 
  Popularity: 2 (history)
| Director: | Michael Powell, Emeric Pressburger | 
|---|---|
| Writer: | Michael Powell, Emeric Pressburger, Dennis Arundell, Jules Barbier, E. T. A. Hoffmann, Michel Carré | 
| Staring: | 
| A young poet named Hoffman broods over his failed romances. First, his affair with the beautiful Olympia is shattered when he realizes that she is really a mechanical woman designed by a scientist. Next, he believes that a striking prostitute loves him, only to find out she was hired to fake her affections by the dastardly Dapertutto. Lastly, a magic spell claims the life of his final lover. | |
| Release Date: | Apr 04, 1951 | 
|---|---|
| Director: | Michael Powell, Emeric Pressburger | 
| Writer: | Michael Powell, Emeric Pressburger, Dennis Arundell, Jules Barbier, E. T. A. Hoffmann, Michel Carré | 
| Genres: | Fantasy, Romance, Music | 
| Keywords | opera, musical, anthology, surrealism, based on play or musical, ballet, automaton, soprano, prima ballerina | 
| Production Companies | The Archers, Vega Film Productions | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Aug 10, 2025 Entered: Apr 15, 2024 | 
| Name | Character | 
|---|---|
| Moira Shearer | Stella / Olympia | 
| Ludmilla Tchérina | Giulietta | 
| Pamela Brown | Niklaus | 
| Léonide Massine | Spalanzani / Schlemil / Franz | 
| Ann Ayars | Antonia | 
| Robert Helpmann | Lindorf / Coppelius / Dapertutto / Dr. Miracle | 
| Frederick Ashton | Kleinsach / Cochenille | 
| Robert Rounseville | Hoffmann | 
| Mogens Wieth | Crespel | 
| Lionel Harris | Pitichinaccio | 
| Philip Leaver | Andrés | 
| Meinhart Maur | Luther | 
| Edmond Audran | Partner to Stella in Dragonfly Ballet | 
| Sir Thomas Beecham | Self - Conductor (uncredited) | 
| Alan Carter | Casher (Act 1) (uncredited) | 
| Elizabeth Christie | Corps de Ballet (uncredited) | 
| John Ford | Nathanaël (uncredited) | 
| Richard Golding | Hermann - Prologue and Epilogue (uncredited) | 
| Lillemor Knudsen | Dancer (uncredited) | 
| Barry Lowe | Student (uncredited) | 
| Arthur Skinner | Man in Background (uncredited) | 
| Name | Job | 
|---|---|
| Christopher Challis | Director of Photography | 
| Arthur Lawson | Art Direction | 
| Ivy Baker | Costume Design | 
| Connie Reeve | Makeup Artist | 
| Charles Orme | Unit Production Manager | 
| Sydney Streeter | Assistant Director | 
| John Cox | Sound | 
| Ted Drake | Sound | 
| Reginald Mills | Editor | 
| Joe Shear | Hairstylist | 
| Michael Powell | Writer, Director | 
| Emeric Pressburger | Writer, Director | 
| Jacques Offenbach | Original Music Composer | 
| Dennis Arundell | Writer | 
| Jules Barbier | Original Story | 
| E. T. A. Hoffmann | Story | 
| Michel Carré | Original Story | 
| Bernard Sarron | Set Dresser | 
| Freddie Francis | Camera Operator | 
| Frederick Ashton | Choreographer | 
| Hein Heckroth | Production Design, Costume Design | 
| Sir Thomas Beecham | Conductor | 
| Name | Title | 
|---|---|
| Emeric Pressburger | Producer | 
| Michael Powell | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 8 | 13 | 5 | 
| 2024 | 5 | 10 | 23 | 4 | 
| 2024 | 6 | 8 | 15 | 4 | 
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| 2025 | 1 | 8 | 13 | 4 | 
| 2025 | 2 | 6 | 12 | 2 | 
| 2025 | 3 | 5 | 11 | 1 | 
| 2025 | 4 | 1 | 3 | 1 | 
| 2025 | 5 | 2 | 4 | 1 | 
| 2025 | 6 | 1 | 3 | 1 | 
| 2025 | 7 | 1 | 2 | 0 | 
| 2025 | 8 | 1 | 3 | 0 | 
| 2025 | 9 | 0 | 1 | 0 | 
| 2025 | 10 | 2 | 3 | 1 | 
Trending Position
Though I really enjoyed watching this, it isn't really a film at all. Messrs. Powell and Pressburger have elicited the help of the supremely talented Christopher Challis and of the late Jacques Offenbach and basically filmed an augmented theatrical production of his eponymous, uncompleted, opera. Th ... ey have assembled a curiously effective collection of gloriously clad acting talent - most of whom, aside from the narrator/composer himself in the form of Robert Rounseville, cannot actually sing - and proceeded to present us with something that is really quite beautiful to watch and listen to; but that is really not that different from that which we might see at Covent Garden. It features the landmark P&P colour schemes - vibrant, lively and bold with the use of light and the staging of this three part story all adding up to a delightful watch. If you know the libretto, then you will know this is about a rather down-in-the-dumps poet who is reflecting on his life and the choices his chosen career has forced him to make at the expense of his loves. The ballet dancer "Stella" (Moira Shearer) is his most recent love, but there have been others and all of them have, in some way, fallen foul of Robert Helpmann's excellent "Lindorf". There are some super puppetry effects and the sparing use of visual effects to remind us were are not in the grand circle, but for the most part this is a cleverly crafted and stylishly produced theatrical performance that I enjoyed, but would still have rather seen (and heard on a stage). It's still innovative and imaginative cinema that is well worth seeing, though.