 
  Popularity: 2 (history)
| Director: | Taran Killam | 
|---|---|
| Writer: | Taran Killam | 
| Staring: | 
| A group of eccentric assassins are fed up with Gunther, the world's greatest hitman, and decide to kill him – but their plan turns into a series of bungled encounters as Gunther seems to always be one step ahead. | |
| Release Date: | Sep 22, 2017 | 
|---|---|
| Director: | Taran Killam | 
| Writer: | Taran Killam | 
| Genres: | Comedy, Action | 
| Keywords | chicago, illinois, assassin, found footage, lake michigan, serious, shooting, hilarious, snakebite, ridiculous | 
| Production Companies | Ingenious Media, Miscellaneous Entertainment, StarStream Media, Rookfield Productions, WWKG Productions, Folktale Productions, Rowdy Row Productions, RuYi Media | 
| Box Office | Revenue: $197,616 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Job | 
|---|---|
| Taran Killam | Director, Writer | 
| Reiko Kurumada | Costume Design | 
| Corey Benoit | Dolly Grip | 
| Raylene Ledgerwood | Camera Trainee | 
| Debra Wiebe | Hair Department Head | 
| Bradley Davis | Rigging Gaffer | 
| Sandra Castro Martin | Art Department Production Assistant | 
| Zoe Walton-Schillinger | Set Buyer | 
| Catherine Gunn | Key Scenic Artist | 
| Ariana Preece | Costume Design | 
| Frederick Agyemang | Digital Intermediate Assistant | 
| Nick Hurtado | ADR Mixer | 
| Ross Vincent | Visual Effects | 
| Nicole McCormick | Assistant Costume Designer | 
| Dave Paterson | Supervising Sound Editor, Sound Re-Recording Mixer | 
| Lucy Rybicka | Visual Effects | 
| Roman Hankewycz | Colorist | 
| Francois Latremoille | Visual Effects Supervisor | 
| Rachel Chancey | Foley Artist | 
| Allen Yang | Sound Assistant | 
| Romald Geoffery | Visual Effects Supervisor | 
| Nathan McCowan | In Memory Of | 
| Sheila Lobo | Digital Intermediate | 
| Barbara Rosenstein | Visual Effects Producer | 
| Thomas Berkley | Additional Editor | 
| Andrew Minogue | Digital Intermediate Assistant | 
| Jüs Percy | Third Assistant Director | 
| Sarah Done | Location Manager | 
| Singarajan Praveen | Visual Effects | 
| Damion Harper | Assistant Director | 
| Justin J. Nelson | Production Assistant | 
| Michele Futerman | Production Manager | 
| David Scharf | Post Production Supervisor | 
| Dave T. Nall | Second Assistant Director | 
| Shelby Sloat | Assistant Director Trainee | 
| Blake McClure | Director of Photography | 
| Baron Shaver | Construction Coordinator | 
| Ermanno Di Febo-Orsini | Production Design | 
| Judy Lee | Casting | 
| Ricardo Hubbs | Still Photographer | 
| Jacqueline Miller | Set Decoration | 
| Jacob Bond | Generator Operator | 
| Nick Medrud | First Assistant Camera | 
| Jordan Waunch | Casting Assistant | 
| Roger Trory | Leadman | 
| Mykhila Drummond | Assistant Set Decoration | 
| Kirk Langer | Assistant Camera | 
| Jen Empey | Best Boy Electric | 
| Alphonse Swinehart | Main Title Designer | 
| Stephanie McCarty | Art Department Coordinator | 
| Linda Ljoka | ADR Voice Casting | 
| Bulent Hasan | Storyboard Artist | 
| Lisa Love | Makeup Artist | 
| Frank Sharp | ADR Voice Casting | 
| A. Jonathan Benny | Camera Operator | 
| Jade Vovers | Set Dresser | 
| Cynthia E. Hill | Art Direction | 
| Raney Werneburg | Construction Foreman | 
| Ali Tavasoli | Assistant Set Dresser | 
| Brent Curran | Digital Imaging Technician | 
| Nicholas Renbeck | Dialogue Editor | 
| Matt Caruso | Digital Intermediate Producer | 
| Rob Fournier | Armorer | 
| Giuseppe Cappello | Mix Technician | 
| Dan Katzman | First Assistant Director | 
| Ali Oukaci | Visual Effects | 
| Aaron Becker | Main Title Designer | 
| Rosa Ko | Sound Editor | 
| Steve Woodley | Animal Coordinator | 
| Layne Beck | Costume Set Supervisor | 
| Dino Meneghin | Original Music Composer | 
