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Terminator 3: Rise of the Machines Poster

Terminator 3: Rise of the Machines

The Machines Will Rise.
2003 | 109m | English

(431127 votes)

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Popularity: 7 (history)

Details

It's been 10 years since John Connor saved Earth from Judgment Day, and he's now living under the radar, steering clear of using anything Skynet can trace. That is, until he encounters T-X, a robotic assassin ordered to finish what T-1000 started. Good thing Connor's former nemesis, the Terminator, is back to aid the now-adult Connor … just like he promised.
Release Date: Jul 02, 2003
Director: Jonathan Mostow
Writer: John Brancato, Michael Ferris, Tedi Sarafian
Genres: Action, Science Fiction, Thriller
Keywords leather jacket, nanotechnology, villain, female villain, good versus evil, artificial intelligence (a.i.), killer robot, veterinarian, psychiatrist, action hero, man vs machine, cyborg, rocket launcher, time travel, firefighter, saving the world, dystopia, fire engine, urban setting, 2030s
Production Companies Intermedia Films, C2 Pictures, IMF Internationale Medien und Film 3 & Produktions, Mostow/Lieberman Productions
Box Office Revenue: $435,000,000
Budget: $200,000,000
Updates Updated: Aug 06, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Arnold Schwarzenegger The Terminator
Nick Stahl John Connor
Claire Danes Kate Brewster
Kristanna Loken T-X
Earl Boen Dr. Peter Silberman
David Andrews Robert Brewster
Carolyn Hennesy Rich Woman
Jay Acovone Cop - Westside Street
Mark Famiglietti Scott Petersen
Moira Sinise Betsy
Chopper Bernet Chief Engineer
Christopher Lawford Brewser's Aide
M.C. Gainey Roadhouse Bouncer
Susan Merson Roadhouse Clubgoer #1
Elizabeth Morehead Roadhouse Clubgoer #2
Billy D. Lucas Angry Man
Brian Sites Bill Anderson
Alana Curry Bill's Girlfriend
Larry McCormick KTLA Anchorman
Robert Alonzo Jose Barrera
Michael Papajohn Paramedic #1
Timothy Dowling Paramedic Stevens
Jon Foster Gas Station Cashier
Mark Hicks Detective Martinez
Kim Robillard Detective Edwards
Matt Gerald SWAT Team Leader
William O'Leary Mr. Smith
Rick Zieff Mr. Jones
Rebecca Tilney Laura the CRS Tech
Chris Hardwick 2nd Engineer
Helen Eigenberg 3rd Engineer
Kiki Gorton Roadhouse Clubgoer #3
Walter von Huene CRS Victim
Jerry Katell CRS Executive
George A. Sack Jr. Semi Truck Driver
Eric Ritter MP #1 (uncredited)
Name Job
Joey Box Stunt Double
Jonathan Mostow Director
John Brancato Story, Screenplay
Marco Beltrami Original Music Composer
Sarah Halley Finn Casting
Shepherd Frankel Art Direction
Beat Frutiger Art Direction
James Cameron Characters
Stan Winston Makeup Effects
John Rosengrant Makeup Effects
Arjen Tuiten Makeup Effects
Jeff Dawn Makeup Department Head
Don Burgess Director of Photography
Lesley Aletter Utility Stunts
Buck Sanders Sound Designer
Paula Fairfield Sound Editor
Colin Strause 3D Supervisor
Bruce Moriarty First Assistant Director
Tim Rigby Stunts
Billy D. Lucas Stunt Double
Mike Smith Stunts
Tory Belleci Modeling
Rick Avery Stunts
Sandy Berumen Stunts
Richard Burden Stunts
Marc Cass Stunts
Robin Bonaccorsi Stunt Driver
Rex Reddick Stunts
Troy Gilbert Stunts
Lance Gilbert Stunts
Jennifer Caputo Stunts
Phil Culotta Stunts
Charlie Brewer Stunts
Theo Kypri Stunts
Dickey Beer Stunts
Tim Trella Stunts
Scott Wilder Stunts
Scott Workman Stunts
Steve Holladay Stunts
Ben Seresin Second Unit Director of Photography
Wendy Hoffmann ADR Voice Casting
Dana Hee Stunt Double
Dana Dru Evenson Stunts
Mark De Alessandro Stunts
Laura Albert Stunts
Alisa Hensley Stunt Double
Billy Taylor Production Assistant
