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Code 8 Poster

Code 8

Fear is the most dangerous power
2019 | 99m | English

(56745 votes)

TMDb IMDb

Popularity: 4 (history)

Director: Jeff Chan
Writer: Chris Paré
Staring:
Details

In Lincoln City, some inhabitants have extraordinary abilities. Most live below the poverty line, under the close surveillance of a heavily militarized police force. Connor, a construction worker with powers, involves with a criminal gang to help his ailing mother. (Based on the short film “Code 8,” 2016.)
Release Date: Dec 06, 2019
Director: Jeff Chan
Writer: Chris Paré
Genres: Action, Science Fiction, Crime
Keywords drug trafficking, dystopia, remake, superhero, co-workers relationship, super power, criminal gang, robot cop, combat drone, mother son relationship, based on short
Production Companies Téléfilm Canada, XYZ Films, Collective Pictures, The Fyzz, Blue Ice Pictures, Colony Pictures, Lane E Productions
Box Office Revenue: $157,209
Budget: $15,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Robbie Amell Connor Reed
Stephen Amell Garrett
Kari Matchett Mary Reed
Penny Eizenga Receptionist
Lawrence Bayne Big Joe
Jai Jai Jones Travis
Alex Mallari Jr. Rainer
Shaun Benson Dixon
Sung Kang Park
Aaron Abrams Davis
Martin Roach Captain Milltown
Nneka Elliott Reporter
Matthew Gouveia Dave / Grocery Store Manager
Kevin Claydon Truck Passenger
Laysla De Oliveira Maddy
Vlad Alexis Freddie
Ho Chow Security Guard
Simon Northwood Rhino
Peter Outerbridge Wesley Cumbo
Ess Hödlmoser Copperhead
Greg Bryk Marcus Suttcliffe
Kyla Kane Nia
Karissa Strain Stripper
Max Laferriere Mikey
Merwin Mondesir Jules
Casey Hudecki Emily
Darrin Baker Doctor
JaNae Armogan Nurse
Jeff Sinasac Officer Kuwabara
John MacDonald ATV Driver
Chris Handfield Officer MacAuley
Natalie Lisinska Olivia
Emma Ho Lina
Herschel Andoh Nia's Dad
Oscar A. Gonzalez Strip Club Patron
Charlie Riina Dancer
Nichole Arya Lentz Dancer
Christine Pagulayan Field Reporter
Dane Bingenheimer Superhero Protestor (uncredited)
Michelle Doiron Dancer (uncredited)
Josh Aguirre Protester (uncredited)
Derek Barnes Pyro Man (uncredited)
Glenda Braganza Police Detective (uncredited)
Nick Ford Protestor (uncredited)
Michelle Hill Protester (uncredited)
Lisa Hinds Protester (uncredited)
Eldon Hunter Police Officer / Civilian (uncredited)
Elena Khan Protester (uncredited)
Heidi Matijevic Psychic Woman (uncredited)
Kris Pring Protestor (uncredited)
Attila Sebesy Cook at diner (uncredited)
Joe Vercillo SWAT Officer (uncredited)
Michelle Cormier Dancer (uncredited)
Q Fortier Protester (uncredited)
Name Job
John Buchan Casting
Adam Winlove-Smith Stunts
Jeff Chan Director, Screenstory
Jason Knight Casting
Neil Davison Stunt Coordinator
Michael Heathcote "A" Camera Operator, Steadicam Operator
Stephanie Nash Makeup Artist
John Stead Stunts
John MacDonald Stunts
Craig Henry Stunts
Tig Fong Stunts
Chad Camilleri Stunts
Kirpa Budwal Stunts
Matt Birman Stunts
Alex Armbruster Stunts, Stunt Double
Nick Alachiotis Stunts
Tony Morgan Stunt Driver
Brent Jones Stunt Double
Alex Disenhof Director of Photography
Chris Crane Production Design
Andrea Kristof Art Direction
David Gruer Set Decoration
Grant Boyle First Assistant Director
Neesha Patki Second Assistant Director
Anna Catley First Assistant Editor
