Popularity: 1 (history)
Director: | George Cukor |
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Writer: | Gladys Unger, John Collier, Mortimer Offner, Compton MacKenzie |
Staring: |
When her father decides to flee to England, young Sylvia Scarlett must become Sylvester Scarlett and protect her father every step of the way, with the questionable help of plenty others. | |
Release Date: | Dec 25, 1935 |
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Director: | George Cukor |
Writer: | Gladys Unger, John Collier, Mortimer Offner, Compton MacKenzie |
Genres: | Comedy, Drama, Romance |
Keywords | family relationships, scam, disguise, confidence game, woman dressed as man |
Production Companies | RKO Radio Pictures |
Box Office |
Revenue: $497,000
Budget: $641,000 |
Updates |
Updated: Aug 10, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Katharine Hepburn | Sylvia/Sylvester Scarlett |
Cary Grant | Jimmy Monkley |
Brian Aherne | Michael Fane |
Edmund Gwenn | Henry Scarlett |
Natalie Paley | Lily (uncredited) |
Dennie Moore | Maudie (uncredited) |
Lennox Pawle | l'ivrogne (uncredited) |
Harrold Cheevers | Bobby (uncredited) |
Frank Moran | Minor Role (uncredited) |
Name | Job |
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George Cukor | Director |
Roy Webb | Original Music Composer, Music Director |
Van Nest Polglase | Art Direction |
Gladys Unger | Screenplay |
John Collier | Screenplay |
Mortimer Offner | Screenplay |
Compton MacKenzie | Novel |
Joseph H. August | Director of Photography |
Jane Loring | Editor |
Mel Berns | Makeup Artist |
Kenneth Holmes | Assistant Director |
W. Argyle Nelson | Assistant Director |
George D. Ellis | Sound Recordist, Sound |
Ernest Bachrach | Still Photographer |
Sturges Carne | Assistant Art Director |
Muriel King | Costume Design |
Bernard Newman | Costume Design |
Philip Faulkner Jr. | Sound Recordist |
Name | Title |
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Pandro S. Berman | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 11 | 18 | 5 |
2024 | 5 | 12 | 22 | 5 |
2024 | 6 | 10 | 16 | 5 |
2024 | 7 | 11 | 17 | 7 |
2024 | 8 | 8 | 18 | 5 |
2024 | 9 | 7 | 12 | 4 |
2024 | 10 | 7 | 12 | 4 |
2024 | 11 | 7 | 17 | 4 |
2024 | 12 | 5 | 8 | 3 |
2025 | 1 | 7 | 16 | 4 |
2025 | 2 | 5 | 8 | 3 |
2025 | 3 | 4 | 7 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 1 | 0 |
2025 | 8 | 0 | 1 | 0 |
2025 | 9 | 1 | 1 | 0 |
2025 | 10 | 1 | 1 | 1 |
Trending Position
Of all of the collaborative efforts that Katharine Hepburn ever made, this one has to be the most bizarre. Not because it is bad - though it isn't actually very good - but because she spends much of it a boy! Upon the death of her mother, her father (Edward Gwenn) must flee his creditors and so she ... ("Sylvia/Sylvester") determines to accompany him, cutting her Rapunzel-like locks and donning a suit as she goes. They encounter dapper rogue "Monkley" (Cary Grant) on the boat to England where they conduct a series of petty cons. Determined to get straight, she sets them all up as a seaside entertainment troupe and all goes well until she meets the dashing Brian Aherne ("Michael Fane") and starts to want to be a girl again. Can she tell him? How? Things are not helped by his keenness on "Lily Levetsky"... The dialogue is pretty weak, and rather relentless - and once the joke/gimmick wears off we are exposed to a rather lacklustre, almost pantomime, style of of story. Grant and Hepburn look like they are enjoying themselves and that certainly helps, but the humour is just a touch too contrived to last the seemingly long 90 minutes. Glad I've seen it, but I'm not sure I could recommend it.