Tangled: Before Ever After
2017 | 55m | English
Popularity: 2 (history)
| Director: | Stephen Sandoval, Tom Caulfield |
|---|---|
| Writer: | Jase Ricci |
| Staring: |
| Rapunzel grapples with the responsibilities of being a princess and the overprotective ways of her father. While she wholeheartedly loves Eugene, Rapunzel does not share his immediate desire to get married and settle down within the castle walls. Determined to live life on her own terms, she and her tough-as-nails Lady-in-Waiting Cassandra embark on a secret adventure where they encounter mystical rocks that magically cause Rapunzel's long blonde hair to grow back. Impossible to break and difficult to hide, Rapunzel must learn to embrace her hair and all that it represents. | |
| Release Date: | Mar 10, 2017 |
|---|---|
| Director: | Stephen Sandoval, Tom Caulfield |
| Writer: | Jase Ricci |
| Genres: | Animation, Family, Comedy, Fantasy, Adventure, TV Movie |
| Keywords | marriage proposal, coronation, fairy tale, princess, hair |
| Production Companies | Disney Television Animation, Televízia JOJ |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Mandy Moore | Rapunzel (voice) |
| Zachary Levi | Eugene Fitzherbert (voice) |
| Eden Espinosa | Cassandra (voice) |
| Clancy Brown | King Frederic (voice) |
| Julie Bowen | Queen Arianna (voice) |
| Laura Benanti | Lady Caine (voice) |
| Jeffrey Tambor | Big Nose (voice) |
| M.C. Gainey | Captain of the Guard (voice) |
| Sean Hayes | Pete the Guard (voice) |
| Diedrich Bader | Stan the Guard (voice) |
| Jess Harnell | Pocket (voice) |
| Kevin Michael Richardson | Otter (voice) |
| Alan Dale | The Vicar (voice) |
| Dee Bradley Baker | Additional Voices (voice) |
| Mary Elizabeth McGlynn | Additional Voices (voice) |
| Kari Wahlgren | Additional Voices (voice) |
| Gideon Emery | Additional Voices (voice) |
| Steve Blum | Attila Buckethead (voice) |
| Name | Job |
|---|---|
| Jase Ricci | Writer |
| Stephen Sandoval | Director |
| Sara Jane Sherman | Casting |
| Joe Crowley | Line Producer |
| Tom Caulfield | Director |
| Jasmine Lai | Location Assistant |
| Eunjilee Roess | Prop Designer |
| Glenn Slater | Songs |
| Kevin Kliesch | Original Music Composer |
| Tony Rocco | Editor |
| James Hull | Story Consultant |
| Lorenzo E. Martinez | Location Assistant |
| Jim Schlenker | Location Assistant |
| Bobby Pontillas | Character Designer |
| Claire Keane | Visual Development |
| Brian Woods | Location Assistant |
| Baptiste Rogron | Character Designer |
| Lam Hoang | Location Assistant |
| Cat Mitchell | Storyboard Artist |
| Heidi Jo Gilbert | Storyboard Artist |
| Taylor Krahenbuhl | Character Designer |
| Chris Tsirgiotis | Location Assistant |
| José Zelaya | Character Designer |
| Bridget Barrager | Character Designer |
| Matt Williames | Character Designer |
| Shiyoon Kim | Character Designer |
| Jennifer Yuan | Location Assistant |
| James W. Suhr | Storyboard Artist |
| Sean Bishop | Storyboard Artist |
| Mayumi Nose | Character Designer |
| David Lee | Prop Designer |
| Julia Pleasants | Casting |
| Janine Chang | Location Assistant |
| Casey Coffey | Storyboard Artist |
| David D. Au | Storyboard Artist |
| Joe Oh | Storyboard Artist |
| Wendy Sullivan | Storyboard Artist |
| Dana Terrace | Storyboard Artist |
| Kaitlyn Ritter | Storyboard Artist |
| Alan Menken | Songs |
| Alan Bodner | Art Direction |
| Mary Elizabeth McGlynn | Dialogue Editor |
| Joe Moshier | Character Designer |
| Name | Title |
|---|---|
| Benjamin Balistreri | Supervising Producer |
| Shane Prigmore | Co-Executive Producer |
| Chris Sonnenburg | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 25 | 34 | 18 |
| 2024 | 5 | 27 | 39 | 14 |
| 2024 | 6 | 25 | 47 | 14 |
| 2024 | 7 | 31 | 53 | 20 |
| 2024 | 8 | 25 | 40 | 16 |
| 2024 | 9 | 18 | 27 | 13 |
| 2024 | 10 | 28 | 67 | 13 |
| 2024 | 11 | 19 | 43 | 11 |
| 2024 | 12 | 18 | 24 | 12 |
| 2025 | 1 | 18 | 28 | 11 |
| 2025 | 2 | 14 | 26 | 3 |
| 2025 | 3 | 6 | 17 | 1 |
| 2025 | 4 | 3 | 8 | 1 |
| 2025 | 5 | 2 | 8 | 1 |
| 2025 | 6 | 2 | 5 | 1 |
| 2025 | 7 | 2 | 2 | 1 |
| 2025 | 8 | 2 | 3 | 1 |
Trending Position
**So she returns, but on the small screen in 2D format.** It was unexpected for the 'Tnagled' fans. I'm one of them. Apart from the short film, they had forgotten about this potential animation franchise. It has been 7 years since the first film and now this television film suddenly made its way. ... It is an hour long film and a television series is to follow. That news is even more exciting, isn't it. I already saw a couple of episodes and it was equally brilliant. It is good for Disney channel after their top show 'Girl Meets World' concluded, this one is replaced it just like that. This is not a 3D animation, but a product for television in this format is not bad. Because I've seen 3D format TV series and I feel the quality is yet to improve. In fact, the 2D animation was awesome. From the textures to the colours, film characters, backgrounds, it was impressive. Very happy that they have retained almost all the voice-over artists. The original tale means always about the long hair princess. They wanted to keep that way. So that's why this film before the series to commence which reveals an important detail. I would say it is a breakthrough for the directors. From this success, I'm anticipating them to involve in a feature 3D animated film for Disney. Despite this triumph, I am hoping for a sequel to the 2010 film, particularly after the first season and before the second to commence to follow from that film. Anyway, this is short and sweet, a film not to be missed by animation fans, especially by Disney fans. _7/10_
Not bad for a Disney Channel sequel. <em>'Tangled: Before Ever After'</em> is animated in a similar style to <em>'The Lion Guard'</em> (<em>'The Lion King</em> sequel) films. In terms of comparing those two, this 2017 production beats those three follow-ups. It's severely weaker animation, but it ... does the intended job. I was pleasantly surprised to hear the same cast involved from the original film, that's always a big positive. Mandy Moore (Rapunzel) and Zachary Levi (Flynn) are fine, while the new additions of Eden Espinosa (Cassandra) and Laura Benanti (Lady Caine) aren't noteworthy at all; very average characters in truth. I can't hate on this too much though, I'm sure the core target audience will enjoy it and, after all, it is one of Disney better made-for-TV/direct-to-video animated sequels.