Popularity: 7 (history)
Director: | Jonathan Mostow |
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Writer: | John Brancato, Michael Ferris, Tedi Sarafian |
Staring: |
It's been 10 years since John Connor saved Earth from Judgment Day, and he's now living under the radar, steering clear of using anything Skynet can trace. That is, until he encounters T-X, a robotic assassin ordered to finish what T-1000 started. Good thing Connor's former nemesis, the Terminator, is back to aid the now-adult Connor … just like he promised. | |
Release Date: | Jul 02, 2003 |
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Director: | Jonathan Mostow |
Writer: | John Brancato, Michael Ferris, Tedi Sarafian |
Genres: | Action, Science Fiction, Thriller |
Keywords | leather jacket, nanotechnology, villain, female villain, good versus evil, artificial intelligence (a.i.), killer robot, veterinarian, psychiatrist, action hero, man vs machine, cyborg, rocket launcher, time travel, firefighter, saving the world, dystopia, fire engine, urban setting, 2030s |
Production Companies | Intermedia Films, C2 Pictures, IMF Internationale Medien und Film 3 & Produktions, Mostow/Lieberman Productions |
Box Office |
Revenue: $435,000,000
Budget: $200,000,000 |
Updates |
Updated: Aug 06, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Arnold Schwarzenegger | The Terminator |
Nick Stahl | John Connor |
Claire Danes | Kate Brewster |
Kristanna Loken | T-X |
Earl Boen | Dr. Peter Silberman |
David Andrews | Robert Brewster |
Carolyn Hennesy | Rich Woman |
Jay Acovone | Cop - Westside Street |
Mark Famiglietti | Scott Petersen |
Moira Sinise | Betsy |
Chopper Bernet | Chief Engineer |
Christopher Lawford | Brewser's Aide |
M.C. Gainey | Roadhouse Bouncer |
Susan Merson | Roadhouse Clubgoer #1 |
Elizabeth Morehead | Roadhouse Clubgoer #2 |
Billy D. Lucas | Angry Man |
Brian Sites | Bill Anderson |
Alana Curry | Bill's Girlfriend |
Larry McCormick | KTLA Anchorman |
Robert Alonzo | Jose Barrera |
Michael Papajohn | Paramedic #1 |
Timothy Dowling | Paramedic Stevens |
Jon Foster | Gas Station Cashier |
Mark Hicks | Detective Martinez |
Kim Robillard | Detective Edwards |
Matt Gerald | SWAT Team Leader |
William O'Leary | Mr. Smith |
Rick Zieff | Mr. Jones |
Rebecca Tilney | Laura the CRS Tech |
Chris Hardwick | 2nd Engineer |
Helen Eigenberg | 3rd Engineer |
Kiki Gorton | Roadhouse Clubgoer #3 |
Walter von Huene | CRS Victim |
Jerry Katell | CRS Executive |
George A. Sack Jr. | Semi Truck Driver |
Eric Ritter | MP #1 (uncredited) |
Name | Job |
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Joey Box | Stunt Double |
Jonathan Mostow | Director |
John Brancato | Story, Screenplay |
Marco Beltrami | Original Music Composer |
Sarah Halley Finn | Casting |
Shepherd Frankel | Art Direction |
Beat Frutiger | Art Direction |
James Cameron | Characters |
Stan Winston | Makeup Effects |
John Rosengrant | Makeup Effects |
Arjen Tuiten | Makeup Effects |
Jeff Dawn | Makeup Department Head |
Don Burgess | Director of Photography |
Lesley Aletter | Utility Stunts |
Buck Sanders | Sound Designer |
Paula Fairfield | Sound Editor |
Colin Strause | 3D Supervisor |
Bruce Moriarty | First Assistant Director |
Tim Rigby | Stunts |
Billy D. Lucas | Stunt Double |
Mike Smith | Stunts |
Tory Belleci | Modeling |
Rick Avery | Stunts |
Sandy Berumen | Stunts |
Richard Burden | Stunts |
Marc Cass | Stunts |
Robin Bonaccorsi | Stunt Driver |
Rex Reddick | Stunts |
Troy Gilbert | Stunts |
Lance Gilbert | Stunts |
Jennifer Caputo | Stunts |
Phil Culotta | Stunts |
Charlie Brewer | Stunts |
Theo Kypri | Stunts |
Dickey Beer | Stunts |
Tim Trella | Stunts |
Scott Wilder | Stunts |
Scott Workman | Stunts |
Steve Holladay | Stunts |
Ben Seresin | Second Unit Director of Photography |
Wendy Hoffmann | ADR Voice Casting |
Dana Hee | Stunt Double |
Dana Dru Evenson | Stunts |
Mark De Alessandro | Stunts |
Laura Albert | Stunts |
Alisa Hensley | Stunt Double |
Billy Taylor | Production Assistant |
