Popularity: 3 (history)
| Director: | Craig Gillespie |
|---|---|
| Writer: | Eric Johnson, Paul Tamasy, Michael J. Tougias, Casey Sherman, Scott Silver |
| Staring: |
| The Coast Guard makes a daring rescue attempt off the coast of Cape Cod after a pair of oil tankers are destroyed during a blizzard in 1952. | |
| Release Date: | Jan 27, 2016 |
|---|---|
| Director: | Craig Gillespie |
| Writer: | Eric Johnson, Paul Tamasy, Michael J. Tougias, Casey Sherman, Scott Silver |
| Genres: | Action, Drama, Thriller, History |
| Keywords | coast guard, based on true story, survival, rescue mission, storm at sea, sinking ship, 1950s |
| Production Companies | Walt Disney Pictures, Whitaker Entertainment, Bergsten Music, Red Hawk Entertainment |
| Box Office |
Revenue: $52,099,090
Budget: $80,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Chris Pine | Bernie Webber |
| Casey Affleck | Ray Sybert |
| Ben Foster | Richard Livesey |
| Eric Bana | Daniel Cluff |
| Holliday Grainger | Miriam Webber |
| John Ortiz | Wallace Quirey |
| Kyle Gallner | Andy Fitzgerald |
| John Magaro | Ervin Maske |
| Graham McTavish | Frank Fauteux |
| Michael Raymond-James | D.A. Brown |
| Beau Knapp | Mel Gouthro |
| Josh Stewart | Tchuda Southerland |
| Abraham Benrubi | George 'Tiny' Myers |
| Keiynan Lonsdale | Eldon Hanan |
| Rachel Brosnahan | Bea Hansen |
| Benjamin Koldyke | Donald Bangs |
| Matthew Maher | Carl Nickerson |
| Jesse Gabbard | Domingo Garcia |
| Alexander Cook | John Stello |
| Danny Connelly | Dave Ryder |
| Angela Hope Smith | Catherine Paine |
| John Franchi | Fisherman at Bar |
| Lance Norris | Fisherman (uncredited) |
| Michael Maggiani | Bell Telephone Supervisor |
| Name | Job |
|---|---|
| Brenda McNally | Hairstylist |
| Juliet Loveland | Makeup Artist |
| Jamie Alac | Camera Operator |
| J.M. Hunter | Art Department Coordinator |
| Rebecca Woodfork | Hairstylist |
| Desne J. Holland | Makeup Artist |
| Linda Kaufman | Makeup Artist |
| Samantha Avila | Assistant Art Director |
| Diane Durant | Script Supervisor |
| Aimee McCue | Set Costumer |
| Raul Hernandez | Hairstylist |
| Joe Rossi | Makeup Artist |
| Phil Darrell | Gaffer |
| Kara Lipson | Casting Associate |
| Claire Folger | Still Photographer |
| Adam Milo Smalley | Music Editor |
| Aaron Deerfield | Animation |
| John Sanacore | Foley |
| Seth Maury | Visual Effects Supervisor |
| Annie Johnson | Digital Intermediate |
| Stefan Sonnenfeld | Digital Intermediate |
| Daniel Boccoli | First Assistant Editor |
| Eric Johnson | Screenplay |
| Paul Tamasy | Screenplay |
| Chris Ryan | CG Supervisor |
| Michael J. Tougias | Book |
| Casey Sherman | Book |
| William Ladd Skinner | Supervising Art Director |
| Louise Frogley | Costume Design |
| Beau Desmond | Set Costumer |
| Paula Dion | Hairstylist |
| Brian Heller | Helicopter Camera |
| Peter Zuccarini | Underwater Camera |
| Parrish Kennington | Set Costumer |
| Trish Seeney | Makeup Artist |
| Mark J. Casey | Rigging Gaffer |
| Scott D. Davis | Gaffer |
| Susan Benjamin | Set Decoration |
| Steven M. Saylor | Set Designer |
| Gong Myung Lee | CG Supervisor |
| Steve Bobertz | Visual Effects Editor |
| Paul V. Molles | Visual Effects Producer |
| Joe Ken | Digital Intermediate |
| Craig Tex Barnett | Special Effects Coordinator |
| Lorrie Campbell | Set Designer |
| Masako Masuda | Set Designer |
| Felix Crawshaw | Visual Effects Producer |
| Paul Wishart | CG Supervisor |
| Garrett Wilson | VFX Editor |
| Aaron Weintraub | Visual Effects Supervisor |
| Albert Gasser | Sound Effects Editor |
| Danny Singh | Visual Effects Editor |
| Kevin T. Hahn | Visual Effects Supervisor |
| John T. Cucci | Foley |
| Joseph Kearney | Construction Coordinator |
| Robert Andrew Johnson | Set Designer |
| Stephani DeLuca | Researcher |
| Cameron Matheson | Leadman |
| Bria Kinter | Set Designer |
| Tom Driscoll | VFX Editor |
| Chris Kowal | Visual Effects Editor |
| Thomas MacKenzie | Visual Effects Editor |
| Clint Wallace | Set Designer |
| Dan O'Connell | Foley |
| Tim Walston | Sound Effects Editor |
| Adriano Rinaldi | CG Supervisor |
| Mark Hawker | Special Effects Supervisor |
| Tom Goodenough | Animation Supervisor |
| Ran Sieradzki | Animation |
| David Gulick | Property Master |
| Daniel Saxlid | Dialogue Editor |
| Daniel S. Irwin | Supervising ADR Editor, Dialogue Editor |
| Seacia Pavao | Additional Still Photographer |
| Luke Gibleon | Foley Editor |
| Edward Gabree | Stunt Double |
| Josh Vinyard | Stunt Double |
| Matt Emig | Stunt Double |
| Shaila Tobin | Animation |
| Jered Zalman | Assistant Editor |
