Popularity: 2 (history)
Director: | Ben Young |
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Writer: | Spenser Cohen, Brad Kane, Eric Heisserer |
Staring: |
A chief mechanic at a factory, haunted by apocalyptic nightmares, becomes a hero when Earth is invaded by a mysterious army bent on destruction. | |
Release Date: | Aug 01, 2020 |
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Director: | Ben Young |
Writer: | Spenser Cohen, Brad Kane, Eric Heisserer |
Genres: | Action, Science Fiction, Drama, Thriller |
Keywords | space, alien, mechanic, alien invasion, spaceship, cautionary, bold, foreboding |
Production Companies | Mandeville Films, Good Universe |
Box Office |
Revenue: $1,451,864
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Michael Peña | Peter |
Lizzy Caplan | Alice |
Israel Broussard | Miles |
Mike Colter | David |
Lex Shrapnel | Ray |
Emma Booth | Samantha |
Amelia Crouch | Hanna |
Erica Tremblay | Lucy |
Lilly Aspell | Megan |
Dan Cade | Hoyt |
Nikola Kent | Luke |
Michael Absalom | Phil |
Mina Obradović | Shelby |
Tom Riley | Wellness Center Patient Chris |
Sandra Teles | Wellness Center Woman |
Vladimir Grbić | City Street Man |
Georgia Goodman | Female Commentator |
Joe Corrigall | Medic |
Olivera Tamindzic | Moderator |
Milena Predić | Neighbour Woman |
Marko Vasiljević | Neighbor Man |
Zlatija Ocokoljić | Office Worker 1 |
Petar Ćirica | Office Worker 2 |
Brendan Stokey | Office Worker 3 |
Ivona Kustudić | Receptionist |
Jovan Gulan | Security Guard 2 |
Sona Havranova | Street Woman |
Brad Kane | Male Commentator |
Name | Job |
---|---|
Pedro Luque | Director of Photography |
Joel Dougherty | Sound Re-Recording Mixer |
Spenser Cohen | Original Story, Screenplay |
Andrew Grush | Original Music Composer |
Taylor Stewart | Original Music Composer |
Brad Kane | Screenplay |
Ben Young | Director |
Eric Heisserer | Screenplay |
Kelly Valentine Hendry | Casting |
Matthew Ramsey | Editor |
Cathy Sandrich Gelfond | Casting |
Amanda Mackey | Casting |
Dragan Kaplarević | Art Direction |
Pierre Bohanna | Costume Design |
Jasmina Banović | Hairstylist |
Jovana Jovanović | Key Makeup Artist |
Nataša Krstić | Makeup Artist |
Tracey Wells | Makeup & Hair |
Sandra Djurickovic | Production Supervisor |
Alan Gilmore | Production Design |
Jelena Milinovic | Set Decoration |
Suzie Harman | Costume Design |
Ana Jevtic | Makeup Artist |
Višnja Karaulić | Makeup Artist |
Milena Markovic | Makeup Artist |
Ana Biskupljanin | Unit Production Manager |
Danilo Nikolić | Production Assistant |
Anđelija Vlaisavljević | Line Producer |
Name | Title |
---|---|
Roy Lee | Executive Producer |
John Powers Middleton | Executive Producer |
Anna Halberg | Co-Producer |
David Hoberman | Producer |
Todd Lieberman | Producer |
Andrew Pfeffer | Executive Producer |
Nathan Kahane | Producer |
Christopher Landry | Associate Producer |
Alex Young | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 30 | 47 | 16 |
2024 | 5 | 33 | 63 | 22 |
2024 | 6 | 30 | 50 | 16 |
2024 | 7 | 27 | 53 | 14 |
2024 | 8 | 32 | 85 | 13 |
2024 | 9 | 23 | 32 | 14 |
2024 | 10 | 29 | 52 | 13 |
2024 | 11 | 38 | 61 | 19 |
2024 | 12 | 35 | 76 | 20 |
2025 | 1 | 43 | 92 | 20 |
2025 | 2 | 39 | 61 | 6 |
2025 | 3 | 16 | 54 | 3 |
2025 | 4 | 6 | 7 | 4 |
2025 | 5 | 4 | 6 | 3 |
2025 | 6 | 4 | 5 | 3 |
2025 | 7 | 3 | 4 | 2 |
2025 | 8 | 3 | 4 | 2 |
2025 | 9 | 7 | 9 | 4 |
2025 | 10 | 3 | 5 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 574 | 664 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 746 | 821 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 451 | 712 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 208 | 621 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 595 | 621 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 504 | 801 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 872 | 873 |
Really good watch, could watch again, and can recommend. A big fan of Michael Peña ("Ant-Man") and Lizzy Caplan ("Mean Girls"), and while both are (more) traditionally comedic actors, this definitely shows off their range. While the production value is actually quite good, some of the choices ... at least give a nod to older b movies. The invaders' armor, in particular, looks unnecessarily ridiculous. Almost everything that makes this movie really good though is trapped behind spoiler walls as there is a mystery aspect to the movie: even in the premise.
I tend to give westerns and science fiction a bit more slack before giving up on them, because so many films in those genres are so bad, so I stuck with Extinction, barely. For one thing, I had trouble swallowing the idea that Peter, the guy who later risks his life selflessly, constantly and under ... extreme duress for his family, would also push his family away in such a cavalier fashion early on because of bad dreams. And in exploring his life and job and friends and — whatever — there wasn’t much of particular interest there either. The big draw is the fact that these nightmares are significant and will play an important role in events. But guess what? Did they play an important role? I figured we were seeing the predictive dreams so he could use them to explain what was happening or even assist in their survival. But it turns out his nightmare scenes were out of sequence and, let’s face it, not very helpful to them. So what was their purpose? I had smaller, more desultory questions also. For example, in this age of AI androids and futuristic spaceships, what is the deal of Peter having to reach inside a warehouse garage door to press a button to close it? Really, they got no farther than that in overhead door technology? But I made it through the film, and recommend it as light entertainment. It even has a couple of interesting plot angles unseen at the outset.