| After a botched heist, Eddie a murderous crime boss, hunts down the seductive thief Karen who failed him. In order to win back Eddie’s trust, Karen recruits her ex-lover and premier thief Jack to steal a cargo of rare precious gems. But when the job goes down, allegiances are betrayed and lines are crossed as Jack, Karen, and Eddie face off in a fateful showdown. | |
| Release Date: | Jul 15, 2016 |
|---|---|
| Director: | Max Adams |
| Writer: | Max Adams, Paul V. Seetachitt |
| Genres: | Action, Crime, Thriller |
| Keywords | crime boss, heist |
| Production Companies | Herrick Entertainment, EFO Films, Mann Made Films, Highland Film Group, Lionsgate Premiere |
| Box Office |
Revenue: $567,064
Budget: $10,500,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Bruce Willis | Eddie |
| Mark-Paul Gosselaar | Jack |
| Claire Forlani | Karen |
| Jenna B. Kelly | Logan |
| Nick Loeb | Andrew Herzberg |
| Daniel Bernhardt | Simon |
| John Brotherton | Nicholas |
| Lydia Hull | Jenna |
| Sammi Barber | Apsara |
| Tyler Jon Olson | Lucas |
| Christopher Rob Bowen | Glenn |
| Madison West | Vet Assistant |
| David Gordon | Robert |
| Torrie Wilson | Vanessa |
| Kirkland Shephard | Gabriel |
| Ashley Kirk | Zoe |
| John Dauer | Mercenary |
| Martin Blencowe | Mercenary |
| Mackie Burt | Becky Ann |
| Laura Kaufman | Susan |
| Christopher Sileo | Henchman |
| Jean Claude Leuyer | Gustavo |
| Name | Job |
|---|---|
| Mary C. Rolfes | Unit Production Manager |
| Frank Blake | Second Assistant Director |
| David Barber | Supervising Sound Editor, Sound Re-Recording Mixer |
| Jeff Brockton | Stunts |
| Daniel Hargrave | Stunts |
| Kandis Hargrave | Stunts |
| Dustin Coffey | ADR Voice Casting |
| Michael Endoso | Stunts |
| Corrina Roshea Bobb | Stunt Double, Stunts |
| Eric Stratemeier | Stunts |
| Mallory Thompson | Stunts |
| Stuart F. Wilson | Stunts |
| Brett Praed | Stunts |
| Max Adams | Director, Writer |
| James Edward Barker | Original Music Composer |
| Hank Langlois | Set Decoration |
| Elizabeth Cortez | Hair Department Head |
| Jackie Merlau | Key Makeup Artist |
| Jonathan Southard | First Assistant Director |
| Dustin Brantley | Set Dresser |
| Chad J. Hughes | Sound Effects Editor |
| Wes Perry | Special Effects |
| Carl Stern | Visual Effects Supervisor |
| Mike Burns | Music Supervisor |
| Ian D. Navran | Production Coordinator |
| Holly Chatham Beets | Production Office Assistant |
| Robby Baskett | Location Manager |
| Stacy Scarborough Martin | Set Costumer |
| Teddy Smith | Second Unit Director of Photography, Camera Operator |
| Bryant Mock | Epk Camera Operator |
| Reith Wesley Gibson | Aerial Camera, Grip |
| Robert M. Barr | First Assistant Camera |
| Paul V. Seetachitt | Writer |
| Brandon Cox | Director of Photography |
| Michelle Jones | Art Direction |
| Amanda Malia | Makeup Artist |
| Sean Gray | Sound Effects Editor |
| James Carter | Special Effects |
| Bernie Stern | Visual Effects Producer |
| Tyler Tometich | Animation, Compositors |
| Chris Musick | Driver |
| Susan J. Bonno-Buckner | Production Accountant |
| Joshua Cane | Location Manager |
| Heather Roebuck | Key Costumer |
| Cher Foley | Local Casting |
| Richard Ramee | Gaffer |
| Brian Hilburn | Still Photographer |
| Bryan Ellison | First Assistant Camera |
| Tom Cohan | Stunts |
| Sam Situmorang | Stunts |
| Tim Despic | Original Music Composer |
| Nate Jones | Production Design |
| Bonnie Stauch | Costume Design |
| William B. Steakley | Line Producer |
| Karri Farris | Makeup Department Head |
| Ashley Mills | Key Hair Stylist |
| Melinda Ziyadat | Second Assistant Director |
| Scott Nifong | Property Master |
| Matt Sigmon | Special Effects |
| Ken Gorrell | Special Effects Coordinator |
| Ashley Waldron | Music Director |
| Jerry Lambert | Post Production Consulting |
| Colton Comans | Location Scout |
| J. D. Moore | Digital Intermediate |
| Cari Ballinger | Costume Design |
| Lonnie Kahoe | Dolly Grip |
| Tyson Birmann | Digital Compositors |
| Crystal Hooks | Stunts |
| Robert Hall | Thanks |
| Brian Philpot | Stunts |
| Robert Dalva | Editor |
| Niko Nedyalkov | Stunts |
| Lloyd Pitts | Stunts |
| Jiri Stanek | Stunts |
| Ryan Sturz | Stunts |
| Name | Title |
|---|---|
| Randall Emmett | Producer |
| Scott Mann | Producer |
| George Furla | Producer |
| Kirk Shaw | Executive Producer |
| Tarek Anthony Jabre | Executive Producer |
| James Edward Barker | Producer |
| Norton Herrick | Producer |
| Timothy C. Sullivan | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 21 | 32 | 14 |
| 2024 | 5 | 23 | 48 | 14 |
| 2024 | 6 | 18 | 29 | 14 |
| 2024 | 7 | 20 | 39 | 9 |
| 2024 | 8 | 17 | 27 | 10 |
| 2024 | 9 | 13 | 20 | 8 |
| 2024 | 10 | 15 | 26 | 6 |
| 2024 | 11 | 12 | 18 | 6 |
| 2024 | 12 | 14 | 21 | 7 |
| 2025 | 1 | 14 | 21 | 8 |
| 2025 | 2 | 11 | 22 | 3 |
| 2025 | 3 | 4 | 12 | 1 |
| 2025 | 4 | 2 | 3 | 1 |
| 2025 | 5 | 1 | 3 | 1 |
| 2025 | 6 | 2 | 3 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 4 | 5 | 3 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 884 | 934 |
One of biggest examples of stunt casting you'll ever see. Aside from that, <em>'Precious Cargo'</em> is poor in almost every area. Mark-Paul Gosselaar is very much the lead actor, Bruce Willis barely features at all; and when he does, it seems he didn't give a toss about this production - I'm not ... usually one to say an actor is supposedly phoning it in, but Willis in this... oof. Gosselaar, for his part, is average. As are the rest of the cast, yet I kinda liked Jenna B. Kelly's Logan. This attempts action, comedy and romance - none of which pay off unfortunately. The action is OK, though the comedy is extremely forced but not helped by lame dialogue. As for the love story, there is far too much - to quote the film itself - "sappy shit" in this. 100% action was needed. I will say I appreciate that there is at least a male and a female character, both appear a large amount, that don't end up getting together, instead remaining friends. That's unusual with this sorta film. The score is actually alright, too. It also, unexpectedly, includes a blooper reel in the end credits. Improved writing and acting could've made this work, if only on a minorly serviceable level.