Popularity: 5 (history)
| Director: | Fede Álvarez |
|---|---|
| Writer: | Fede Álvarez, Jay Basu, Steven Knight, David Lagercrantz |
| Staring: |
| After being enlisted to recover a dangerous computer program, hacker Lisbeth Salander and journalist Mikael Blomkvist find themselves caught in a web of spies, cybercriminals and corrupt government officials. | |
| Release Date: | Oct 25, 2018 |
|---|---|
| Director: | Fede Álvarez |
| Writer: | Fede Álvarez, Jay Basu, Steven Knight, David Lagercrantz |
| Genres: | Action, Crime, Thriller |
| Keywords | based on novel or book, sweden, hacker, stockholm, sweden, sequel, computer expert, millennium, computer programmer, gifted children, father daughter relationship, sister sister relationship |
| Production Companies | Columbia Pictures, Metro-Goldwyn-Mayer, Scott Rudin Productions, Studio Babelsberg, Regency Enterprises, The Cantillon Company, Rose Pine Productions, Yellow Bird UK |
| Box Office |
Revenue: $35,164,920
Budget: $43,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Claire Foy | Lisbeth Salander |
| Sverrir Gudnason | Mikael Blomkvist |
| LaKeith Stanfield | Edwin Needham |
| Sylvia Hoeks | Camilla Salander |
| Stephen Merchant | Frans Balder |
| Christopher Convery | August Balder |
| Claes Bang | Jan Holster |
| Synnøve Macody Lund | Gabriella Grane |
| Cameron Britton | Plague |
| Vicky Krieps | Erika Berger |
| Andreja Pejić | Sofia |
| Mikael Persbrandt | Alexander Zalachenko |
| Beau Gadsdon | Young Lisbeth Salander |
| Carlotta von Falkenhayn | Young Camilla Salander |
| Thomas Wingrich | Grane's Home Security |
| Andreas Tietz | Camilla's Driver |
| Paula Schramm | Malin Erikson |
| Anja Karmanski | Landlord |
| Volker Bruch | Peter Ahlgren |
| Saskia Rosendahl | Linda Ahlgren |
| Pål Sverre Hagen | Ove Levin |
| Christian Serritiello | NSA Officer |
| Damien Murphy | Cops |
| Asuka Tovazzi | Cops |
| Daniel Stockhorst | Holster's Driver |
| Béla Gabor Lenz | Seedy Looking Punk |
| Maddy Savage | Reporter |
| Lea Faßbender | August's Mother |
| Tomas Jester | Huge Skinhead |
| Hendrik Heutmann | Milos Meer |
| Volkram Zschiesche | Dark Haired SAPO Agent |
| Sonja Chan | Naked Asian Woman |
| Felix Quinton | Camilla's Henchman |
| Alois Knapps | Camilla's Henchman |
| Wolfgang Lindner | Gabriella Grane's Driver |
| Sebastian Stielke | Uniformed Cop 4 |
| Sinha Gierke | Airport Employee |
| Michael Bornhütter | Airport Policemen |
| Oliver Juhrs | Airport Policemen |
| Steffen Jung | Airport Policeman |
| Christian Zagia | Detention Room Blonde Cop |
| Amalia Holm Bjelke | Waitress |
| Name | Job |
|---|---|
| Tatiana S. Riegel | Editor |
| Fede Álvarez | Director, Screenplay |
| Stieg Larsson | Characters |
| Eve Stewart | Production Design |
| Jay Basu | Screenplay |
| Pedro Luque | Director of Photography |
| Steven Knight | Screenplay |
| Nancy Steiner | Costume Design |
| Carmen Cuba | Casting |
| Roque Baños | Original Music Composer |
| Jörg Widmer | Camera Operator |
| Elmar Suska | Dolly Grip |
| Gerd Nefzer | Special Effects Supervisor |
| Alexander Sachariew | First Assistant Camera |
| Hanna Kriisa | First Assistant Camera |
| Anette Czagany | Assistant Costume Designer |
| Aisha Kascioglu | Assistant Costume Designer |
| Yasemin Kascioglu | Costume Supervisor |
| Carrie Arakaki | Key Costumer |
| Dorothea Kulhawy | Set Costumer |
| John Ringhoff | Textile Artist |
| Howard London | ADR Mixer |
| Eckart Friz | Property Master |
| Thilo Ewers | Visual Effects Supervisor, In Memory Of |
| Grit Belitz | Health and Safety |
| Carolin Bitzer | Publicist |
| Jenifère Nieschmidt | Travel Coordinator |
| Aaron Hasson | ADR Mixer |
| Brian Smith | ADR Mixer |
