Popularity: 3 (history)
Director: | Alan J. Pakula |
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Writer: | David Aaron Cohen, Vincent Patrick, Kevin Jarre |
Staring: |
Frankie McGuire, one of the IRA's deadliest assassins, draws an American family into the crossfire of terrorism. But when he is sent to the U.S. to buy weapons, Frankie is housed with the family of Tom O'Meara, a New York cop who knows nothing about Frankie's real identity. Their surprising friendship, and Tom's growing suspicions, forces Frankie to choose between the promise of peace or a lifetime of murder. | |
Release Date: | Mar 13, 1997 |
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Director: | Alan J. Pakula |
Writer: | David Aaron Cohen, Vincent Patrick, Kevin Jarre |
Genres: | Drama, Crime, Thriller |
Keywords | new york city, assassin, showdown, anonymity, chase, politics, northern ireland, revenge, terrorism, ira (irish republican army), tragic event |
Production Companies | Columbia Pictures |
Box Office |
Revenue: $140,807,547
Budget: $90,000,000 |
Updates |
Updated: Aug 03, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Harrison Ford | Tom O'Meara |
Brad Pitt | Rory Devaney |
Margaret Colin | Sheila O'Meara |
Rubén Blades | Edwin Diaz |
Treat Williams | Billy Burke |
George Hearn | Peter Fitzsimmons |
Mitchell Ryan | Chief Jim Kelly |
Natascha McElhone | Megan Doherty |
Paul Ronan | Sean Phelan |
Simon Jones | Harry Sloan |
Julia Stiles | Bridget O'Meara |
Ashley Acarino | Morgan O'Meara |
Kelly Singer | Annie O'Meara |
David O'Hara | Martin MacDuff |
David Wilmot | Dessie |
Anthony Brophy | Gerard |
Shane Dunne | Young Frankie |
Martin Dunne | Frankie's Father |
Gabrielle Reidy | Frankie's Mother |
Samantha Conroy | Frankie's Sister |
Baxter Harris | Customs Agent |
Hassan Johnson | Teenager |
Scott Nicholson | Rookie Cop |
Jonathan Earl Peck | Jerry |
Sixto Ramos | Hispanic Man |
Mya Michaels | Hispanic Girl |
Brendan Kelly | Teddy |
Kevin Nagle | Thug |
Gregory Salata | Tony |
Joseph P. Dandry | Joey |
Jack McKillop | Jack Fitzsimmons |
Mac Orange | Maid |
Malachy McCourt | Bishop |
Marian Tomas Griffin | Cousin Eileen |
Peggy Shay | Aunt Birdie |
Danielle McGovern | Brooke |
Ciarán O'Reilly | Father Canlon |
Rob Mac | Kevin |
Donald J. Meade | Irish Musician |
Patrick Reynolds | Irish Musician |
Peter Rufli | Irish Musician |
Debbon Ayer | Tour Guide |
Mario Polit | Young Dominican |
Chance Kelly | Masked Burglar |
Greg Stebner | Uniformed Cop |
William Paulson | Detective |
Bill Hoag | Trucker |
Victor Slezak | Evan Stanley |
Damien Leake | Art Fisher |
Wilson Cleveland | Rory's Friend (uncredited) |
Name | Job |
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James Horner | Original Music Composer |
David R. Ellis | Second Unit Director |
Dan Bradley | Stunts |
Martin White | Stunts |
Roy Farfel | Stunts |
Brian Smyj | Stunts |
Gordon Willis | Director of Photography |
Eliza Coleman | Stunts |
Scott Wilder | Stunt Double |
Stuart Clark | Utility Stunts |
Mick O'Rourke | Stunts |
John Rusk | Second Assistant Director |
Alan J. Pakula | Director |
Doug Coleman | Stunt Coordinator |
Eddie Matthews | Stunts |
Keith Campbell | Stunts |
Ron Bochar | Supervising Sound Editor |
Harry Wiesenhaan | Special Effects |
Dennis Virkler | Editor |
Robert Guerra | Art Direction |
David Aaron Cohen | Screenplay |
John Alden | Stunt Double |
Tim Gallin | Stunts |
Donal O'Farrell | Stunts |
Rosie Blackmore | Makeup Artist |