Simon Crane | Stunt Coordinator, Second Unit Director |
Michael Ferris | Story, Screenplay |
Nicolas De Toth | Editor |
Neil Travis | Editor |
Jeff Mann | Production Design |
Bill Abbott | Music Editor |
Peter Brown | Sound Effects Editor |
Cary Weitz | Boom Operator |
Tedi Sarafian | Story |
Donna Marcione Pollack | Costume Supervisor |
Dan Moore | Costume Supervisor |
Oliver Hengst | Line Producer |
Jay Hart | Set Decoration |
Randi Hiller | Casting |
Allen Hall | Special Effects Coordinator |
Mark Zuelzke | Art Direction |
Erica Callas | Art Department Assistant |
Laura J. DeRosa | Art Department Coordinator |
Greg Berry | Assistant Art Director |
Constantine Sekeris | Conceptual Design |
Greg John Callas | Construction Coordinator |
Sean Clouser | Construction Foreman |
Giovanni Ferrara | Lead Painter |
Wayne Shepherd | Leadman |
Francesco Franco Ferrara | Painter |
Matt Codd | Production Illustrator |
Fred Arbegast | Sculptor |
Raimund Almanza | First Assistant Camera |
Kenji Luster | Steadicam Operator |
Robert Zuckerman | Still Photographer |
Peter Tothpal | Hair Department Head |
Lisa M. Cubero | Hairstylist |
Cydney Cornell | Key Hair Stylist |
Steve LaPorte | Makeup Artist |
Terry Wolfinger | Makeup Designer |
Bob Moore Jr. | Set Costumer |
Egan Gauntt | Set Dressing Supervisor |
Michael Papac | Armorer |
Clinton Wayne | Prosthetic Supervisor |
Richard McBride | CG Supervisor |
Lea Anderson | Craft Service |
Don Lee | Digital Effects Supervisor |
Roger Bojarski Jr. | Driver |
Joel Sill | Executive Music Producer |
Robert K. Johnson | Picture Car Coordinator |
Stewart Maclennan | Post Production Assistant, Apprentice Sound Editor |
Michael Tinger | Post Production Supervisor |
Nour Dardari | Production Controller |
Kent Hayward | Projection |
Mark Bialuski | Propmaker |
Timothy Michael Cairns | Quality Control Supervisor |
Howard Velasco | Security |
Philippe Rebours | Sequence Supervisor |
Jason Inman | Set Medic |
Angela Athayde | Set Production Assistant |
Ryan Kautzman | Software Engineer |
Richard Jay | Sound Recordist |
Bert Beatson | Stand In |
Kenny Alexander | Stunts |
Mike Shannon | Transportation Captain |
Denny Caira | Transportation Coordinator |
Sharon Mann | Unit Production Manager |
Sheryl Main | Unit Publicist |
Mauriece Jacks Jr. | Video Assist Operator |
Gian Ganziano | Visual Effects Editor |
John Trujillo | Layout |
Todd Busch | First Assistant Editor |
Darren Langer | Electrician |
James M. McEwen | Gaffer |
Anthony D. Guzman | Lighting Technician |
Jason Andrew | Rigging Grip |
Courtney Gross | Casting Associate |
Michael J. Burmeister | Location Manager |
Maryjane Layani | Production Accountant |
Tina Bennett | Production Coordinator |
Gregory Alpert | Production Supervisor |
Shery Mann | Publicist |
Max Chen | Researcher |
Pete Anthony | Orchestrator, Conductor |
William B. Kaplan | Production Sound Mixer |
Ray Cymoszinski | Sound Mixer |
Jamie Baxter | Digital Compositors |
Keith Marbory | Special Effects Supervisor |
Bill Coffin | Visual Effects |
Gayle Busby | Visual Effects Coordinator |
Kim Boyle | Visual Effects Producer |
Dion Hatch | Visual Effects Supervisor |
Tom Armbruster | Motion Capture Artist |
Peter Mitchell Rubin | Visual Effects Art Director |
Andy Potvin | Dolby Consultant |
Csilla Somogyi | Thanks |
Maria Baker | Set Designer |
Jack Carpenter | Stunts |
Eric Dennis | Assistant Property Master |
Tammy Banal | Set Dresser |
Heather Green | Camera Loader |
Brian Rosso | Dolly Grip |
Michael J. Coo | Key Grip |
Nico Bally | Grip |
Carol Demarti | Ager/Dyer |
Jacqueline Wazir | Costume Illustrator |
Louis Lazzara | Key Makeup Artist |
Robert 'Bobby Z' Zajonc | Aerial Coordinator |
Emily McGovern | Second Assistant Director |
Gary Burritt | Negative Cutter |
Edward Hunt | Assistant Production Coordinator |
Scott D. Moore | Casting Assistant |
Joe Dorn | ADR Editor |
Joseph Bonn | Assistant Sound Editor |
Kevin Connolly | Musician |
Susan Dudeck | Supervising ADR Editor |
