Popularity: 8 (history)
Director: | Cary Joji Fukunaga |
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Writer: | Cary Joji Fukunaga, Neal Purvis, Robert Wade, Phoebe Waller-Bridge |
Staring: |
Bond has left active service and is enjoying a tranquil life in Jamaica. His peace is short-lived when his old friend Felix Leiter from the CIA turns up asking for help. The mission to rescue a kidnapped scientist turns out to be far more treacherous than expected, leading Bond onto the trail of a mysterious villain armed with dangerous new technology. | |
Release Date: | Sep 29, 2021 |
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Director: | Cary Joji Fukunaga |
Writer: | Cary Joji Fukunaga, Neal Purvis, Robert Wade, Phoebe Waller-Bridge |
Genres: | Adventure, Action, Thriller |
Keywords | based on novel or book, poison, mi6, british secret service, global threat, forgiveness, spy, family, parents, nanobots |
Production Companies | Metro-Goldwyn-Mayer, EON Productions |
Box Office |
Revenue: $774,153,024
Budget: $250,000,000 |
Updates |
Updated: Jun 26, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Daniel Craig | James Bond |
Léa Seydoux | Madeleine |
Rami Malek | Lyutsifer Safin |
Lashana Lynch | Nomi |
Ralph Fiennes | M |
Ben Whishaw | Q |
Naomie Harris | Moneypenny |
Rory Kinnear | Tanner |
Jeffrey Wright | Felix Leiter |
Billy Magnussen | Logan Ash |
Christoph Waltz | Blofeld |
David Dencik | Valdo Obruchev |
Ana de Armas | Paloma |
Dali Benssalah | Primo (Cyclops) |
Lisa-Dorah Sonnet | Mathilde |
Coline Defaud | Young Madeleine |
Mathilde Bourbin | Madeleine's Mother |
Hugh Dennis | Dr. Hardy |
Priyanga Burford | Dr. Symes |
Joe Grossi | Hotel Porter |
Nicola Olivieri | Cemetery Caretaker |
Pio Amato | Cemetery Attendant |
Javone Prince | MI6 Security Guard |
Davina Moon | Madeleine's Receptionist |
Mattia Lacovone | Young Shepherd |
Giansalvatore Duca | Young Shepherd |
Amy Morgan | Alison Smith |
Lizzie Winkler | Sarah Jones |
Andrei Nova | Bunker Guard |
Ernest Gromov | Bunker Guard |
Gediminas Adomaitis | Blofeld's Right Hand Man |
Andy Cheung | Chinese Businessman |
Brigitte Millar | Vogel |
Hayden Phillips | Sir Sebastian D'ath |
Winston Ellis | Spectre Agent |
Adnan Rashed | Spectre Agent |
Rae Lim | Spectre Agent |
Chi Chan | Spectre Agent |
Dennis Good | Spectre Agent |
Lourdes Faberes | Spectre Agent |
Philip Philmar | Spectre Agent |
Raymond Waring | Spectre Agent |
Eliot Sumner | Spectre Guard |
Rod Hunt | Spectre Guard |
Michael Mercer | El Nido Bartender |
Gemmar Mcfarlane | Passersby |
Leighton Laing | Passersby |
Kimo Armstrong | Passersby |
Gordon Alexander | Lab Technician (uncredited) |
Steve Barnett | Spectre Agent (uncredited) |
Tuncay Gunes | Spectre Agent (uncredited) |
Clem So | Spectre Agent (uncredited) |
Ahmed Bakare | Spectre VIP Guest (uncredited) |
Douglas Bunn | Spectre Member (uncredited) |
Toby Sauerback | Guard (uncredited) |
Zoltan Rencsar | Spectre Bodyguard (uncredited) |
John Farrer | Casino Player (uncredited) |
Paul O'Kelly | Safin Henchman (uncredited) |
Michael G. Wilson | Spectre Party Guest (uncredited) |
Michael Herne | Spectre Guest (uncredited) |
Julian Ferro | MI6 Security Guard (uncredited) |
Ross Donnelly | Hotel Guest (uncredited) |
David Olawale Ayinde | Spectre Party Guest (uncredited) |
Mark Addison | Spectre Agent Bodyguard |
Name | Job |
---|---|
Sami Fendall | Scenic Artist |
Jessica Hooker | Stunt Double |
Elizabeth Donker Curtius | Stunt Double |
Maria Gnecchi | Stunts |
Tolga Kenan | Stunts |
Marc Mailley | Stunts |
Nikita Mitchell | Stunt Double |
Martin Gordon | Stunts |
Alexander Witt | Second Unit Director of Photography, Second Unit Director |
FINNEAS | Main Title Theme Composer |
Christina Petrou | Stunts |
