Menu
Blood on the Moon Poster

Blood on the Moon

A WOMAN'S BULLET KILLS AS QUICK AS A MAN'S!
1948 | 88m | English

(3824 votes)

TMDb IMDb

Popularity: 3 (history)

Details

Down-and-out cowhand Jim Garry is asked by his old friend Tate Riling to help mediate a cattle dispute. When Garry arrives, however, it soon becomes clear that Riling has not been entirely forthright. Garry uncovers Riling's plot to dupe local rancher John Lufton out of a fortune. When Lufton's firecracker of a daughter, Amy, gets involved, Garry must choose between his old loyalties and what he knows to be right.
Release Date: Nov 11, 1948
Director: Robert Wise
Writer: Lillie Hayward, Luke Short, Harold Shumate
Genres: Romance, Western
Keywords daughter, cattle drive, homesteader, drifter, cattle baron, herd, corrupt official, neighbor feud, western noir, cowboys, rancher
Production Companies RKO Radio Pictures
Box Office Revenue: $88
Budget: $0
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

Backdrops

International Posters

Full Credits

Name Character
Robert Mitchum Jim Garry
Barbara Bel Geddes Amy Lufton
Robert Preston Tate Riling
Walter Brennan Kris Barden
Phyllis Thaxter Carol Lufton
Frank Faylen Jake Pindalest
Tom Tully John Lufton
Charles McGraw Milo Sweet
Clifton Young Joe Shotten
Tom Tyler Frank Reardon
George Cooper Fred Barden
Tom Keene Ted Elser
Bud Osborne Cap Willis
Zon Murray Nels Titterton
Robert Bray Bart Daniels
Joe Devlin Barney (uncredited)
Chris-Pin Martin Commissary Bartender (uncredited)
Iron Eyes Cody Toma (uncredited)
Harry Carey, Jr. Cowboy (uncredited)
Name Job
Lillie Hayward Screenplay
Luke Short Adaptation, Novel
Harold Shumate Adaptation
Samuel E. Beetley Editor
Walter E. Keller Art Direction
James Altwies Set Decoration
Darrell Silvera Set Decoration
Edward Stevenson Costume Design
Bill Shanks Script Supervisor
Ollie Sigurdson Still Photographer
Fred Bentley Camera Operator
Tom Clement Grip
Gordon Bau Makeup Supervisor
Maxwell O. Henry Assistant Director
John L. Cass Sound
Terry Kellum Sound
Russell A. Cully Special Effects
Robert Wise Director
Roy Webb Original Music Composer
Albert S. D'Agostino Art Direction
Nicholas Musuraca Director of Photography
C. Bakaleinikoff Music Director
Name Title
Theron Warth Producer
Sid Rogell Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 9 14 6
2024 5 12 19 7
2024 6 10 19 5
2024 7 11 23 6
2024 8 8 14 5
2024 9 7 12 3
2024 10 9 15 5
2024 11 7 20 3
2024 12 6 8 4
2025 1 6 11 4
2025 2 6 9 2
2025 3 4 9 1
2025 4 2 3 1
2025 5 1 3 1
2025 6 1 2 1
2025 7 0 1 0
2025 8 1 2 0
2025 9 2 3 1
2025 10 3 4 3

Trending Position


No trending metrics available.

Return to Top

Reviews

John Chard
7.0

I can buy me that kind of friend for $75 a month and no questions asked. Blood on the Moon is directed by Robert Wise and is adapted from a Luke Short story by Lillie Hayward and Harold Shumante. It stars Robert Mitchum, Barbara Bel Geddes, Robert Preston, Walter Brennan, Phyllis Thaxter, Frank F ... aylen, Tom Tully and Charles McGraw. Music is by Roy Webb and cinematography by Nicholas Musuraca. Story has Mitchum as drifting cowboy Jim Garry, who after receiving a job offer in the mail from old acquaintance Tate Riling (Preston), finds himself pitched in the middle of a war between cattle ranchers and homesteaders. Effective and tightly crafted Western that has garnered many favourable remarks, due in the main to its ability to veer away from formula suggested by the plot and the technical film noir touches brought about by the great Musuraca. With Mitchum turning in one of his great screen dominating performances, film is driven forward by the psychological aspects brought about by thematics such as duplicity, split loyalties and moral quandaries. Director Wise does a good job of pacing the film, keeping it on the slow burn whilst dialling into Jim Garry's mindset, and picture is further boosted by a great knuckle fight and a rip-roaring siege shoot out at the end. But it's the mood created by Musuraca and Wise that is the real winner. With the film set 90% at night or in darkened rooms, shadow play is high and an oppressive feel adds weight to the psychological clocks ticking away in the narrative. In support of Mitchum, Geddes does spunky cowgirl well, while the presence of Brennan, Faylen and the gravel voiced McGraw is keenly felt. Good story, well acted and visually potent. 7/10

May 16, 2024