Simon Crane Stunt Coordinator, Second Unit Director
Michael Ferris Story, Screenplay
Nicolas De Toth Editor
Neil Travis Editor
Jeff Mann Production Design
Bill Abbott Music Editor
Peter Brown Sound Effects Editor
Cary Weitz Boom Operator
Tedi Sarafian Story
Donna Marcione Pollack Costume Supervisor
Dan Moore Costume Supervisor
Oliver Hengst Line Producer
Jay Hart Set Decoration
Randi Hiller Casting
Allen Hall Special Effects Coordinator
Mark Zuelzke Art Direction
Erica Callas Art Department Assistant
Laura J. DeRosa Art Department Coordinator
Greg Berry Assistant Art Director
Constantine Sekeris Conceptual Design
Greg John Callas Construction Coordinator
Sean Clouser Construction Foreman
Giovanni Ferrara Lead Painter
Wayne Shepherd Leadman
Francesco Franco Ferrara Painter
Matt Codd Production Illustrator
Fred Arbegast Sculptor
Raimund Almanza First Assistant Camera
Kenji Luster Steadicam Operator
Robert Zuckerman Still Photographer
Peter Tothpal Hair Department Head
Lisa M. Cubero Hairstylist
Cydney Cornell Key Hair Stylist
Steve LaPorte Makeup Artist
Terry Wolfinger Makeup Designer
Bob Moore Jr. Set Costumer
Egan Gauntt Set Dressing Supervisor
Michael Papac Armorer
Clinton Wayne Prosthetic Supervisor
Richard McBride CG Supervisor
Lea Anderson Craft Service
Don Lee Digital Effects Supervisor
Roger Bojarski Jr. Driver
Joel Sill Executive Music Producer
Robert K. Johnson Picture Car Coordinator
Stewart Maclennan Post Production Assistant, Apprentice Sound Editor
Michael Tinger Post Production Supervisor
Nour Dardari Production Controller
Kent Hayward Projection
Mark Bialuski Propmaker
Timothy Michael Cairns Quality Control Supervisor
Howard Velasco Security
Philippe Rebours Sequence Supervisor
Jason Inman Set Medic
Angela Athayde Set Production Assistant
Ryan Kautzman Software Engineer
Richard Jay Sound Recordist
Bert Beatson Stand In
Kenny Alexander Stunts
Mike Shannon Transportation Captain
Denny Caira Transportation Coordinator
Sharon Mann Unit Production Manager
Sheryl Main Unit Publicist
Mauriece Jacks Jr. Video Assist Operator
Gian Ganziano Visual Effects Editor
John Trujillo Layout
Todd Busch First Assistant Editor
Darren Langer Electrician
James M. McEwen Gaffer
Anthony D. Guzman Lighting Technician
Jason Andrew Rigging Grip
Courtney Gross Casting Associate
Michael J. Burmeister Location Manager
Maryjane Layani Production Accountant
Tina Bennett Production Coordinator
Gregory Alpert Production Supervisor
Shery Mann Publicist
Max Chen Researcher
Pete Anthony Orchestrator, Conductor
William B. Kaplan Production Sound Mixer
Ray Cymoszinski Sound Mixer
Jamie Baxter Digital Compositors
Keith Marbory Special Effects Supervisor
Bill Coffin Visual Effects
Gayle Busby Visual Effects Coordinator
Kim Boyle Visual Effects Producer
Dion Hatch Visual Effects Supervisor
Tom Armbruster Motion Capture Artist
Peter Mitchell Rubin Visual Effects Art Director
Andy Potvin Dolby Consultant
Csilla Somogyi Thanks
Maria Baker Set Designer
Jack Carpenter Stunts
Eric Dennis Assistant Property Master
Tammy Banal Set Dresser
Heather Green Camera Loader
Brian Rosso Dolly Grip
Michael J. Coo Key Grip
Nico Bally Grip
Carol Demarti Ager/Dyer
Jacqueline Wazir Costume Illustrator
Louis Lazzara Key Makeup Artist
Robert 'Bobby Z' Zajonc Aerial Coordinator
Emily McGovern Second Assistant Director
Gary Burritt Negative Cutter
Edward Hunt Assistant Production Coordinator
Scott D. Moore Casting Assistant
Joe Dorn ADR Editor
Joseph Bonn Assistant Sound Editor
Kevin Connolly Musician
Susan Dudeck Supervising ADR Editor
William Clay Creature Technical Director
Scott Wirtz Lead Animator
Richard J. Landon Mechanical Designer
