Popularity: 0.6 (history)
Director: | Vincent Sherman |
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Writer: | Harold Medford, Jerome Weidman, Gertrude Walker |
Staring: |
Fed up with her small-town marriage, a woman goes after the big time and gets mixed up with the mob. | |
Release Date: | May 13, 1950 |
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Director: | Vincent Sherman |
Writer: | Harold Medford, Jerome Weidman, Gertrude Walker |
Genres: | Drama, Crime |
Keywords | film noir, mobster |
Production Companies | Warner Bros. Pictures |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 20, 2024 |
Name | Character |
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Joan Crawford | Ethel Whitehead |
David Brian | George Castleman |
Steve Cochran | Nick Prenta |
Kent Smith | Martin Blackford |
Hugh Sanders | Grady |
Selena Royle | Patricia Longworth |
Jacqueline deWit | Sandra |
Morris Ankrum | Jim Whitehead |
Edith Evanson | Mrs. Castleman |
Richard Egan | Roy Whitehead |
Bob Alden | Messenger (uncredited) |
Bonnie Bannon | Woman in Casino (uncredited) |
George Baxter | Mr. Fredericks - Syndicate Boss (uncredited) |
Paul Bradley | Castleman's Assistant (uncredited) |
Kathryn Card | Mrs. Sullivan (uncredited) |
Tris Coffin | George - Maitre d'Hotel at Grady's (uncredited) |
Herschel Daugherty | Rewrite Man (uncredited) |
Diane DeLaire | Castleman's Secretary (uncredited) |
Forrest Dickson | Woman on Street (uncredited) |
Jay Eaton | Gambler at The Hacienda (uncredited) |
Sam Fisher | Minor Role (uncredited) |
Bess Flowers | Restaurant Patron (uncredited) |
Don Forbes | Radio Commentator (uncredited) |
George Ford | Club Patron (uncredited) |
Jack Gargan | Minor Role (uncredited) |
Ned Glass | Taxi Driver (uncredited) |
William E. Green | Real Estate Agent (uncredited) |
Tom Greenway | Deputy Tom (uncredited) |
Dabbs Greer | Reporter (uncredited) |
Robert Haines | Waiter at Party (uncredited) |
Weldon Heyburn | Robert - The Butler (uncredited) |
Charles Jordan | Editor (uncredited) |
Eddie Kane | Man in Montage (uncredited) |
Fred Kelsey | Man on Dock (uncredited) |
Lyle Latell | Trooper (uncredited) |
David Leonard | Barney Green (uncredited) |
Leon Lontoc | Filipino House Boy (uncredited) |
Herbert Lytton | Gambling Casino Attendant (uncredited) |
Warren Mace | Reporter (uncredited) |
Rory Mallinson | Johnny Enders (uncredited) |
Eddie Marr | Walter Talbot (uncredited) |
Strother Martin | Springboard Diver (uncredited) |
Thomas Martin | Waiter at Grady's (uncredited) |
John Maxwell | Doctor (uncredited) |
Paul McGuire | Reporter (uncredited) |
Lee Miller | Jalopy Driver (uncredited) |
Jimmy Moss | Tommy (uncredited) |
Hugh Murray | Alfred - The Houseman (uncredited) |
George Nardelli | Spectator at Exhibition (uncredited) |
William H. O'Brien | Waiter at Party (uncredited) |
Sara Perry | Mrs. Whitehead (uncredited) |
Paul Power | Syndicate Boss (uncredited) |
Waclaw Rekwart | Onlooker at Scene (uncredited) |
Keith Richards | Croupier (uncredited) |
Ann Robinson | Girl at Poolside in Home Movie (uncredited) |
Ric Roman | Sam Loman - Syndicate Boss (uncredited) |
Ralph Sanford | Norman Riley (uncredited) |
Jamesson Shade | Sheriff (uncredited) |
Charles Sherlock | Man at the Hacienda (uncredited) |
Allan Smith | Surveyor (uncredited) |
Clarence Straight | Castleman's Chauffeur/Henchman (uncredited) |
Brick Sullivan | Cop (uncredited) |
Blanche Taylor | Minor Role (uncredited) |
Herb Vigran | Vito Maggio (uncredited) |
Duke Watson | Hardware Man (uncredited) |
Paul Weber | Mr. Bender - Syndicate Boss (uncredited) |
Crane Whitley | Eddie Hart - Syndicate Boss (uncredited) |
Name | Job |
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Harold Medford | Screenplay |
Jerome Weidman | Screenplay |
Gertrude Walker | Story |
Daniele Amfitheatrof | Original Music Composer |
Ted D. McCord | Director of Photography |
Robert M. Haas | Art Direction |
William L. Kuehl | Set Decoration |
Perc Westmore | Makeup Artist |
C.A. Riggs | Sound |
Vincent Sherman | Director |
Rudi Fehr | Editor |
Ray Forman | Hairstylist |
Ellsworth Fredericks | Camera Operator |
Gertrude Wheeler | Hairstylist |
Maurice De Packh | Orchestrator |
Max Steiner | Additional Music |
Otis Malcolm | Makeup Artist |
Ray Heindorf | Music Director |
Sidney Cutner | Orchestrator |
Joan Crawford | Costume Consultant, Additional Writing |
Leo Shuken | Orchestrator |
Wandra Ramsey | Script Supervisor |
Sheila O'Brien | Wardrobe Designer |
Name | Title |
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Jerry Wald | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 6 | 9 | 3 |
2024 | 5 | 8 | 15 | 4 |
2024 | 6 | 7 | 13 | 3 |
2024 | 7 | 8 | 17 | 3 |
2024 | 8 | 6 | 11 | 4 |
2024 | 9 | 6 | 16 | 2 |
2024 | 10 | 7 | 16 | 3 |
2024 | 11 | 6 | 11 | 3 |
2024 | 12 | 7 | 14 | 4 |
2025 | 1 | 6 | 11 | 4 |
2025 | 2 | 5 | 9 | 2 |
2025 | 3 | 4 | 9 | 1 |
2025 | 4 | 3 | 5 | 1 |
2025 | 5 | 2 | 4 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 0 | 1 | 0 |
2025 | 8 | 1 | 3 | 0 |
2025 | 9 | 1 | 4 | 0 |
2025 | 10 | 0 | 0 | 0 |
Trending Position
Joan Crawford always could portray the ambitious, strong-willed character really well - and she does it here too. Living an hand-to-mouth existence with her husband and young son, tragedy befalls her and she ("Ethel/Lorna") determines to start a new life. Initially flogging cigars in an hotel, but s ... oon her beauty helps her meet new, and increasingly influential, wealthy, friends. When she meets "Marty" (Kent Smith), a small time accountant whom she introduces to her restaurant owning pal "Grady" (Hugh Sanders), this honest fellow starts to attract attention of his own, the coat-tails of whom she is happy to travel along on, too. Before long, both are embroiled in a perilous nationwide gaming racket headed by her latest beau "George" (David Brian). When he gets suspicious of one of his underlings "Nick" (Steve Cochran), she is despatched to use her wiles on him - only, that doesn't quite go according to plan... You kind of feel sorry for poor old "Marty" - infatuated by Crawford, but not on her radar as she seeks wealth and power, inherently drawn to the wrong 'uns. The ending is a bit rushed, but the rest of it takes it's time to demonstrate this women's ability to twist men around her little finger. The pace is good, the male performances maybe just a bit stereotyped - but it's still a great opportunity for the star to be exactly that.