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Bury Me Dead

SOMEONE...SOMEHOW...WANTS HER KILLED
1947 | 68m | English

(441 votes)

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Popularity: 1 (history)

Details

A woman watches her own funeral, then sets out with her lawyer to learn who was in the casket.
Release Date: Oct 18, 1947
Director: Bernard Vorhaus
Writer: Dwight V. Babcock, Karen DeWolf
Genres: Drama, Crime, Mystery
Keywords obsession
Production Companies PRC
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 03, 2024 (Update)
Entered: Apr 27, 2024
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Full Credits

Name Character
Cathy O'Donnell Rusty
June Lockhart Barbara Carlin
Hugh Beaumont Michael Dunn
Mark Daniels Rod Carlin
Greg McClure George Mandley
Milton Parsons Jeffers, the Butler
Virginia Farmer Mrs. Haskins, the Housekeeper
Sonia Darrin Helen Lawrence
Cliff Clark Archer, Detective
Charles Lane Brighton
John Dehner Reporter
Cy Kendall Detective
Name Job
Irene Winston Radio Play
Bernard Vorhaus Director
John Alton Director of Photography
Dwight V. Babcock Writer
Karen DeWolf Screenplay
Emil Cadkin Original Music Composer
W. Donn Hayes Editor
Eunice King Hairstylist
Name Title
Charles Reisner Producer
Benjamin Stoloff Producer
Organization Category Person
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Reviews

John Chard
6.0

Misconceptions of Psychoanalysis. Bury Me Dead is directed by Bernard Vorhaus and adapted to screenplay by Dwight V. Babcock and Karen DeWolf from a radio drama by Irene Winston. It stars June Lockhart, Cathy O'Donnell, Hugh Beaumont, Mark Daniels, Greg McClure and Milton Parsons. Music is by Em ... il Cadkin and cinematography by John Alton. Barbara Carlin (Lockhart) surprises everyone by turning up alive and well shortly after she had been buried at funeral! This poses two immediate questions: Who was buried in Barbara's coffin? And who was it who attempted to murder her? As has been noted by the few writers on line who have written about this film, it's a grand premise that unfortunately isn't exploited to the maximum. This is material that makes us lament that the likes of "Lang", "Siodmak" or "Mann" didn't have this written idea land on their desks. Compact at under 70 minutes, it's a film that, under Bernard Vorhaus' guidance, just doesn't know if to play it as straight or as a straight out murder mystery comedy. Something further enhanced by Cadkin's musical score, which, quite frankly, belongs in an "Abbott and Costello" movie. However, the film rises above average because the script is actually strong and John Alton weaves some magic with his photographic lenses. Narratively it's a good who done it? The mystery is strong and the reveal is not easy to guess from the off, though in fairness the comedy moments in the flashbacks kind of distract you from any detective work you want to partake in. But coupled with some sharp lines given to Lockhart, who delivers them with a scorpion like sting, it proves to be well written stuff. Yet without doubt it's Alton's work that makes this well worth viewing, whenever the film gets indoors the film takes on another dimension. Alton creates stark images at every turn, angled shadows everywhere, the whites ghostly and the darks deathly black. The last 15 minutes of the film are played out on this atmospheric stage and it's everything that an Alton fan could want. Even if it ultimately is work that deserves a far, far better film. 6/10

May 16, 2024