Michael J. Benavente Dialogue Editor
Luca Kouimelis Script Supervisor
Hope M. Parrish Property Master
Sean Landeros Sound Recordist
Robert Hoffmeister Digital Compositor
Don Elliott Set Dresser
Becky Gelbart Costumer
Christian Pichler Assistant Director
Mark S. Constance Second Second Assistant Director
David E. Scott Graphic Designer
Frank Cappiello Head Greensman
John Bugarcic Set Painter
Howard London ADR Mixer
Nancy Parker Foley Artist
Brian Ruberg Foley Mixer
Matthew C. Beville Foley Supervisor
Philip A. Schwartz Utility Sound
Parry Willard Special Effects Assistant
Brian Barnhart Special Effects Technician
Jill E. Hughes Visual Effects Production Assistant
Jodi Birdsong Visual Effects Production Manager
Brandon Margulies Additional First Assistant Camera
Mark 'Boylee' Boyle Additional Second Assistant Camera
Ron Peterson Assistant Camera
Steve Ball Best Boy Grip
Marc Lulkin Camera Production Assistant
Bobby Foster Dolly Grip
Giselle Brewton Second Assistant Camera
Danny Gordon Taylor Animation Director
Michael Eaves Digital Color Timer
Amy Tompkins Digital Intermediate Editor
Hilda Saffari Digital Intermediate Producer
Martin Allen Assistant Location Manager
Paige Wilbanks Location Assistant
Marylou Eales Music Coordinator
Doug Meyer Additional Production Assistant
Kelley Baker Assistant Accountant
Dániel Bukovec CG Artist
Gregory Oehler Compositing Supervisor
Alexander Yves Brunner Executive Assistant
Tina Kerr Extras Casting
Ford Austin Extras Casting Assistant
Donald Fly General Manager
Kayce Brown Key Set Production Assistant
Shannan Burkley Matte Painter
Cecilia Escobar Payroll Accountant
Graham DuBose Production Assistant
Tobin Armbrust Production Executive
Jana Lundy Production Secretary
Grace Cheney Rotoscoping Artist
Carlo Pratto Second Assistant Accountant
Chris Buchinsky Storyboard Artist
Robert Consing Storyboard Artist
Nick Foley ADR Recordist
Wade Allen Stunts
Chuck 'Chaz' Hosack Stunts
Brycen Counts Stunts
Terry Jackson Stunts
David Hugghins Stunts
Ray De-Haan Stunts
Damien Moreno Stunts
Brian Simpson Stunts
Danny Weselis Stunts
Peter Weireter Stunts
Colleen Gibbons Location Manager
Ted Yonenaka Craft Service
Andrea Horta ADR Editor
Matthew P. Hanson Assistant Sound Editor
Ann Ducommun Assistant Sound Editor
Tricia Linklater Assistant Sound Editor
Gretchen Libby Visual Effects Producer
Anthony Pitone Visual Effects Editor
Rod Park Digital Effects Producer
Kenneth Nakada Visual Effects Supervisor
Elaine Essex Thompson Visual Effects Coordinator
Tony Schwartz Assistant Production Manager
Michael O'Donnell Set Dresser
Andrew Menzies Art Direction
April Ferry Costume Design
Evan Schiff Systems Administrators & Support
Stephen Hunter Flick Supervising Sound Editor
Cris Thomas-Palomino Stunts
Mike Justus Stunts
Gale Anne Hurd Characters
Cedric Nairn-Smith Assistant Editor
Rafael E. Sánchez Gaffer
Andrew G. Vajna Presenter
Chris Tuck Stunts
Tanoai Reed Motion Capture Artist
Name Title
Mario Kassar Producer
Hal Lieberman Producer
Colin Wilson Producer
Moritz Borman Executive Producer
Matthias Deyle Producer
Guy East Executive Producer
Aslan Nadery Executive Producer
Dieter Nobbe Executive Producer
Volker Schauz Executive Producer
Joel B. Michaels Producer
Nigel Sinclair Executive Producer
Gale Anne Hurd Executive Producer
Andrew G. Vajna Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 57 69 40
2024 5 57 113 37
2024 6 56 102 38
2024 7 67 90 44
2024 8 59 108 40
2024 9 53 79 35
2024 10 59 94 39
2024 11 51 114 34
2024 12 45 57 37
2025 1 50 71 35
2025 2 37 57 7
2025 3 19 53 3
2025 4 9 10 7
2025 5 8 10 6
2025 6 7 8 6
2025 7 6 8 5
2025 8 6 9 5
2025 9 8 11 6

