Popularity: 2 (history)
Director: | Ben Wheatley |
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Writer: | Ben Wheatley, Amy Jump |
Staring: |
Set in Boston in 1978, a meeting in a deserted warehouse between two gangs turns into a shoot-out and a game of survival. | |
Release Date: | Mar 31, 2017 |
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Director: | Ben Wheatley |
Writer: | Ben Wheatley, Amy Jump |
Genres: | Action, Crime, Mystery |
Keywords | 1970s, sniper, boston, massachusetts, gang, shootout, warehouse, mischievous, tense, amused |
Production Companies | Film4 Productions, Rook Films, Protagonist Pictures |
Box Office |
Revenue: $3,719,383
Budget: $7,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Cillian Murphy | Chris |
Brie Larson | Justine |
Armie Hammer | Ord |
Sharlto Copley | Vernon |
Jack Reynor | Harry |
Sam Riley | Stevo |
Michael Smiley | Frank |
Noah Taylor | Gordon |
Babou Ceesay | Martin |
Enzo Cilenti | Bernie |
Patrick Bergin | Howie |
Tom Davis | Leary |
Mark Monero | Jimmy |
Sara Dee | Telephone Sales (voice) |
Name | Job |
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Laurie Rose | Director of Photography |
Ben Wheatley | Screenplay, Director, Editor |
Amy Jump | Screenplay, Editor |
Phillip Stone | Armorer |
Karim Hussain | Aerial Director of Photography |
Patrick Malone | Digital Intermediate |
Ben Salisbury | Original Music Composer |
Neil Chapelhow | Stunt Double |
Ryan Oliva | Stunts |
Peter Pedrero | Stunt Coordinator |
Jude Poyer | Stunt Double |
Robert Racki | Stunt Coordinator |
Reg Wayment | Stunt Double |
Nicky Barron | Key Costumer |
Kerry Brown | Still Photographer |
Philip Goldsworthy | Key Costumer |
Barry Conroy | Gaffer |
John Hembrough | Steadicam Operator |
Natalie Reid | Visual Effects Producer |
Craig Price | Property Master |
Mark Henry | ADR & Dubbing |
Emma Scott | Hair Designer, Makeup Designer |
Sian Evans | Costume Supervisor |
James Smith | Special Effects Coordinator |
Nick Gillespie | Camera Operator |
Peta Dunstall | Hair Department Head |
Danny Hargreaves | Special Effects Supervisor |
Ray Marston | Wigmaker |
Alf Tramontin | Steadicam Operator |
Rob Entwistle | Production Sound Mixer |
Michael Eaton | Graphic Designer |
Jason Rayton | Assistant Editor |
Craig Miller | Stunt Double |
James O'Daly | Stunt Double |
Moody Shwales | Stunt Driver |
Jade Poole | Special Effects Coordinator |
Nikki Ruck | Dialogue Editor |
Rob Farris | Digital Intermediate |
Jemma Carballo | Makeup Artist |
Emma J. Slater | Prosthetic Makeup Artist |
Anita Christy | Script Supervisor |
Mark Shelley | Armorer |
Simon Trundle | Foley |
Simon Edwards | Armorer |
Paki Smith | Production Design |
Daniel Rogers | Health and Safety |
Dan Martin | Prosthetics |
Freddie Mason | Stunt Double |
Roy Taylor | Stunt Double |
Martin Pavey | Sound Designer |
Paul Frost | Art Direction |
Kevin Foy | Key Grip |
Nigel Pollock | Supervising Art Director |
Sarah Nuth | Makeup Artist |
Shaheen Baig | Casting |
Ian Hughes | Second Unit First Assistant Director |
Jean-Paul Jesstiece | Stunt Double |
Russell MacLeod | Stunt Double |
Ian Pead | Stunt Double |
Joseph Racki | Stunts |
John Sharpe | Stunt Double |
Liz Griffiths | Set Decoration |
Murray Barber | VFX Supervisor |
Geoff Barrow | Original Music Composer |
Name | Title |
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Andrew Starke | Producer |
Martin Scorsese | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 30 | 69 | 18 |
2024 | 5 | 83 | 101 | 69 |
2024 | 6 | 44 | 84 | 24 |
2024 | 7 | 26 | 39 | 14 |
2024 | 8 | 22 | 45 | 12 |
2024 | 9 | 17 | 21 | 13 |
2024 | 10 | 21 | 34 | 12 |
2024 | 11 | 17 | 36 | 10 |
2024 | 12 | 18 | 35 | 12 |
2025 | 1 | 19 | 34 | 12 |
2025 | 2 | 12 | 28 | 3 |
2025 | 3 | 5 | 15 | 1 |
2025 | 4 | 3 | 5 | 1 |
2025 | 5 | 2 | 6 | 1 |
2025 | 6 | 2 | 4 | 1 |
2025 | 7 | 2 | 6 | 1 |
2025 | 8 | 2 | 3 | 2 |
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I'm a big fan of Ben Wheatley. And while it's debatable that _Free_ _Fire_ is his best film, it's certainly his most fun. _Final rating:★★★½ - I strongly recommend you make the time._ ...
**The night of bullet business!** This is one of the surprise films of the year. A limited cast and a one day event film. Except the opening few minutes the remaining film was a crossfire event. It's about two groups caught up in a firing from each other from one mistake to another leading the co ... nfrontation. In an abandoned warehouse, with a big amount and the cases new weapons lying in the centre, there's no way in or the out. The only way is to fight them all. So the surviving game begins. Whoever wins at the end can take it all with him. A very nice concept. With a simple storyline a nice gang fight was drawn out. If you like gangster films, this should watch it. But what bothered me the most was the common logic. You know, they all entered the building after checked for if they are armed, though it can be believed they hid their weapon somewhere and proceeded in. That's not it, the ammos for their gun, they kept firing many rounds like in the army conflict or a video game. That's why it is average to me. Otherwise an unexpected awesome film. The casting was good, but the surprise was Brie Larson. To see the Oscar winner in such kind of small scale film. Also disappointed her role was very small. But there is still hope! All others were good. With their unique characters, nicely used to share the screen equally. The reason for the conflict is not well explained, so it is hard to say who's good and who's bad guys here. But behaviours and further development give out where the story is heading. The end was predictable, and also we can expect a sequel. If they have one in their mind, surely it would only get bigger. _6.5/10_
One of those films that becomes difficult in giving a fair judgement. On one hand, it is very engaging when the action is on. On the other hand, there are questions that arise when it is not. The narrative is an uncomplicated stage play. The arcs come and go as expected and characters and plot d ... etails are re-/introduced accordingly. The characters have distinct roles and sides but little history more than what is immediately presented. The violence is grisly and more graphic than common in action movies but still glorified and not really a shocker in realism. It is still a suspense flick, so there is much crawling about after multiple gunshot wounds though there is the flesh wound in the arm that is a smart reverse take on seventies action movie tropes. The set and aesthetics are beautiful and so are the facial hairs. It is hard to not refer to Tarantino, but that is what you get when you do a retro gangster shoot out drama that drops pop cultural references. Thankfully it stays on a grounded level and does not try to be more clever than it is. Then again, there is not much development either but for the strenuous progressions of the positional wars of the battlefield. There are other details that I will not mention for the sake of spoilers that I find worth discussion, which are not necessarily good or bad but they are still there. In conclusion, I'd say it is a movie worth watching for the bullet ballet in itself. That is if you don't let the analysis get in the way.