| Christopher Ferguson | Lighting Programmer |
| Aaron Vexler | Stunts |
| Craig Gillespie | Director |
| Scott Silver | Screenplay |
| Carter Burwell | Original Music Composer |
| Javier Aguirresarobe | Director of Photography |
| Tatiana S. Riegel | Editor |
| Mindy Marin | Casting |
| Michael Corenblith | Production Design |
| Donna Casey-Aira | Costume Supervisor |
| Mary L. Hart-Mastro | Hair Department Head |
| Whitney James | Makeup Department Head |
| Andy Koyama | Sound Re-Recording Mixer |
| Dean A. Zupancic | Sound Re-Recording Mixer |
| Mark P. Stoeckinger | Supervising Sound Editor |
| Dan Marshall | Choreographer |
| Airon Armstrong | Stunt Double |
| Pete Klein | Stunt Double |
| Mariusz Kubicki | Stunt Double |
| Thomas La Marche | Stunt Double |
| Dave Reaves | Stunt Double |
| Evan Dane Taylor | Stunt Double |
| Caroline Vexler | Stunt Double |
| Tim Trella | Stunt Double |
| Peter Epstein | Stunts |
| Jodi Michelle Pynn | Stunt Double |
| Name | Title |
|---|---|
| Dorothy Aufiero | Producer |
| Douglas C. Merrifield | Executive Producer |
| Jim Whitaker | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 22 | 26 | 17 |
| 2024 | 5 | 29 | 41 | 16 |
| 2024 | 6 | 24 | 34 | 16 |
| 2024 | 7 | 34 | 64 | 18 |
| 2024 | 8 | 21 | 31 | 16 |
| 2024 | 9 | 16 | 23 | 12 |
| 2024 | 10 | 22 | 37 | 13 |
| 2024 | 11 | 21 | 43 | 14 |
| 2024 | 12 | 18 | 23 | 13 |
| 2025 | 1 | 24 | 44 | 17 |
| 2025 | 2 | 17 | 33 | 3 |
| 2025 | 3 | 7 | 20 | 1 |
| 2025 | 4 | 4 | 7 | 2 |
| 2025 | 5 | 3 | 8 | 1 |
| 2025 | 6 | 2 | 4 | 1 |
| 2025 | 7 | 2 | 2 | 2 |
| 2025 | 8 | 3 | 3 | 2 |
| 2025 | 9 | 5 | 7 | 3 |
| 2025 | 10 | 2 | 4 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 978 | 978 |
> A very much acceptable film that inspired by a real event except long pauses and too much ineffective sentiment. A disaster drama-thriller based on the true account of the 1952. So much better film than I anticipated. But there are a few things I did not like; like the frequent pauses in the na ... rration where nothing really happens other that space given for the emotional background score to pull the viewers in. In a result, it did not work, definitely not for me. Yeah, in the many important scenes, it froze like it happens in the chess games before anybody move their pawn. In the crucial part of the narration, when the boat was overcrowded, there was an unnecessary pause which annoyed me. It was surely a remarkable segment of the story, but sentimentally failed to appeal or maybe you can call it a too much of the sentiment. Honestly, I liked the story, but the film exceeded its runtime to slow down the portrayal of the event which is surely a drawback than any kind of benefit. I loved the performances, everybody was good and so the CGI, which was not a top notch yet acceptable. Especially as it takes place in the dark time, they had the advantage to depict the atmosphere as much as close to how it would have looked 65 years ago and as well to avoid the errors. I never saw its trailer or the teaser, but I knew about this project and after seeing its posters I though it would be about the offshore oil rig. When I saw the film, I realised I was wrong and surprise do such thing happen in real. The film was also did not let my interest fall. Thanks to the director who always try different genre yet he's not a mega budget filmmaker. A good film, but like I said should have been even better. Especially should have out classed in the sentimental segments. I don't know how good was the digital 3D version of it, but still this regular version is worth to give it a shot. 7½/10
First and foremost this film reminds me of Hacksaw Ridge, second and no less important it's just as good as the afore mentioned film in the sense that the main character is just as law-bound as the religious lad in Hacksaw going about his day saving people's lives in the middle of a hurricane, ergo ... in The Finest Hour's case while on sea - with a life-guard boat, just as feature-some as the soldier saving soldiers in the middle of a war without shooting a f#cking gun! And, supposedly, this happened in real life! #OhLordy that was a good watch.
Good. Nothing more than that, but nothing less either. <em>'The Finest Hours'</em> is a little bit too on the nose in parts, I felt like some of the cast were overacting here and there - especially Casey Affleck (Ray), not that he is bad though. Chris Pine is enjoyable in the lead role. Pacing is ... iffy, but the effects are excellent - from the ships to the water scenes, impressive! The (true) story, meanwhile, is as hearty as you'd expect. Worth watching.