| Robin Harlan | Foley Artist |
| Will Digby | Sound Effects Editor |
| David Esparza | Sound Effects Editor |
| Ryan Collins | Sound Effects Editor |
| Jonathan Elfving | Location Manager |
| David Lagercrantz | Novel |
| Carlos Rosario | Costume Design |
| Hamilton Sterling | Sound Designer |
| Sabine Engelberg | Art Direction |
| Denis Schnegg | Supervising Art Director |
| Dana Bieler | Makeup & Hair |
| Irina Schwarz | Makeup & Hair |
| Benjamin Frik | Aerial Camera |
| Jeremy Braben | Aerial Director of Photography |
| Annemarie Chladek | Clapper Loader |
| Christian Kuss | Digital Imaging Technician |
| Philipp Barth | Electrician |
| Volker Vahl | Electrician |
| Sascha Werdehausen | First Assistant Camera |
| Helmut Prein | Gaffer |
| Mathias Riemann | Key Grip |
| Michael Wahlberg | Lighting Technician |
| Mitch Bozzo | Second Assistant Camera |
| Fabio Seyding | Second Assistant Camera |
| Reiner Bajo | Still Photographer |
| Roland Winke | Sound Mixer |
| Susannah Brough | Art Direction |
| Tarnia Nicol | Art Direction |
| Mandell Winter | Supervising Sound Editor |
| Daniel Chour | Art Direction |
| Yeşim Zolan | Set Decoration |
| Annett Schulze | Makeup Supervisor, Hair Supervisor |
| Andrea Pirchner | Makeup & Hair |
| Marcus CF. Tinnerholm | Aerial Camera |
| Rodrigo Gomez | Digital Imaging Technician |
| Christian Scheibe | Dolly Grip |
| Martin Lieckfeld | Electrician |
| Heike Merker | Hair Designer, Makeup Designer |
| Julia Böhm | Makeup & Hair |
| Stefan Müller | Aerial Camera |
| Sebastian Meuschel | Camera Operator |
| Lasse Liebelt | Clapper Loader |
| Rasmus Frostell | Electrician |
| Maximilian Günther | First Assistant Camera |
| Won-suk Park | First Assistant Camera |
| Björn Susen | Gaffer |
| Jan Brun | Key Grip |
| Markus Kuballa | Russian Arm Operator |
| Julian Bubeck | Second Assistant Camera |
| Carola Rodriguez Sanchez | Second Assistant Camera |
| Marcus Preussing | Pyrotechnician |
| Glenn König | Key Grip |
| Daniel Jopp | Lighting Technician |
| Ingo Blacha | Second Assistant Camera |
| Alexander Kohn | Second Assistant Camera |
| Klemens Becker | Second Unit Director of Photography, Second Unit Director |
| Sven Hübner | Armorer |
| Johanna Lucha | Visual Effects Coordinator |
| Wei Wei | Visual Effects Coordinator |
| Timur Yesilfiliz | Visual Effects Editor |
| Alejandro Damiani | Visual Effects Supervisor |
| Mark Spindler | Compositing Supervisor |
| James Casey Holland | Costume Illustrator |
| Lutz Zeidler | Armorer |
| Lisa Mundt | Visual Effects Coordinator |
| Mathías Chumino | Visual Effects Editor |
| Sebastian Meszmann | Visual Effects Producer |
| Tamara Tadic | Visual Effects Coordinator |
| Thomas Weckenmann | Visual Effects Editor |
| Javier Cruzado | Visual Effects Supervisor |
| Falk Hofmann | Compositing Supervisor |
| Meike Schlegel | Costume Supervisor |
| Georgina Brown | Key Costumer |
| Jan Dieckmann | Textile Artist |
| McKenzie Brodnick | Casting Assistant |
| Ann Trimble | Casting Assistant |
| Kate Ringsell | Casting Director |
| Vanessa Galvez | Digital Intermediate Producer |
| Katie Feigenbaum | Casting Assistant |
| Judith Sunga | Casting Associate |
| Maiken Priedemann | Colorist |
| Dierk Grahlow | Construction Manager |
| Joshua Aufrance | First Assistant Accountant |
| Klaus Große Darrelmann | Location Manager |
| Sonja B. Zimmer | Production Executive |
| Aria Harrison | Script Supervisor |
| Micah Loken | Dialogue Editor |
| Nerses Gezalyan | Foley Mixer |
| Karen Vassar Triest | Sound Effects Editor |
| Caitlin Hodder | Costumer |
| Theresa Anna Luther | Key Costumer |
| Barbara Schramm | Tailor |
| Amal El-Farfachi | Casting Assistant |