Zoë Bigio Script Supervisor
William Chang Visual Effects Supervisor
Ryan Taubert Original Music Composer
Bernadette Croft Costume Designer
Paul Skinner Editor
Wade Odlum Color Designer
Chris Paré Screenplay
Brian Campbell Unit Production Manager
Consuelo Solar Script Supervisor
Vic Rigler Property Master
Charles McGlynn Property Master
Michael Innanen Special Effects Coordinator
Kelly Brennan Hair Department Head
Chris Pizzarelli Makeup Department Head
Rob Turi Drone Pilot
Trevor Goulet Sound Mixer
Jonathan Gaudet Gaffer
Ira Cohen Gaffer
Adam McDonald Key Grip
Ian Watson Still Photographer
Bruce Fleming Sound Re-Recording Mixer, Supervising Sound Editor
Dustin Harris Dialogue Editor
Steve Blair Sound Effects Editor
Brody Ratsoy Sound Re-Recording Mixer
Tim O'Connell Foley Artist
Alon Isocianu Creative Director
Jeff Moberg Sound Designer
Monica Pavez Prosthetics
Stuart Pearce Graphic Designer
Laura Keightley Set Decoration Buyer
David Lewington Set Designer
Andy Cung Storyboard Artist
Jeremy Lyall Camera Operator
Ross Fasullo Dolly Grip
Robert Tagliaferri First Assistant "A" Camera
Stephanie Bleakley Casting Assistant
Charlotte Robertson Key Costumer
Bonnie McCabe Textile Artist
Marika Latorcai Script Supervisor
Fernando Feio Fontana 3D Generalist
Daphne Chen Animation
Steven Huynh CG Supervisor
Justin Perreault Visual Effects Art Director
Marlaina Lanese VFX Editor
Ryan Freer Creative Director
Matthew Kariatsumari Visual Effects Producer
Sang Hoon Hwang Visual Effects Technical Director
Nicholas Wong Additional Editor
Geoff Ashenhurst Consulting Editor
Mark Driver Online Editor
Sean Anicic Rigging Gaffer
Lisa Ghione Unit Publicist
Al Vrkljan Stunts
Sid Sawant Stunts
John Kaye Stunts
Don Gough Stunts
Dustin Faith Stunts
Eric Daniel Stunts
Tyler Williams Stunt Double
Steve Gagne Stunt Double
Cam Fergus Stunt Double
Tim Cody Stunt Double
Q Fortier Thanks
Allan Cooke Special Effects Makeup Artist
Ace McCallum Third Assistant Director
Lize van der Bijl Third Assistant Director
Laura Menheere VFX Artist
Thomas Therrien VFX Artist
Hasan Dadah Title Designer
Miguel Basulto Compositor
Adam Collver Compositor
Roberto Palomeque Compositor
Spencer Wyatt Compositor
Brian Huynh Visual Effects Producer
Name Title
Stephen Amell Executive Producer
Jeff Chan Producer
Wayne Marc Godfrey Executive Producer
Sung Kang Executive Producer
Robbie Amell Executive Producer
Priscilla Galvez Associate Producer
Jay Douglas Co-Executive Producer
Robert Jones Executive Producer
Lee Kim Executive Producer
Peter Huang Co-Producer
Ramon Palermo Associate Producer
Tiamat Ownby Fox Associate Producer
Chris Paré Executive Producer
William Chang Executive Producer
Eric Diep Executive Producer
Omar Spahi Executive Producer
Sascha Penn Executive Producer
Cynthia Guidry Executive Producer
Lainie Guidry Executive Producer
Mary Anne Waterhouse Executive Producer
Jasmin Morrison Associate Producer
Michael Davison Associate Producer
Q Fortier Producer
Daniel Sun Co-Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 65 78 55
2024 5 57 81 37
2024 6 47 82 31
2024 7 41 65 30
2024 8 39 70 26
2024 9 28 41 19
2024 10 31 44 22
2024 11 40 102 21
2024 12 32 84 22
2025 1 34 60 21
2025 2 20 33 4
2025 3 8 23 2
2025 4 6 9 3
2025 5 4 9 2
2025 6 3 6 2
2025 7 3 3 2
2025 8 3 4 2

