Popularity: 1 (history)
Director: | Tony McNamara |
---|---|
Writer: | Tony McNamara |
Staring: |
When new kid in town Ed Wallis is given an assignment to interview an older person, he turns to his mysterious neighbor, Ashby Holt for help. That new connection leads to unexpected journeys for both of them, as Ashby – who turns out to be a retired CIA assassin – deals with a terminal prognosis, and Ed deals with adjusting to life with his newly single mom and developing relationship with a brainy classmate, Eloise. | |
Release Date: | Apr 19, 2015 |
---|---|
Director: | Tony McNamara |
Writer: | Tony McNamara |
Genres: | Comedy, Drama, Romance |
Keywords | central intelligence agency (cia), assassin, romance, neighbor, retired, classmate |
Production Companies | Head Gear Films, Metrol Technology, Kreo Films, Langley Park Productions |
Box Office |
Revenue: $4,631
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Mickey Rourke | Ashby Holt |
Nat Wolff | Ed Wallis |
Emma Roberts | Eloise |
Sarah Silverman | June Wallis |
Adam Aalderks | Valchek |
Seth Dousman | Garry Smits |
Kevin Dunn | Coach Bruton |
Zachary Knighton | Father Ted |
Michael Lerner | Entwhistle |
John Enos III | Coach Wally |
Steve Coulter | Peter Black |
Tom Nowicki | Kenrick |
Seth Dousman | Smits |
Jason Davis | Mr. Mark |
Max Lesser | Doctor |
Audrey Reid Couch | McCall |
Paul Rolfes | Jerry |
Steven Roten | Eric |
Name | Job |
---|---|
Tony McNamara | Director, Writer |
Alec Puro | Original Music Composer |
Angela Demo | Casting |
Matthew Friedman | Editor |
Richard De Alba | Hair Department Head |
Brent Thomas | Production Design |
Herita Jones | Key Makeup Artist |
Emily Batson | Costume Design |
Christopher Baffa | Director of Photography |
Tim Pope | Set Decoration |
Sylvia Hendrix | Key Hair Stylist |
Sandra S. Orsolyak | Makeup Department Head |
Jonathan Southard | First Assistant Director |
Danielle Aziz | Art Department Coordinator |
David Raines | Sound Re-Recording Mixer |
Bob Shelley | Special Effects Coordinator |
Kelly Rubottom | Property Master |
Amos Kelso | Best Boy Electric |
Peter Rodriguez | Electrician |
Stewart Arnott | Assistant Editor |
John Attard | Visual Effects Supervisor |
Harley White | Generator Operator |
Daniel Voltz | Post Production Supervisor |
Kim Barnard | Second Assistant Director |
Seth Colegrove | Music Editor |
Nicole Lobell | Camera Operator |
Hillary Holmes | Music Coordinator |
Michael J. McDonald | Sound Re-Recording Mixer |
Naomi Villanueva-Brunner | First Assistant "A" Camera |
Clint Bennett | Music Editor |
Bill Blankenship | Set Dresser |
Frank McGough | Gaffer |
Amber Axelton | Set Dresser |
Bennet Silver | Leadman |
John Simpson | Foley Artist |
Dale Frye | Stunts |
Monica Barrios-Smith | Second Assistant "A" Camera |
Ben D. Griffith Jr. | Key Grip |
Woody Hayes | Electrician |
Blake Godfrey | Assistant Editor |
Sean Keenan | Set Dresser |
Carlo Tosi | Visual Effects Producer |
Philip Dido | Stunts |
Steven R. Smith | Sound Mixer |
Andrea Marotti | Visual Effects Producer |
Stephen Andrew Cook | First Assistant "B" Camera |
Lauren Reeves Thomas | Costume Supervisor |
Ron Servicky | Location Manager |
Libby Umstead | Music Supervisor |
Darren Sunny Warkentin | Dialogue Editor |
Michelle Hemion Griffis | Second Assistant "B" Camera |
Benjamin Spek | Steadicam Operator |
Dick Van Newkirk | Dolly Grip |
Sherwood Jones | Assistant Editor |
Jonathan Barrows | Set Dresser |
Whitney Yale | Construction Coordinator |
Mitchell Perrin | Electrician |
John Cenatiempo | Stunt Double |
Cal Johnson | Stunt Coordinator |
D. J. Barton | Script Supervisor |
Name | Title |
---|---|
Luke Daniels | Co-Producer |
Tom Harberd | Co-Producer |
Phil Hunt | Producer |
Compton Ross | Producer |
Stephen Kelliher | Executive Producer |
Hilary Davis | Executive Producer |
Scott Putman | Co-Producer |
Josh Kesselman | Producer |
Alan Pao | Co-Producer |
Rory Koslow | Producer |
Jenny Hinkey | Co-Producer |
Kevin McCormick | Producer |
Elliot Ross | Executive Producer |
Fenella Ross | Executive Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 13 | 23 | 7 |
2024 | 5 | 14 | 23 | 9 |
2024 | 6 | 12 | 27 | 7 |
2024 | 7 | 13 | 24 | 8 |
2024 | 8 | 11 | 20 | 7 |
2024 | 9 | 7 | 11 | 5 |
2024 | 10 | 9 | 13 | 5 |
2024 | 11 | 8 | 16 | 4 |
2024 | 12 | 8 | 17 | 6 |
2025 | 1 | 9 | 18 | 5 |
2025 | 2 | 6 | 9 | 3 |
2025 | 3 | 4 | 9 | 1 |
2025 | 4 | 2 | 3 | 1 |
2025 | 5 | 1 | 3 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 0 | 1 | 0 |
2025 | 8 | 1 | 1 | 0 |
2025 | 9 | 1 | 1 | 0 |
2025 | 10 | 1 | 1 | 1 |
Trending Position
> People can change, but for some it is too late! It's a wonderful cast and not a bad production either, so I enjoyed the watch, but did not like the film much. The reason is I had seen a few similar flicks which are much better than this in every way. A school kid and his single parents' struggl ... ing relationship and their strange neighbour, so it is the concept I'm familiar with, but the story was a bit different. There are a few good scenes in it, but the most of the parts were dominated by the only the nice events like happily ever after kind of stuffs right from the beginning. The title role was played by Mickey Rourke, but it was Nat Wolff's film. The narration should have been much better, I mean it should have had more complicated segments. I even don't know how it got the R rating. The writing and the direction, both should have been a bit bolder. There are some people who liked it a lot and defending it, but I'm neutral. To me it was 50-50, I neither liked nor disliked. But all I wanted was a bit better than this, so I can't judge it for other. I hope you make a right decision on this if you plan to watch it. 5/10