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The Girl in the Spider's Web Poster

The Girl in the Spider's Web

The past never forgets.
2018 | 115m | English

(54772 votes)

TMDb IMDb

Popularity: 5 (history)

Details

After being enlisted to recover a dangerous computer program, hacker Lisbeth Salander and journalist Mikael Blomkvist find themselves caught in a web of spies, cybercriminals and corrupt government officials.
Release Date: Oct 25, 2018
Director: Fede Álvarez
Writer: Fede Álvarez, Jay Basu, Steven Knight, David Lagercrantz
Genres: Action, Crime, Thriller
Keywords based on novel or book, sweden, hacker, stockholm, sweden, sequel, computer expert, millennium, computer programmer, gifted children, father daughter relationship, sister sister relationship
Production Companies Columbia Pictures, Metro-Goldwyn-Mayer, Scott Rudin Productions, Studio Babelsberg, Regency Enterprises, The Cantillon Company, Rose Pine Productions, Yellow Bird UK
Box Office Revenue: $35,164,920
Budget: $43,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Claire Foy Lisbeth Salander
Sverrir Gudnason Mikael Blomkvist
LaKeith Stanfield Edwin Needham
Sylvia Hoeks Camilla Salander
Stephen Merchant Frans Balder
Christopher Convery August Balder
Claes Bang Jan Holster
Synnøve Macody Lund Gabriella Grane
Cameron Britton Plague
Vicky Krieps Erika Berger
Andreja Pejić Sofia
Mikael Persbrandt Alexander Zalachenko
Beau Gadsdon Young Lisbeth Salander
Carlotta von Falkenhayn Young Camilla Salander
Thomas Wingrich Grane's Home Security
Andreas Tietz Camilla's Driver
Paula Schramm Malin Erikson
Anja Karmanski Landlord
Volker Bruch Peter Ahlgren
Saskia Rosendahl Linda Ahlgren
Pål Sverre Hagen Ove Levin
Christian Serritiello NSA Officer
Damien Murphy Cops
Asuka Tovazzi Cops
Daniel Stockhorst Holster's Driver
Béla Gabor Lenz Seedy Looking Punk
Maddy Savage Reporter
Lea Faßbender August's Mother
Tomas Jester Huge Skinhead
Hendrik Heutmann Milos Meer
Volkram Zschiesche Dark Haired SAPO Agent
Sonja Chan Naked Asian Woman
Felix Quinton Camilla's Henchman
Alois Knapps Camilla's Henchman
Wolfgang Lindner Gabriella Grane's Driver
Sebastian Stielke Uniformed Cop 4
Sinha Gierke Airport Employee
Michael Bornhütter Airport Policemen
Oliver Juhrs Airport Policemen
Steffen Jung Airport Policeman
Christian Zagia Detention Room Blonde Cop
Amalia Holm Bjelke Waitress
Name Job
Tatiana S. Riegel Editor
Fede Álvarez Director, Screenplay
Stieg Larsson Characters
Eve Stewart Production Design
Jay Basu Screenplay
Pedro Luque Director of Photography
Steven Knight Screenplay
Nancy Steiner Costume Design
Carmen Cuba Casting
Roque Baños Original Music Composer
Jörg Widmer Camera Operator
Elmar Suska Dolly Grip
Gerd Nefzer Special Effects Supervisor
Alexander Sachariew First Assistant Camera
Hanna Kriisa First Assistant Camera
Anette Czagany Assistant Costume Designer
Aisha Kascioglu Assistant Costume Designer
Yasemin Kascioglu Costume Supervisor
Carrie Arakaki Key Costumer
Dorothea Kulhawy Set Costumer
John Ringhoff Textile Artist
Howard London ADR Mixer
Eckart Friz Property Master
Thilo Ewers Visual Effects Supervisor, In Memory Of
Grit Belitz Health and Safety
Carolin Bitzer Publicist
Jenifère Nieschmidt Travel Coordinator
Aaron Hasson ADR Mixer
Brian Smith ADR Mixer
Robin Harlan Foley Artist
Will Digby Sound Effects Editor
David Esparza Sound Effects Editor
Ryan Collins Sound Effects Editor
Jonathan Elfving Location Manager
David Lagercrantz Novel
Carlos Rosario Costume Design
Hamilton Sterling Sound Designer
Sabine Engelberg Art Direction
Denis Schnegg Supervising Art Director
Dana Bieler Makeup & Hair
Irina Schwarz Makeup & Hair
Benjamin Frik Aerial Camera
Jeremy Braben Aerial Director of Photography
Annemarie Chladek Clapper Loader
Christian Kuss Digital Imaging Technician
Philipp Barth Electrician
Volker Vahl Electrician
Sascha Werdehausen First Assistant Camera
Helmut Prein Gaffer
Mathias Riemann Key Grip
Michael Wahlberg Lighting Technician
Mitch Bozzo Second Assistant Camera
Fabio Seyding Second Assistant Camera
Reiner Bajo Still Photographer
Roland Winke Sound Mixer
