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The Marked One Poster

The Marked One

1963 | 65m | English

(136 votes)

TMDb IMDb

Popularity: 2 (history)

Director: Francis Searle
Writer: Paul Erickson
Staring:
Details

William Lucas plays a lorry driver who is recently out of prison. He becomes a target when it s discovered that he knows where he can find plates for making forged banknotes.
Release Date: Jan 01, 1963
Director: Francis Searle
Writer: Paul Erickson
Genres: Crime
Keywords
Production Companies Planet Film Productions
Box Office Revenue: $0
Budget: $0
Updates Updated: May 07, 2024
Entered: May 05, 2024
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Full Credits

Name Character
William Lucas Don Mason
Patrick Jordan Inspector Mayne
Laurie Leigh Maisie
David Gregory Ed Jones
Arthur Lovegrove Mr. Benson
Marianne Stone Mrs. Benson
Kim Tracy Wanda
Zena Walker Kay Mason
Name Job
Bernie Fenton Conductor
Francis Searle Director
Jim Connock Editor
Geoffrey Kidd Boom Operator
Jimmy Evans Makeup Artist
Terry Maher Camera Operator
Frank White Art Direction
Frank Bellingham Still Photographer
Alice Holmes Hairdresser
Stuart Freeman Assistant Director
Paul Erickson Writer
John Barry Assistant Art Director
Name Title
Tom Blakeley Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 1 3 1
2024 5 2 3 1
2024 6 2 3 1
2024 7 2 6 1
2024 8 3 7 1
2024 9 2 3 1
2024 10 2 4 1
2024 11 1 3 1
2024 12 1 2 1
2025 1 1 3 1
2025 2 1 1 1
2025 3 1 1 1
2025 7 0 0 0
2025 8 0 0 0
2025 9 1 1 0
2025 10 1 2 1

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Reviews

Geronimo1967
6.0

William Lucas - never the most versatile of actors - is "Mason", a man who works on the docks and lives in a B&B. It turns out that he has a bit of a criminal past, and when his erstwhile colleagues get the idea that he knows the whereabouts of some valuable bank note plates, they kidnap his daughte ... r who lives with his estranged wife "Kay" (Zena Walker). The thing is, the man has no idea where they are - and with the police "Mayne" (Patrick Jordan) on one side, his wife and the gangsters all also on his back his options are limiting and his desperation growing. Largely devoid of any jeopardy - I always found that thrillers from this period that involved children always lacked any real sense of menace - it's a bit of a ramshackle affair with one too many half-baked scenarios thrown in to try and sustain what is essentially a bit of a non-story. Clearly made on a shoestring budget by the experienced if not exactly innovative Francis Searle, it meanders to a conclusion that is hardly a surprise to anyone. It's adequate afternoon cinema fayre this, but production line stuff.

Feb 13, 2023