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Undercover Girl

1958 | 68m | English

(118 votes)

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Popularity: 0.1 (history)

Details

Nightclub employee Joan Foster (Kay Callard) assists the brother of a murdered reporter to expose a drug ring.
Release Date: Jan 01, 1958
Director: Francis Searle
Writer: Bill Luckwell, Bernard Lewis
Genres: Crime
Keywords nightclub, british noir, drug ring
Production Companies Bill and Michael Luckwell Ltd.
Box Office Revenue: $0
Budget: $0
Updates Updated: Apr 27, 2024 (Update)
Entered: Apr 27, 2024
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Full Credits

Name Character
Paul Carpenter Johnny Carter
Kay Callard Joan Foster
Bruce Seton Ted Austin
Monica Grey Evelyn King
Jackie Collins Peggy Foster
John Boxer Ken Farrell
Maya Koumani Miss Brazil
Paddy Ryan Cash
Milton Reid Mac
Alexander Field Mr. Hunter
Kim Parker Maid
Tony Quinn Mike O'Sullivan
Name Job
Bill Luckwell Writer
Bernard Lewis Screenplay
Francis Searle Director
Douglas Myers Editor
Geoffrey Faithfull Director of Photography
Name Title
Bill Luckwell Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 2 6 1
2024 5 4 8 1
2024 6 3 13 0
2024 7 3 6 1
2024 8 2 7 0
2024 9 1 2 1
2024 10 1 4 1
2024 11 1 4 1
2024 12 1 3 1
2025 1 2 3 1
2025 3 1 1 1
2025 4 1 1 1
2025 5 1 1 1
2025 7 0 0 0
2025 8 0 1 0

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Reviews

Geronimo1967
5.0

Enthusiastic photographer "Carter" (Paul Carpenter) is determined to investigate a dodgy nightclub owner whom he thinks is behind the killing of his brother-in-law. Meantime, his gal "Joan" (Kay Callard) is concerned that her naive and innocent sister "Peggy" (Jackie Collins - yep, that one!) is get ... ting herself too closely entangled with this self same hood - "Ted" (Bruce Seton). Before long, "Carter" is knee-deep in a blackmailing and drug-running racket but can he get to the bottom of things before he, too, goes the way of the dodo? The story is actually a little more sophisticated than the routine - faking accidents to extort cash and to coerce the victims into helping with their lucrative peddling, but the dialogue is way too plentiful and there is a lot of padding - especially the scenes with the "Miss Brazil" (Maya Koumani) that rips the pace out of the film quite successfully. Seton really doesn't engender the slightest sense of malice - though maybe that's because he has been in so many of these B-features that his face is synonymous with just about every role you'd care to mention, and that does impact on the potency of his characterisations. It ends as you'd expect and is entirely forgettable stuff, sorry.

Apr 16, 2023