| Shelby Cherniet | Casting Associate |
| Patrick Winkler | Extras Casting Assistant |
| Daniel Boccoli | First Assistant Editor |
| Florian Hotz | Stunt Coordinator |
| Patrik Vasiljev | Location Coordinator |
| Johannes Schwerdt | Production Accountant |
| Björn S. Berger | Script Supervisor |
| Jeremy B. Davis | Additional Sound Re-Recording Mixer |
| Jan Kasskawo | ADR Mixer |
| Thomas Wallis | Boom Operator |
| Sarah Monat | Foley Artist |
| Ando Johnson | Sound Effects Editor |
| Robert Stambler | Sound Effects Editor |
| Kevin O'Connell | Sound Re-Recording Mixer |
| Caspar Sachsse | Sound Mixer |
| Julian Slater | Supervising Sound Editor, Sound Re-Recording Mixer |
| Álvaro Gallego | Musician |
| Jan Kubkowski | Picture Car Coordinator |
| Scott Kirby | First Assistant Director |
| Nick Laurence | Second Second Assistant Director |
| Axel Eichhorst | Storyboard Artist |
| Maarten Hofmeijer | Music Editor |
| Florian Haeger | Transportation Coordinator |
| Alex Oakley | First Assistant Director |
| Henning Brehm | Graphic Designer |
| Leif Heanzo | Concept Artist |
| Natascha Matzat | Set Designer |
| Yoon Cha-Lee | Fight Choreographer |
| Daniel Galindo | Score Engineer |
| Del Spiva | Music Editor |
| Michael Linus Bock | Musician |
| Arno Neubauer | Unit Production Manager |
| Tessy Díez | Music Producer |
| Josef Brandl | Assistant Art Director |
| Enzo Enzel | Scenic Artist |
| Attila Krüziu | Leadman |
| Sarah Wibbeler | Set Designer |
| William Conacher | Dialect Coach |
| Nele Jordan | Assistant Set Decoration |
| Elo Soode | Concept Artist, Conceptual Design |
| Oliver Haas | Rigging Gaffer |
| Tony Lamberti | Additional Sound Re-Recording Mixer |
| James Manning | Second Assistant Director |
| Name | Title |
|---|---|
| Amy Pascal | Producer |
| Eli Bush | Producer |
| Arnon Milchan | Executive Producer |
| Ole Søndberg | Producer |
| Scott Rudin | Producer |
| David Fincher | Executive Producer |
| Søren Stærmose | Executive Producer |
| Elizabeth Cantillon | Producer |
| Berna Levin | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 28 | 37 | 23 |
| 2024 | 5 | 36 | 54 | 25 |
| 2024 | 6 | 31 | 53 | 19 |
| 2024 | 7 | 37 | 65 | 23 |
| 2024 | 8 | 28 | 52 | 16 |
| 2024 | 9 | 22 | 29 | 18 |
| 2024 | 10 | 30 | 63 | 18 |
| 2024 | 11 | 27 | 50 | 17 |
| 2024 | 12 | 25 | 45 | 16 |
| 2025 | 1 | 21 | 39 | 16 |
| 2025 | 2 | 17 | 30 | 3 |
| 2025 | 3 | 7 | 22 | 1 |
| 2025 | 4 | 4 | 6 | 2 |
| 2025 | 5 | 3 | 8 | 2 |
| 2025 | 6 | 3 | 4 | 2 |
| 2025 | 7 | 3 | 4 | 2 |
| 2025 | 8 | 3 | 4 | 2 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 5 | 9 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 692 | 692 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 745 | 836 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 677 | 807 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 932 | 932 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 397 | 618 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 877 | 939 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 939 | 940 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 830 | 863 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 731 | 881 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 751 | 751 |
