Popularity: 1 (history)
Director: | Franc Roddam |
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Writer: | Mary Shelley, Lloyd Fonvielle |
Staring: |
Doctor Frankenstein creates a mate for his monster, a woman called Eva, who promptly rejects the male creature. In turn, the doctor becomes obsessed with Eva, and tries to make her a perfect victorian woman. | |
Release Date: | Aug 16, 1985 |
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Director: | Franc Roddam |
Writer: | Mary Shelley, Lloyd Fonvielle |
Genres: | Science Fiction, Drama, Romance, Horror |
Keywords | frankenstein |
Production Companies | Columbia Pictures, Tri-Star-Delphi III Productions, Colgems Productions Ltd., Lee International Studios |
Box Office |
Revenue: $3,558,669
Budget: $13,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Sting | Frankenstein |
Jennifer Beals | Eva |
Anthony Higgins | Clerval |
Clancy Brown | Viktor |
David Rappaport | Rinaldo |
Geraldine Page | Mrs. Baumann |
Cary Elwes | Josef |
Timothy Spall | Paulus |
Alexei Sayle | Magar |
Phil Daniels | Bela |
Quentin Crisp | Dr Zahlus |
Veruschka von Lehndorff | Countess |
Guy Rolfe | Count |
Ken Campbell | Pedlar |
Andy de la Tour | Priest |
Gary Shail | 1st Circus Hand |
Carl Chase | 2nd Circus Hand |
Tony Haygarth | Tavern Keeper |
Janine Duvitski | Serving Girl |
Matthew Guinness | 1st Patron |
Tony Brutus | 2nd Patron |
Jack Birkett | Blind Man |
John Sharp | Bailiff |
Bernard Padden | Houseboy |
Gerry Crampton | Gentleman |
Fenella Fletcher | Masked Lady |
Joe Kaye | Groom |
Harold Coyne | Butler |
Stromboli | Circus Performer |
Karen Furness | Circus Performer |
John Alexander | Circus Performer |
Jacqueline Russell | Circus Performer |
Tod Cody | Circus Performer |
Laurence Temple | Circus Performer |
Gerard Naprous | Circus Performer |
Vera De Vel | Circus Performer |
Sally Oultram | Circus Performer |
Joëlle Baland | Circus Performer |
Miss Irta | Circus Performer |
Andy Barrat | Circus Ringmaster |
Annie Roddam | Countess' Daughter |
Jon Dubaya | Page Boy |
Harry Fielder | Circus Man |
Frank Jakeman | Circus Roustabout |
Name | Job |
---|---|
Ellen Chenoweth | Casting |
Stephen H. Burum | Director of Photography |
Nick Gillard | Stunts |
Maurice Jarre | Conductor, Original Music Composer |
Peter Bond | Dialogue Editor |
Mary Shelley | Novel |
Derek Lyons | Stand In |
Callum McDougall | Third Assistant Director |
Maralyn Sherman | Prosthetic Designer |
Franc Roddam | Director |
Tessa Davies | Set Decoration |
Malcolm Weaver | Stunts |
Alan Stuart | Stunts |
Patrick Clayton | First Assistant Director |
John Palmer | Camera Operator |
Simon Mills | Camera Loader |
David John | Sound Mixer |
Bruce Bigg | Property Master |
W.C. 'Chunky' Huse | Key Grip |
Chris Brock | Second Assistant Director |
Christopher Young | Assistant Editor |
Bryan Graves | Supervising Art Director |
Rebecca Breed | Wardrobe Master |
Roy Alon | Stunts |
Jason White | Stunts |
Denise Ryan | Stunts |
Joyce Gallie | Additional Casting |
Bernard Mazauric | Production Manager |
Sarah Monzani | Makeup Department Head |
David McHenry | Assistant Art Director |
Robin Clarke | Music Editor |
Bob Penn | Still Photographer |
Frédéric Bovis | Location Manager |
David Budd | Assistant Camera |
Laurent Brégeat | Assistant Director |
Matthew Launay | Sound Assistant |
Paul Hodgson | First Assistant Editor |
Michel Mention | Orchestrator |
Don Mothersill | Wardrobe Assistant |
Tricia Cameron | Assistant Hairdresser |
Roy Evans | Construction Manager |
Joanna Gollins | Location Manager |
Yvonne Heeks | Assistant Accountant |
Peter Hutchinson | Special Effects Supervisor |
