Popularity: 2 (history)
Director: | Peter Yates |
---|---|
Writer: | Larry Brothers |
Staring: |
Jimmie Rainwood was minding his own business when two corrupt police officers (getting an address wrong) burst into his house, expecting to find a major drug dealer. Rainwood is shot, and the officers frame him as a drug dealer. Rainwood is convicted of drug dealing, based on the perjured evidence of a police informant. Thrown into a seedy jail, fighting to prove his innocence is diffucult when he has to deal with the realities of prison life, where everyone claims they were framed. | |
Release Date: | Oct 06, 1989 |
---|---|
Director: | Peter Yates |
Writer: | Larry Brothers |
Genres: | Drama, Crime, Thriller |
Keywords | drug crime, mistaken identity, police corruption, wrongful arrest, crime investigation, innocent in jail, innocent suspect |
Production Companies | Touchstone Pictures, Interscope Communications, Silver Screen Partners IV |
Box Office |
Revenue: $20,047,604
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Job |
---|---|
Tom Lupo | Stunts |
Frank Richwood | Art Direction |
Lon Bentley | Makeup Artist |
Howard Feuer | Casting |
John Moio | Stunt Coordinator |
Kerrie Cullen | Stunts |
Paul Deason | First Assistant Director |
Michael Schmidt | Leadman |
Bob Stradling | First Assistant Camera |
Daniel Dayton | First Assistant "B" Camera |
Holly Huckins | Assistant Editor |
Neil L. Kaufman | Sound Editor |
Dan Korintus | Assistant Sound Editor |
Suzana Peric | Music Editor |
C. Darin Knight | Production Sound Mixer |
Cynnie Troup | Script Supervisor |
Michele Imperato Stabile | Production Coordinator |
Robbie Goldstein | Location Manager |
Sandy Berke Jordan | Costumer |
Ty Suehiro | Best Boy Grip |
Don Yamasaki | Best Boy Electric |
Robert Bonino | Construction Foreman |
Ken Kitch | Extras Casting |
William S. Scharf | Editor |
Chris Butler | Set Decoration |
Stuart Wurtzel | Production Design |
Stephen A. Rotter | Editor |
Larry Brothers | Screenplay |
James Lee McCoy | Makeup Artist |
David Efron | Stunts |
Sig Tingloff | Set Designer |
Marc Margulies | First Assistant Camera |
Joseph F. Valentine | "B" Camera Operator |
Richard Friedlander | First Assistant Editor |
Michael Kirchberger | Sound Editor |
Lynn Sable | Assistant Sound Editor |
David Grossack | Assistant Sound Editor |
Elisha Birnbaum | Foley Artist |
Tom Fleischman | Sound Re-Recording Mixer |
David Katz | Video Assist Operator |
Jeff Okabayashi | Second Second Assistant Director |
Ken Lavet | Location Manager |
David Mayreis | Costumer |
Al LaVerde | Key Grip |
Gerald Boatright | Gaffer |
William H. Schirmer | Special Effects Coordinator |
David Brymer | Casting Assistant |
Bob Noland | Color Timer |
Mike Johnson | Stunts |
Kelly Wimberly | Second Assistant Director |
David E. Diano | Camera Operator |
Nicholas S. McLean | Second Assistant Camera |
Gene Trindl | Still Photographer |
Dan Sable | Supervising Sound Editor |
Bitty O'Sullivan-Smith | Sound Editor |
Marissa Littlefield | Assistant Sound Editor |
Jane McCulley | ADR Editor |
Suki Buchman | Music Editor |
Jules Strasser | Boom Operator |
Paul Fonteyn | Second Assistant Director |
Ellen Pasternack | Unit Publicist |
Michael Dennison | Key Costumer |
Carol A. O'Connell | Hairstylist |
Clay H. Wilson | Dolly Grip |
Mark Wade | Property Master |
Eddie Lee Voelker | Transportation Coordinator |
Homer Denison | Orchestrator |
Peter Yates | Director |
William A. Fraker | Director of Photography |
Rita Ryack | Costume Design |
Howard Shore | Original Music Composer |
George P. Wilbur | Stunts |
Steven Lambert | Stunts |
Neil Machlis | Unit Production Manager |
John Gilroy | Assistant Sound Editor |
Name | Title |
---|---|
Robert W. Cort | Producer |
Scott Kroopf | Executive Producer |
Larry Brothers | Associate Producer |
Ted Field | Producer |
Neil Machlis | Co-Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 13 | 18 | 8 |
2024 | 5 | 15 | 25 | 8 |
2024 | 6 | 12 | 22 | 6 |
2024 | 7 | 14 | 31 | 7 |