Cary Joji Fukunaga | Screenplay, Story, Director |
Linus Sandgren | Director of Photography |
Tom Cross | Editor |
Elliot Graham | Editor |
Per Henry Borch | Line Producer |
Debbie McWilliams | Casting |
Neal Callow | Art Direction |
Neal Purvis | Screenplay, Story |
Robert Wade | Screenplay, Story |
Arran Brownlee | Concept Artist |
Steve Mazzaro | Additional Music |
Mark DeSimone | ADR Mixer |
Enzo Sisti | Line Producer |
Suttirat Anne Larlarb | Costume Design |
Matteo Veglia | VFX Production Coordinator |
Ian Fleming | Characters |
Laraib Atta | Digital Compositor |
Paul Massey | Sound Re-Recording Mixer |
Nina Jalava | Stand In |
Andrew Bennett | Art Direction |
Dean Clegg | Art Direction |
Mark Harris | Art Direction |
Sandra Phillips | Art Direction |
Véronique Melery | Set Decoration |
Bryan Bowen | Sound Designer |
Tom Barrow | Sound Mixer |
Alan Hill | Sound Mixer |
Buddie Wilkinson | Standby Property Master |
Karl Jordan | Special Effects Technician |
James Harrison | Supervising Sound Editor |
Marzenna Fus-Mickiewicz | Makeup Artist |
Rachel Lennon | Makeup Artist |
Hugo Adams | Foley Supervisor |
Mark Appleby | ADR Mixer |
Kristin Catuogno | ADR Recordist |
Aidan Dykes | ADR Recordist |
Adele Fletcher | Dialogue Editor |
Dawn Gough | Sound Effects Editor |
Sue Harding | Foley Artist |
Yoshi DeHerrera | Visual Effects Supervisor |
Gerard Diefenthal | Visual Effects Supervisor |
François Lambert | Visual Effects Supervisor |
Mark Tildesley | Production Design |
Jamie Hearing | VFX Artist |
Tamara Marini | Art Direction |
Roxana Alexandru | Assistant Art Director |
Rupert Hancock | Set Dresser |
Chris Lowe | Supervising Art Director |
Hugh McClelland | Assistant Art Director |
Romolo Pompa | Assistant Art Director |
Daniel Kleinman | Main Title Designer |
Lynn Jackett | Makeup Artist |
Mia Hope Radford | Set Costumer |
Sarah Robinson | Costume Supervisor |
Oliver Tarney | Supervising Sound Editor |
Mark Taylor | Sound Re-Recording Mixer, Sound Effects Editor |
Richard Bain | Visual Effects Supervisor |
Tommy Barry | VFX Artist |
Sreekanth Boyapati | Visual Effects |
Mara Bryan | Visual Effects Producer |
Michael Cashmore | VFX Artist |
Sanchia Currie | Visual Effects Producer |
Daniel Hazeltine | VFX Artist |
Russell Hopwood | Visual Effects |
Ondrej Hudecek | VFX Artist |
Tracy Nicole Irwin | VFX Artist |
Anna V. James | Visual Effects Producer |
Nick King | Visual Effects |
Toby Lewin | VFX Artist |
Benjamin Loch | Visual Effects Supervisor |
Yael Majors | Visual Effects Supervisor |
Owen McGonigle | VFX Artist |
Aileen Mu | Visual Effects Producer |
Charlie Noble | Visual Effects Supervisor |
Imran Ahmed Raichuri | VFX Artist |
Mnandi Ridley | VFX Artist |
Rob Shears | Visual Effects Producer |
Shubham Singh Rathore | VFX Artist |
Loeng Wong-Savun | VFX Artist |
Raffaella Cuviello | Set Decoration Buyer |
Chelsea Mather | Stunt Double |
Arwel Evans | Standby Art Director |
Liam Georgensen | Assistant Art Director |
Charlotte Leatherland | Assistant Art Director |
Luke Whitelock | Assistant Art Director |
Pedro Eustache | Musician |
Reetu Aggarwal | 3D Artist |
Emily Thomas | Third Assistant Director |
Martin Bell | Pre-Visualization Supervisor |
Lottie Geliot | Art Department Assistant |
Joel Green | Visual Effects Supervisor |
Chris Corbould | Special Effects Supervisor |
Hans Zimmer | Original Music Composer |
Mark Bakowski | Visual Effects Supervisor |
Simon Hayes | Production Sound Mixer |
Luke Tumber | Stunts |
Andrea Cracknell | Hair Supervisor, Makeup Supervisor |
Ryan Stuart | Stunts |
Cristian Knight | Stunt Driver |
Laura Swift | Stunts |
Rachael Evelyn | Stunts |
Elliot Hawkes | Stunts |
Billie Eilish | Theme Song Performance, Main Title Theme Composer |
Phoebe Waller-Bridge | Screenplay |
