 
  Popularity: 0.9 (history)
| Director: | Stuart Heisler | 
|---|---|
| Writer: | W.R. Burnett | 
| Staring: | 
| After aging criminal Roy Earle is released from prison he decides to pull one last heist before retiring — by robbing a resort hotel. | |
| Release Date: | Nov 09, 1955 | 
|---|---|
| Director: | Stuart Heisler | 
| Writer: | W.R. Burnett | 
| Genres: | Crime, Thriller | 
| Keywords | film noir, on the run, dog, attempted robbery | 
| Production Companies | Warner Bros. Pictures | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 20, 2024 | 
| Name | Character | 
|---|---|
| Jack Palance | Roy Earle / Roy Collins | 
| Shelley Winters | Marie Garson | 
| Lori Nelson | Velma | 
| Lee Marvin | Babe Kossuck | 
| Pedro Gonzalez Gonzalez | Chico | 
| Lon Chaney Jr. | Big Mac | 
| Earl Holliman | Red | 
| Perry Lopez | Louis Mendoza | 
| Richard Davalos | Lon Preisser | 
| Howard St. John | Doc Banton | 
| Olive Carey | Ma Goodhue | 
| Ralph Moody | Pa Goodhue | 
| James Millican | Jack Kranmer | 
| Bill Kennedy | Sheriff | 
| Nick Adams | Bellboy (uncredited) | 
| Chris Alcaide | Sheriff's Deputy (uncredited) | 
| Fay Baker | Woman in Tropico Lobby (uncredited) | 
| Larry J. Blake | Healy (uncredited) | 
| Nesdon Booth | Tom (uncredited) | 
| Paul Brinegar | Bus Driver (uncredited) | 
| Joe Brooks | Observer at Accident Scene (uncredited) | 
| Mushy Callahan | Observer at Accident Scene (uncredited) | 
| Mae Clarke | Mabel Baughman (uncredited) | 
| Tom Coleman | Cabbie (uncredited) | 
| John Daheim | Holden (uncredited) | 
| Steve Darrell | Plainclothesman (uncredited) | 
| Don Dillaway | Observer at Accident Scene (uncredited) | 
| Darren Dublin | Bellboy (uncredited) | 
| Myrna Fahey | Margie (uncredited) | 
| Ed Fury | Man with Tennis Racket at Accident Scene (uncredited) | 
| Howard Hoffman | Fisherman (uncredited) | 
| Dennis Hopper | Joe (uncredited) | 
| Shep Houghton | Hotel Guest (uncredited) | 
| Larry Hudson | Sheriff's Deputy (uncredited) | 
| Carol Kelly | Girl at Cigar Counter (uncredited) | 
| Carey Leverette | Velma's Friend (uncredited) | 
| Peggy Maley | Kranmer's Girl (uncredited) | 
| Philo McCullough | Observer at Accident Scene (uncredited) | 
| John McKee | State Trooper (uncredited) | 
| David McMahon | Auto Court Owner (uncredited) | 
| Dennis Moore | Officer (uncredited) | 
| Howard Negley | Tropico Watchman (uncredited) | 
| Wendell Niles | Radio Announcer (uncredited) | 
| Monty O'Grady | Hotel Guest (uncredited) | 
| Gil Perkins | Slim (uncredited) | 
| John Pickard | Sheriff's Deputy (uncredited) | 
| Paul Power | Observer at Accident Scene (uncredited) | 
| Richard Reeves | Deputy (uncredited) | 
| Hugh Sanders | Mr. Baughman (uncredited) | 
| Jeffrey Sayre | Tropico Guest (uncredited) | 
| James Seay | Man in Tropico Lobby (uncredited) | 
| Mickey Simpson | Officer (uncredited) | 
| John Stephenson | Pfeiffer (uncredited) | 
| Dub Taylor | Ed (uncredited) | 
| Herb Vigran | Art (uncredited) | 
| Max Wagner | Deputy Charlie (uncredited) | 
| Charles Watts | Crowd Member (uncredited) | 
| Robert B. Williams | Ned (uncredited) | 
| Name | Job | 
|---|---|
| John Daheim | Stunts | 
| David Buttolph | Original Music Composer | 
| Ted D. McCord | Director of Photography | 