Lackluster entry in the Millennium film series: A solid performance by Claire Foy (First Man, Unsane) can't do much to elevate a weak script that, quite often, not only asks you to suspend your disbelief, but to abandon your disbelief altogether. This film is based on the fourth of five books ... (to date) in the popular "Millennium" series of novels, which happens to be the first of the books written by author David Lagercrantz after the passing of original author Stieg Larsson. The first three books were adapted into a trilogy of films in their native Sweden (all of which were released in 2009), and the first book, The Girl with the Dragon Tattoo, was given an American adaptation helmed by David Fincher in 2011. The story of the newest entry in the film series revolves around a top-secret program called Firefall, which would allow whoever wields it to take control of the world's nuclear weapons. The program was designed by Frans Balder (Stephen Merchant), who has a young autistic son. Balder, having come to realize that the program is too dangerous for any government to control, contacts super-hacker Lisbeth Salander (Foy), asking for her help to find and destroy the program. Unknown to them,however, a mysterious group known only as the Spiders are also after the program. Salander receives help along the way from good friend Mikael Blomkvist (Sverrir Gudnason), a journalist working for Millennium magazine (from which the book series gets its name). In the meantime, Lisbeth's attempt to acquire the Firefall program leads American National Security Agency security expert Edwin Needham (LaKeith Stanfield) to travel to Sweden in hopes of tracking her down. Action abounds, and as the film progresses we learn the identity of the leader of the Spiders, a secret tied to Salander's murky past. Eventually all parties converge on a house in the mountains that is all-too-familiar to Salander, where the film's climax plays out. The film appears to retcon certain details from the previous films (e.g. Blomkvist is younger than he should be), which can be off-putting to those familiar with those films.. Vicky Krieps, who audiences may remember from her fantastic performance in 2017's Phantom Thread, is wasted in a brief appearance as Millennium's publisher Erika Berger. While Salander has been established as a first-class hacker in previous films (as well as in the books on which they're based), here her hacking skills often reach levels of unbelievability. An example of this: in one scene Salander hacks into a car's systems while actively pursuing in another car. In the end we are left with a film that could have been greater than it is, but which was hobbled by a poor script filled with overly convenient contrivances. The film's one saving grace is Foy, who does the most with what she is given.
While I enjoyed this film, it was a bit of a disappointment compared to the others in this series. As noted by other reviews, the film is haunted by an incredibly poor script. On the other hand, the action is pretty good if you can tolerate the long, poorly scripted scenes in between. The film t ... ries too hard to surpise us with twists, some of which are predictable and others which are just flat. Some of the circumstances in the film are far-fetched. I don't mind suspending belief a bit, but this is neither a fantasy or a science fiction film, so there should be some reasonable level of reality. Several scenes are just ridiculously beyond reason and logic. Claire Foy is an excellent actress and I like watching her. She did the best she could with this script. It's unfortunate that the directors chose to portray her as a bit haggard and completely without sex appeal. Certainly, the character of Lisbeth Salander is intended to be a nonconforming ruffian, but Claire Foys' depiction of her is considerably rougher than Rooney Mara's and far less sexually-charged than Noomi Rapace's. This is a shame as Claire Foy does have sex appeal; she either chose or was not encouraged to to use it here. It's an acceptable addition to this series, but it's mediocre in comparison to it's predecessors.