Popularity: 1 (history)
Director: | John Schlesinger |
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Writer: | Keith Waterhouse, Willis Hall, Stan Barstow |
Staring: |
As Vic Brown vacillates between infatuation and disinterest for his co-worker Ingrid Rothwell, she finds out that she is pregnant and Vic has to reconcile how he thought his life would go with what life actually has in store for him. | |
Release Date: | Apr 12, 1962 |
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Director: | John Schlesinger |
Writer: | Keith Waterhouse, Willis Hall, Stan Barstow |
Genres: | Drama, Romance |
Keywords | based on novel or book, northern england, working class, kitchen sink realism, manchester, 1960s, british new wave, father son relationship, mother daughter relationship, brother sister relationship, draughtsman |
Production Companies | Vic Films Productions, Joseph Janni Production, Waterhall Productions |
Box Office |
Revenue: $581,138
Budget: $213,084 |
Updates |
Updated: Aug 03, 2024 Entered: Apr 20, 2024 |
Name | Character |
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Alan Bates | Victor Arthur 'Vic' Brown |
June Ritchie | Ingrid Rothwell |
Thora Hird | Mrs. Rothwell |
Bert Palmer | Mr. Geoffrey Brown |
Pat Keen | Christine Harris |
James Bolam | Jeff |
Jack Smethurst | Conroy |
Gwen Nelson | Mrs. Brown |
John Ronane | Draughtsman |
David Mahlowe | David Harris |
Patsy Rowlands | Dorothy |
Michael Deacon | Les |
Annette Robertson | Phoebe |
Fred Ferris | Althorpe |
Leonard Rossiter | Whymper |
Malcolm Patton | Jim Brown |
Harry Markham | Railwayman |
Peter Madden | Registrar |
Norman Heyes | Laisterdyke (uncredited) |
Bryan Mosley | Bus Conductor (uncredited) |
Yvonne Buckingham | Barmaid (uncredited) |
David Cook | Draughtsman (uncredited) |
Jerry Desmonde | TV Compère (uncredited) |
Helen Fraser | Ingrid's Friend (uncredited) |
Joe Gladwin | Bus Driver (uncredited) |
Reginald Green | Contestant (uncredited) |
Douglas Livingstone | Window Cleaner (uncredited) |
Ruth Porcher | Dr. Parker (uncredited) |
Bud Ralston | Pub Comedian (uncredited) |
Edna Ridgway | Pub Pianist (uncredited) |
Graham Rigby | Pub Politician (uncredited) |
Kathy Staff | Mrs. Oliphant (uncredited) |
Kathleen Walker | Woman in Dinner Queue (uncredited) |
Fred Wood | Pub Patron (uncredited) |
Name | Job |
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Barney Platts-Mills | Assistant Editor |
John Schlesinger | Director |
Ron Grainer | Original Music Composer, Conductor |
Nat Cohen | Presenter |
Keith Waterhouse | Screenplay |
Willis Hall | Screenplay |
Roger Cherrill | Editor |
Laura Nightingale | Wardrobe Supervisor |
Denys N. Coop | Director of Photography |
Frank Ernst | Assistant Director |
Bob Jones | Sound Recordist |
George Stephenson | Sound Recordist |
Maurice Fowler | Set Dresser |
John Goldstone | Production Assistant |
Pamela Davies | Continuity |
Stuart Levy | Presenter |
Harry Gillard | Still Photographer |
Stan Barstow | Novel |
Charles Hammond | Production Manager |
Don Sharpe | Sound Editor |
Ray Simm | Art Direction |
Anne Box | Hairstylist |
John Gilbert | Assistant Editor |
John Harris | Camera Operator |
Ann Skinner | Production Secretary |
Bob Lawrance | Makeup Artist |
Name | Title |
---|---|
Joseph Janni | Producer |
Jack Hanbury | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 6 | 13 | 4 |
2024 | 5 | 8 | 13 | 4 |
2024 | 6 | 6 | 12 | 3 |
2024 | 7 | 9 | 22 | 4 |
2024 | 8 | 7 | 12 | 4 |
2024 | 9 | 4 | 7 | 3 |
2024 | 10 | 7 | 16 | 2 |
2024 | 11 | 6 | 13 | 2 |
2024 | 12 | 5 | 11 | 2 |
2025 | 1 | 5 | 8 | 3 |
2025 | 2 | 4 | 6 | 2 |
2025 | 3 | 3 | 5 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 0 | 1 | 0 |
2025 | 9 | 1 | 2 | 1 |
2025 | 10 | 1 | 1 | 1 |
Trending Position
I can't say I was ever a great fan of Alan Bates, but he's really quite good in this - for the time - almost raunchy romantic drama. He is factory worker "Vic" who takes a bit of a shine to the shy "Ingrid" (June Ritchie) - well, she takes more of a shine to him, actually. What now ensues is a sort ... top-of-the-bus courtship, a movie, a snog on the beach and then... She becomes pregnant, a shotgun wedding follows and thought the pair do genuinely like one another, it's clear that there's some rather unpleasant writing on the wall. He's an ambitious character. His traditional working class roots are ones he wants to leave behind. His new family status makes him feel trapped and hemmed in. His future somehow snatched away from him. Needless to say, his character changes and that sets him at odds with his new wife - and with her mother (Thora Hird) who lives with them and rarely misses an opportunity to make her presence felt. How long can he tolerate this self-made scenario before something has to give? Bates convinces as his increasingly frustrated persona as does Ritchie whose character finds herself increasingly ostracised from an husband she loves but doesn't understand. Hird features sparingly but actually offers quite a cleverly constructed characterisation of either the interfering mother-in-law or the caring and responsible parent. That all depends on your perspective and though the story is definitely told from that of "Vic", I think John Schlesinger leaves enough ambiguity of loyalty for the audience to deal with. Though there's little graphic here that might have offended in 1962, the subject matter does challenge the ingrained societal approaches to marriage, to choice and to aspiration in quite a potent fashion and presents us here with a story that does take it's time to get going - but then, so do most romances!