William Clay | Creature Technical Director |
Scott Wirtz | Lead Animator |
Richard J. Landon | Mechanical Designer |
Michael J. Benavente | Dialogue Editor |
Luca Kouimelis | Script Supervisor |
Hope M. Parrish | Property Master |
Sean Landeros | Sound Recordist |
Robert Hoffmeister | Digital Compositor |
Don Elliott | Set Dresser |
Becky Gelbart | Costumer |
Christian Pichler | Assistant Director |
Mark S. Constance | Second Second Assistant Director |
David E. Scott | Graphic Designer |
Frank Cappiello | Head Greensman |
John Bugarcic | Set Painter |
Howard London | ADR Mixer |
Nancy Parker | Foley Artist |
Brian Ruberg | Foley Mixer |
Matthew C. Beville | Foley Supervisor |
Philip A. Schwartz | Utility Sound |
Parry Willard | Special Effects Assistant |
Brian Barnhart | Special Effects Technician |
Jill E. Hughes | Visual Effects Production Assistant |
Jodi Birdsong | Visual Effects Production Manager |
Brandon Margulies | Additional First Assistant Camera |
Mark 'Boylee' Boyle | Additional Second Assistant Camera |
Ron Peterson | Assistant Camera |
Steve Ball | Best Boy Grip |
Marc Lulkin | Camera Production Assistant |
Bobby Foster | Dolly Grip |
Giselle Brewton | Second Assistant Camera |
Danny Gordon Taylor | Animation Director |
Michael Eaves | Digital Color Timer |
Amy Tompkins | Digital Intermediate Editor |
Hilda Saffari | Digital Intermediate Producer |
Martin Allen | Assistant Location Manager |
Paige Wilbanks | Location Assistant |
Marylou Eales | Music Coordinator |
Doug Meyer | Additional Production Assistant |
Kelley Baker | Assistant Accountant |
Dániel Bukovec | CG Artist |
Gregory Oehler | Compositing Supervisor |
Alexander Yves Brunner | Executive Assistant |
Tina Kerr | Extras Casting |
Ford Austin | Extras Casting Assistant |
Donald Fly | General Manager |
Kayce Brown | Key Set Production Assistant |
Shannan Burkley | Matte Painter |
Cecilia Escobar | Payroll Accountant |
Graham DuBose | Production Assistant |
Tobin Armbrust | Production Executive |
Jana Lundy | Production Secretary |
Grace Cheney | Rotoscoping Artist |
Carlo Pratto | Second Assistant Accountant |
Chris Buchinsky | Storyboard Artist |
Robert Consing | Storyboard Artist |
Nick Foley | ADR Recordist |
Wade Allen | Stunts |
Chuck 'Chaz' Hosack | Stunts |
Brycen Counts | Stunts |
Terry Jackson | Stunts |
David Hugghins | Stunts |
Ray De-Haan | Stunts |
Damien Moreno | Stunts |
Brian Simpson | Stunts |
Danny Weselis | Stunts |
Peter Weireter | Stunts |
Colleen Gibbons | Location Manager |
Ted Yonenaka | Craft Service |
Andrea Horta | ADR Editor |
Matthew P. Hanson | Assistant Sound Editor |
Ann Ducommun | Assistant Sound Editor |
Tricia Linklater | Assistant Sound Editor |
Gretchen Libby | Visual Effects Producer |
Anthony Pitone | Visual Effects Editor |
Rod Park | Digital Effects Producer |
Kenneth Nakada | Visual Effects Supervisor |
Elaine Essex Thompson | Visual Effects Coordinator |
Tony Schwartz | Assistant Production Manager |
Michael O'Donnell | Set Dresser |
Andrew Menzies | Art Direction |
April Ferry | Costume Design |
Evan Schiff | Systems Administrators & Support |
Stephen Hunter Flick | Supervising Sound Editor |
Cris Thomas-Palomino | Stunts |
Mike Justus | Stunts |
Gale Anne Hurd | Characters |
Cedric Nairn-Smith | Assistant Editor |
Rafael E. Sánchez | Gaffer |
Andrew G. Vajna | Presenter |
Chris Tuck | Stunts |
Tanoai Reed | Motion Capture Artist |
Name | Title |
---|---|
Mario Kassar | Producer |
Hal Lieberman | Producer |
Colin Wilson | Producer |
Moritz Borman | Executive Producer |
Matthias Deyle | Producer |
Guy East | Executive Producer |
Aslan Nadery | Executive Producer |
Dieter Nobbe | Executive Producer |
Volker Schauz | Executive Producer |
Joel B. Michaels | Producer |
Nigel Sinclair | Executive Producer |
Gale Anne Hurd | Executive Producer |
Andrew G. Vajna | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 57 | 69 | 40 |
2024 | 5 | 57 | 113 | 37 |
2024 | 6 | 56 | 102 | 38 |
2024 | 7 | 67 | 90 | 44 |
2024 | 8 | 59 | 108 | 40 |
