO Radio Pictures |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 05, 2026 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Dennis O'Keefe | Jerry Manning |
| Margo | Clo-Clo, aka Gabriella |
| Jean Brooks | Kiki Walker |
| Isabel Jewell | Maria the Fortune Teller |
| James Bell | Dr. Galbraith |
| Margaret Landry | Teresa Delgado |
| Abner Biberman | Charlie How-Come |
| Tuulikki Paananen | Consuelo Contreras |
| Ben Bard | Police Chief Robles |
| Ed Agresti | Mexican Police Officer (uncredited) |
| Robert Andersen | Dwight Brunton (uncredited) |
| Lulu Mae Bohrman | Nightclub Patron (uncredited) |
| Jack Chefe | Nightclub Waiter (uncredited) |
| David Cota | Boy Singer (uncredited) |
| Sidney D'Albrook | Waiter Serving Helene and Dwight (uncredited) |
| Rosita Delva | Young Lover (uncredited) |
| Jacqueline deWit | Helene (uncredited) |
| John Dilson | Coroner (uncredited) |
| Joe Dominguez | Police Officer (uncredited) |
| John Eberts | Nightclub Waiter (uncredited) |
| Fely Franquelli | Rosita (uncredited) |
| Elias Gamboa | Señor Delgado (uncredited) |
| Dick Gordon | Nightclub Patron (uncredited) |
| William Halligan | Brunton (uncredited) |
| Ariel Heath | Eloise (uncredited) |
| Rose Higgins | Indian Weaver (uncredited) |
| Shep Houghton | Nightclub Patron (uncredited) |
| Brandon Hurst | Cemetery Gatekeeper (uncredited) |
| Colin Kenny | Nightclub Patron (uncredited) |
| Kate Drain Lawson | Señora Delgado (uncredited) |
| Jacques Lory | Phillipe (uncredited) |
| Charles Lung | Manuel, the Grocer (uncredited) |
| Mary MacLaren | Nun (uncredited) |
| Richard Martin | Raoul Belmonte (uncredited) |
| Belle Mitchell | Señora Calderon (uncredited) |
| Ottola Nesmith | Señora Contreras (uncredited) |
| William H. O'Brien | Bartender (uncredited) |
| Bob O'Connor | Mexican Police Officer (uncredited) |
| Juan Ortiz | Plainclothesman (uncredited) |
| Manuel París | Man Blowing Smoke (uncredited) |
| John Piffle | Flower Vendor (uncredited) |
| José Portugal | Young Lover (uncredited) |
| Fred Rapport | Maître d' (uncredited) |
| Paul Ravel | Man at Ceremony (uncredited) |
| Betty Roadman | Clo-Clo's Mother (uncredited) |
| George Sherwood | Police Lieutenant (uncredited) |
| Bobby Spindola | Pedro Delgado (uncredited) |
| Marguerita Sylva | Marta (uncredited) |
| John Tettener | Minister (uncredited) |
| Rosa Rita Varella | Clo-Clo's Sister (uncredited) |
| Russell Wade | Man Outside Graveyard (uncredited) |
| Name | Job |
|---|---|
| Jacques Tourneur | Director |
| Edward Dein | Additional Dialogue |
| Robert De Grasse | Director of Photography |
| Walter E. Keller | Art Direction |
| Cornell Woolrich | Novel |
| Ardel Wray | Screenplay |
| Mark Robson | Editor |
| Albert S. D'Agostino | Art Direction |
| Roy Webb | Original Music Composer |
| A. Roland Fields | Set Decoration |
| Darrell Silvera | Set Decoration |
| William Dorfman | Assistant Director |
| John C. Grubb | Sound Recordist |
| Terry Kellum | Sound |
| James G. Stewart | Sound |
| Eugene Joseff | Other |
| C. Bakaleinikoff | Music Director |
| Lou L. Ostrow | Production Supervisor |
| Name | Title |
|---|---|
| Val Lewton | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 9 | 13 | 6 |
| 2024 | 5 | 11 | 14 | 6 |
| 2024 | 6 | 9 | 17 | 6 |
| 2024 | 7 | 10 | 19 | 6 |
| 2024 | 8 | 8 | 12 | 5 |
| 2024 | 9 | 6 | 9 | 4 |
| 2024 | 10 | 7 | 10 | 5 |
| 2024 | 11 | 10 | 30 | 4 |
| 2024 | 12 | 6 | 8 | 4 |
| 2025 | 1 | 6 | 10 | 5 |
| 2025 | 2 | 5 | 8 | 3 |
| 2025 | 3 | 4 | 6 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 1 | 1 | 0 |
| 2025 | 10 | 1 | 3 | 1 |
| 2025 | 11 | 2 | 4 | 0 |
| 2025 | 12 | 1 | 3 | 0 |
| 2026 | 1 | 0 | 1 | 0 |
| 2026 | 2 | 0 | 1 | 0 |
| 2026 | 3 | 0 | 1 | 0 |
Trending Position
Someday you'll try on my coffin and I hope it fits you just perfect. Horror producer supreme Val Lewton teams up for the third and last time with director Jacques Tourneur to bring us The Leopard Man. Set in New Mexico, the story sees Jerry Manning (Dennis O'Keefe) hire a black leopard as a publi ... city stunt for his night-club performing partner, Kiki (Jean Brooks). Her rival, Clo Clo (Margo), is not impressed and promptly scares the animal into running away into the night. Pretty soon there is a panic looking as the cat appears to be mauling people to death. However, Manning & Kiki, driven by guilt, join the hunt for the rogue animal - but Manning is starting to believe the killings are not of the animal's doing... Based on the book "Black Alibi" written by Cornell Woolrich, The Leopard Man's only crime is that it's not as great as its two predecessors, Cat People & I Walked With A Zombie. Rest assured, though, this is still a quality Lewton/Tourneur production. As a story it's simple and straight, with a running time of just over one hour keeping it lean and devoid of pointless waffle, but the piece positively thrives on its atmosphere - dealing as it does in murky shadows and unease inducing periods of silence. It also boasts a number of sequences that linger long in the memory, be it blood seeping under a door, the bend of a tree branch, or the dark under belly of a railway bridge, for such a short sharp shock of a movie there's so much to enjoy. The work of cinematographer Robert De Grasse (Vivacious Lady/The Body Snatcher) is top class and worthy of indulgence from the film noir loving crowd. What you don't see is more effective on account of the eerie sense of dread that Messrs Lewton/Tourneur/De Grasse have built up. A fine film and proof positive that classic spookers could be made from relatively small budgets. 7/10