Popularity: 1 (history)
Director: | Geoffrey Faithfull |
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Writer: | David Evans |
Staring: |
When a soldier returns from the Far East after the war, he and his wife have to adjust to life at home. | |
Release Date: | Jun 17, 1946 |
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Director: | Geoffrey Faithfull |
Writer: | David Evans |
Genres: | Music |
Keywords | musical |
Production Companies | Butcher's Film Service |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: May 07, 2024 Entered: May 05, 2024 |
Name | Character |
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Terry Randall | Aileen Meredith |
Don Stannard | Roger Meredith |
Harry Welchman | Mr. Collins |
Ann Codrington | Mrs. Collins |
George Merritt | Cecil Joy |
Irene Handl | Mrs. Gammon |
Ellis Irving | Henry Browning |
Nicolette Roeg | Flora Fenton |
Anthony Pendrell | Dick Fenton |
Leslie Perrins | Chigwell |
John Henry Allen | Estate Agent |
Grace Arnold | Nurse |
Davina Whitehouse | Telephonist |
Melville Crawford | Bullen |
Arthur Denton | Commissionaire |
Jonathan Field | Brierson |
Michael Gainsborough | Office Boy |
Cameron Hall | The Neighbour |
Hamilton Keene | Hotel Receptionist (uncredited) |
David Keir | Estate Agent |
Olive Kirby | Office Girl |
Evelyn Laye | Herself |
Sandy Macpherson | Himself |
Aubrey Mallalieu | Managing Director |
John McHugh | Orchestral Soloist |
Janet M. Morrison | Mrs. Jordan |
Peter Penn | Fellowes |
Albert Sandler | Leader, Palm Court Orchestra |
Jack Vyvyan | Stage Door Keeper |
Sylvia Welling | Herself |
Hal Gordon | Taxi Driver (uncredited) |
Name | Job |
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Don Weeks | Assistant Director |
F.W. Baker | Other |
David Evans | Writer |
Tommy Meyers | Sound Recordist |
Harry Bidgood | Musical |
Ted Richards | Editor |
Arthur Grant | Director of Photography |
Geoffrey Faithfull | Director |
E.S. Laurie | Production Manager |
Arthur Bernard Lewis | Camera Operator |
Bernard Lewis | Camera Operator |
Name | Title |
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Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 2 | 3 | 1 |
2024 | 5 | 2 | 4 | 1 |
2024 | 6 | 1 | 2 | 0 |
2024 | 7 | 1 | 4 | 0 |
2024 | 8 | 1 | 3 | 0 |
2024 | 9 | 1 | 1 | 1 |
2024 | 10 | 1 | 3 | 1 |
2024 | 11 | 3 | 11 | 1 |
2024 | 12 | 1 | 2 | 1 |
2025 | 1 | 1 | 2 | 1 |
2025 | 2 | 1 | 2 | 1 |
2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 0 | 1 | 0 |
2025 | 9 | 0 | 1 | 0 |
2025 | 10 | 1 | 1 | 1 |
Trending Position
I suppose this scenario must have played out in quite a few households across the country after the end of WWII. “Roger” (Don Stannard) returns home to his loving wife “Aileen” (Terry Randall) and pretty much instantly struggles to settle down into his new, rather pedestrian, existence. They have ve ... ry little money and he sees his wife (innocently) associating with friends like “Henry” (Ellis Irving) who can give her so much more than he can. It’s this frustration that leads him to abscond - but a chance meeting with his supposed foe might just help him get his priorities straight. It’s a very gently paced, rather contrived, story this with far too much dialogue: if she called him ‘darling’ one more time… and frankly it really struggles to sustain ninety-odd minutes. Indeed the last fifteen of those is set at a concert and luckily the fine dulcets of a Welsh choir and soloist John McHugh keep our attention while the melodrama reaches it’s all-too predicable conclusion. It was made immediately after the end of the war, when sentiment would have been very deep and perhaps that gave it an added resonance at the time. Now, though, it’s all rather weak and unremarkably performed by two stars who don’t really shine.