2024 | 9 | 53 | 79 | 35 |
2024 | 10 | 59 | 94 | 39 |
2024 | 11 | 51 | 114 | 34 |
2024 | 12 | 45 | 57 | 37 |
2025 | 1 | 50 | 71 | 35 |
2025 | 2 | 37 | 57 | 7 |
2025 | 3 | 19 | 53 | 3 |
2025 | 4 | 9 | 10 | 7 |
2025 | 5 | 8 | 10 | 6 |
2025 | 6 | 7 | 8 | 6 |
2025 | 7 | 6 | 8 | 5 |
2025 | 8 | 6 | 9 | 5 |
2025 | 9 | 8 | 11 | 6 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 187 | 650 |
Year | Month | High | Avg |
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2025 | 8 | 292 | 763 |
Year | Month | High | Avg |
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2025 | 7 | 493 | 703 |
Year | Month | High | Avg |
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2025 | 6 | 709 | 823 |
Year | Month | High | Avg |
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2025 | 5 | 455 | 768 |
Year | Month | High | Avg |
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2025 | 4 | 609 | 893 |
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2025 | 3 | 244 | 626 |
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2025 | 2 | 252 | 663 |
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2025 | 1 | 164 | 664 |
Year | Month | High | Avg |
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2024 | 12 | 221 | 717 |
Year | Month | High | Avg |
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2024 | 11 | 200 | 573 |
Year | Month | High | Avg |
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2024 | 10 | 499 | 666 |
Year | Month | High | Avg |
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2024 | 9 | 610 | 859 |
Year | Month | High | Avg |
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2024 | 8 | 445 | 676 |
SPOILERS Under-rated, worthy chapter to the story, with surprisingly provocative ideas and some stellar acting. While this movie admittedly has neither the grit of T1 nor the grand vision or pathos of T2, I'd like to share what I believe to be three elements which together cement T3's place i ... n the canon of the Terminator franchise. The first is the way the actors acted the relationship between Connor and the T-800. While Connor has memories that we the audience recall from T2, the T-800, played by Arnold, was not the same T-800 from T2. This is just another machine from off an assembly line of T-800s that were manufactured. Yeah, Arnold looks like Arnold, but this T-800 has no memory of the previous installment because it was not there. And he acts disconnected, distant and mechanical, betraying zero connection to Connor. That was really cool, and helped we the audience appreciate that, where the T-800 comes from, is a much bigger place than we had heretofore really digested. We only ever saw one or two at a time back in our time; the reality we had not yet seen by the time of T3, is that the future was full of these things, and there's nothing personal about them. We the audience wanted to reconnect to all the good feelings from the end of T2, we wanted to get personal with these machines, and that's really hard to do. This movie smacked us back to "reality". The second aspect is that this is the movie that puts the transition to SkyNet into a context that we could see. Now we know why and how the government handed control over to SkyNet. T3 displayed what we'd heard a little about in T1, and a little more about in T2, but it did so in a way that did not prompt much in the way of "where did that come from?" or "what are they talking about" that I've ever come across (Terminator Salvation failed test this miserably, spectacularly). The third and final aspect of the movie that, for me, was rather provocative is that, right up to the end, we the audience are following the stubborn view of Connor that judgment day can be stopped. He was sure they'd stopped it at the end of T2. He was sure they were racing to stop it throughout T3...but, if we the audience stopped ourselves from being emotionally carried away, we'd have come to the realization Connor did earlier that judgment day could not be stopped. The