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The Finest Hours

32 survivors, room for 12.
2016 | 117m | English

(73735 votes)

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Popularity: 3 (history)

Details

The Coast Guard makes a daring rescue attempt off the coast of Cape Cod after a pair of oil tankers are destroyed during a blizzard in 1952.
Release Date: Jan 27, 2016
Director: Craig Gillespie
Writer: Eric Johnson, Paul Tamasy, Michael J. Tougias, Casey Sherman, Scott Silver
Genres: Action, Drama, Thriller, History
Keywords coast guard, based on true story, survival, rescue mission, storm at sea, sinking ship, 1950s
Production Companies Walt Disney Pictures, Whitaker Entertainment, Bergsten Music, Red Hawk Entertainment
Box Office Revenue: $52,099,090
Budget: $80,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Chris Pine Bernie Webber
Casey Affleck Ray Sybert
Ben Foster Richard Livesey
Eric Bana Daniel Cluff
Holliday Grainger Miriam Webber
John Ortiz Wallace Quirey
Kyle Gallner Andy Fitzgerald
John Magaro Ervin Maske
Graham McTavish Frank Fauteux
Michael Raymond-James D.A. Brown
Beau Knapp Mel Gouthro
Josh Stewart Tchuda Southerland
Abraham Benrubi George 'Tiny' Myers
Keiynan Lonsdale Eldon Hanan
Rachel Brosnahan Bea Hansen
Benjamin Koldyke Donald Bangs
Matthew Maher Carl Nickerson
Jesse Gabbard Domingo Garcia
Alexander Cook John Stello
Danny Connelly Dave Ryder
Angela Hope Smith Catherine Paine
John Franchi Fisherman at Bar
Lance Norris Fisherman (uncredited)
Michael Maggiani Bell Telephone Supervisor
Name Job
Brenda McNally Hairstylist
Juliet Loveland Makeup Artist
Jamie Alac Camera Operator
J.M. Hunter Art Department Coordinator
Rebecca Woodfork Hairstylist
Desne J. Holland Makeup Artist
Linda Kaufman Makeup Artist
Samantha Avila Assistant Art Director
Diane Durant Script Supervisor
Aimee McCue Set Costumer
Raul Hernandez Hairstylist
Joe Rossi Makeup Artist
Phil Darrell Gaffer
Kara Lipson Casting Associate
Claire Folger Still Photographer
Adam Milo Smalley Music Editor
Aaron Deerfield Animation
John Sanacore Foley
Seth Maury Visual Effects Supervisor
Annie Johnson Digital Intermediate
Stefan Sonnenfeld Digital Intermediate
Daniel Boccoli First Assistant Editor
Eric Johnson Screenplay
Paul Tamasy Screenplay
Chris Ryan CG Supervisor
Michael J. Tougias Book
Casey Sherman Book
William Ladd Skinner Supervising Art Director
Louise Frogley Costume Design
Beau Desmond Set Costumer
Paula Dion Hairstylist
Brian Heller Helicopter Camera
Peter Zuccarini Underwater Camera
Parrish Kennington Set Costumer
Trish Seeney Makeup Artist
Mark J. Casey Rigging Gaffer
Scott D. Davis Gaffer
Susan Benjamin Set Decoration
Steven M. Saylor Set Designer
Gong Myung Lee CG Supervisor
Steve Bobertz Visual Effects Editor
Paul V. Molles Visual Effects Producer
Joe Ken Digital Intermediate
Craig Tex Barnett Special Effects Coordinator
Lorrie Campbell Set Designer
Masako Masuda Set Designer
Felix Crawshaw Visual Effects Producer
Paul Wishart CG Supervisor
Garrett Wilson VFX Editor
Aaron Weintraub Visual Effects Supervisor
Albert Gasser Sound Effects Editor
Danny Singh Visual Effects Editor
Kevin T. Hahn Visual Effects Supervisor
John T. Cucci Foley
Joseph Kearney Construction Coordinator
Robert Andrew Johnson Set Designer
Stephani DeLuca Researcher
Cameron Matheson Leadman
Bria Kinter Set Designer
Tom Driscoll VFX Editor
Chris Kowal Visual Effects Editor
Thomas MacKenzie Visual Effects Editor
Clint Wallace Set Designer
Dan O'Connell Foley
Tim Walston Sound Effects Editor
Adriano Rinaldi CG Supervisor
Mark Hawker Special Effects Supervisor
Tom Goodenough Animation Supervisor
Ran Sieradzki Animation
David Gulick Property Master
Daniel Saxlid Dialogue Editor
Daniel S. Irwin Supervising ADR Editor, Dialogue Editor
Seacia Pavao Additional Still Photographer
Luke Gibleon Foley Editor
Edward Gabree Stunt Double
Josh Vinyard Stunt Double
Matt Emig Stunt Double
Shaila Tobin Animation
Jered Zalman Assistant Editor
Christopher Ferguson Lighting Programmer
Aaron Vexler Stunts
Craig Gillespie Director
Scott Silver Screenplay
Carter Burwell Original Music Composer
Javier Aguirresarobe Director of Photography
Tatiana S. Riegel Editor
Mindy Marin Casting
Michael Corenblith Production Design
Donna Casey-Aira Costume Supervisor
Mary L. Hart-Mastro Hair Department Head
Whitney James Makeup Department Head
Andy Koyama Sound Re-Recording Mixer
Dean A. Zupancic Sound Re-Recording Mixer
Mark P. Stoeckinger Supervising Sound Editor
Dan Marshall Choreographer
Airon Armstrong Stunt Double
Pete Klein Stunt Double
Mariusz Kubicki Stunt Double
Thomas La Marche Stunt Double
Dave Reaves Stunt Double
Evan Dane Taylor Stunt Double
Caroline Vexler Stunt Double
Tim Trella Stunt Double
Peter Epstein Stunts
Jodi Michelle Pynn Stunt Double
Name Title
Dorothy Aufiero Producer
Douglas C. Merrifield Executive Producer
Jim Whitaker Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 22 26 17
2024 5 29 41 16
2024 6 24 34 16
2024 7 34 64 18
2024 8 21 31 16
2024 9 16 23 12
2024 10 22 37 13
2024 11 21 43 14
2024 12 18 23 13
2025 1 24 44 17
2025 2 17 33 3
2025 3 7 20 1
2025 4 4 7 2
2025 5 3 8 1
2025 6 2 4 1
2025 7 2 2 2
2025 8 3 3 2
2025 9 5 7 3
2025 10 2 4 1

