Popularity: 7 (history)
| Director: | Terry Gilliam |
|---|---|
| Writer: | Terry Gilliam, Tony Grisoni, Ehren Kruger |
| Staring: |
| Folklore collectors and con artists, Jake and Will Grimm, travel from village to village pretending to protect townsfolk from enchanted creatures and performing exorcisms. However, they are put to the test when they encounter a real magical curse in a haunted forest with real magical beings, requiring genuine courage. | |
| Release Date: | Aug 26, 2005 |
|---|---|
| Director: | Terry Gilliam |
| Writer: | Terry Gilliam, Tony Grisoni, Ehren Kruger |
| Genres: | Comedy, Fantasy, Adventure, Action, Thriller |
| Keywords | germany, sibling relationship, literature, brothers grimm, con artist, historical fiction, aftercreditsstinger, 19th century, fake exorcism |
| Production Companies | Metro-Goldwyn-Mayer, Summit Entertainment, Atlas Entertainment, Mosaic Media Group, Dimension Films, Daniel Bobker Productions |
| Box Office |
Revenue: $105,300,000
Budget: $88,000,000 |
| Updates |
Updated: Aug 04, 2025 Entered: Apr 13, 2024 |
| Name | Job |
|---|---|
| Irene Lamb | Casting |
| Jim Buchan | Sculptor |
| Stéphane Linet | Armorer |
| Lesley Walker | Editor |
| Dominique Arcadio | Assistant Art Director |
| Lucie Jalovecka | Art Department Coordinator |
| Steve Bohan | Construction Coordinator |
| Gustav Hoegen | Animatronics Designer |
| Robin Knapp | First Assistant Sound Editor |
| Tomáš Červenka | Cableman |
| Patric Scott | Unit Publicist |
| Pete Cavaciuti | Camera Operator |
| Jon D. Harris | Chef |
| Gordon Brown | Dialogue Editor |
| Miloš Černý | Carpenter |
| Sophie Leclerc | Visual Effects Producer |
| Raymond Perry | Property Master |
| Daniele Cafolla | Best Boy Electric |
| Maggie Rodford | Music Supervisor |
| Giampaolo Bagalà | Key Grip |
| Ian Wilson | Supervising Sound Editor |
| John Paul Docherty | Digital Effects Supervisor |
| Kamil Zvonicek | Rigging Gaffer |
| Ivan Sharrock | Production Sound Mixer |
| Sarka Zvolenska | Costume Supervisor |
| Mike Bocek | Set Production Assistant |
| Carlo Poggioli | Costume Design |
| Jiří Sternwald | Art Direction |
| Frank Walsh | Art Direction |
| Andy Thomson | Art Direction |
| Rebecca Steel Roven | Camera Intern |
| Andrej Kostic | Standby Painter |
| Jan Blažíček | Production Illustrator |
| Roger Holden | Greensman |
| Polly Earnshaw | Makeup Artist |
| Martin Cerny | Driver |
| James Bellamy | Music Editor |
| Milena Adamová | Seamstress |
| Jaromír Kalina | Steadicam Operator |
| Jeremy Hume | Visual Effects Editor |
| Keith Pain | Supervising Art Director |
| David Haberfield | Painter |
| David Rees | Color Timer |
| Karl Derrick | Prosthetic Makeup Artist |
| Nikki Clapp | Script Supervisor |
| Hynek Jecha | Grip |
| Karen McLuskey | Production Coordinator |
| Jiří Kuba | Stunt Coordinator |
| Desideria Corridoni | Hairstylist |
| Zuzana Milfort | Special Effects Coordinator |
| Cinzia Pegorin | Lighting Artist |
| Nadine Buckley | Systems Administrators & Support |
| Alastair Sirkett | Sound Effects Editor |
| Christine Beveridge | Makeup Designer |
| Kent Houston | Visual Effects Supervisor |
| Marek Havel | Loader |
| Michal Houzvicka | Rigging Grip |
| Petr Forejt | Sound Mixer |
| Jimmy E. Jensen | First Assistant Camera |
| Flora Brancatella | Assistant Costume Designer |
| Ondrej Bocek | Gaffer |
| Jan Šťastný | Additional Camera |
| Seamus O'Sullivan | Key Carpenter |
| Pauline Hume | Title Designer |
| Richard Copeman | Clapper Loader |
| Flora Borrelli | Costume Illustrator |
| Nathan Holmes | Third Assistant Director |
| Vanessa Baker | ADR Voice Casting |
| Duncan Burbidge | Production Assistant |
| Richard Graysmark | Second Assistant Director |
| Barnaby Smith | Dresser |
| Bil Van Ness | Senior Animator |
| Massimiliano Dessena | Best Boy Grip |
| Pete White | Action Director |
| Eda Raban | Catering |
| Tatjana Cechovska | Music Coordinator |