Susannah Brough Art Direction
Tarnia Nicol Art Direction
Mandell Winter Supervising Sound Editor
Daniel Chour Art Direction
Yeşim Zolan Set Decoration
Annett Schulze Makeup Supervisor, Hair Supervisor
Andrea Pirchner Makeup & Hair
Marcus CF. Tinnerholm Aerial Camera
Rodrigo Gomez Digital Imaging Technician
Christian Scheibe Dolly Grip
Martin Lieckfeld Electrician
Heike Merker Hair Designer, Makeup Designer
Julia Böhm Makeup & Hair
Stefan Müller Aerial Camera
Sebastian Meuschel Camera Operator
Lasse Liebelt Clapper Loader
Rasmus Frostell Electrician
Maximilian Günther First Assistant Camera
Won-suk Park First Assistant Camera
Björn Susen Gaffer
Jan Brun Key Grip
Markus Kuballa Russian Arm Operator
Julian Bubeck Second Assistant Camera
Carola Rodriguez Sanchez Second Assistant Camera
Marcus Preussing Pyrotechnician
Glenn König Key Grip
Daniel Jopp Lighting Technician
Ingo Blacha Second Assistant Camera
Alexander Kohn Second Assistant Camera
Klemens Becker Second Unit Director of Photography, Second Unit Director
Sven Hübner Armorer
Johanna Lucha Visual Effects Coordinator
Wei Wei Visual Effects Coordinator
Timur Yesilfiliz Visual Effects Editor
Alejandro Damiani Visual Effects Supervisor
Mark Spindler Compositing Supervisor
James Casey Holland Costume Illustrator
Lutz Zeidler Armorer
Lisa Mundt Visual Effects Coordinator
Mathías Chumino Visual Effects Editor
Sebastian Meszmann Visual Effects Producer
Tamara Tadic Visual Effects Coordinator
Thomas Weckenmann Visual Effects Editor
Javier Cruzado Visual Effects Supervisor
Falk Hofmann Compositing Supervisor
Meike Schlegel Costume Supervisor
Georgina Brown Key Costumer
Jan Dieckmann Textile Artist
McKenzie Brodnick Casting Assistant
Ann Trimble Casting Assistant
Kate Ringsell Casting Director
Vanessa Galvez Digital Intermediate Producer
Katie Feigenbaum Casting Assistant
Judith Sunga Casting Associate
Maiken Priedemann Colorist
Dierk Grahlow Construction Manager
Joshua Aufrance First Assistant Accountant
Klaus Große Darrelmann Location Manager
Sonja B. Zimmer Production Executive
Aria Harrison Script Supervisor
Micah Loken Dialogue Editor
Nerses Gezalyan Foley Mixer
Karen Vassar Triest Sound Effects Editor
Caitlin Hodder Costumer
Theresa Anna Luther Key Costumer
Barbara Schramm Tailor
Amal El-Farfachi Casting Assistant
Shelby Cherniet Casting Associate
Patrick Winkler Extras Casting Assistant
Daniel Boccoli First Assistant Editor
Florian Hotz Stunt Coordinator
Patrik Vasiljev Location Coordinator
Johannes Schwerdt Production Accountant
Björn S. Berger Script Supervisor
Jeremy B. Davis Additional Sound Re-Recording Mixer
Jan Kasskawo ADR Mixer
Thomas Wallis Boom Operator
Sarah Monat Foley Artist
Ando Johnson Sound Effects Editor
Robert Stambler Sound Effects Editor
Kevin O'Connell Sound Re-Recording Mixer
Caspar Sachsse Sound Mixer
Julian Slater Supervising Sound Editor, Sound Re-Recording Mixer
Álvaro Gallego Musician
Jan Kubkowski Picture Car Coordinator
Scott Kirby First Assistant Director
Nick Laurence Second Second Assistant Director
Axel Eichhorst Storyboard Artist
Maarten Hofmeijer Music Editor
Florian Haeger Transportation Coordinator
Alex Oakley First Assistant Director
Henning Brehm Graphic Designer
Leif Heanzo Concept Artist
Natascha Matzat Set Designer
Yoon Cha-Lee Fight Choreographer
Daniel Galindo Score Engineer
Del Spiva Music Editor
Michael Linus Bock Musician
Arno Neubauer Unit Production Manager
Tessy Díez Music Producer
Josef Brandl Assistant Art Director
Enzo Enzel Scenic Artist
Attila Krüziu Leadman
Sarah Wibbeler Set Designer
William Conacher Dialect Coach
Nele Jordan Assistant Set Decoration
Elo Soode Concept Artist, Conceptual Design
Oliver Haas Rigging Gaffer
Tony Lamberti Additional Sound Re-Recording Mixer
James Manning Second Assistant Director
Name Title
Amy Pascal Producer
Eli Bush Producer
Arnon Milchan Executive Producer
Ole Søndberg Producer
Scott Rudin Producer
David Fincher Executive Producer
Søren Stærmose Executive Producer
Elizabeth Cantillon Producer
Berna Levin Producer
Organization Category Person
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Reviews

