Popularity: 1 (history)
Director: | Reed Morano |
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Writer: | Mike Makowsky |
Staring: |
After a catastrophe destroys most of humanity, recluse Del lives in his small, empty town, content with the utopia he has methodically created for himself, until an interloper, young Grace, disrupts his solitude. | |
Release Date: | Sep 14, 2018 |
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Director: | Reed Morano |
Writer: | Mike Makowsky |
Genres: | Science Fiction, Drama, Mystery |
Keywords | lake, young woman, opposites, catastrophe, librarian, secret, library, dog, living alone, solitude, books, interloper, small town, fishing, recluse, woman director, order, unknown cause |
Production Companies | IM Global, Automatik Entertainment, Opposite Field Pictures, Exhibit Entertainment, Estuary Films, Lonely Child Productions, Ferrotame Films Limited |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Peter Dinklage | Del |
Elle Fanning | Grace |
Paul Giamatti | Patrick |
Charlotte Gainsbourg | Violet |
Elaine Apruzzese | Corpse |
Name | Job |
---|---|
Reed Morano | Director of Photography, Director |
Madeleine Gavin | Editor |
Adam Taylor | Original Music Composer |
Meghan Currier | Music Supervisor |
Jake Brown | Second Assistant Director |
Kelly McGehee | Production Design |
Lesley Robson-Foster | Visual Effects Supervisor |
Ged Dickersin | Unit Production Manager |
Mike Makowsky | Writer |
Mirren Gordon-Crozier | Costume Designer |
Randall Poster | Music Supervisor |
Matt McLootta | First Assistant Director |
Chris Mueller | First Assistant "B" Camera |
Conny Klapper | Second Assistant "A" Camera |
Carrie Wills | Second Assistant "B" Camera |
J. Eric Camp | Digital Imaging Technician |
Michael Heathcote | Steadicam Operator, "A" Camera Operator |
Alexandra Torterotot | Script Supervisor |
Tim Metivier | First Assistant "A" Camera |
Pat Sokley | First Assistant "B" Camera |
Beka Venezia | Still Photographer |
Jason Velez | Gaffer |
Billy Moore | Best Boy Electric |
Alexander Wilson | Generator Operator |
Diego Quirdumbay | Lighting Technician |
Tommy Kerwick Jr. | Key Grip |
Brian O'Neill | Best Boy Grip |
Tommy White | Dolly Grip |
Ryan Dunne | Additional Grip |
Mara Tuleutayeva | Second Second Assistant Director |
Mike Collins | Key Set Production Assistant |
Gonzalo Cordoba | Art Direction |
Nathan Muka | Art Department Production Assistant |
Graham Wichman | Set Decoration |
Peter Scheck | Leadman |
Dylan Pettengill | On Set Dresser |
Ara Darakjian | Set Dresser |
Jared Thomas | Set Dressing Production Assistant |
Janet Cleaveland | Charge Scenic Artist |
Roland Trafton | Property Master |
Lindsay Stephen | Assistant Property Master |
Sam Glen | Armorer |
Shirley Mayahara | Animal Wrangler |
Rachel Jones Bellas | Assistant Costume Designer |
Gaddiel Lopez | Costume Supervisor |
Christine Hooghuis | Makeup Department Head |
Jennifer Serio | Hair Department Head |
Christina Bulbrook | Attorney |
Molly Stone | Producer's Assistant |
Amanda Messenger | Production Supervisor |
Jeremiah Cullen | Production Coordinator |
Jen Gray | Production Secretary |
Ana Cuadra | Location Manager |
Nicholas Moore | Assistant Location Manager |
Rolando Hudson | Location Scout |
Laura Vansickle | Seamstress |
Santos Cornier | Location Production Assistant |
Melissa Kimbler | Accountant |
Courtney L. Newsome | Assistant Accountant |
Samantha Cheah | Post Production Accountant |
Anton Gold | Sound Mixer |
Gioia Birkett-Foa | Boom Operator |
Johann Kunz | Special Effects Supervisor |
Holbrook Hays | Special Effects Coordinator |
Edward Drohan | Special Effects Technician |
Eugene Hitt | Special Effects Technician |
Frank Oliva | Special Effects Technician |
Chris Barnes | Stunt Coordinator |
Riley Barnes | Utility Stunts |
Andre DeSilva | Stunt Driver |
Joshua Morris | Stand In |
Diana Lotus | Stand In |
Telly Davis | Transportation Captain |
William Stokley | Driver |
Brendan O'Byrne | Driver |
David Dreishpoon | Catering Head Chef |
