Popularity: 3 (history)
| Director: | Robert Wise |
|---|---|
| Writer: | Lillie Hayward, Luke Short, Harold Shumate |
| Staring: |
| Down-and-out cowhand Jim Garry is asked by his old friend Tate Riling to help mediate a cattle dispute. When Garry arrives, however, it soon becomes clear that Riling has not been entirely forthright. Garry uncovers Riling's plot to dupe local rancher John Lufton out of a fortune. When Lufton's firecracker of a daughter, Amy, gets involved, Garry must choose between his old loyalties and what he knows to be right. | |
| Release Date: | Nov 11, 1948 |
|---|---|
| Director: | Robert Wise |
| Writer: | Lillie Hayward, Luke Short, Harold Shumate |
| Genres: | Romance, Western |
| Keywords | daughter, cattle drive, homesteader, drifter, cattle baron, herd, corrupt official, neighbor feud, western noir, cowboys, rancher |
| Production Companies | RKO Radio Pictures |
| Box Office |
Revenue: $88
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Robert Mitchum | Jim Garry |
| Barbara Bel Geddes | Amy Lufton |
| Robert Preston | Tate Riling |
| Walter Brennan | Kris Barden |
| Phyllis Thaxter | Carol Lufton |
| Frank Faylen | Jake Pindalest |
| Tom Tully | John Lufton |
| Charles McGraw | Milo Sweet |
| Clifton Young | Joe Shotten |
| Tom Tyler | Frank Reardon |
| George Cooper | Fred Barden |
| Tom Keene | Ted Elser |
| Bud Osborne | Cap Willis |
| Zon Murray | Nels Titterton |
| Robert Bray | Bart Daniels |
| Joe Devlin | Barney (uncredited) |
| Chris-Pin Martin | Commissary Bartender (uncredited) |
| Iron Eyes Cody | Toma (uncredited) |
| Harry Carey, Jr. | Cowboy (uncredited) |
| Name | Job |
|---|---|
| Lillie Hayward | Screenplay |
| Luke Short | Adaptation, Novel |
| Harold Shumate | Adaptation |
| Samuel E. Beetley | Editor |
| Walter E. Keller | Art Direction |
| James Altwies | Set Decoration |
| Darrell Silvera | Set Decoration |
| Edward Stevenson | Costume Design |
| Bill Shanks | Script Supervisor |
| Ollie Sigurdson | Still Photographer |
| Fred Bentley | Camera Operator |
| Tom Clement | Grip |
| Gordon Bau | Makeup Supervisor |
| Maxwell O. Henry | Assistant Director |
| John L. Cass | Sound |
| Terry Kellum | Sound |
| Russell A. Cully | Special Effects |
| Robert Wise | Director |
| Roy Webb | Original Music Composer |
| Albert S. D'Agostino | Art Direction |
| Nicholas Musuraca | Director of Photography |
| C. Bakaleinikoff | Music Director |
| Name | Title |
|---|---|
| Theron Warth | Producer |
| Sid Rogell | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 9 | 14 | 6 |
| 2024 | 5 | 12 | 19 | 7 |
| 2024 | 6 | 10 | 19 | 5 |
| 2024 | 7 | 11 | 23 | 6 |
| 2024 | 8 | 8 | 14 | 5 |
| 2024 | 9 | 7 | 12 | 3 |
| 2024 | 10 | 9 | 15 | 5 |
| 2024 | 11 | 7 | 20 | 3 |
| 2024 | 12 | 6 | 8 | 4 |
| 2025 | 1 | 6 | 11 | 4 |
| 2025 | 2 | 6 | 9 | 2 |
| 2025 | 3 | 4 | 9 | 1 |
| 2025 | 4 | 2 | 3 | 1 |
| 2025 | 5 | 1 | 3 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 3 | 4 | 3 |
Trending Position
I can buy me that kind of friend for $75 a month and no questions asked. Blood on the Moon is directed by Robert Wise and is adapted from a Luke Short story by Lillie Hayward and Harold Shumante. It stars Robert Mitchum, Barbara Bel Geddes, Robert Preston, Walter Brennan, Phyllis Thaxter, Frank F ... aylen, Tom Tully and Charles McGraw. Music is by Roy Webb and cinematography by Nicholas Musuraca. Story has Mitchum as drifting cowboy Jim Garry, who after receiving a job offer in the mail from old acquaintance Tate Riling (Preston), finds himself pitched in the middle of a war between cattle ranchers and homesteaders. Effective and tightly crafted Western that has garnered many favourable remarks, due in the main to its ability to veer away from formula suggested by the plot and the technical film noir touches brought about by the great Musuraca. With Mitchum turning in one of his great screen dominating performances, film is driven forward by the psychological aspects brought about by thematics such as duplicity, split loyalties and moral quandaries. Director Wise does a good job of pacing the film, keeping it on the slow burn whilst dialling into Jim Garry's mindset, and picture is further boosted by a great knuckle fight and a rip-roaring siege shoot out at the end. But it's the mood created by Musuraca and Wise that is the real winner. With the film set 90% at night or in darkened rooms, shadow play is high and an oppressive feel adds weight to the psychological clocks ticking away in the narrative. In support of Mitchum, Geddes does spunky cowgirl well, while the presence of Brennan, Faylen and the gravel voiced McGraw is keenly felt. Good story, well acted and visually potent. 7/10