Trending Position


Year Month High Avg
2025 9 187 650
Year Month High Avg
2025 8 292 763
Year Month High Avg
2025 7 493 703
Year Month High Avg
2025 6 709 823
Year Month High Avg
2025 5 455 768
Year Month High Avg
2025 4 609 893
Year Month High Avg
2025 3 244 626
Year Month High Avg
2025 2 252 663
Year Month High Avg
2025 1 164 664
Year Month High Avg
2024 12 221 717
Year Month High Avg
2024 11 200 573
Year Month High Avg
2024 10 499 666
Year Month High Avg
2024 9 610 859
Year Month High Avg
2024 8 445 676

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Reviews

DRDMovieMusings
7.0

SPOILERS Under-rated, worthy chapter to the story, with surprisingly provocative ideas and some stellar acting. While this movie admittedly has neither the grit of T1 nor the grand vision or pathos of T2, I'd like to share what I believe to be three elements which together cement T3's place i ... n the canon of the Terminator franchise. The first is the way the actors acted the relationship between Connor and the T-800. While Connor has memories that we the audience recall from T2, the T-800, played by Arnold, was not the same T-800 from T2. This is just another machine from off an assembly line of T-800s that were manufactured. Yeah, Arnold looks like Arnold, but this T-800 has no memory of the previous installment because it was not there. And he acts disconnected, distant and mechanical, betraying zero connection to Connor. That was really cool, and helped we the audience appreciate that, where the T-800 comes from, is a much bigger place than we had heretofore really digested. We only ever saw one or two at a time back in our time; the reality we had not yet seen by the time of T3, is that the future was full of these things, and there's nothing personal about them. We the audience wanted to reconnect to all the good feelings from the end of T2, we wanted to get personal with these machines, and that's really hard to do. This movie smacked us back to "reality". The second aspect is that this is the movie that puts the transition to SkyNet into a context that we could see. Now we know why and how the government handed control over to SkyNet. T3 displayed what we'd heard a little about in T1, and a little more about in T2, but it did so in a way that did not prompt much in the way of "where did that come from?" or "what are they talking about" that I've ever come across (Terminator Salvation failed test this miserably, spectacularly). The third and final aspect of the movie that, for me, was rather provocative is that, right up to the end, we the audience are following the stubborn view of Connor that judgment day can be stopped. He was sure they'd stopped it at the end of T2. He was sure they were racing to stop it throughout T3...but, if we the audience stopped ourselves from being emotionally carried away, we'd have come to the realization Connor did earlier that judgment day could not be stopped. The terminators kept coming back from the future because the technology had advanced to where it was both possible and necessary. So judgment day did happen, and the terminator being there meant it couldn't be stopped. Is T3 the best in the franchise? Heck no! C'mon, I'm not totally crazy. Is it the worst? I don't think so, at all. (I, personally, lay that crown on Terminator Salvation, but I digress...) T2 is the best, for me, for a few reasons. T1 is the honourable second because it started the story and set up many of the devices that would help make T2 among the great sequals of all time - right up there with Godfather 2 and Star Wars Episode 2, and Blade II :-)

