Two kids find themselves in the centre of a deadly game of cat and mouse after taking a sheriff's cruiser for a joy ride. | |
Release Date: | Jul 08, 2015 |
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Director: | Jon Watts |
Writer: | Jon Watts, Christopher Ford |
Genres: | Crime, Thriller |
Keywords | sheriff, colorado, murder, shootout, drugs, stolen cars, body in a trunk, joy ride |
Production Companies | Park Pictures Features, Audax Films, Dark Arts Film, End Cue |
Box Office |
Revenue: $143,658
Budget: $800,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Kevin Bacon | Sheriff Kretzer |
James Freedson-Jackson | Travis |
Hays Wellford | Harrison |
Camryn Manheim | Bev |
Shea Whigham | Man |
Sean Hartley | Motorcycle Cop |
Kyra Sedgwick | Dispatch |
Loi Nguyen | Waiter |
Sit Lenh | Hostess |
Chuck Kull | Officer |
Thomas Coates | Officer |
Kathleen Bentley | Trailer Park Lady |
Justin Barr | Guy in Trailer Park |
Adam Barr | Drunk at Intersection |
Name | Job |
---|---|
Jon Watts | Writer, Director |
Ruby Katilius | Costume Design |
Paul Hsu | Supervising Sound Editor |
Allan Zaleski | Sound Effects Editor |
Midian Crosby | Makeup Effects Designer |
Adrian Hunt | Special Effects Makeup Artist |
Chrissy Callan | Assistant Costume Designer |
Larry Chips | Wardrobe Assistant |
Steve Vanness | Best Boy Electric |
Jesse Jaco | Key Grip |
Ja-Ann Wang | Assistant Sound Editor |
Ty Klocke | Sound Mixer |
Ragesh Ramchandran | 2D Artist |
Sugumar | 2D Artist |
Steve Mottershead | Senior Visual Effects Supervisor |
Adina Birnbaum | Digital Intermediate Producer |
Noelia Estrada | Production Supervisor |
James Milligan | Special Effects Coordinator |
Chris Donaldson | Stunts |
Craig Fincannon | Location Casting |
Peter Boychuk | Digital Intermediate Producer |
Adam K. Monroe | Production Assistant |
Dustin Goldstein | Key Production Assistant |
Andrew Hasse | Editor |
Nate Oldham | Art Direction |
Leslie Chung | Visual Effects |
Christopher Gerding | Gaffer |
Alison Smith | Assistant Makeup Artist |
David Henderson | Special Effects Makeup Artist |
Anne Trytko | Property Master |
Lois Curran | Seamstress |
Mitch Stelling | Additional Gaffer |
David Edsall | First Assistant Camera |
Jay Smith | First Assistant Director |
Marko Costanzo | Foley Artist |
P.N. Arun Kumar | 2D Artist |
Silambarasan | 2D Artist |
Jesse Speer | Digital Compositor |
James Tillett | Digital Intermediate Colorist |
Brooke Helen Bradley | Production Office Coordinator |
Mark Wike | Music Supervisor |
Chris Rink | Special Effects |
Lexi Dali | Stunts |
Lisa Mae Fincannon | Location Casting |
Aleksandar Đorđević | Senior Visual Effects Supervisor |
Mara Baker | Production Assistant |
Jordan Smith | Production Assistant |
Megan Brooks | Editor |
Michael Powsner | Production Design |
Michael Barry | Sound Re-Recording Mixer |
Chris Buongiorno | Still Photographer |
Joshua Adams | Special Effects Makeup Artist |
Jennifer Sutherland | Special Effects Makeup Artist |
Elizabeth Rose Moezzi | Assistant Costume Designer |
Jessica Heddings | Wardrobe Assistant |
Chad Pulscher | Best Boy Grip |
Jenelle Pearring | Second Assistant Camera |
Silvana Pinto | Dialogue Editor |
Carl Fong | 2D Artist |
Rajesh | 2D Artist |
Chris Monaco | Compositor |
Alex Harding | Visual Effects Supervisor |
Teddy Blanks | Title Designer |
Matt Goldstein | Second Assistant Director |
Peggy Holm | Stunts |
Mark Lasser | Production Accountant |
Phil Palazzolo | Music Editor |
Jared Petsche | Production Assistant |
Jeremy Poley | Production Assistant |
Christopher Ford | Writer |
Phil Mossman | Original Music Composer |
Larkin Seiple | Director of Photography |
Matthew J. Lloyd | Director of Photography |
Melissa Yonkey | Makeup Department Head |
Manny Siverio | Stunt Coordinator |
Alicia Van Couvering | Unit Production Manager |
Name | Title |
---|---|
Andrew Kortschak | Producer |
Cody Ryder | Producer |
Dianne McGunigle | Associate Producer |
Isabel Siskin | Co-Producer |
Frank Brenner | Executive Producer |
Michaela McKee | Co-Producer |
Tom Valerio | Executive Producer |
Sam Bisbee | Producer |
Bill Perry | Executive Producer |
Walter Kortschak | Executive Producer |
Jackie Kelman Bisbee | Executive Producer |
Alicia Van Couvering | Producer |
Jon Watts | Producer |
Theodora Dunlap | Co-Producer |
Kevin Bacon | Executive Producer |
Lance Acord | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 19 | 37 | 10 |
2024 | 5 | 21 | 32 | 10 |
2024 | 6 | 16 | 32 | 8 |
2024 | 7 | 17 | 34 | 7 |
2024 | 8 | 15 | 27 | 8 |
2024 | 9 | 12 | 19 | 8 |
2024 | 10 | 11 | 20 | 6 |
2024 | 11 | 12 | 25 | 6 |
2024 | 12 | 10 | 15 | 5 |
2025 | 1 | 11 | 20 | 7 |
2025 | 2 | 7 | 13 | 3 |
2025 | 3 | 4 | 10 | 1 |
2025 | 4 | 2 | 4 | 1 |
2025 | 5 | 1 | 5 | 1 |
2025 | 6 | 1 | 4 | 1 |
2025 | 7 | 1 | 1 | 0 |
2025 | 8 | 1 | 1 | 0 |
2025 | 9 | 1 | 2 | 0 |
2025 | 10 | 1 | 2 | 1 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 721 | 856 |
> In an usual day an unusual occurrence. It was a fantastic small-time thriller. I was completely surprised with its unusualness, either it be roles or the story or the locations. Looks like a best B movie, but Kevin Bacon's presence boosted the spirit of narration. One of the shortest movie, all ... the way simple yet strong and believable occurrence. You can't ask for character development here, because it just takes place in a fine afternoon and ends at a terrible evening. Never intended to reveal before events or to disclose what might happen later. Everything was based on the very unusual circumstances. When people cross each others path and expose their secret affairs that put them most vulnerable position. Far from the big towns and out of the human sights with the characters countable on one hand. The main attraction was the two boys and their innocence like daring attitude takes them to the unplanned adventure. Nothing like another highly intelligent, computer or the science geeky overhyped city boys, but the natural rural kids. Creepy suspense with often struck with dark comedies, you just can't get better than this. I recommend it in the view of entertainment and for those who seeks it, but not to place it in your masterpiece collections. 6½/10