Trending Position


Year Month High Avg
2025 8 978 978

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Reviews

Rangan
8.0

> A very much acceptable film that inspired by a real event except long pauses and too much ineffective sentiment. A disaster drama-thriller based on the true account of the 1952. So much better film than I anticipated. But there are a few things I did not like; like the frequent pauses in the na ... rration where nothing really happens other that space given for the emotional background score to pull the viewers in. In a result, it did not work, definitely not for me. Yeah, in the many important scenes, it froze like it happens in the chess games before anybody move their pawn. In the crucial part of the narration, when the boat was overcrowded, there was an unnecessary pause which annoyed me. It was surely a remarkable segment of the story, but sentimentally failed to appeal or maybe you can call it a too much of the sentiment. Honestly, I liked the story, but the film exceeded its runtime to slow down the portrayal of the event which is surely a drawback than any kind of benefit. I loved the performances, everybody was good and so the CGI, which was not a top notch yet acceptable. Especially as it takes place in the dark time, they had the advantage to depict the atmosphere as much as close to how it would have looked 65 years ago and as well to avoid the errors. I never saw its trailer or the teaser, but I knew about this project and after seeing its posters I though it would be about the offshore oil rig. When I saw the film, I realised I was wrong and surprise do such thing happen in real. The film was also did not let my interest fall. Thanks to the director who always try different genre yet he's not a mega budget filmmaker. A good film, but like I said should have been even better. Especially should have out classed in the sentimental segments. I don't know how good was the digital 3D version of it, but still this regular version is worth to give it a shot. 7½/10

May 16, 2024
StbMDB
9.0

First and foremost this film reminds me of Hacksaw Ridge, second and no less important it's just as good as the afore mentioned film in the sense that the main character is just as law-bound as the religious lad in Hacksaw going about his day saving people's lives in the middle of a hurricane, ergo ... in The Finest Hour's case while on sea - with a life-guard boat, just as feature-some as the soldier saving soldiers in the middle of a war without shooting a f#cking gun! And, supposedly, this happened in real life! #OhLordy that was a good watch.

Jun 23, 2021
r96sk
7.0

Good. Nothing more than that, but nothing less either. <em>'The Finest Hours'</em> is a little bit too on the nose in parts, I felt like some of the cast were overacting here and there - especially Casey Affleck (Ray), not that he is bad though. Chris Pine is enjoyable in the lead role. Pacing is ... iffy, but the effects are excellent - from the ships to the water scenes, impressive! The (true) story, meanwhile, is as hearty as you'd expect. Worth watching.

Jun 23, 2021