Jean Ann Black | Hairstylist, Makeup Artist |
Michael Laudati | Makeup Artist |
Peter Kohn | First Assistant Director |
Lee Dichter | Sound Re-Recording Mixer |
Terry Mulligan | Gaffer |
Ken Regan | Still Photographer |
Alixe Gordin | Casting |
Leslie Bloom | Set Decoration |
Vincent Patrick | Screenplay |
Richard L. Blackwell | Stunts |
Daniel W. Barringer | Stunt Double |
Michael R. Long | Stunt Driver |
Anne Dunne | Hairstylist |
Ken Jennings | Makeup Artist |
Peggy Schierholz | Hairstylist |
Edward Wiesenhaan | Special Effects |
Louis Conroy | Gaffer |
Gary Capo | Second Unit Director of Photography |
Tom Rolf | Editor |
Jane Musky | Production Design |
Bernie Pollack | Costume Design, Set Decoration |
Bob Marrocco | Stunts |
Dominick Hewitt | Stunts |
Philippe Zone | Stunts |
Martina McCarthy | Hairstylist |
Aaron F. Quarles | Hairstylist |
Michael Proscia Jr. | Gaffer |
Robin Squibb | Script Supervisor |
Kevin Jarre | Story, Screenplay |
Jim Wilkey | Stunts |
Name | Title |
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Robert F. Colesberry | Producer |
Donald Laventhall | Executive Producer |
Karen L. Thorson | Associate Producer |
Lloyd Levin | Executive Producer |
Lawrence Gordon | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 22 | 31 | 17 |
2024 | 5 | 26 | 40 | 13 |
2024 | 6 | 21 | 35 | 13 |
2024 | 7 | 24 | 48 | 14 |
2024 | 8 | 21 | 37 | 14 |
2024 | 9 | 15 | 28 | 9 |
2024 | 10 | 25 | 49 | 11 |
2024 | 11 | 17 | 32 | 10 |
2024 | 12 | 18 | 34 | 11 |
2025 | 1 | 19 | 33 | 14 |
2025 | 2 | 13 | 21 | 4 |
2025 | 3 | 7 | 20 | 1 |
2025 | 4 | 3 | 8 | 1 |
2025 | 5 | 3 | 8 | 1 |
2025 | 6 | 3 | 5 | 2 |
2025 | 7 | 2 | 3 | 1 |
2025 | 8 | 2 | 5 | 1 |
2025 | 9 | 2 | 3 | 2 |
2025 | 10 | 3 | 3 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 678 | 703 |
Year | Month | High | Avg |
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2025 | 3 | 700 | 700 |
Year | Month | High | Avg |
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2025 | 2 | 379 | 509 |
Year | Month | High | Avg |
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2024 | 10 | 332 | 526 |
On the face of it, two A-list men at the top of the bill should have made this compelling, but sadly what we get is a rather lacklustre thriller that is positively lacking in thrills! The story centres around police officer "O'Meara" (Harrison Ford) who takes in an Irish lodger "Devaney" (Brad Pitt ... and his hilarious Irish accent). From the outset, we are aware that the lodger is really an IRA terrorist who is hiding out under an assumed name, and gradually his host begins to suspect that all is not what is seems. What now ensues is a really rather poorly constructed story that leaves breadcrumbs for us all to follow to an ending that though taut at times along the way, is really nothing very interesting. As a Brit, I've always found these intrigue films that portray terrorists as glorified freedom fighters a bit tough to stomach and the narrative here plays to just about every dumb stereotype imaginable. There is precious little by way of action and the pace sort of lumbers along with little to engage the little grey cells. The plot is overly simplistic and from a political perspective, totally one-sided and that renders the whole thing little better than an hollow outing for both. Though Pitt is at his most eye-catching, this is nothing at all to write home about and offers us little of meaning to help comprehend the complexities of the true problems on the island of Ireland.