Popularity: 1 (history)
Director: | John Kent Harrison |
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Writer: | Lucy Maud Montgomery, Susan Coyne |
Staring: |
A retelling of L.M. Montgomery's story of Anne Shirley, an orphan who is accidentally sent to a couple looking to adopt a boy instead | |
Release Date: | Feb 15, 2016 |
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Director: | John Kent Harrison |
Writer: | Lucy Maud Montgomery, Susan Coyne |
Genres: | Family, Drama, TV Movie |
Keywords | based on novel or book, remake, orphan |
Production Companies | Breakthrough Entertainment |
Box Office |
Revenue: $127,345
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Ella Ballentine | Anne Shirley |
Martin Sheen | Matthew Cuthbert |
Sara Botsford | Marilla Cuthbert |
Julia Lalonde | Diana Barry |
Kate Hennig | Rachel Lynde |
Stefani Kimber | Josie Pye |
Linda Kash | Mrs. Barry |
Drew Haytaoglu | Gilbert Blythe |
Kyle Gatehouse | Mr. Phillips |
Tannis Burnett | Muriel |
Jaime Feggi | Minnie May Barry |
Natalia Payne | Mrs. Beatty |
Alanis Peart | Mary Jo |
Ellie Ricker | Prissy Andrews |
Zoe Fraser | Ruby Gillis |
Name | Job |
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Lucy Maud Montgomery | Novel |
Lisa Parasyn | Casting |
Susan Coyne | Writer |
Jon Comerford | Casting |
Michael Harris | Costume Design |
Nahid Islam | Post Production Producer |
Bert Kirkham | Set Decoration |
John Kent Harrison | Director |
Ron Wisman | Editor |
Ousama Rawi | Director of Photography |
Lindsey Hermer-Bell | Production Design |
Brad Greaves | Art Direction |
Lawrence Shragge | Original Music Composer |
Name | Title |
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Ramon Estevez | Executive Producer |
Joan Lambur | Executive Producer |
Peter Williamson | Executive Producer |
Audrey Velichka | Supervising Producer |
Ira Levy | Executive Producer |
Ross Leslie | Producer |
Nat Abraham | Executive Producer |
Michael McGuigan | Executive Producer |
Kate Macdonald Butler | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 15 | 21 | 11 |
2024 | 5 | 16 | 21 | 9 |
2024 | 6 | 16 | 27 | 9 |
2024 | 7 | 20 | 36 | 10 |
2024 | 8 | 15 | 28 | 8 |
2024 | 9 | 14 | 24 | 10 |
2024 | 10 | 12 | 22 | 8 |
2024 | 11 | 9 | 13 | 6 |
2024 | 12 | 9 | 12 | 6 |
2025 | 1 | 10 | 15 | 7 |
2025 | 2 | 9 | 13 | 3 |
2025 | 3 | 6 | 10 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 3 | 1 |
2025 | 7 | 1 | 1 | 0 |
2025 | 8 | 1 | 1 | 0 |
Trending Position
It seems that Anne of Green Gables is like a Canadian Jane Austen novel: constantly subject to reinterpretation every few years with a new film or mini-series production. I won’t go into great detail about this version: it is fine, with a good cast and good dialogue, presumably drawn from the boo ... k since so much of it is familiar! This production does present a few of the usual scenes in slightly different ways. For example, when Anne delivers her exaggerated apology to busybody neighbor Rachel, we only see her gestures - we do not hear her words. It worked to differentiate the script from every other version. And well, of course the scenery is great. Why wouldn’t it be?