V.I. Warshawski
Killer eyes. Killer legs. Killer instincts.
1991 | 89m | English
Popularity: 1 (history)
| Director: | Jeff Kanew |
|---|---|
| Writer: | Edward Taylor, David Aaron Cohen, Sara Paretsky, Nick Thiel |
| Staring: |
| Victoria "V.I" Warshawski is a Chicago based private detective who agrees to babysit for her new boyfriend; then he is murdered. Being the detective type, she makes the murder her next case. In doing so she befriends the victim's daughter, Kat, and together they set out to crack the case. | |
| Release Date: | Jul 26, 1991 |
|---|---|
| Director: | Jeff Kanew |
| Writer: | Edward Taylor, David Aaron Cohen, Sara Paretsky, Nick Thiel |
| Genres: | Crime, Mystery |
| Keywords | private detective |
| Production Companies | Hollywood Pictures |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Kathleen Turner | Victoria 'V.I.' Warshawski |
| Jay O. Sanders | Murray Ryerson |
| Charles Durning | Det. Lt. Bobby Mallory |
| Angela Goethals | Kat Grafalk, Bernard's Daughter |
| Nancy Paul | Paige Wilson Grafalk |
| Frederick Coffin | Horton |
| Charles McCaughan | Trumble |
| Stephen Meadows | Boom-Boom |
| Wayne Knight | Smeissen |
| Lynnie Godfrey | Sal |
| Anne Pitoniak | Lotty |
| Stephen Root | Mickey |
| Robert Clotworthy | Philip Pugh |
| Tom Allard | Big Eddie |
| Mike Hagerty | Babe |
| Lee Arenberg | Flesh |
| Mike Bacarella | Cabbie |
| John Beasley | Ernie |
| Everett Smith | McGraw |
| Herb Muller | Contreras |
| Theresa Bell | Stacy |
| Geof Prysirr | Ron Whortley |
| Sandra Foster | Bank Teller |
| Gregg Almquist | Bank Manager |
| Gene Hartline | Thug #1 |
| Gary Epper | Thug #2 |
| Name | Job |
|---|---|
| Edward Taylor | Screenplay |
| David Aaron Cohen | Screenplay |
| Anne H. Ahrens | Set Decoration |
| Roxanne Jones McCarthy | Supervising Sound Editor |
| Bill MacSems | Property Master |
| Gloria Gresham | Costume Design |
| Nancy McArdle | Costume Supervisor |
| Debra Neil-Fisher | Editor |
| Sara Paretsky | Novel |
| Nick Thiel | Screenplay |
| Barbara Ling | Production Design |
| Glenn Daniels | Casting |
| Chuck Velasco | Costume Supervisor |
| Joseph P. Kane | Unit Production Manager |
| Mychal D. Smith | Boom Operator |
| Pamela S. Westmore | Key Makeup Artist |
| Howard Wilmarth | Sound Re-Recording Mixer |
| Judith Saunders | Script Supervisor |
| Dora Medrano | Art Department Coordinator |
| Peter Reale | Sound Re-Recording Mixer |
| Larry Fulton | Art Direction |
| Jan Kiesser | Director of Photography |
| Glenn Randall Jr. | Second Unit Director |
| Ross Reynolds | Pilot |
| Jane O'Neal | Still Photographer |
| David Kelson | Sound Mixer |
| Tom C. McCarthy | Supervising Sound Editor |
| Roberta Doheny | Sound Re-Recording Mixer |
| Carroll Timothy O'Meara | Editor |
| Donna Turner Culver | Key Hair Stylist |
| E. Thomas Case | Makeup Artist |
| Sharon Mann | Second Unit First Assistant Director |
| Kerrie Cullen | Stunts |
| Lori Lynn Ross | Stunts |
| Randy Popplewell | Stunts |
| Susan Germaine | Hairstylist |
| Jack Frost Sanders | First Assistant Director |
| Brian Fong | Second Assistant Director |
| Ken Blazer | Stunts |
| Lane Leavitt | Stunts |
| Stacy Logan | Stunts |
| John M. Stephens | Second Unit Director of Photography |
| Danny Rogers | Stunts |
| Jeff Kanew | Director |
| Randy Edelman | Original Music Composer |
| Michael Runyard | Stunt Coordinator |
| R.J. Kizer | ADR Editor |
| Cheryl Wheeler Duncan | Stunts |
| Jeff Imada | Stunts |
| Chuck Picerni Jr. | Stunts |
| Charlie Picerni | Stunts |
| Gregory J. Barnett | Stunts |
| Manny Perry | Stunts |
| John Frazier | Special Effects Coordinator |
| Gilbert B. Combs | Stunts |
| Doc Duhame | Stunts |
| Mark Harper | Stunts |
| Eddie J. Fernandez | Stunts |
| Rick LeFevour | Stunts |
| James Fierro | Stunts |
| Tim Trella | Stunts |
| Gene Hartline | Stunts |
| Scott Wilder | Stunts |
| Name | Title |
|---|---|
| John P. Marsh | Executive Producer |
| Lauren Weissman | Co-Executive Producer |
| Jeffrey Lurie | Producer |
| Penney Finkelman Cox | Executive Producer |
| John Bard Manulis | Co-Executive Producer |
| Doug Claybourne | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 11 | 17 | 8 |
| 2024 | 5 | 14 | 23 | 8 |
| 2024 | 6 | 11 | 24 | 5 |
| 2024 | 7 | 14 | 30 | 7 |
| 2024 | 8 | 11 | 24 | 6 |
| 2024 | 9 | 7 | 11 | 4 |
| 2024 | 10 | 9 | 17 | 4 |
| 2024 | 11 | 9 | 17 | 5 |
| 2024 | 12 | 9 | 16 | 5 |
| 2025 | 1 | 8 | 14 | 6 |
| 2025 | 2 | 7 | 13 | 3 |
| 2025 | 3 | 5 | 10 | 1 |
| 2025 | 4 | 2 | 4 | 1 |
| 2025 | 5 | 2 | 4 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
Trending Position
GenerationofSwine
1.0
Well, kudos need to go to Kathleen Turner for actually trying. She makes it a bearable film by force of personality alone. However none of the jokes really landed. The dialogue is horrible, the direction is flat and looks a lot like a single camera sitcom. Basically, it's just Kathleen Turner ... trying her best to salvage a bad film with nothing really going for it. She brought her A-Game to it and that should be recognized, however it's not something worth watching, despite her best efforts.
Jan 12, 2023