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Blood Money

The Law Got Them In! But He Got Them Out!
1933 | 65m | English

(454 votes)

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Popularity: 3 (history)

Details

The title refers to the business of affable, ambitious bail bondsman (and politically-connected grifter) Bill Bailey, who, in the course of his work, crosses paths with every kind of offender there is, from first-time defendants to career criminals.
Release Date: Nov 17, 1933
Director: Rowland Brown
Writer: Rowland Brown, Hal Long, Speed Kendall
Genres: Crime
Keywords nymphomaniac, pre-code, bail bondsman, kleptomaniac, nightclub hostess
Production Companies 20th Century Pictures
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 03, 2024
Entered: Apr 20, 2024
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Full Credits

Name Character
George Bancroft Bill Bailey
Judith Anderson Ruby Darling
Frances Dee Elaine Talbart
Chick Chandler Drury Darling
Blossom Seeley Singer
Etienne Girardot Bail Bond Clerk
George Regas Charley
Lucille Ball Davy's Girlfriend (uncredited)
Herman Bing Butcher Weighing Sausages (uncredited)
John Bleifer Bombmaker (uncredited)
Ann Brody Jewish Client (uncredited)
Bess Flowers Party Guest (uncredited)
Noel Francis Red's Girlfriend (uncredited)
Henry Lewis Jr. Jewish Client's Son (uncredited)
Nina Mae McKinney Rebecca, Ruby's maid (uncredited)
Bert Moorhouse Charley's Henchman (uncredited)
Theresa Harris Jessica (uncredited)
Henry Kolker Newspaper Managing Editor (uncredited)
Dennis O'Keefe Racetrack Spectator (uncredited)
Bradley Page District Attorney (uncredited)
Sandra Shaw Job Seeker (uncredited)
Kathlyn Williams Nightclub Woman Wearing Monocle (uncredited)
Name Job
Bruce Rutherford Sound Mixer
Rowland Brown Writer, Director
Albert S. D'Agostino Art Direction
Alfred Newman Music Director
Hal Long Writer
James Van Trees Director of Photography
Lloyd Nosler Editor
Karl Herlinger Makeup Artist
Fred Bentley Camera Operator
Speed Kendall Writer
James Light Dialogue Coach
Ben Silvey Assistant Director
Samuel G. Engel Second Assistant Director
Kenneth Green Camera Operator
Mickey Meyers Wardrobe Supervisor
Andy Anderson Wardrobe Supervisor
Ruby Felker Hair Designer
Ed Ebele Production Manager
Jimmy Connelly Grip
Julia Heron Props
Elmer Howard Assistant Property Master
Lee Marple Assistant Property Master
Oscar Wright Transportation Coordinator
Ray Kilgore Stunts
Leo J. Hefferman Still Photographer
Kitty Alexander Stand In
Name Title
Raymond Griffith Associate Producer
Darryl F. Zanuck Producer
William Goetz Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 5 10 1
2024 5 5 9 3
2024 6 4 9 1
2024 7 3 7 1
2024 8 3 6 1
2024 9 2 4 1
2024 10 2 6 1
2024 11 3 8 1
2024 12 2 3 1
2025 1 2 5 1
2025 2 1 2 1
2025 3 1 2 1
2025 4 1 2 1
2025 5 1 2 1
2025 6 1 1 1
2025 7 0 0 0
2025 8 0 2 0
2025 9 2 2 1
2025 10 2 3 1

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Reviews

waltzma
8.0

This is a saucy pre-code melodrama that deserves cult status. Bail bondsman George Bancroft is known all throughout New York City and encounters people from every scrape of society in this pre-code crime drama. But he's going to need every ounce of street-smarts when he strikes up an acquaintance wi ... th kleptomaniac Frances Dee, a woman with a rather animistic sexual appetite. Judith Anderson gets to display a rare glamorous side here as the nightclub hostess obviously in love with Bancroft, with her famous mole darkened into a beauty spot. Dee gives Bancroft several looks that It's nice to see her playing a softer character. This is a fast-moving programmer, made on a dime, but not showing it. Quick edits, snappy photography and dialog, nice musical interludes by Blossom Seeley (singing such standards as "Melancholy Baby"), and a side of seedy New York sung about in the same year's "42nd Street" diluted in most movies. There's hints about lesbianism in addition to Dee's whacked-out libido. Tons of familiar character actors pop in and out, most notably Etienne Girardot, Chick Chandler (as Anderson's gangster brother), Clarence Wilson and Edward Van Sloan. There's even a very young Lucille Ball in a quick appearance! An exciting dog racing sequence is one of the film's visual highlights, and the finale is downright suspenseful, like something Hitchcock might do.

Jun 23, 2021