Jonathan Fawkner | Visual Effects Supervisor |
Daniel Awde | Stunts |
Albert McCausland | Draughtsman |
Trayan Milenov-Troy | Stunts |
Drew Jones | Visual Effects |
Alessandro Scepi | Stunts |
Stefano Domenighini | Stunts |
Conor Deedigan | Crowd Assistant Director |
Donald E G Bentley | Second Assistant Director |
Vito Colazzo | Production Manager |
Duncan Jarman | Prosthetic Makeup Artist |
Antony Robert Ephgrave | Lighting Technician |
David Sinfield | Gaffer |
Paolo Tiberti | Key Grip |
Nicola Dove | Still Photographer |
Dave Brennan | Best Boy Electric |
Bogdan Kumšackij | Stunts |
Matthew Sharp | Second Assistant Director |
Andrew Rowlands | Drone Cinematographer |
Name | Title |
---|---|
Barbara Broccoli | Producer |
Michael G. Wilson | Producer |
Daniel Craig | Co-Producer |
Andrew Noakes | Co-Producer |
Chris Brigham | Executive Producer |
Gregg Wilson | Associate Producer |
Organization | Category | Person | |
---|---|---|---|
Cannes Film Festival | Best Picture | N/A | Won |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 76 | 102 | 62 |
2024 | 5 | 89 | 124 | 68 |
2024 | 6 | 79 | 102 | 64 |
2024 | 7 | 99 | 153 | 55 |
2024 | 8 | 69 | 100 | 48 |
2024 | 9 | 58 | 78 | 47 |
2024 | 10 | 75 | 131 | 51 |
2024 | 11 | 83 | 141 | 63 |
2024 | 12 | 75 | 124 | 57 |
2025 | 1 | 71 | 82 | 58 |
2025 | 2 | 53 | 78 | 10 |
2025 | 3 | 20 | 63 | 3 |
2025 | 4 | 12 | 26 | 9 |
2025 | 5 | 30 | 116 | 9 |
2025 | 6 | 25 | 93 | 9 |
2025 | 7 | 8 | 9 | 6 |
2025 | 8 | 8 | 11 | 7 |
2025 | 9 | 9 | 11 | 8 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 183 | 568 |
Year | Month | High | Avg |
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2025 | 8 | 125 | 421 |
Year | Month | High | Avg |
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2025 | 7 | 110 | 513 |
Year | Month | High | Avg |
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2025 | 6 | 98 | 405 |
Year | Month | High | Avg |
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2025 | 5 | 149 | 445 |
Year | Month | High | Avg |
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2025 | 4 | 50 | 364 |
Year | Month | High | Avg |
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2025 | 3 | 102 | 423 |
Year | Month | High | Avg |
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2025 | 2 | 57 | 472 |
Year | Month | High | Avg |
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2025 | 1 | 74 | 369 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 48 | 404 |
Year | Month | High | Avg |
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2024 | 11 | 126 | 384 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 157 | 318 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 176 | 389 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 228 | 416 |
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/no-time-to-die-spoiler-free-review "No Time To Die is the most emotional, personal James Bond movie of Daniel Craig's Era, holding a heartfelt farewell to the now-iconic actor. Delivering his best performance as 007, Craig finish ... es his memorable run in a high-stakes film with some of the best action sequences of the entire franchise. Technically, the practical sets and locations, stunt work, cinematography, and editing are all no short of impressive, working together beautifully to create magnificent set pieces. Despite an overlong runtime with an exposition-heavy second act and a terribly stereotyped villain with unclear motivations, the emotionally compelling narrative sets up a powerful third act boosted by an epic score. Cary Joji Fukunaga brilliantly directs a movie packed with phenomenal performances that will leave no viewer indifferent. Massive praise to the outstanding ensemble cast. And a humble thank you to Craig… Daniel Craig." Rating: A-