| Gregory B. Peña | Wardrobe Supervisor |
| Vladimir Seiml | Location Assistant |
| Emeline Tedder | Rotoscoping Artist |
| Jennifer Lane | Thanks |
| Ondřej Sláma | Production Manager |
| Martin Corbett | First Assistant Editor |
| Jaroslav Fiala | Set Dressing Artist |
| Jiri Krejcir | Location Manager |
| Roberto Malerba | Unit Production Manager |
| Chris Sturmer | Dolby Consultant |
| Vera Mitchell | Wig Designer, Hair Designer |
| Stanislav Suva | Scenic Artist |
| Tomas Beseda | Electrician |
| Craig Rowe | Digital Compositors |
| Mishka Cheyko | First Assistant Director |
| Barry O'Sullivan | Boom Operator |
| Jemma Scott-Knox-Gore | Contact Lens Technician |
| Mark Wright | Negative Cutter |
| Darren J. Perry | Special Effects Technician |
| Julian May | Assistant Editor |
| Matt Adams | Digital Intermediate Producer |
| Eric Thompson | ADR Mixer |
| Alfredo Bocci | Wardrobe Master |
| Pavel Berka | Key Set Production Assistant |
| Julian Butterfield | Special Effects Assistant |
| Liz West | Continuity |
| Jacqueline T. Green | Chaperone |
| Nick Lowe | ADR Editor |
| Alistair Bell | Senior Modeller |
| Mark Lafbery | Foley Recordist |
| Jim Bowers | Matte Painter |
| Gerry Grennell | Dialogue Coach |
| Samantha Lynch | Post Production Coordinator |
| Linda Bowen | Assistant Accountant |
| Vladimir Nemecek | Second Unit |
| John T. Sweeney | Production Coordinator |
| Agnès Brun | Stunts |
| Martina Götthansova | Second Second Assistant Director |
| James Bennett | ADR Recordist |
| Dane Clarke | Assistant Camera |
| Steve Brooke Smith | Focus Puller |
| Corina Burrough | Property Buyer |
| Tomas Munzberger | Camera Loader |
| Petr Šplíchal | Key Production Assistant |
| Felicity Cottrell | Foley Artist |
| Aleš Komárek | Production Executive |
| Diane Kingston | Digital Effects Producer |
| Christopher Dolphin | Camera Trainee |
| Josef Dytrych | Production Driver |
| Brano Danis | Colorist |
| Marek Bartak | Draughtsman |
| Markéta Porubová | Production Secretary |
| Jan Cabalka | Second Assistant Camera |
| Damian Anderson | Assistant Production Coordinator |
| Vincent Narduzzo | Digital Colorist |
| Terry Gilliam | Screenplay, Director |
| Newton Thomas Sigel | Director of Photography |
| Tony Grisoni | Screenplay |
| Ehren Kruger | Screenplay |
| Dario Marianelli | Original Music Composer |
| Gabriella Pescucci | Costume Design |
| Nicola Pecorini | Additional Photography |
| Craig Braginsky | Additional Music |
| Johnny Cicco | Stand In |
| Stephen Bridgewater | Utility Stunts |
| Tim Clawson | Executive In Charge Of Post Production |
| Benjamin Wallfisch | Conductor, Orchestrator |
| Mike Kelt | Special Effects Supervisor |
| Michele Soavi | Second Unit Director |
| Jiří Bednář | Stunt Double |
| Steven Soderbergh | Thanks |
| Guy Hendrix Dyas | Production Design |
| Mike Prestwood Smith | Sound Re-Recording Mixer |
| Jason Swanscott | Foley Artist |
| Judy Farr | Set Decoration |
| Mária Hubáčková | Set Costumer |
| Silvia Jančulová | Transportation Coordinator |
| Mark Bakowski | Compositing Artist |
| James Madigan | Visual Effects Coordinator |
| Kate Reid | Clapper Loader |
| Name | Title |
|---|---|
| Jonathan Gordon | Executive Producer |
| Jake Myers | Co-Producer |
| John D. Schofield | Executive Producer |
| Daniel Bobker | Producer |
| Chris McGurk | Executive Producer |
| Michel Cheyko | Associate Producer |
| Michael Solinger | Co-Producer |
| Charles Roven | Producer |
| Bob Weinstein | Executive Producer |
| Harvey Weinstein | Executive Producer |
| Andrew Rona | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 36 | 50 | 24 |
| 2024 | 5 | 37 | 56 | 21 |
| 2024 | 6 | 32 | 43 | 22 |
| 2024 | 7 | 31 | 50 | 21 |
| 2024 | 8 | 27 | 44 | 19 |
| 2024 | 9 | 21 | 29 | 14 |
| 2024 | 10 | 30 | 63 | 17 |
| 2024 | 11 | 24 | 40 | 18 |
| 2024 | 12 | 21 | 30 | 16 |
| 2025 | 1 | 26 | 45 | 18 |
| 2025 | 2 | 20 | 31 | 5 |
| 2025 | 3 | 10 | 29 | 1 |
| 2025 | 4 | 5 | 7 | 3 |
