Popularity: 1 (history)
Director: | Jason Reitman |
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Writer: | Diablo Cody |
Staring: |
Marlo, a mother of three, including a newborn, is gifted a night nanny by her brother. Hesitant at first, she quickly forms a bond with the thoughtful, surprising, and sometimes challenging nanny named Tully. | |
Release Date: | May 04, 2018 |
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Director: | Jason Reitman |
Writer: | Diablo Cody |
Genres: | Comedy, Drama |
Keywords | new york city, parent child relationship, baby, husband wife relationship, autism, nanny, bisexuality, pregnancy, melancholy, motherhood, postpartum depression, optimistic |
Production Companies | Denver & Delilah Productions, Focus Features, Bron Studios, Sierra/Affinity, Right of Way Films, Creative Wealth Media Finance, West Egg Studios |
Box Office |
Revenue: $15,636,462
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Charlize Theron | Marlo Moreau |
Mackenzie Davis | Tully |
Ron Livingston | Drew Moreau |
Mark Duplass | Craig |
Asher Miles Fallica | Jonah Moreau |
Lia Frankland | Sarah Moreau |
Elaine Tan | Elyse |
Gameela Wright | Laurie |
Tattiawna Jones | Violet |
Stormy Ent | Shasta |
Maddie Dixon-Poirier | Emmy |
Bella Star Choy | Greta |
Dominic Good | Dash |
Joshua Pak | Dallas |
Colleen Wheeler | Dr. Smythe |
Em Haine | Barista |
Marceline Hugot | Coffee Shop Customer |
Jess Tolon | Princess |
Katie Hayashida | Running Girl |
Steven Roberts | Teacher |
Elfina Luk | Hospital Employee |
Xantha Radley | Mrs. Marvish |
Michael Patrick Lane | Hot Bartender |
John Shaw | Doctor |
Candus Churchill | Nurse |
Jennifer March | Delivery Room Nurse |
Anne-Marie Madden | Anesthesiologist |
Kiff VandenHeuvel | Weather Man |
Trish Allen | Distant Relative |
Kitty Crystal | Bartender (uncredited) |
Shade Rupe | Bar Patron (uncredited) |
Name | Job |
---|---|
Vanessa Giles | Makeup Department Head |
Stefan Grube | Editor |
Maki Takenouchi | Art Direction |
Louise Roper | Set Decoration |
Craig Humphries | Art Direction |
Robert A. Pandini | Hair Department Head |
Nicholas Podbrey | Special Effects Makeup Artist |
Lexi Koome | Visual Effects Coordinator |
Kristen Kiyan | Key Makeup Artist |
Chris Duesterdiek | Production Sound Mixer |
Caitlin Groves | Special Effects Makeup Artist |
Felix Fox | Special Effects Makeup Artist |
Tara Conley | Visual Effects Producer |
Kevin Zimmerman | Sound Editor |
Corinne Clark | Casting |
Ron McLeod | Unit Production Manager |
Rhonda Taylor | Second Assistant Director |
Sharon Simms | Stunt Double |
Karin Wiesel | Set Decoration |
Perry Robertson | Supervising Sound Editor |
Werner Pretorius | Special Effects Makeup Artist |
Michael Barry | Sound Re-Recording Mixer |
Scott Sanders | Supervising Sound Editor |
Mark Allen | Sound Effects, Sound Editor |
Barbara Jansen | Visual Effects Coordinator |
Robin Day | Key Makeup Artist |
Dave Morley | Visual Effects Supervisor |
Jennifer Page | Casting |
Jason Blumenfeld | First Assistant Director |
Peter Wilke | "A" Camera Operator |
Kieran Humphries | First Assistant "A" Camera |
Joshua Marcoux | Second Assistant "A" Camera |
Mitch Bax | Digital Imaging Technician |
Ian Seabrook | Underwater Director of Photography |
Candice Todesco | Sound Assistant |
Brett Bird | Best Boy Electric |
Richard LaBossiere | Key Rigging Grip |
Paula Negritto | Assistant Costume Designer |
Stephanie Rossel | Script Supervisor |