mram16
5.0

Lackluster entry in the Millennium film series: A solid performance by Claire Foy (First Man, Unsane) can't do much to elevate a weak script that, quite often, not only asks you to suspend your disbelief, but to abandon your disbelief altogether. This film is based on the fourth of five books ... (to date) in the popular "Millennium" series of novels, which happens to be the first of the books written by author David Lagercrantz after the passing of original author Stieg Larsson. The first three books were adapted into a trilogy of films in their native Sweden (all of which were released in 2009), and the first book, The Girl with the Dragon Tattoo, was given an American adaptation helmed by David Fincher in 2011. The story of the newest entry in the film series revolves around a top-secret program called Firefall, which would allow whoever wields it to take control of the world's nuclear weapons. The program was designed by Frans Balder (Stephen Merchant), who has a young autistic son. Balder, having come to realize that the program is too dangerous for any government to control, contacts super-hacker Lisbeth Salander (Foy), asking for her help to find and destroy the program. Unknown to them,however, a mysterious group known only as the Spiders are also after the program. Salander receives help along the way from good friend Mikael Blomkvist (Sverrir Gudnason), a journalist working for Millennium magazine (from which the book series gets its name). In the meantime, Lisbeth's attempt to acquire the Firefall program leads American National Security Agency security expert Edwin Needham (LaKeith Stanfield) to travel to Sweden in hopes of tracking her down. Action abounds, and as the film progresses we learn the identity of the leader of the Spiders, a secret tied to Salander's murky past. Eventually all parties converge on a house in the mountains that is all-too-familiar to Salander, where the film's climax plays out. The film appears to retcon certain details from the previous films (e.g. Blomkvist is younger than he should be), which can be off-putting to those familiar with those films.. Vicky Krieps, who audiences may remember from her fantastic performance in 2017's Phantom Thread, is wasted in a brief appearance as Millennium's publisher Erika Berger. While Salander has been established as a first-class hacker in previous films (as well as in the books on which they're based), here her hacking skills often reach levels of unbelievability. An example of this: in one scene Salander hacks into a car's systems while actively pursuing in another car. In the end we are left with a film that could have been greater than it is, but which was hobbled by a poor script filled with overly convenient contrivances. The film's one saving grace is Foy, who does the most with what she is given.

Jun 23, 2021
thecrustycurmudgeon
N/A

While I enjoyed this film, it was a bit of a disappointment compared to the others in this series. As noted by other reviews, the film is haunted by an incredibly poor script. On the other hand, the action is pretty good if you can tolerate the long, poorly scripted scenes in between. The film t ... ries too hard to surpise us with twists, some of which are predictable and others which are just flat. Some of the circumstances in the film are far-fetched. I don't mind suspending belief a bit, but this is neither a fantasy or a science fiction film, so there should be some reasonable level of reality. Several scenes are just ridiculously beyond reason and logic. Claire Foy is an excellent actress and I like watching her. She did the best she could with this script. It's unfortunate that the directors chose to portray her as a bit haggard and completely without sex appeal. Certainly, the character of Lisbeth Salander is intended to be a nonconforming ruffian, but Claire Foys' depiction of her is considerably rougher than Rooney Mara's and far less sexually-charged than Noomi Rapace's. This is a shame as Claire Foy does have sex appeal; she either chose or was not encouraged to to use it here. It's an acceptable addition to this series, but it's mediocre in comparison to it's predecessors.

Jun 23, 2021