| 2025 | 5 | 4 | 8 | 2 |
| 2025 | 6 | 3 | 6 | 2 |
| 2025 | 7 | 2 | 5 | 2 |
| 2025 | 8 | 3 | 7 | 2 |
| 2025 | 9 | 6 | 8 | 4 |
| 2025 | 10 | 6 | 8 | 5 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 696 | 826 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 737 | 809 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 508 | 757 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 814 | 863 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 541 | 706 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 969 | 969 |
Does it deserve 10 stars? No, but I look at this as a thumbs up or thumbs down thing, and it's getting thumbs up, sooo...disclaimer there. I really liked this and I accept that I am in the minority. It has the Terry Gilliam comedic feel to it and it has the Terry Gilliam acid trip feel to it... a ... nd even at it's worst that is still absolutely entertaining and a pure joy to watch. Someone mentioned wide angle work before and, yes, it has a lot of that wide angle close-up work that can only really be appreciated by people that thought they could out Thompson Hunter Thompson in their youth... wink wink nudge nudge, if you know what I mean. The only real draw back is that Damon doesn't seem to fit in his role, and he doesn't really seem to fit in a Gilliam film...but surprisingly Ledger seems perfectly at home in that kind of world and you get the sense that he enjoyed acting the part as much as you are enjoying watching him act the part. And then here and there you get a joke, a sight gag, a little hint that reminds you that, yeah, Gilliam was in Python wasn't he? That's something that you'd see in the Flying Circus shoved in there. Almost to the point where you can't but stop and wonder if he was channeling Idle or Chapman for some of the dialogue and physical humor. It's a Gilliam film, made for adults, with Warner Brothers Cartoon violence. It's trippy and fun and it might not be your cup of tea, but I loved it.
Well it is a Terry Gilliam film so was always going to be a bit eccentric - but the idea that the legendary Brothers Grimm were actually grifters was actually quite an fun one. Assemble a couple of A-listers and we should have been flying. Except, well - we are not. Instead of having some amiable ho ... rseplay as they fleece the gullible and the unwitting, we find "Jake" (Heath Legder) and "Will" (Matt Damon) in a village where the children have all gone missing. The local grandee "Gen. Delatombe" (Jonathan Pryce) is on to their scamming and decides it's time to get them to prove their worth. Where are the sprogs? Well to save their necks, the not so dynamic duo have to deal with a seriously malevolent and fantastic foe in the "Mirror Queen" (the sparingly used Monica Bellucci) who wants to take over the world kind of thing. What now ensues are a series of typical Gilliam-esque escapades using a mediaeval backdrop to facilitate the borderline slapstick antics of the siblings trying to save their bacon. At times it is quite amusing offering some enjoyable parodies of established fairy tales, and the script does deliver a few entertaining quips as we go along but it seems unsure just who it's for. There's some darkness and good, old-fashioned, evil - but not enough of that. It's as if it was trying to be scary but hadn't quite the courage (to settle for a higher age rating, maybe?). As it is, it falls between two stools leaving us with an undercooked and overlong, slightly repetitious, series of frying pan to fire scenarios that even the engaging Ledger can't spin out for two hours. Damon doesn't really add much and Pryce is just in uniformed ham mode through his brief appearances. If you know the works of the brothers, it will make much more sense and some of it's observations about superstitions and the society in which the peasantry and gentry lived are quite witty, but they are all to often lost in a sea of mediocrity.