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A Kind of Loving Poster

A Kind of Loving

A kind of loving that knew no wrong until it was too late!
1962 | 108m | English

(2872 votes)

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Popularity: 1 (history)

Details

As Vic Brown vacillates between infatuation and disinterest for his co-worker Ingrid Rothwell, she finds out that she is pregnant and Vic has to reconcile how he thought his life would go with what life actually has in store for him.
Release Date: Apr 12, 1962
Director: John Schlesinger
Writer: Keith Waterhouse, Willis Hall, Stan Barstow
Genres: Drama, Romance
Keywords based on novel or book, northern england, working class, kitchen sink realism, manchester, 1960s, british new wave, father son relationship, mother daughter relationship, brother sister relationship, draughtsman
Production Companies Vic Films Productions, Joseph Janni Production, Waterhall Productions
Box Office Revenue: $581,138
Budget: $213,084
Updates Updated: Aug 03, 2024
Entered: Apr 20, 2024
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Full Credits

Name Character
Alan Bates Victor Arthur 'Vic' Brown
June Ritchie Ingrid Rothwell
Thora Hird Mrs. Rothwell
Bert Palmer Mr. Geoffrey Brown
Pat Keen Christine Harris
James Bolam Jeff
Jack Smethurst Conroy
Gwen Nelson Mrs. Brown
John Ronane Draughtsman
David Mahlowe David Harris
Patsy Rowlands Dorothy
Michael Deacon Les
Annette Robertson Phoebe
Fred Ferris Althorpe
Leonard Rossiter Whymper
Malcolm Patton Jim Brown
Harry Markham Railwayman
Peter Madden Registrar
Norman Heyes Laisterdyke (uncredited)
Bryan Mosley Bus Conductor (uncredited)
Yvonne Buckingham Barmaid (uncredited)
David Cook Draughtsman (uncredited)
Jerry Desmonde TV Compère (uncredited)
Helen Fraser Ingrid's Friend (uncredited)
Joe Gladwin Bus Driver (uncredited)
Reginald Green Contestant (uncredited)
Douglas Livingstone Window Cleaner (uncredited)
Ruth Porcher Dr. Parker (uncredited)
Bud Ralston Pub Comedian (uncredited)
Edna Ridgway Pub Pianist (uncredited)
Graham Rigby Pub Politician (uncredited)
Kathy Staff Mrs. Oliphant (uncredited)
Kathleen Walker Woman in Dinner Queue (uncredited)
Fred Wood Pub Patron (uncredited)
Name Job
Barney Platts-Mills Assistant Editor
John Schlesinger Director
Ron Grainer Original Music Composer, Conductor
Nat Cohen Presenter
Keith Waterhouse Screenplay
Willis Hall Screenplay
Roger Cherrill Editor
Laura Nightingale Wardrobe Supervisor
Denys N. Coop Director of Photography
Frank Ernst Assistant Director
Bob Jones Sound Recordist
George Stephenson Sound Recordist
Maurice Fowler Set Dresser
John Goldstone Production Assistant
Pamela Davies Continuity
Stuart Levy Presenter
Harry Gillard Still Photographer
Stan Barstow Novel
Charles Hammond Production Manager
Don Sharpe Sound Editor
Ray Simm Art Direction
Anne Box Hairstylist
John Gilbert Assistant Editor
John Harris Camera Operator
Ann Skinner Production Secretary
Bob Lawrance Makeup Artist
Name Title
Joseph Janni Producer
Jack Hanbury Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 6 13 4
2024 5 8 13 4
2024 6 6 12 3
2024 7 9 22 4
2024 8 7 12 4
2024 9 4 7 3
2024 10 7 16 2
2024 11 6 13 2
2024 12 5 11 2
2025 1 5 8 3
2025 2 4 6 2
2025 3 3 5 1
2025 4 1 2 1
2025 5 1 2 1
2025 6 1 1 1
2025 7 0 0 0
2025 8 0 1 0
2025 9 1 2 1
2025 10 1 1 1

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Reviews

Geronimo1967
7.0

I can't say I was ever a great fan of Alan Bates, but he's really quite good in this - for the time - almost raunchy romantic drama. He is factory worker "Vic" who takes a bit of a shine to the shy "Ingrid" (June Ritchie) - well, she takes more of a shine to him, actually. What now ensues is a sort ... top-of-the-bus courtship, a movie, a snog on the beach and then... She becomes pregnant, a shotgun wedding follows and thought the pair do genuinely like one another, it's clear that there's some rather unpleasant writing on the wall. He's an ambitious character. His traditional working class roots are ones he wants to leave behind. His new family status makes him feel trapped and hemmed in. His future somehow snatched away from him. Needless to say, his character changes and that sets him at odds with his new wife - and with her mother (Thora Hird) who lives with them and rarely misses an opportunity to make her presence felt. How long can he tolerate this self-made scenario before something has to give? Bates convinces as his increasingly frustrated persona as does Ritchie whose character finds herself increasingly ostracised from an husband she loves but doesn't understand. Hird features sparingly but actually offers quite a cleverly constructed characterisation of either the interfering mother-in-law or the caring and responsible parent. That all depends on your perspective and though the story is definitely told from that of "Vic", I think John Schlesinger leaves enough ambiguity of loyalty for the audience to deal with. Though there's little graphic here that might have offended in 1962, the subject matter does challenge the ingrained societal approaches to marriage, to choice and to aspiration in quite a potent fashion and presents us here with a story that does take it's time to get going - but then, so do most romances!

Apr 01, 2024