**A -{ _F I N A L E_ }- So Stunning, And Poetically GRANDIOSE ⚘ . . . . . . . . . . " That You Will Simply -{ _N E V E R_ }- See What's Coming ".** This Is A **-_B I G_ -** Screen MINI Review ; Film Viewed On September 30, 2021, At "VOX CINEMAS" , UAE. ________________________________________ ... ______________ Q : "Can I just have one nice evening please . . . . before the world explodes". { Taken from one of the many -official - previews for No Time To Die; which I'll refer to as **"_N.T.2.D_ "** in this review }. ______________________________________________________ **1. " The Overall Calibre Of Acting Here, Given That This -_Is_ - , At The End Of The Day , A -_Blockbuster Popcorn Flick_ - Is Well & Truly BREATHTAKING " :** Spearheading -{ DAZZLING 💎 }- array of world-class talent in _N.T.2.D_ are : A : Hollywood veteran Léa Seydoux ...arguably best known for 'Blue Is The Warmest Colour' | 'Ghost Protocol' | 'Spectre' ...who plays the deeply damaged yet very independent, & ravishingly Lovely psychotherapist 'Madeleine Swann' ; rendering a delicate & impassioned performance that is nothing less than **MESMERIZING.** B : Rami Malik, a.k.a 'Lyutsifer Safin', the movie's -primary- ( of two ) "Classic" Megalomaniacal Bond-Villains, who unquestionably provides a most "_DELECTABLY **IDIOSYNCRATIC** PORTRAYAL_ " { on account of his having been ( -Very- ) badly scarred as a vulnerable, young boy ; as it is entirely incumbent on me to point out }. C : 'The-Man-Of-The-Hour' himself of course, Daniel Craig, who -_Did_ - actually catch me a bit off guard . . . managing to completely 'Wow', with _both_ his utterly stupendous physical performance . . . **- _A N D_ - , HIS GENUINELY SUPERB EMOTIONAL & DRAMATIC 🌠 DELIVERY.** **2. " FUKUNAGA . . . . . . . WHO ? " :** You could -_very_ - easily be forgiven for NEVER having heard of **Cary Joji Fukunaga,** the { formerly } -_relatively_ - unknown, yet "MULTIGIFTED" Actor-Producer-Writer-Cinematographer-Director ; who, in the September of 2018 was officially -and publicly- awarded the globally "Mega-Coveted" job of not only **-DIRECTING-** _N.T.2.D_ , but of co-writing its whole script & screenplay, _As Well_. And it's no wonder, frankly, given the fact that only the very -_SECOND_ - complete picture that he -_ever_ - Directed, executive produced & co wrote { '_Victoria Para Chino_ ' | 13 minutes | 2004 | New York University | Student-movie } . . . went on to not only win the 'Best Student Narrative Short' **OSCAR AWARD 🏆** for the year 2005 . . . but -_also_ - pretty much "_Sweep The Deck **C L E A N**_ " by winning 4 of the 5 _other_ ( Major ) awards that the said short was nominated for, in that very same year. **3. " FINAL ANALYSIS " :** Every now and then, along comes a film with the capacity to altogether, and most _U N E X P E C T E D L Y_ **. . . . - _M O V E_ -** THE VIEWER TO THEIR VERY CORE. For me, this was such a picture, & yes **. . . . IT'S PERSONAL.** And in that vein, I want to say a Deep & Heartfelt **THANK YOU** to you, Cary Joji Fukunaga, to your 'viscerally beautiful' movie's ENTIRE -{ _E N S E M B L E_ }- CAST, your uber-talented crew ; and most of all to your leading-man, **DANIEL CRAIG 🙏 💜** ; for so successfully having enthralled us 'to this degree', _even_ in the throes of what is _very much_ ( -Still- ) a raging, vicious, global, pandemic. **_Y E S_ ,** I shan't deny that I would have loved to see a _LOT_ more screen time given to -Both- **The Completely Tantalizing Ana de Armas,** _As Well_ as the **Ever Endearing Jeffrey Wright** { 'Paloma' & 'Felix Leiter', respectively } . . . . but hey, I am no less grateful for the undeniably mind-blowing experience that I just had. **A Full-Blown, Unabashed 25 Marks Out Of 10 . . . AND , YES MY WORD IS MY " _B O N D_ " 😅 💥❗** .