Heather Luscombe | Clearances Coordinator |
Jonathan Ferrantelli | Post Production Supervisor |
K. Falcon Williams | First Assistant Editor |
Alex Pirrone | Assistant Editor |
Tom Poole | Colorist |
Philippe Majdalani | Finishing Producer |
Josh Spector | Color Assistant |
Margaret Lewis | Head of Production |
Gina Kalim | Digital Conform Editor |
Tony Volante | Supervising Sound Editor, Mixing Engineer, Sound Re-Recording Mixer |
Daniel Timmons | Additional Sound Re-Recording Mixer, Sound Effects Editor |
Allan Zaleski | Dialogue Editor |
Jonathan Fuhrer | Assistant Sound Editor |
Ryan Collison | Foley Mixer |
Nick Seaman | Foley Mixer |
Leslie Bloome | Foley Recordist |
Joanna Fang | Foley Recordist |
Joel Scheuneman | Sound Engineer |
Parker Chehak | Visual Effects Producer |
Perri B. Frank | Visual Effects Editor |
Bashir Hamid | Compositor |
Irene Park | Compositor |
Liz Lash | Thanks |
Glenn Kiser | Thanks |
Amy McGee-Harrell | Thanks |
Alexandra Loewy | Thanks |
Marla Aaron Wapner | Thanks |
Matt Rosen | Thanks |
Jeff Silver | Thanks |
Rian Cahill | Thanks |
Mira Yong | Thanks |
Hanley Baxter | Thanks |
Brittany Kahan | Thanks |
Olivia Wilde | Thanks |
Grant Rosenmeyer | Thanks |
Rob Herting | Thanks |
Susan Solomon-Shapiro | Thanks |
Jonathan Gardner | Thanks |
Quinn Dooley | Set Production Assistant |
Dylan Samson | Set Production Assistant |
George Cuomo | Set Production Assistant |
Caitlyn Porto | Set Production Assistant |
Name | Title |
---|---|
David Ginsberg | Executive Producer |
Ged Dickersin | Co-Producer |
Peter Dinklage | Producer |
Fred Berger | Producer |
Brian Kavanaugh-Jones | Producer |
Fernando Loureiro | Producer |
Roberto Vasconcellos | Producer |
Felipe Prado | Executive Producer |
Mike Makowsky | Producer |
João Prado | Executive Producer |
Dani Girdwood | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 15 | 23 | 10 |
2024 | 5 | 18 | 25 | 11 |
2024 | 6 | 16 | 33 | 8 |
2024 | 7 | 18 | 38 | 8 |
2024 | 8 | 13 | 25 | 8 |
2024 | 9 | 9 | 13 | 6 |
2024 | 10 | 16 | 31 | 6 |
2024 | 11 | 13 | 34 | 6 |
2024 | 12 | 14 | 27 | 7 |
2025 | 1 | 11 | 21 | 7 |
2025 | 2 | 9 | 13 | 4 |
2025 | 3 | 4 | 11 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 1 | 1 | 0 |
2025 | 8 | 1 | 1 | 0 |
2025 | 9 | 1 | 1 | 0 |
Trending Position
Year | Month | High | Avg |
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2024 | 12 | 980 | 981 |
So everyone is dead for unknown reasons save a guy who hangs out in the library. Now... where have we seen that before? Anyway, they clearly spent their money on the cast. It is a small film, with a small cast, and a small budget but it is done exceptionally well given what it is, but there is so ... me actual power behind it. There are also a lot of miles to burn, and it's slow moving. However, it is a great story for the most part, until the end, where they had to do something to make for a climax and it veered away from the reclusive loneliness that was fine with the world ending... ...And that is where it probably lost a lot of people, but, again, they had to do something to make for an ending, otherwise it would dangle for an eternity, they just sort of made the wrong decision and broke up what the film felt like it was going to be about. Otherwise it's a watchable and moody film.
I did enjoy <em>'I Think We’re Alone Now'</em> enough, but it does feel like they only scratched the surface of the plot. There's a lot of build-up, but not much reward. I still got enough from it, but I can understand the seemingly lukewarm reaction to this 2018 release. Away from that, I knew I ... 'd get a strong performance from Peter Dinklage and he didn't let me down. Elle Fanning, meanwhile, is solid behind/alongside him. The film sets the ambience well throughout, especially at the beginning, and everything onscreen is shot pleasantly. I did find some of the music, albeit all good, out of place/overly loud in moments. Elsewhere, I personally found the run time to be finely chosen, I just think they could've utilized the 95 or so minutes better.