terminators kept coming back from the future because the technology had advanced to where it was both possible and necessary. So judgment day did happen, and the terminator being there meant it couldn't be stopped. Is T3 the best in the franchise? Heck no! C'mon, I'm not totally crazy. Is it the worst? I don't think so, at all. (I, personally, lay that crown on Terminator Salvation, but I digress...) T2 is the best, for me, for a few reasons. T1 is the honourable second because it started the story and set up many of the devices that would help make T2 among the great sequals of all time - right up there with Godfather 2 and Star Wars Episode 2, and Blade II :-)
The worst _Terminator_ movie. Which seeing as what came after it is... Quite the burn. _Final rating:★½: - Boring/disappointing. Avoid where possible._ ...
Is it in the song "American Pie" where Don McLean sings "Fire is the Devil's only friend"? Well, I hate to contradict him, but I am afraid time travel is also one of his allies - especially when it is handled in quite such a derivative fashion as this. This time Arnie returns from the future to prot ... ect the under-the-radar drifter "Connor" (Nick Stahl) and his as yet unknown, future, wife "Kate" (Claire Danes) from another, much more state of the art "Terminator" - the "T-X" (Kristanna Loken). The plot thickens when we discover that her father is an US Air Force general in charge of an whole load of military tech and that baddies Skynet hope to be able to manipulate the past and take control of the defences leaving the nation open to attack from even more of their deadly machines. Could they be re-inventing their own future - on their own, dastardly, terms? Well, of course the original T-1000 (our friendly, neighbourhood, "Terminator") is determined to work with "Connor" and the now remarkably adept with weaponry "Kate" to ensure that this catastrophe is thwarted. Nope, there is not the slightest amount of menace or jeopardy here at all. You might as well just watch the last ten minutes and confirm what you knew was going to happen from the start of this completely unnecessary sequel. The horse has been well and truly flogged; the action scenes - though impressive enough on the VFX front - are all repetitively predictable and frankly rather dull. Neither Stahl nor Danes really fit into their roles particularly well, and strong as he is, Mr. Schwarzenegger can only do so much of the heavy lifting before even his broad shoulders get too tired to prop the whole thing up. Mark Famiglietti provides a bit of eye candy, but otherwise this is all poorly written and delivered, forgettable, stuff that just about passes OK the time in front of the telly.
Well... I kind of feel like giving this 10 stars based on Salvation and, especially, Genisys. I mean, in retrospect, compared to those two, it actually feels like you are watching a really good movie doesn't it? It has a plot that actually makes sense, and, unlike Genisys, it fits into the greate ... r Terminator story without changing everything just to, well, just to change the entire canon and story for the sake of... what? I honestly don't know. However, when you compare it to Terminator and T2, it actually seems like you are watching a horrible movie. Nick Stahl was possibly the worst person to play John Conner they could have cast, Sarah Coner is gone (and with her the protagonist everyone loved) and Claire Danes just doesn't seem to know what she's doing in the film. Not only that, but Stahl comes across as the worst possible leader on earth... and he's the one that is supposed to be the legend that finally beats the machines? Seriously? Him? It might have been better if the Terminatrix was in it for more than a blink of the eye, but she kind of takes a back seat to everything else that is going on and leaves us wondering why they even added her into the movie. Ultimately, it's not a good film. However, compared to Salvation and the typo, it comes across as a masterpiece.