Jun 23, 2021
Ruuz
3.0

The worst _Terminator_ movie. Which seeing as what came after it is... Quite the burn. _Final rating:★½: - Boring/disappointing. Avoid where possible._ ...

Jun 23, 2021
Geronimo1967
5.0

Is it in the song "American Pie" where Don McLean sings "Fire is the Devil's only friend"? Well, I hate to contradict him, but I am afraid time travel is also one of his allies - especially when it is handled in quite such a derivative fashion as this. This time Arnie returns from the future to prot ... ect the under-the-radar drifter "Connor" (Nick Stahl) and his as yet unknown, future, wife "Kate" (Claire Danes) from another, much more state of the art "Terminator" - the "T-X" (Kristanna Loken). The plot thickens when we discover that her father is an US Air Force general in charge of an whole load of military tech and that baddies Skynet hope to be able to manipulate the past and take control of the defences leaving the nation open to attack from even more of their deadly machines. Could they be re-inventing their own future - on their own, dastardly, terms? Well, of course the original T-1000 (our friendly, neighbourhood, "Terminator") is determined to work with "Connor" and the now remarkably adept with weaponry "Kate" to ensure that this catastrophe is thwarted. Nope, there is not the slightest amount of menace or jeopardy here at all. You might as well just watch the last ten minutes and confirm what you knew was going to happen from the start of this completely unnecessary sequel. The horse has been well and truly flogged; the action scenes - though impressive enough on the VFX front - are all repetitively predictable and frankly rather dull. Neither Stahl nor Danes really fit into their roles particularly well, and strong as he is, Mr. Schwarzenegger can only do so much of the heavy lifting before even his broad shoulders get too tired to prop the whole thing up. Mark Famiglietti provides a bit of eye candy, but otherwise this is all poorly written and delivered, forgettable, stuff that just about passes OK the time in front of the telly.

Jun 02, 2022
GenerationofSwine
1.0

Well... I kind of feel like giving this 10 stars based on Salvation and, especially, Genisys. I mean, in retrospect, compared to those two, it actually feels like you are watching a really good movie doesn't it? It has a plot that actually makes sense, and, unlike Genisys, it fits into the greate ... r Terminator story without changing everything just to, well, just to change the entire canon and story for the sake of... what? I honestly don't know. However, when you compare it to Terminator and T2, it actually seems like you are watching a horrible movie. Nick Stahl was possibly the worst person to play John Conner they could have cast, Sarah Coner is gone (and with her the protagonist everyone loved) and Claire Danes just doesn't seem to know what she's doing in the film. Not only that, but Stahl comes across as the worst possible leader on earth... and he's the one that is supposed to be the legend that finally beats the machines? Seriously? Him? It might have been better if the Terminatrix was in it for more than a blink of the eye, but she kind of takes a back seat to everything else that is going on and leaves us wondering why they even added her into the movie. Ultimately, it's not a good film. However, compared to Salvation and the typo, it comes across as a masterpiece.

Jan 11, 2023