| Adam Epstein | Editor | 
| Craig Anderl | Camera Operator | 
| Billy D. Lucas | Stunt Coordinator | 
| Chad Sayn | Stunt Coordinator | 
| Mike Carpenter | Stunts | 
| Colby Chartrand | Stunts | 
| Trevor Addie | Stunts | 
| Jason Day | Stunts | 
| Adrian Hein | Stunts | 
| J.C. Williams | Stunts | 
| Dieter Rauter | Stunts | 
| Name | Title | 
|---|---|
| Kim Leadford | Producer | 
| Taran Killam | Producer | 
| Daniel J. Elder | Associate Producer | 
| Shanan Becker | Executive Producer | 
| Andrew Xavier Yakub | Executive Producer | 
| Bill Bromiley | Executive Producer | 
| Meghan Persons | Co-Producer | 
| Charles Auty | Executive Producer | 
| Sean Andrew Maurer | Executive Producer | 
| Maxime Cottray | Executive Producer | 
| Joe Simpson | Executive Producer | 
| Charles M. Barsamian | Co-Producer | 
| Ash Sarohia | Producer | 
| Elizabeth Destro | Executive Producer | 
| Steven Squillante | Producer | 
| D. Todd Shepherd | Executive Producer | 
| Steven Pottash | Executive Producer | 
| Dan Katzman | Co-Producer | 
| Peter Pietrangeli | Associate Producer | 
| Arnold Schwarzenegger | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
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Trending Position
That's a damn fine poster you've got there, _Killing Gunther_. Unfortunately, it's also indicative of _Killing Gunther's_ biggest problem: Leading the promotional material with Arnold Schwarzenegger. I know, from a marketing standpoint, it makes a hundred and five percent sense, totally get it. But ... purely in terms of the experience you go through from watching a movie, I feel absolutely certain that _Killing Gunther_ would have been exponentially better if Arnie's involvement was kept secret. It seems very much as if the movie was built that way, and then the direction was changed some time after post-production. In the end, _Killing Gunther_ is an okay movie, but it might have been **great** if the Gunther character was a genuine reveal in the film, instead of the "Fuckin' finally" moment we ended up with. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Infuriatingly bad watch, probably won't watch again, and can't recommend. It's like someone wanted "Barry" and "The Office" to be the same thing, but they couldn't get a name big enough except for Arnold Schwarzenegger who looks awesome in this, so why wouldn't he take the pay check. And I lik ... e almost everyone in this movie, Arnold included, they're really funny people, and I bet this movie was a blast to make. However, this movie is a fine example of what NOT to do for found footage, and why making a "fake-umentary" is so hard to do correctly. Unfortunately, these comedy actors are mostly sketch artists (SNL) or they work parts on sitcoms, Hannah Simone was the "best friend" on "New Girl", but other than Taran Killam (arguably), they haven't carried a show before, and I don't think they realized that making a movie isn't the same as making episodes. I would love to see all these people back together in a good movie, but the writing in this movie is heavily dependent on weak characters with soft motivations, and a lot, A LOT, of attention seeking humor (basically the movie demands you watch it, "Look at me dad! Dad! YOU'RE NOT LOOKING!"), or situational humor, which takes a LOT of work to either set up or explain. I was really looking forward to this one, which might be why I'm being so critical, because it is a GREAT premise, but they didn't take writing the script seriously because it's a comedy so they loss some of the "oomph" and draw it should have had. And there are few physics breaking things that I wouldn't have cared about so much, but the rest of the movie was grating at me that it didn't care, so I shouldn't care. I'm not mad in the end, I'm just disappointed.