2024 | 8 | 12 | 19 | 7 |
2024 | 9 | 9 | 13 | 6 |
2024 | 10 | 11 | 20 | 6 |
2024 | 11 | 13 | 50 | 5 |
2024 | 12 | 9 | 13 | 6 |
2025 | 1 | 9 | 17 | 6 |
2025 | 2 | 7 | 11 | 3 |
2025 | 3 | 5 | 10 | 1 |
2025 | 4 | 3 | 6 | 1 |
2025 | 5 | 2 | 6 | 1 |
2025 | 6 | 1 | 3 | 1 |
2025 | 7 | 1 | 1 | 0 |
2025 | 8 | 1 | 1 | 0 |
2025 | 9 | 2 | 3 | 1 |
2025 | 10 | 2 | 2 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 760 | 823 |
That's Virgil Cane man, Lone Ranger ain't got nothing on him. James Rainwood (Tom Selleck) is a real stand up guy, with a loving wife and in a dream job with a company that just couldn't cope without him. His life is just dandy, That is until two corrupt cops make a mistake and burst into his ho ... me believing it to be host to a drug deal. Thinking his hairdryer is a gun, one of the cops shoots Rainwood and it's then that the cops realise they have made a monumental error. So planting drugs around the home they set Rainwood up as a dealer who shot at the cops. Believing justice & honesty will see him OK, Rainwood refuses to cop a plea, and is promptly sentenced to a hell hole prison for six years. Here the affable Rainwood needs to wise up quickly or face a brutal and torrid time in the big house. Earlier in 1989 we had seen the release of Sly Stallone vehicle Lock Up, a film, that for all its many faults, was a dream come true to the action movie fan who also has a bent for any piece involving incarceration. So up steps Tom Selleck, who after recently showing himself to be a more than effective light entertainer in films such as Three Men and a Baby and Her Alibi, is looking to break out into other, more rounded genres (he also made the quite excellent Quigley Down Under in 1989). For the most part it's a good fit for Selleck and the casting director. The role of Jimmie Rainwood calls for someone charming, elegant and reeking of pure homeliness. That's Selleck without doubt. But the problems for many observers have been, and will be for first time viewers, the transformation of homely Tom into cocksure daddio prison geezer. Thrust into a world of violence and male rape, Rainwood simply must shape up or face a few years of brutality and a stripping of his soul. We know this, and once he starts to be guided by Virgil Cane (F. Murray Abraham adding a touch of class to a stereotypical role), the film for the rest of the prison sections is sign posted for us. And it's hard to swallow, even for someone like me who is a fan of the film! As for the other elements in the film, the various sub-plots hold few surprises. Rainwood's wife (Laila Robins) is loving and crusading for her man's release, but writer Larry Brothers has her very much by the numbers. As he does for Badja Djola's Internal Affairs investigator, John Fitzgerald. The latter of which is a real shame as Djola holds his scenes very well and is aching to put more meat into the character. Then there is of course our dirty cops played by Richard Young & David Rasche. Young's Danny Scaliese is the calm thinking one, Rasche's Mike Parnell is the aggressive and borderline psychotic one. It's hard to tell if Rasche is playing it for ham or really attempting to layer the madness lurking within? Either way, it's very entertaining, if ultimately miles away from the brilliance that was his Sledge Hammer! TV series. These cops are of course in desperate need of a fall, the question is if the makers here are merely reverting to formula or do they have some tricks up their sleeves? Well it's directed by Peter Yates and the writer is hardly an inspired scribe, so you do the maths. And lets face it, Selleck is no Stallone - a better actor for sure, but when it comes to shanking and shooting who you gonna call? Rambo or Magnum? I do like the film a lot, but I love the genre it belongs to anyway. And I literally will watch Abraham in anything. So take my 7/10 rating purely with a pinch of salt and call it a 6/10 time filler if you not be singing of the same page as myself.