As a life long James Bond fan I thought this movie was a fitting end to the Daniel Craig era as James Bond. I did not think it would be possible to top Casino Royale, however I think this movie did just that. This will cement Daniel Craig's legacy as either the best actor to play James Bond or as ... an equal to Sean Connery.
This final Bond installment with Craig had the potential to be his best Bond movie. The good: Cinematography, locations, Story, action, and directing. The poor: Rami Malek, the villain, is by far the absolute WORST Bond villain in the history of the franchise. He will literally "put you to sl ... eep". Perhaps he was nervous and decided to swallow an entire bottle of Valium before each take. Lashana Lynch, plays Bond's replacement when he retires. (Nomi) Although her acting was OK, her character is totally unnecessary in the movie, and she gives me the impression that the Producers were more interested in being politically correct than making a great film. They could have cut 30 minutes off this over-length film by simply adding her to the cutting room floor.
I guess there was time to die, and as so many predicted, be replaced with a female Bond of color. Because... woke. But it is fitting that Craig went out like that, he seemed to be the only man in the world that didn't want to be James Bond. There was nothing playful about him... ... he was j ... ust miserable, and miserable from start to finish. I don't see the draw in watching a depressing 007, and I don't see the draw in watching the inevitable new Politically Correct 007 either. Neither seem to fit with the franchise.
**No Time to Die ignores all the development and opportunities of the four previous Bond films to deliver a movie that doesn't understand or care who James Bond is at all.** I am just so frustrated. Daniel Craig's run as Bond was solid overall, with some of the greatest films of the 80-year franc ... hise and a couple that weren't amazing but still entertaining. But the conclusion to Craig's Bond was poorly written, out of character, and just plain disappointing. No Time to Die was The Last Jedi of James Bond. Long-time Bond fans will hate it, while those who are indifferent to the franchise or have not seen this entry will find it entertaining and possibly thoughtful. But I just don't see it. The writing was awful. The screenplay couldn't find better ways to motivate or shock than killing off characters that had been developed for over a decade. The idea of a new 007 was pitched as intriguing but hardly affected the story and sidelined Lashana Lynch's character altogether. The villains were generic, and their motivations inconsistent at best. And Bond's love for Madeleine didn't fit the character at all. He said and did things that Bond just wouldn't do. One shining moment in a film of disappointments was Ana de Armas as Paloma. Her performance was witty, engaging, and the most entertaining part of the movie. So, of course, she was only given 5 minutes of screen time. No Time to Die was clearly at a loss for what to do and failed to close this excellent chapter of James Bond history with nothing more than a mess of dreadful writing and unsatisfying conclusions.
Damsel in distress. Except that's what makes this film stand out as different from other Bond movies. It isn't a damsel in distress, but instead a child in jeopardy. 007 finds himself trying to protect the most innocent of creatures. Along the way, he goes through some high octane action sequenc ... es. And he fights against a villain using genetic engineering in a weird and deadly way. However, the biggest problems here are "predictability" and "horrible directing". The imagery is horrible. Even when there are exotic locales, there is not one cinematic second. It's all dull and tedious. The classic 007 films of the Connery and Moore era had cinematic beauty with exotic locales. In the era of Daniel Craig, this poor actor has to go through movies where the director can't even make imagery out of the most exotic locations. Why even film on locations? This may as well been done in the studio of Mr. Rogers and his neighborhood.
This is mid, very overrated and is actually disliked by the fandom. ...