Popularity: 1 (history)
Director: | Ben Palmer |
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Writer: | Tess Morris |
Staring: |
A 34 year old single woman, Nancy, hung-over again, exhausted by the endless fruitless set ups by her friends, traveling across London to toast another 10 years of her parent's successful happy magical marriage runs in with a 40 year old divorcee, Jack, who mistakes her for his 24 year old blind date. Nancy, deciding to go with it, happens to hop on the most chaotic yet hilarious journey of her life which neither of them will ever forget. | |
Release Date: | May 29, 2015 |
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Director: | Ben Palmer |
Writer: | Tess Morris |
Genres: | Comedy, Romance |
Keywords | london, england, bowling, blind date, chemistry, mistaken identity, train, ex-wife, one night, marital separation, lies, single woman, train carriage, train station, book, bar, unexpected romance, cynical woman, waterloo station |
Production Companies | BBC Film, Big Talk Studios, Anton Capital Entertainment, StudioCanal |
Box Office |
Revenue: $3,000,000
Budget: $0 |
Updates |
Updated: Aug 10, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Simon Pegg | Jack |
Lake Bell | Nancy Patterson |
Rory Kinnear | Sean |
Ken Stott | Bert Patterson |
Harriet Walter | Fran Patterson |
Sharon Horgan | Elaine |
Stephen Campbell Moore | Ed |
Ophelia Lovibond | Jessica |
Olivia Williams | Hilary |
Henry Lloyd-Hughes | Daniel |
Dean-Charles Chapman | Harry |
Robert Wilfort | Ryan |
Phoebe Waller-Bridge | Katie |
Paul Thornley | Adam |
Keir Charles | Dom |
Maya Henson | Essie |
Simona Brown | Sophie |
James Reilly | Cloakroom Attendant |
Jack Whitam | Man In Toilet #1 |
Oliver Lansley | Man In Toilet #2 |
Steve Oram | Man In Toilet #3 |
John Bradley | Andrew (uncredited) |
Name | Job |
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Ben Palmer | Director |
Andrew Dunn | Director of Photography |
Paul Machliss | Editor |
Chris Navarro | ADR Mixer |
Tess Morris | Writer |
Dick Lunn | Production Design |
Andrea Matheson | Art Direction |
Anna Kasabova | Set Decoration |
Sarah Grispo | Hairstylist |
Martin Curry | First Assistant Director |
Dan Crandon | Construction Manager |
Andie Vining | Property Master |
Jamie Caple | Dialogue Editor |
Tim Hands | ADR & Dubbing |
Peter Hanson | Foley Editor |
Marc Lawes | Sound Effects Editor |
Stephane Malenfant | Boom Operator |
Jeremy Price | Supervising Sound Editor |
Nigel Squibbs | Sound Re-Recording Mixer |
Neal Champion | Special Effects Supervisor |
John Ellis Evans | First Assistant Camera |
Jeremy Braben | Aerial Director of Photography |
Dermot Hickey | First Assistant "A" Camera |
Matthew Hickin | Rigging Gaffer |
Giles Keyte | Still Photographer |
Andy Lowe | Gaffer |
Peter Wignall | Steadicam Operator |
Hannah Walter | Costume Supervisor |
Alex Kalmakrian | Assistant Editor |
Nick Angel | Music Supervisor |
Joe Rubel | Music Editor |
Litza Bixler | Choreographer |
San Davey | Script Supervisor |
Erin Duffy | Production Coordinator |
Jill McCullough | Dialect Coach |
Ben Dimmock | Stunts |
Oliver Benson | Art Department Assistant |
Kirsten Lane | Music Consultant |
Glen Gathard | Foley Artist |
Andrea King | Foley Artist |
Gerry Vasbenter | Camera Operator |
Dickon Hinchliffe | Orchestrator, Original Music Composer |
Nina Gold | Casting |
Paul Kennington | Stunt Coordinator |
Genevieve Aitken | Stunt Double |
Lloyd Bass | Stunts |
Annabel Canaven | Stunts |
Franklin Mark Henson | Stunts |
Rory Mulroe | Stunts |
Chris Pollard | Stunts |
Marlow Warrington-Mattei | Stunts |
Peter Burgis | Foley Artist |
Suzie Harman | Costume Designer |
Theo Park | Casting Director |
Danny Gulliver | Line Producer |
Jane Walker | Makeup & Hair |
Mark Southworth | Stunts |
Name | Title |
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Rachael Prior | Producer |
Nira Park | Producer |
James Biddle | Producer |
Dan Cheesbrough | Executive Producer |
Joe Oppenheimer | Executive Producer |
Danny Perkins | Executive Producer |
Jenny Borgars | Executive Producer |
Martin Heriot | Co-Producer |
Simon Pegg | Executive Producer |
Matthew Justice | Executive Producer |
