Popularity: 1 (history)
Director: | Lizzie Borden |
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Writer: | Allan Moyle, Laurie Frank |
Staring: |
An Atlanta prosecutor sets her own trap for a sex offender who poses as a famous photographer. | |
Release Date: | Jan 24, 1992 |
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Director: | Lizzie Borden |
Writer: | Allan Moyle, Laurie Frank |
Genres: | Romance, Thriller |
Keywords | photographer, seduction, victim, investigation, lawyer, scam, disguise, desire, neo-noir |
Production Companies | Miramax, Sovereign Pictures |
Box Office |
Revenue: $2,387,928
Budget: $0 |
Updates |
Updated: Aug 03, 2024 Entered: Apr 20, 2024 |
Name | Character |
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Sean Young | Dana Greenway |
Patrick Bergin | David Hanover |
Arnetia Walker | Maria Johnson |
James Read | Stanton Gray |
Ron Orbach | Det. Eugene Tully |
Fern Dorsey | Colleen Dells |
Tina Hightower | Anne Winslow |
Donna Biscoe | Hannah |
Jill Jane Clements | Lizbeth |
Kate Rodger | Zenia |
Gary Bullock | Joey |
Name | Job |
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Allan Moyle | Screenplay, Story |
Graeme Revell | Original Music Composer |
Russell Towery | Stunt Coordinator |
Lizzie Borden | Director |
Lonnie R. Smith Jr. | Stunt Coordinator |
Laurie Frank | Screenplay |
Armin Ganz | Production Design |
Jack N. Green | Director of Photography |
Nicholas C. Smith | Editor |
Randi Layne | Stunt Double |
Mimi Cochran | Stunt Double |
Randy E. Moore | Stunt Double |
Anderson Martin | Stunt Double |
Name | Title |
---|---|
Lizzie Borden | Producer |
Forrest Murray | Executive Producer |
Rudy Langlais | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 7 | 15 | 3 |
2024 | 5 | 8 | 15 | 4 |
2024 | 6 | 7 | 14 | 3 |
2024 | 7 | 7 | 13 | 4 |
2024 | 8 | 7 | 16 | 4 |
2024 | 9 | 6 | 10 | 3 |
2024 | 10 | 4 | 7 | 2 |
2024 | 11 | 4 | 16 | 2 |
2024 | 12 | 4 | 9 | 2 |
2025 | 1 | 4 | 10 | 1 |
2025 | 2 | 3 | 4 | 1 |
2025 | 3 | 2 | 3 | 1 |
2025 | 4 | 2 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 0 | 2 | 0 |
2025 | 9 | 2 | 3 | 1 |
2025 | 10 | 1 | 1 | 1 |
Trending Position
I can kind of and kind of not understand the hate for this film. It's set in Savannah (and take it from someone who's been everywhere) which is one of the most beautiful cities on earth... and it doesn't really feature Savannah. And it's content is kind of rapey BDSM before 50 Shades of Grey a ... nd before the new SJW crap that would make a movie like this impossible to be made... or even talked about. So I can understand the hate. But it does dramatic tension pretty well. And it does thrilled pretty well. And it does tension pretty well... ad when you sit down and watch a movie like this those are all very important things. Without them, you just have erotica... ... and I can understand the hate because it doesn't really do erotica well, but I don't think it was meant to do erotica well. I'm pretty sure it was meant to be a tension driven film, but the subject matter made and the nudity made it billed as an erotic thriller and, thus, killed the expectations people had walking into it. So what kind of works as a tense thriller turned out to be awkward erotica. I guess it all depends on what you thought you were watching when you rented it.... but, of course, the cuts also killed it.