Marley Poniedzielnik | Casting Assistant |
Sara Brown | Extras Casting |
Ian Doig | Animal Coordinator |
Armando J. Sanchez | Assistant Editor |
Brian Tarlecki | Sound Mix Technician |
Nick Neutra | Foley Supervisor |
Arno Stephanian | Foley Mixer |
Monique Reymond | Foley Artist |
Jason Oliver | ADR Mixer |
Darrin Murphy | Rigging Grip |
Tricia Halloran | Music Supervisor |
Adriene Wyse | Camera Loader |
Dave Askey | Best Boy Grip, Key Grip |
Ryan Fehr | Dolly Grip |
Kai Paulson | Grip |
Jamie Walsh | Grip |
Mischa Brueckmer | Rigging Grip |
Melina Neufeld | Assistant Art Director |
Jamie Westbury | Set Dresser |
Andrew Camp | Set Dresser |
Oscar Lopez Alvear | Set Dresser |
Noni Peck | Property Master |
Chelsea Wallace | Property Buyer |
Janice Devries | Costume Coordinator |
Katie Lawrence | Costume Assistant |
John Chaschowy | Greensman |
Ashley Sawyer | Third Assistant Director |
Rhona Williscroft | Production Coordinator, Production Supervisor |
Shawn O'Hearn | Transportation Coordinator, Transportation Captain |
Doug March | Transportation Co-Captain |
Tamara Gagarin | Post Production Supervisor |
Simon England | First Assistant "B" Camera |
Sean Cooke | Second Assistant "B" Camera |
Kimberly French | Still Photographer |
Tony Wyman | Boom Operator |
John Dekker | Gaffer |
Kayla Meadows | Art Department Assistant |
Tim Storvick | Special Effects Coordinator |
Jessica Cameron | Casting Associate |
Sheriz Tambanillo | Casting Assistant |
Dan Carr | Location Manager |
Andria Spring | Post Production Supervisor |
Michael Perricone | Additional Sound Re-Recording Mixer |
Phil Lee | Sound Mix Technician |
John Guentner | Foley Mixer |
Noel Vought | Foley Artist |
Ginger Geary | Foley Artist |
Nick South | Music Editor |
David Scott Thomson | Third Assistant Director |
Dusten Otter | Rigging Grip |
Jeff Harvey | Rigging Gaffer |
David Kershaw | Dolly Grip |
Mark Newland | Grip |
Andrew McAloon | Grip |
Denis Marcotte | Grip |
Jake Pipunic | Rigging Grip |
Grant Van Der Slagt | Set Designer |
Karen Maconachie | Set Dresser |
Jake Lamare | Set Dresser |
Alexis Wheeler | Set Dresser |
Courtney Sjogren | Assistant Property Master |
Jennifer Dawson | Assistant Costume Designer |
Dawn Climie | Set Supervisor |
David 'Pops' Fukakusa | Construction Coordinator |
Rohan Lyal | Greensman |
Dale Ross Braun | Production Accountant |
Danika Dinsmore | Studio Teacher |
Edward Drohan | Special Effects Coordinator |
Jason Reitman | Director |
Eric Steelberg | Director of Photography |
Anastasia Masaro | Production Design |
Aieisha Li | Costume Design |
Rob Simonsen | Original Music Composer |
Geoff Redknap | Special Effects Makeup Artist |
Tom Ozanich | Sound Re-Recording Mixer |
Melissa R. Stubbs | Stunt Coordinator, Stunt Double |
Lisa Chandler | Stunt Double |
Sharlene Royer | Stunt Double |
Chad Sayn | Stunt Driver |
Craig Anderl | "B" Camera Operator |
Diablo Cody | Screenplay |
Nathan Orloff | Additional Editor |
Jodi Michelle Pynn | Stunt Double |
Name | Title |
---|---|
Jason Blumenfeld | Executive Producer |
A.J. Dix | Producer |
Andrew Pollack | Executive Producer |
Stan Thomas | Executive Producer |
Ali Jazayeri | Executive Producer |
Beth Kono | Producer |
Paul Tennyson | Executive Producer |
David Gendron | Executive Producer |
Dale Wells | Executive Producer |
Ron McLeod | Executive Producer |
Erica Mills | Associate Producer |
Andria Spring | Co-Executive Producer |
Steven Thibault | Co-Executive Producer |
