Popularity: 4 (history)
| Director: | Vincent Sherman |
|---|---|
| Writer: | Lawrence B. Marcus, Ivan Goff, Ben Roberts |
| Staring: |
| When he's discharged from a military hospital, ex-GI Bob Corey goes on a search for his army buddy Steve Connolly. A reformed crook, Connolly is on the lam from a trumped-up murder rap, and Corey hopes to clear his pal. Tagging along is Army nurse Julie Benson, who has fallen for Corey. | |
| Release Date: | Jan 26, 1950 |
|---|---|
| Director: | Vincent Sherman |
| Writer: | Lawrence B. Marcus, Ivan Goff, Ben Roberts |
| Genres: | Romance, Crime, Mystery, Thriller |
| Keywords | war veteran, boxer, film noir, military hospital |
| Production Companies | Warner Bros. Pictures |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Aug 04, 2024 Entered: Apr 20, 2024 |
| Name | Character |
|---|---|
| Viveca Lindfors | Lysa Radoff |
| Dane Clark | Ben Arno |
| Virginia Mayo | Nurse Julie Benson |
| Edmond O'Brien | Steve Connolly |
| Gordon MacRae | Bob Corey |
| Ed Begley | Capt. Garcia |
| Frances Robinson | Mrs. Blayne |
| Richard Rober | Solly Blayne |
| Sheila MacRae | Bonnie Willis |
| David Hoffman | Burns |
| Monte Blue | Det. Sgt. Pluther (uncredited) |
| Russ Conway | Police Broadcaster (uncredited) |
| John Daheim | Bingo - Prizefighter (uncredited) |
| John Dehner | Blake - Plainclothes Cop (uncredited) |
| Dick Gordon | Party Guest (uncredited) |
| Fred Kelsey | Fight Fan (uncredited) |
| Charles Lane | Dr. Nolan (uncredited) |
| Ray Montgomery | Attendant (uncredited) |
| Ida Moore | Sybil (uncredited) |
| John Ridgely | Plainclothesman (uncredited) |
| Charles Sherlock | Party Guest (uncredited) |
| Leonard Strong | Lee Quong (uncredited) |
| Helen Westcott | Miss Haller - Receptionist at Mortuary (uncredited) |
| Edward Biby | Fight Fan (uncredited) |
| Paul Bradley | Guest (uncredited) |
| Joe Gilbert | Fight Fan (uncredited) |
| James Gonzalez | Club Patron (uncredited) |
| Creighton Hale | Cab Driver (uncredited) |
| Vinton Hayworth | Waiter (uncredited) |
| Jack Hill | Cop at Shootout (uncredited) |
| J. Louis Johnson | Hommel - Janitor (uncredited) |
| Charles Jordan | Cab Driver (uncredited) |
| Douglas Kennedy | Voice Heard on Radio (voice) (uncredited) |
| Mike Killian | Quong's Doctor (uncredited) |
| Mike Lally | Party Guest (uncredited) |
| Will Lee | Cab Driver (uncredited) |
| Carl M. Leviness | Canteen Customer (uncredited) |
| Max Linder | Canteen Customer (uncredited) |
| Pierce Lyden | Detective (uncredited) |
| Philo McCullough | Police Car Driver (uncredited) |
| Jack Mower | Detective George (uncredited) |
| Jack Perrin | Fremont Hotel Lobby Loafer (uncredited) |
| Anthony Redondo | Man on Sidewalk (uncredited) |
| Waclaw Rekwart | Bartender (uncredited) |
| Harry Seymour | Rocky - Pianist (uncredited) |
| Frankie Van | Second (uncredited) |
| Mack Williams | Dr. Herbert Anstead (uncredited) |
| Harry Woods | Dick Manning - Man from Detroit (uncredited) |
| Clifton Young | Cabby (uncredited) |
| Ernest Anderson | James - Party Servant 9 (uncredited) |
| Santiago Martínez | Waiter (uncredited) |
| Name | Job |
|---|---|
| Vincent Sherman | Director |
| Don Alvarado | Production Manager |
| Sidney Cutner | Orchestrator |
| Max Steiner | Additional Music |
| Lawrence B. Marcus | Story, Screenplay |
| Ivan Goff | Screenplay |
| Daniele Amfitheatrof | Original Music Composer |
| Thomas Reilly | Editor |
| Alma Armstrong | Hairstylist |
| Ben Roberts | Screenplay |
| Carl E. Guthrie | Director of Photography |
| William Wallace | Set Decoration |
| Herschel Brown | Grip |
| Milo Anderson | Costume Design |
| Perc Westmore | Makeup Artist |
| Gene Hibbs | Makeup Artist |
| Eddie Voight | Makeup Artist |
| Anton Grot | Art Direction |
| Leah Rhodes | Costume Design |
| Ray Forman | Hairstylist |
| Nick Marcellino | Makeup Artist |
| James McMahon | Assistant Director |
| Stanley Jones | Sound |
| Frank Bjerring | Still Photographer |
| Louis Jennings | Camera Operator |
| Vic Johnson | Gaffer |
| Joan Joseff | Other |
| Ray Heindorf | Music Director |
| Leo Shuken | Orchestrator |
| Alma Young | Script Supervisor |
| Maurice Murphy | Dialogue Coach |
| Anthony Redondo | Stand In |
| Name | Title |
|---|---|
| Anthony Veiller | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 9 | 22 | 2 |
| 2024 | 5 | 11 | 25 | 4 |
| 2024 | 6 | 9 | 23 | 3 |
| 2024 | 7 | 8 | 15 | 4 |
| 2024 | 8 | 6 | 15 | 3 |
| 2024 | 9 | 3 | 6 | 1 |
| 2024 | 10 | 4 | 9 | 2 |
| 2024 | 11 | 4 | 9 | 2 |
| 2024 | 12 | 4 | 9 | 2 |
| 2025 | 1 | 5 | 20 | 1 |
| 2025 | 2 | 2 | 4 | 1 |
| 2025 | 3 | 2 | 4 | 1 |
| 2025 | 4 | 2 | 3 | 1 |
| 2025 | 5 | 1 | 3 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 2 | 3 | 2 |
| 2025 | 10 | 2 | 4 | 1 |
Trending Position
I didn't only break his back the last ten days, I broke his heart. Backfire is directed by Vincent Sherman and collectively written by Ivan Goff, Ben Roberts and Larry Marcus. It stars Virginia Mayo, Gordon MacRae, Edmond O'Brien, Dane Clark, Ed Begley and Viveca Lindfors. Music is by Daniele Amf ... itheatrof and cinematography by Carl Guthrie. While recuperating from wartime back injuries at a hospital, veteran Bob Corey (Macrae) is visited on Christmas Eve by a beautiful stranger with a message that his army friend Steve Connolly (O'Brien) is seriously injured and in trouble with the police. Upon release, and aided by his girlfriend nurse, Julie Benson (Mayo), Bob enters the labyrinthine underworld of post war Los Angeles in search of his friend. The warning signs that this might not be a particularly sparky film noir are evident with the lie on the film's poster. Tantalisingly suggesting Mayo as a femme fatale type, the girl from "White Heat" is anything but since she's literally an angel of mercy. Pic is a trifle of nifty noir moments and awkwardly acted scenarios. That it's needlessly convoluted only makes the problems of the staid script come to light. The problems faced by returning veterans was a recurring noir theme, and here, even though it's not pushed forward to the maximum, it at least gives the story some psychological heart. It has a good cast, good monochrome photography and is played out with some classic noir staples, but it's not all it can be, compounded by a weak finale that feels like a writers compromise. 6/10