Lloyd Fonvielle | Screenplay |
Michael Ellis | Editor |
Michael Seymour | Production Design |
Shirley Russell | Costume Design |
Gerry Crampton | Stunt Coordinator |
Dinny Powell | Stunts |
Dorothy Ford | Stunts |
Tony Friel | Stunt Double |
Ted Morley | Production Manager |
Cheryl Leigh | Script Supervisor |
Marilyse Morgan | Production Coordinator |
John Ireland | Sound Editor |
Laurie Shane | Gaffer |
Pamela Guest | Casting Assistant |
Andy Birmingham | Production Accountant |
Ronnie Fox Rogers | Camera Operator |
Damien Lanfranchi | Art Direction |
Hugh Strain | Sound Mixer |
Dick Lewzey | Music Editor |
Richard Pointing | Wardrobe Supervisor |
Chris Taylor | Hairdresser |
Sallie Evans | Assistant Makeup Artist |
Tony Cridlin | Key Grip |
Antoine Sabarros | Location Manager |
Pauline Granby | Assistant Accountant |
Sally Osoba | Casting Assistant |
Patricia Reid-Douglas | Production Secretary |
Len Tremble | Assistant Sound Editor |
Christopher Palmer | Orchestrator |
Janet Macklam | Wardrobe Assistant |
Maureen Stephenson | Assistant Makeup Artist |
Aaron Sherman | Prosthetic Designer |
Christine Raspillère | Location Manager |
Michèle Girot | Accountant |
Caroline Mazauric | Extras Casting |
Peter Skehan | Special Effects Technician |
Name | Title |
---|---|
Victor Drai | Producer |
Keith Addis | Executive Producer |
Lloyd Fonvielle | Associate Producer |
Chris Kenny | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 17 | 29 | 11 |
2024 | 5 | 19 | 29 | 11 |
2024 | 6 | 16 | 40 | 8 |
2024 | 7 | 16 | 37 | 7 |
2024 | 8 | 12 | 21 | 7 |
2024 | 9 | 10 | 14 | 7 |
2024 | 10 | 12 | 22 | 7 |
2024 | 11 | 17 | 48 | 6 |
2024 | 12 | 11 | 28 | 6 |
2025 | 1 | 12 | 25 | 7 |
2025 | 2 | 9 | 13 | 2 |
2025 | 3 | 5 | 10 | 1 |
2025 | 4 | 2 | 5 | 1 |
2025 | 5 | 2 | 6 | 1 |
2025 | 6 | 1 | 3 | 1 |
2025 | 7 | 1 | 1 | 1 |
2025 | 8 | 1 | 1 | 0 |
2025 | 9 | 1 | 2 | 0 |
2025 | 10 | 1 | 1 | 1 |
Trending Position
**_A fairy tale version of the Frankenstein yarn with Sting and Jennifer Beals_** In Geneva of the early 1800s, Baron Frankenstein (Sting) intends on making a bride for the ‘monster’ he created. While the monster (Clancy Brown) wanders the heart of Europe with a dwarf (David Rappaport), the lovel ... y female creature (Beals) is educated at Castle Frankenstein and is intrigued by a noble captain (Cary Elwes), which doesn’t sit well with her creator. “The Bride” (1985) combines Mary Shelley’s Frankenstein with “The Bride of Frankenstein” (1935) and the tone of Hammer films, such as "Vampire Circus" and “The Evil of Frankenstein.” It doesn’t include the creation story of the original monster, but is rather a creative continuation of that story. So, it’s a sequel. The top Frankenstein movies make you care for the creature and this is one of the better ones in this regard. The best part is his friendship with the dwarf and their misadventures in a circus. But I found the other part worthy too, which explores interesting themes. For instance, the risk and consequences of governing males in a patriarchal society giving education and emancipation to women. The flick failed at the box office and is obscure, but it shouldn’t be. While contrived in a comic book way (like Shelley’s book), it has heart and imagination, as well as the confidence to take its time. It is superior to Corman’s “Frankenstein Unbound” (1990) and at least on par with Kenneth Branagh’s “Frankenstein” (1994). The film runs 1 hour, 58 minutes, and was shot in France (such as Sarlat-la-Canéda, Chateau de Cordes and Ain, Rhône-Alpes) with studio stuff done at Shepperton Studios, Shepperton, Surrey, England, which is just southwest of London. GRADE: B+/A-