Popularity: 3 (history)
Director: | Michael Gottlieb |
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Writer: | Michael Part, Robert L. Levy |
Staring: |
A Southern California kid named Calvin Fuller is magically transported to the medieval kingdom of Camelot through a crack in the ground caused by an earthquake. Once there, he learns he was summoned by the wizard Merlin, who needs Calvin to save Camelot. Using dazzling modern inventions, can Calvin help King Arthur retain his crown and thwart the evil Lord Belasco? | |
Release Date: | Aug 11, 1995 |
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Director: | Michael Gottlieb |
Writer: | Michael Part, Robert L. Levy |
Genres: | Family, Comedy, Fantasy, Adventure |
Keywords | earthquake, medieval, camelot, 6th century, time travel, king arthur |
Production Companies | Walt Disney Pictures, Tapestry Films, Trimark Pictures |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Thomas Ian Nicholas | Calvin Fuller |
Joss Ackland | King Arthur |
Art Malik | Lord Belasco |
Daniel Craig | Master Kane |
Kate Winslet | Princess Sarah |
Paloma Baeza | Princess Katey |
David Tysall | Ratan |
Ron Moody | Merlin |
Barry Stanton | Blacksmith |
Michael Mehlmann | Shop Owner |
Melanie Oettinger | Peasant Woman |
Rebecca Denton | Washer Woman |
Michael Kelly | Apprentice |
Louise Rosner-Meyer | Lady in Waiting |
Paul Rosner | Peasant Boy |
Béla Unger | Head Guard |
Shane Rimmer | Coach |
Tim Wickham | Ricky Baker |
Daniel Bennett | Howell |
Debora Weston | Mom |
Vincent Marzello | Dad |
Catherine Ashton | Maya Fuller |
J.P. Guerin | Umpire |
Name | Job |
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Elemér Ragályi | Director of Photography |
Anita Brandt-Burgoyne | Editor |
Michael Part | Writer |
Louise Rosner-Meyer | Line Producer |
Michael Ripps | Editor |
László Gárdonyi | Production Design |
Beáta Vavrinecz | Art Direction |
Maria Hruby | Costume Design |
Jánosné Kajtár | Key Makeup Artist, Key Hair Stylist |
Gyorgyi Filts | Assistant Makeup Artist |
Michael Gottlieb | Director |
Robert L. Levy | Writer |
J.A.C. Redford | Original Music Composer |
Name | Title |
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Jonathon Komack Martin | Co-Producer |
Peter Abrams | Producer |
J.P. Guerin | Producer |
Andrew Hersh | Co-Producer |
Megan F. Ring | Associate Producer |
Mark Amin | Executive Producer |
Robert L. Levy | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 15 | 21 | 10 |
2024 | 5 | 16 | 24 | 10 |
2024 | 6 | 15 | 25 | 7 |
2024 | 7 | 15 | 27 | 9 |
2024 | 8 | 12 | 18 | 8 |
2024 | 9 | 10 | 15 | 6 |
2024 | 10 | 17 | 41 | 5 |
2024 | 11 | 12 | 20 | 8 |
2024 | 12 | 13 | 24 | 6 |
2025 | 1 | 10 | 15 | 7 |
2025 | 2 | 9 | 14 | 3 |
2025 | 3 | 6 | 13 | 1 |
2025 | 4 | 2 | 4 | 1 |
2025 | 5 | 1 | 4 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 1 | 1 | 0 |
2025 | 8 | 1 | 2 | 1 |
2025 | 9 | 2 | 3 | 2 |
Trending Position
Dreadful film. Everything about <em>'A Kid in King Arthur’s Court'</em> is just so poor, the whole feel of the film is extremely low-budget and limp. The writing is substandard, while the dialogue is actually terrible; it forces the 'present day vs. old days' theme way too much, it needed more to ... it. The casting can make such a difference in how your film comes out, you can have a load of crap but if you get a strong cast you can still produce something good. This simply doesn't do that, though there is an interesting caveat - as both Kate Winslet and Daniel Craig incredibly appear, in just their third and second films respectively - huge credit to the Hubbards & Co., the UK casting directors. The premise is just so dumb and uninteresting. Disney already adapted the Mark Twain novel in 1979 with <em>'Unidentified Flying Oddball'</em>, which I didn't love, so it's bizarre they chose to go back to it. As noted earlier, they try to make it noteworthy by colliding the two differing eras but it just comes across as lazy. There's one, very minor, part I did like and that was King Arthur's little story with the Excalibur sword. It's nothing amazing, but I could appreciate what they were trying to do with that at the very least. Entirely forgettable, one of Disney's worst live-action offerings up until 1995; from the ones I've seen to date, which is the majority, it's in my bottom six in fact.