| Clarence Kolster | Editor | 
| Edward Carrere | Art Direction | 
| William L. Kuehl | Set Decoration | 
| Moss Mabry | Wardrobe Master, Costume Design | 
| Gordon Bau | Makeup Supervisor | 
| Charles Lang | Sound | 
| John Prettyman | Assistant Director | 
| Lee White | Assistant Director | 
| Russell Saunders | Second Unit Director | 
| Chuck Hansen | Assistant Director | 
| Gil Perkins | Stunts | 
| Maurice De Packh | Orchestrator | 
| Gus Levene | Orchestrator | 
| Al Alleborn | Production Assistant | 
| Eugene Busch | Dialogue Coach | 
| Stuart Heisler | Director | 
| W.R. Burnett | Novel, Screenplay | 
| Edwin B. DuPar | Second Unit Director of Photography | 
| Name | Title | 
|---|---|
| Willis Goldbeck | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 7 | 14 | 3 | 
| 2024 | 5 | 9 | 16 | 5 | 
| 2024 | 6 | 8 | 19 | 3 | 
| 2024 | 7 | 8 | 14 | 3 | 
| 2024 | 8 | 7 | 15 | 4 | 
| 2024 | 9 | 4 | 7 | 2 | 
| 2024 | 10 | 7 | 13 | 4 | 
| 2024 | 11 | 7 | 19 | 2 | 
| 2024 | 12 | 7 | 13 | 3 | 
| 2025 | 1 | 7 | 17 | 3 | 
| 2025 | 2 | 4 | 7 | 1 | 
| 2025 | 3 | 3 | 6 | 1 | 
| 2025 | 4 | 3 | 4 | 1 | 
| 2025 | 5 | 2 | 4 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 0 | 1 | 0 | 
| 2025 | 8 | 1 | 2 | 0 | 
| 2025 | 9 | 2 | 2 | 1 | 
| 2025 | 10 | 1 | 1 | 0 | 
Trending Position
Famed Bandit, Former No 1 On FBI List, Pardoned After Eight Years. I Died a Thousand Times is directed by Stuart Heisler and adapted to screenplay by W.R. Burnett from his own novel High Sierrra. It stars Jack Palance, Shelley Winters, Lori Nelson, Lee Marvin, Pedro Gonzalez Gonzalez, Lon Chaney ... Junior and Earl Holliman. A CinemaScope/Warnercolor production, cinematography is by Ted McCord and music by David Buttolph. It will always be debatable if remaking the excellent High Sierra (Raoul Walsh 1941) was needed or wanted by a 1950s audience? Especially since Walsh had himself already remade it as a great Western with 1949 film Colorado Territory, but taken on its own terms, with great production value and Burnett's personal adaptation taken into consideration, it's a very enjoyable film. Set up is simple, it's one last heist for Roy "Mad Dog" Earle (Palance) before going straight, but as his attempts to break free from his emotional loner status fall apart, so does the heist and his future is written in blood right up there in the mountains. Heisler and Burnett put Earle up front for character inspection, easing in sympathetic tones whilst ensuring he remains a big physical threat. The air of fatalism is pungent enough and the finale is excitingly staged by Heisler. Cast performances are more than adequate if not comparing to the likes of Bogart and Lupino, while the Warnercolor is gorgeous and the photography around the Alabama Hills in Lone Pine is superb. While not in the same league as High Sierra or Colorado Territory, that doesn't mean this is a wash out, more so if you haven't seen either of the Walsh movies. If you have, like me (High Sierra is one of my favourite Bogart performances), then comparisons and a feeling of deja vu will obviously infiltrate your viewing experience. That said, there is more than enough here to make it worth your time regardless of comparison and familiarities. 7/10