Popularity: 3 (history)
| Director: | Aram Avakian |
|---|---|
| Writer: | Charles Grodin, Jeffrey Bloom, Gerald A. Browne |
| Staring: |
| A small time diamond merchant jumps at the chance to supervise the purchase and cutting of a large first class diamond. But when the diamond is stolen from him, he is blackmailed into pulling off a major heist at the Diamond Exchange, located at 11 Harrowhouse. | |
| Release Date: | Sep 26, 1974 |
|---|---|
| Director: | Aram Avakian |
| Writer: | Charles Grodin, Jeffrey Bloom, Gerald A. Browne |
| Genres: | Comedy, Action, Drama, Crime |
| Keywords | caper comedy, jewelry heist |
| Production Companies | 20th Century Fox, Elliott Kastner Productions |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Aug 03, 2024 Entered: Apr 20, 2024 |
| Name | Character |
|---|---|
| Charles Grodin | Howard R. Chesser |
| Candice Bergen | Maren Shirell |
| James Mason | Charles D. Watts |
| Trevor Howard | Clyde Massey |
| John Gielgud | Meecham |
| Helen Cherry | Lady Anne Bolding |
| Peter Vaughan | Coglin |
| Cyril Shaps | Wildenstein |
| Leon Greene | Max Toland |
| Jack Watson | Miller |
| Jack Watling | Fitzmaurice |
| Clive Morton | Sir Harold |
| Larry Cross | Whitman |
| Glynn Edwards | First Guard |
| John Bindon | Second Guard |
| Joe Powell | Hickey |
| Michael Gover | Doctor |
| Michael Hawkins | Patient |
| Patricia Michael | Stewardess |
| Name | Job |
|---|---|
| Charles Grodin | Adaptation |
| Anne V. Coates | Editor |
| Vic Armstrong | Stunts |
| Jeffrey Bloom | Screenplay |
| Michael J. Lewis | Music |
| Jack Stephens | Set Decoration |
| Basil Newall | Makeup Artist |
| Jack Causey | Assistant Director |
| Raymond Becket | Second Assistant Director |
| Richard Jenkins | Second Assistant Director |
| John Siddall | Art Department Manager |
| Danny Daniel | Sound Recordist |
| John Hayward | Sound Mixer |
| Roy Whybrow | Special Effects |
| Aram Avakian | Director |
| Gerald A. Browne | Novel |
| Peter Mullins | Art Direction |
| Biddy Chrystal | Hairdresser |
| David W. Orton | Production Supervisor |
| Anthony Squire | Second Unit Director |
| Mike Higgins | Second Assistant Director |
| Derek Kavanagh | First Assistant Director |
| Jonathan Bates | Sound Editor |
| Gordon K. McCallum | Sound Recordist |
| Austin Partridge | Sound |
| Joe Powell | Stunts |
| Freddie Cooper | Camera Operator |
| Robin McDonald | Second Assistant Camera |
| Arthur Ibbetson | Director of Photography |
| Name | Title |
|---|---|
| Elliott Kastner | Producer |
| Denis Holt | Associate Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 8 | 16 | 2 |
| 2024 | 5 | 7 | 11 | 3 |
| 2024 | 6 | 9 | 41 | 2 |
| 2024 | 7 | 6 | 14 | 3 |
| 2024 | 8 | 5 | 14 | 2 |
| 2024 | 9 | 3 | 5 | 2 |
| 2024 | 10 | 6 | 13 | 2 |
| 2024 | 11 | 5 | 15 | 2 |
| 2024 | 12 | 4 | 8 | 2 |
| 2025 | 1 | 4 | 12 | 2 |
| 2025 | 2 | 2 | 3 | 1 |
| 2025 | 3 | 2 | 4 | 1 |
| 2025 | 4 | 2 | 3 | 1 |
| 2025 | 5 | 2 | 3 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 2 | 3 | 1 |
Trending Position
This is another of those films that I recalled fondly from childhood. "Chesser" (Charles Grodin) is a small time diamond dealer who, along with girlfriend "Maren" (Candice Bergen) finds himself ensnared in a cunning plot to rapidly increase the value of diamonds (though without the aid of "Pussy Gal ... ore's Flying Circus") by removing around $18bn from the global reserves. The trading centre for these jewels is the eponymous, unremarkable, London townhouse occupied by the imperious Sir John Gielgud ("Meecham") and his dedicated assistant "Watts" (James Mason). We learn quickly that "Watts" is a man on borrowed time, and that his boss couldn't really care less - so this makes the former character ripe for co-operation with "Chesser". Their scheme is ingenious, and their planning and implementation is as an enjoyable a heist scenario as I've seen. Sadly, though, it all rather falls away in a last half hour that sees too many false endings, spokes in the wheels - and a really silly horse chase with Trevor Howard that reduces it to little better than a routine crimi-caper. I wasn't an huge fan of the narration that accompanied the story - it tries to be sarcastic, but lacks any real bite. It's a film of two halves, and the first one is where all the goals are.