Trending Position


Year Month High Avg
2025 7 802 870
Year Month High Avg
2025 6 737 859
Year Month High Avg
2025 4 590 753
Year Month High Avg
2025 3 561 729
Year Month High Avg
2025 2 562 805
Year Month High Avg
2025 1 722 879
Year Month High Avg
2024 12 875 907
Year Month High Avg
2024 11 759 856
Year Month High Avg
2024 9 791 879
Year Month High Avg
2024 8 734 864

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Reviews

Ruuz
5.0

I thought the trailer made _Code 8_ look like it was gonna be pretty bad, but I liked the premise, and I wanted to see what Stephen Amell could do in a 2019 feature film, so I gave it a chance, and while I don't think it was great, it was better than I had been expecting. There were some bits that s ... ort of reminded me of last year's _Darkest Minds_, and that's definitely a bad thing, but overall it was actually pretty decent. It goes for both the social commentary, and a *pew pew splodey zap zap* action crime thriller. It doesn't work **spectacularly** as either, but it tries, and its failures certainly are not abysmal ones. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

Jun 23, 2021
narrator56
6.0

Code 8 never really grabbed me, though I managed to watch it all the way through. Perhaps I am an outlier viewer, but I would have liked to see more time spent on why society lowered the status of the super-powered people to practically second class citizens. To me that might have been more compelli ... ng viewing than the details of Connor’s descent into crime or his mother’s rather stereotypical declining health. But within its narrow plot and limited number of interesting characters, it may have been less than great, but it was better than mediocre.

Jul 27, 2021
Geronimo1967
5.0

Robbie Amell is undoubtedly a good-looking man, but that really does not forgive the fact that as an actor, he is really dead behind the eyes. The concept here is quite interesting - ordinary people have superpowers and are all still pretty much persecuted by the authorities. Amell is down on his lu ... ck and has a sick mother so, to pay for her extortionately expensive treatment, he seeks work casually - and soon falls in with the wrong company where he uses his powers (he can generate and focus electricity) to further their petty, but increasingly ambitious criminal activities. This gets him caught up between a drug-smuggling gang and with the pursuing police. Cousin Stephen discards his bow and arrow for this film, instead heading the druggie gang that will betray everyone/anyone as soon as look at them. The dialogue and pace of the film - there are some decent action scenes - keep it moving quite well, and the visual effects do their job - but the acting is just bland and the story an amalgam of B-grade X-men themes.

Mar 27, 2022
tmdb28039023
2.0

Code 8 is X-Men minus the budget and the A-list cast, and that's the good news. Unfortunately, the movie suffers more, not when it deviates from, but when it copies Marvel's mutants. Code 8 is set in a world where 4% of the population are born with various supernatural abilities, but instead of bein ... g rich and famous, they face discrimination, live in poverty, and often turn to crime. As far as I can tell, Code 8 is an allegory about illegal immigrants in the US – the image of day laborers waiting for a van to take them to work is unmistakable, because we have seen it in other, better films (e.g., El Norte). There is also the matter of an addictive narcotic called Psyke manufactured from the cerebrospinal fluid of the People with Power (doesn't quite have the same ring as X-Men, does it?); a drug literally made by and for them. Addressing that some immigrants are forced to smuggle and sell drugs while others turn to alcohol and other drugs to cope with depression and anxiety is one of the things that Code 8 does well. The problem is that the movie doesn't seem to understand that illegal immigrants do these things because they are powerless. If Mexicans entering the United States illegally had the kind of power that Code 8 characters have, Los Angeles would have been returned to Mexico a long time ago. Connor and his similarly 'empowered' peers are oppressed because they want to be; what prison could contain them? I estimate that four “People with Powers” could reasonably demand that the President “kneel to Zod” within a week at most. We know where illegal immigrants come from; of places where, to put it in the terms of the United States Declaration of Independence, life, liberty and the pursuit of happiness are nothing short of impossible (otherwise they'd stay put). Conversely, establishing the origin of the protagonists' powers in Code 8 is not as simple. Like those of the X-Men, these powers are unexplained – and unexplainable –, and include the usual for a superhero (manipulation of electricity, superhuman strength), as well as, for lack of a better term, magic (telepathy, telekinesis) and finally, as Jules Winnfield would say, "miracles according to Hoyle" (healing the sick). Consider this: Sutcliffe's main lackey is bulletproof. Bulletproof! How does one even go about becoming bulletproof? Code 8 is a very imaginative movie (my favorite part is the Guardians, robot cops that drop from drones), but it has absolutely zero curiosity about its own characters. Where do their powers come from? How do they work? And why don't they use them on a larger scale? These are all questions that Code 8 doesn't answer because it doesn't even bother to ask them.

Sep 03, 2022
chandlerdanier
6.0

Good use of budget. Interesting enough. Good ideas. I watched it because I thought I had to because Code 8 part two was out as well. I probably wouldn't have watched it without that. I'm glad I watched it. ...

Mar 06, 2024