 
  Popularity: 1 (history)
| Director: | Bert I. Gordon | 
|---|---|
| Writer: | Bert I. Gordon, George Worthing Yates | 
| Staring: | 
| A deranged scientist creates a ray that can shrink people down to doll size. | |
| Release Date: | Apr 01, 1958 | 
|---|---|
| Director: | Bert I. Gordon | 
| Writer: | Bert I. Gordon, George Worthing Yates | 
| Genres: | Science Fiction, Horror | 
| Keywords | factory, shrinking, miniaturization, police detective, dollmaker | 
| Production Companies | Alta Vista Productions | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Jul 30, 2025 Entered: Apr 25, 2024 | 
| Name | Character | 
|---|---|
| John Hoyt | Mr. Franz | 
| John Agar | Bob Westley | 
| June Kenney | Sally Reynolds | 
| Marlene Willis | Laurie | 
| Laurie Mitchell | Georgia | 
| Scott Peters | Mack | 
| Ken Miller | Stan | 
| Jean Moorhead | Janet Hall | 
| Susan Gordon | Agnes | 
| Hank Patterson | Theater Janitor | 
| Jamie Forster | Ernie Larson | 
| Michael Mark | Emil | 
| Jack Kosslyn | Sgt. Paterson | 
| Laurie Mitchell | Georgia Lane | 
| June Jocelyn | Brownie Leader | 
| Hank Patterson | Night Manager | 
| Hal Bogart | Special Delivery Man | 
| Troy Patterson | Elevator Operator | 
| Bill Giorgio | Delivery Man | 
| George Diestel | Police Receptionist | 
| Name | Job | 
|---|---|
| Ronald Sinclair | Supervising Editor | 
| Frank Webster | Sound Recordist | 
| Buzz Gibson | Key Grip | 
| Edgar Zane | Sound Effects Editor | 
| Judith Hart | Script Supervisor | 
| Albert Glasser | Original Music Composer | 
| Jack Mills | Set Decoration | 
| Phillip Scheer | Makeup Artist | 
| Kay Shea | Hairstylist | 
| Jack R. Berne | Production Supervisor, Assistant Director | 
| Maurice Lessay | Second Assistant Director | 
| Walter E. Keller | Set Designer | 
| Paul Wittenberg | Assistant Editor | 
| Charles Arrico | Costumer | 
| Pauline Lewis | Costumer | 
| Roy Roberts | Electrician | 
| Walter Veady | Property Master | 
| Bert I. Gordon | Special Effects, Director, Story | 
| George Worthing Yates | Screenplay | 
| Jack Dimond | Production Coordinator | 
| Flora M. Gordon | Special Effects Assistant | 
| Ernest Laszlo | Director of Photography | 
| Name | Title | 
|---|---|
| Bert I. Gordon | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 6 | 10 | 3 | 
| 2024 | 5 | 8 | 16 | 4 | 
| 2024 | 6 | 7 | 14 | 3 | 
| 2024 | 7 | 9 | 16 | 4 | 
| 2024 | 8 | 6 | 12 | 4 | 
| 2024 | 9 | 5 | 8 | 3 | 
| 2024 | 10 | 7 | 18 | 3 | 
| 2024 | 11 | 5 | 11 | 3 | 
| 2024 | 12 | 4 | 8 | 3 | 
| 2025 | 1 | 5 | 8 | 2 | 
| 2025 | 2 | 4 | 7 | 2 | 
| 2025 | 3 | 3 | 6 | 2 | 
| 2025 | 4 | 1 | 1 | 1 | 
| 2025 | 5 | 1 | 1 | 1 | 
| 2025 | 6 | 1 | 1 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 0 | 0 | 0 | 
| 2025 | 9 | 0 | 0 | 0 | 
| 2025 | 10 | 0 | 1 | 0 | 
Trending Position
"Sally" (June Kenney) ought to have had the alarm bells ringing when she goes for an interview with doll-maker "Franz" (John Hoyt) who positively begs her to take the job. They ought to have rung even louder when she discovers that his previous assistant never turned up at her new position. Swiftly, ... we discover that her new boss is collecting people - but at a fraction of their size and he is keeping them alive in glass jars. He lets them out to play every now and again and even manages to procure what has to be the smallest bottle of Champagne ever seen! Meantime, though, the slow on the uptake "Sally" is beginning to suspect something's amiss - especially when her beau "Bob" (John Agar) disappears too! She goes to the incredulous police who offer a cursory investigation - but can they, or she, rescue her love? I actually quite enjoyed this. That's entirely down to the almost maniacal (and accidentally comedic) effort from Hoyt. A frequent participant in daft sci-fi stories, but rarely with just such a big part as he has here. It's padded out a little too much, but there's some fun to be had with the giant telephones, a great big dog and a really annoying stage-door man at the theatre. The title doesn't really do it any favours, but if you like the B-feature horror genre then this is worth a watch, I'd say.