American Satan
Rock & roll is where God and The Devil shake hands
2017 | 111m | English
Popularity: 2 (history)
| Director: | Ash Avildsen |
|---|---|
| Writer: | Matty Beckerman, Ash Avildsen |
| Staring: |
| A young rock band, half from England and half from the US, drop out of college and move to the Sunset Strip to chase their dreams. | |
| Release Date: | Oct 13, 2017 |
|---|---|
| Director: | Ash Avildsen |
| Writer: | Matty Beckerman, Ash Avildsen |
| Genres: | Drama, Thriller, Music |
| Keywords | murder, satan, fame, drugs, devil, rock band, hard rock, death |
| Production Companies | Intrinsic Value Films, Jeff Rice Films, Sumerian Films |
| Box Office |
Revenue: $237,708
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Andy Biersack | Johnny Faust |
| Malcolm McDowell | Mr. Capricorn |
| Denise Richards | Kat Faust |
| Bill Duke | Gabriel |
| Booboo Stewart | Vic Lakota |
| Jesse Sullivan | Lily Mayflower |
| Mark Boone Junior | Elias |
| Drake Bell | Damien |
| Tori Black | Cassandra |
| Olivia Culpo | Gretchen |
| John Bradley | Ricky Rollins |
| Ben Bruce | Leo Donovan |
| Bill Goldberg | Hawk |
| Patrick Muldoon | SS Singer |
| Larry King | Self |
| Lily Berlina | Virgin |
| Sebastian Bach | Self |
| Maemae Renfrow | Elias' Assistant |
| James W. Quinn | Vic's Dad |
| Arthur Roberts | Attorney / Damien's Dad |
| Jamie Bernadette | Juliette |
| John G. Avildsen | Talk Show Host |
| Tomas Arana | Washington DC Reporter |
| Kate Orsini | Reporter Kansas |
| Kurt Sinclair | News Anchor |
| Cortney Palm | Girl in Mask / Bordello Girl 3 |
| Casey Deidrick | Frat Jock 2 |
| Nils Allen Stewart | Redneck 1 |
| Cole S. McKay | Redneck 4 |
| Sarah French | Waitress (uncredited) |
| Jessa Rhodes | Bordello Girl 1 |
| Chelsea Pereira | Bordello Girl 2 |
| Kristen Dugas | Indiana Motel Groupie |
| Arielle Reitsma | Gypsy Girl |
| Acacia Brinley | Michelle |
| Fivel Stewart | Goth Girl |
| Name | Job |
|---|---|
| Matty Beckerman | Writer |
| Dominika Posserén | Casting |
| Leigh Poindexter | Art Direction |
| Dustin Cole Blackburn | Casting |
| Janelle Scuderi | Casting |
| Dawn Ritz | Costume Design |
| Kristin Gibler | Assistant Art Director |
| Adrienne Garcia | Set Decoration |
| Daniel Curet | Hairstylist |
| Tracy Dishman | Production Design |
| Gary J. Perticone | Key Hair Stylist |
| Kimberly Graczyk | Makeup Artist |
| Robyn Rebbe | Key Makeup Artist |
| Andy Strahorn | Director of Photography |
| James David Leal | Set Costumer |
| Nicholas O'Toole | Original Music Composer |
| Ash Avildsen | Director, Writer |
| Bonnie Timmermann | Casting |
| Alex Noble | Makeup Department Head |
| Cole S. McKay | Stunts |
| Jonathan Davis | Original Music Composer |
| Name | Title |
|---|---|
| John Finberg | Executive Producer |
| Todd King | Co-Producer |
| Lee Broda | Co-Producer |
| Brad LaFave | Co-Producer |
| Jeffrey Ronald Cohen | Executive Producer |
| Baron Bodnar | Executive Producer |
| Jeff Rice | Producer |
| John Reese | Co-Producer |
| Aimee Schoof | Producer |
| Matty Beckerman | Producer |
| Lorenzo Antonucci | Executive Producer |
| Ash Avildsen | Producer |
| John G. Avildsen | Executive Producer |
| Isen Robbins | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 19 | 36 | 11 |
| 2024 | 5 | 22 | 45 | 12 |
| 2024 | 6 | 14 | 22 | 9 |
| 2024 | 7 | 17 | 32 | 10 |
| 2024 | 8 | 16 | 29 | 7 |
| 2024 | 9 | 11 | 18 | 9 |
| 2024 | 10 | 14 | 30 | 8 |
| 2024 | 11 | 14 | 35 | 9 |
| 2024 | 12 | 12 | 30 | 8 |
| 2025 | 1 | 14 | 24 | 9 |
| 2025 | 2 | 9 | 16 | 3 |
| 2025 | 3 | 5 | 14 | 1 |
| 2025 | 4 | 3 | 5 | 1 |
| 2025 | 5 | 2 | 7 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 2 | 2 | 2 |
Trending Position
Hits every cliche you can find in both Faustian-bargain tales as well as musician-drama/rags-to-riches tales, and it hits them **hard**. But I still really enjoyed _American Satan_. If I try to keep it professional, it is really easy to find holes to poke in the quality of _American Satan_, but that ... doesn't stop it from having really spoken to me on a level somehow simultaneously both shallow and personal. _American Satan_ will probably not resonate with the majority of audiences, and objectively, it's not a great film, but I think (and hope) it will find some sort of a place in cult cinema. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._