Jason Reitman | Producer |
Charlize Theron | Producer |
Diablo Cody | Producer |
Aaron L. Gilbert | Producer |
Helen Estabrook | Producer |
Mason Novick | Producer |
Jason Cloth | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 23 | 39 | 15 |
2024 | 5 | 29 | 61 | 17 |
2024 | 6 | 19 | 27 | 11 |
2024 | 7 | 23 | 48 | 10 |
2024 | 8 | 17 | 28 | 11 |
2024 | 9 | 15 | 25 | 8 |
2024 | 10 | 13 | 22 | 9 |
2024 | 11 | 14 | 23 | 8 |
2024 | 12 | 15 | 26 | 8 |
2025 | 1 | 17 | 28 | 9 |
2025 | 2 | 11 | 21 | 3 |
2025 | 3 | 4 | 14 | 1 |
2025 | 4 | 3 | 6 | 1 |
2025 | 5 | 3 | 8 | 1 |
2025 | 6 | 2 | 4 | 1 |
2025 | 7 | 2 | 3 | 1 |
2025 | 8 | 2 | 3 | 1 |
2025 | 9 | 3 | 6 | 1 |
2025 | 10 | 1 | 2 | 1 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 10 | 645 | 681 |
Year | Month | High | Avg |
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2025 | 7 | 646 | 785 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 901 | 901 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 126 | 222 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 976 | 976 |
**_Examining something rarely seen on screen_** > _It was important for me to tell this story because I've seen other representations of motherhood, but they tend to be humorous. Mommy needs vodka. The coffee mug slogan. And I thought no one has really gotten gritty with it. Because there's a sid ... e of it that's dark. And it used to be enough to be just a good caretaker and now it's that you need to be a good caretaker, you also need to be fit, hot, successful, etc. And it's a lot._ - Diablo Cody; "Diablo Cody on how _Tully_ was inspired by her own struggles with motherhood" (E. Oliver Whitney); _ScreenCrush_ (May 2, 2018) _Tully_ tells the story of Marlo (Charlize Theron), a New York suburbanite pregnant with her third child. Her husband, Drew (Ron Livingstone) is loving, but somewhat neglectful, showing more interest in playing video games than helping Tully maintain the house and family. Clueless about the pressures of motherhood, he fails to notice when Marlo begins to show signs of post-natal depression. However, shortly after the baby's birth, Marlo's wealthy brother, Craig (Mark Duplass) hires a night nanny named Tully (Mackenzie Davis) to help take some of the pressure off Marlo. Reluctant to embrace the idea at first, Marlo soon forms a tight bond with Tully, who introduces Marlo to a lifestyle she had never imagined. _Tully_ is one of those films that the less you know about it before seeing it, the better. Featuring committed performances from Theron and Davis, the film is written by Diablo Cody (_Jennifer's Body_; _Ricki and the Flash_) and directed by Jason Reitman (_Thank You for Smoking_; _Juno_; _Men, Women & Children_), a partnership which also produced _Young Adult_ (2011), in which Theron also starred. There's a definite thematic uniformity between the two films, as if they exist in an almost sliding doors-like relationship to one another. My only real issue with _Tully_ is that the supporting characters are very thinly drawn - Drew, the well-meaning but ineffectual husband, is especially void of substance. But the nature of the story, to a certain extent, necessitates this. In any case, this is an excellent study of an issue very rarely put on-screen - imperfect motherhood. A word of warning though; neither the poster, nor the trailer do the film any favours whatsoever. It's funny in places, but this is not a comedy.