Christine Langan | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 21 | 39 | 11 |
2024 | 5 | 25 | 48 | 13 |
2024 | 6 | 20 | 49 | 10 |
2024 | 7 | 23 | 44 | 11 |
2024 | 8 | 17 | 28 | 10 |
2024 | 9 | 10 | 18 | 7 |
2024 | 10 | 16 | 40 | 6 |
2024 | 11 | 13 | 23 | 9 |
2024 | 12 | 12 | 29 | 7 |
2025 | 1 | 14 | 27 | 9 |
2025 | 2 | 9 | 17 | 3 |
2025 | 3 | 4 | 11 | 1 |
2025 | 4 | 3 | 7 | 1 |
2025 | 5 | 2 | 7 | 1 |
2025 | 6 | 2 | 4 | 1 |
2025 | 7 | 1 | 5 | 1 |
2025 | 8 | 1 | 2 | 1 |
2025 | 9 | 2 | 3 | 1 |
2025 | 10 | 1 | 2 | 1 |
Trending Position
> Sometimes the right thing comes from the wrong. Another excellent Simon Pegg movie. This is his fourth movie I'm seeing inside a month and I enjoyed them all, especially 'Hector and Search for Happiness' was my favourite. This was a romantic-comedy that takes place in just one evening. A story ... about blind dating, boy meets girl, they spend a quality time by sharing the details and later turn against each other. So a recycled old theme that was very well crafted. If you see the poster what does the tagline says, well, that's what I was looking for. I had 'Date Night' in my mind, and thought it might be an altered British version. Other than that I was truly not expecting anything special, but a normal comedy, maybe sloppy. And it does only until a certain stage of the story, but 30 minutes later it overturns. So the best narration briskly took a slide towards joyous ride in the remaining 1 hour. I think, for right now Simon Pegg is my favourite British actor and you know the reason that I stated in the first paragraph. Lake Bell, who donned in a director's hat in her recent feature was so good on a 34 year-old role she played in this film. Together they were so perfect, one of the best on-screen couple with a wonderful chemistry. It was a story of two middle aged odd guys whose lives were shattered for some reasons. They meet accidentally and bond well. Once the truth got out, they repel away, but they both have something in common and that puts them on a test once they decide to correct the mistakes they have made. > "After this shot I will stronger, > wiser and finally moving on." At some stage in the life every person will going to be in their 30s and 40s (and some were had been there) like the couple from this film. The life won't be the same for everybody like that shown here, but can be understood, because that's the experience that define it. Despite romance crisis about the middle-aged guys, many dialogues were excellently written and funny as well. A couple of lines really made me worry and I can't just ignore by saying it was just a flick. Kind of easy to begin a story, like we're standing in an open ground and decide to move any direction we want in our 360º angle. But development is the key factor in the movie making and this film outshines. The real challenge was how to end it and once again it was a beautiful conclusion, even though I knew it was so cliché for a romantic-comedy. Overally looked a fairy-tale like theme, which irresistible if you love touching romantic stories. Definitely a good movie from the director of 'The Inbetweeners' and I'm going to recommend it for those who also liked the similar movies below I mentioned. But remember it's only cinematically amusing than being realistic. 7½/10
This was okay overall. The leads seemed like an unlikely pair at the outset but they started to connect and feel more like a potential couple. The film seemed to contain scenes from the largely forgotten era of gross-out movies, the dialogue ay least, with too many blow job jokes and references. Onc ... e or twice and you might get a smile out of me, but after that it just gets tiresome. That and normalizing a guy who is a stalker and an all around perv. The story was a little too nice to him in the end. But there was enough humor, wit and charm to keep me watching. I recognized a couple of the performers but wasn’t sure from where. Upon looking them up I found they had both been in Jane Austen-based movies over 20 years ago. One of the pleasures of watching British films and tv and seeing familiar faces reappearing. So even though I stuck with it, I probably won’t watch this again. There are just too many really good rom-coms out there.