Popularity: 2 (history)
| Director: | Michael Curtiz |
|---|---|
| Writer: | Don Mullaly, Carl Erickson, Charles Belden |
| Staring: |
| The disappearance of people and corpses leads a reporter to a wax museum and a sinister sculptor. | |
| Release Date: | Feb 18, 1933 |
|---|---|
| Director: | Michael Curtiz |
| Writer: | Don Mullaly, Carl Erickson, Charles Belden |
| Genres: | Horror, Mystery |
| Keywords | museum, wax museum, pre-code |
| Production Companies | Warner Bros. Pictures, The Vitaphone Corporation |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Lionel Atwill | Ivan Eigor |
| Glenda Farrell | Florence Dempsey |
| Allen Vincent | Ralph Burton |
| Fay Wray | Charlotte Duncan |
| Frank McHugh | Editor Jim |
| Edwin Maxwell | Worth, Eigor's bootlegger partner |
| Arthur Edmund Carewe | Professor Darcy |
| Gavin Gordon | George Winton |
| Matthew Betz | Hugo, deafmute sculptor |
| Bull Anderson | Otto, museum janitor |
| Holmes Herbert | Dr. Rasmussen |
| Claude King | Mr. Galatalin |
| William B. Davidson | Detective (Uncredited) |
| Guy Usher | Detective (Uncredited) |
| DeWitt Jennings | Police Captain, 12th Precinct |
| Robert Homans | Desk Sergeant, 12th Precinct |
| James Donlan | Morgue Attendant (Uncredited) |
| Thomas E. Jackson | Detective at Morgue |
| Frank Darien | Autopsy Surgeon (Uncredited) |
| Wallis Clark | Autopsy Surgeon's Assistant (Uncredited) |
| Monica Bannister | Joan Gale |
| Robert Emmett O'Connor | Police Sergeant by Christmas tree |
| Lon Poff | Tall Thin Henchman (Uncredited) |
| Max Barwyn | Museum Visitor (Uncredited) |
| Wade Boteler | Ambrose (Uncredited) |
| Otto Hoffman | Igor's Assistant (Uncredited) |
| Perry Ivins | Copy Editor (Uncredited) |
| Margaret Mann | Wax Figure of Queen Victoria (Uncredited) |
| Pat O'Malley | Plainclothesman (Uncredited) |
| Milton Kibbee | Reporter (Uncredited) |
| Harry C. Bradley | Reporter (Uncredited) |
| Charles McMurphy | Policeman in Prison (Uncredited) |
| Frank Fanning | Policeman (Uncredited) |
| Dick Rush | Policeman (Uncredited) |
| Lee Shumway | Policeman (Uncredited) |
| William Wagner | Morgue Attendant's Assistant (Uncredited) |
| Frank Austin | Winton's Valet (Uncredited) |
| Walter Percival | Winton's Attorney (Uncredited) |
| Name | Job |
|---|---|
| Orry-Kelly | Costume Design |
| Arthur Pierson | Additional Camera |
| Everett Alton Brown | Sound |
| Anton Grot | Art Direction |
| Rex Wimpy | Special Effects |
| Don Mullaly | Screenplay |
| Carl Erickson | Screenplay |
| George Amy | Editor |
| Charles Belden | Story |
| Perc Westmore | Makeup Artist |
| Lee Katz | Assistant Director |
| Frank Shaw | Assistant Director |
| William Koenig | Production Manager |
| Ray Rennahan | Director of Photography |
| Ray Romero | Makeup Artist |
| Herbert Plews | Property Master |
| Bob Bonner | Additional Camera |
| Thad Brooks Jr. | Assistant Camera |
| Chuck Davis | Grip |
| Frank B. Good | Additional Camera |
| W. Howard Greene | Additional Camera |
| Claude Hutchinson | Gaffer |
| Floyd Lee | Additional Camera |
| Roy Musgrave | Camera Operator |
| Richard Towers | Additional Camera |
| Scotty Welbourne | Still Photographer |
| Leo F. Forbstein | Conductor |
| Cliff Hess | Additional Music |
| Bernhard Kaun | Original Music Composer |
| Fred Applegate | Continuity |
| Michael Curtiz | Director |
| Name | Title |
|---|---|
| Hal B. Wallis | Producer |
| Henry Blanke | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 9 | 13 | 6 |
| 2024 | 5 | 12 | 17 | 9 |
| 2024 | 6 | 11 | 17 | 6 |
| 2024 | 7 | 13 | 33 | 6 |
| 2024 | 8 | 10 | 22 | 7 |
| 2024 | 9 | 7 | 11 | 5 |
| 2024 | 10 | 10 | 16 | 7 |
| 2024 | 11 | 9 | 21 | 5 |
| 2024 | 12 | 9 | 15 | 4 |
| 2025 | 1 | 9 | 16 | 6 |
| 2025 | 2 | 7 | 9 | 3 |
| 2025 | 3 | 5 | 10 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 1 | 2 | 1 |
| 2025 | 10 | 2 | 3 | 1 |
Trending Position
My dear, why are you so pitifully afraid? London 1921, and brilliant sculptor Ivan Igor struggles to keep his museum open due to lack of interest in his beautiful historical characters. His partner Joe Worth feels it's time to call it quits, a row over finances ensues and a fire breaks out and b ... urns the museum to the ground, almost killing Igor in the process. On to 1933 and New York, where the wheelchair bound Igor has a new museum open, the figures sculpted by others under his guidance due to his horribly disfigured hands preventing him from crafting himself. When a female socialite dies and her body is stolen from the morgue, ballsy reporter Florence Dempsey starts to investigate. Could it be that the stealing of the body is linked to the opening of Igor's new museum? Mystery of the Wax Museum was long thought to have had it's elements lost in a (ironically) fire, so with no Technicolor negative or prints available, it was a cinematic godsend that a used print was discovered in Jack Warner's private vault. The UCLA Film and Television Archive restored the film, and now the film can be seen in all its former glory. Riding in on a high reputation, the restored film was met with less than favourable results by the critics, possibly due in some part to the rightful regard that the remake, House Of Wax 1953, was held. What it is safe to say is that the film is more of a mystery (the clue is in the title!) than an outright horror. Something I don't think many were prepared for. The critics derision back then is now on reflection, stupid. For it's a truly fine film from an interesting era in film making. The sets from Anton Grot are brilliant, Gothic pieces of work. While the performance of Lionel Atwill as Igor is superb, and arguably his best work. The actress' do well enough, Fay Wray (reuniting with Atwill again after their work in Dr X in 1932) as Charlotte Duncan hones her scream queen method, and Glenda Farrell is ebullient and sharp tongued as Dempsey. There's also daring themes involved in the story, necrophilia, drug addiction, insanity and bootlegging. With the horror elements of the piece born out by the grizzly secrets of Igor's museum. It's also not just an important film in the pantheon of colour pictures, but also in that it has a modern city setting. Helping to bring horror to the streets instead of some ye olde village or faraway castle. It's a smashing mystery/horror film that is now thankfully widely available on various DVDs, so see it if you can. 8/10