Popularity: 4 (history)
Director: | Jeff Chan |
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Writer: | Chris Paré |
Staring: |
In Lincoln City, some inhabitants have extraordinary abilities. Most live below the poverty line, under the close surveillance of a heavily militarized police force. Connor, a construction worker with powers, involves with a criminal gang to help his ailing mother. (Based on the short film “Code 8,” 2016.) | |
Release Date: | Dec 06, 2019 |
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Director: | Jeff Chan |
Writer: | Chris Paré |
Genres: | Action, Science Fiction, Crime |
Keywords | drug trafficking, dystopia, remake, superhero, co-workers relationship, super power, criminal gang, robot cop, combat drone, mother son relationship, based on short |
Production Companies | Téléfilm Canada, XYZ Films, Collective Pictures, The Fyzz, Blue Ice Pictures, Colony Pictures, Lane E Productions |
Box Office |
Revenue: $157,209
Budget: $15,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Robbie Amell | Connor Reed |
Stephen Amell | Garrett |
Kari Matchett | Mary Reed |
Penny Eizenga | Receptionist |
Lawrence Bayne | Big Joe |
Jai Jai Jones | Travis |
Alex Mallari Jr. | Rainer |
Shaun Benson | Dixon |
Sung Kang | Park |
Aaron Abrams | Davis |
Martin Roach | Captain Milltown |
Nneka Elliott | Reporter |
Matthew Gouveia | Dave / Grocery Store Manager |
Kevin Claydon | Truck Passenger |
Laysla De Oliveira | Maddy |
Vlad Alexis | Freddie |
Ho Chow | Security Guard |
Simon Northwood | Rhino |
Peter Outerbridge | Wesley Cumbo |
Ess Hödlmoser | Copperhead |
Greg Bryk | Marcus Suttcliffe |
Kyla Kane | Nia |
Karissa Strain | Stripper |
Max Laferriere | Mikey |
Merwin Mondesir | Jules |
Casey Hudecki | Emily |
Darrin Baker | Doctor |
JaNae Armogan | Nurse |
Jeff Sinasac | Officer Kuwabara |
John MacDonald | ATV Driver |
Chris Handfield | Officer MacAuley |
Natalie Lisinska | Olivia |
Emma Ho | Lina |
Herschel Andoh | Nia's Dad |
Oscar A. Gonzalez | Strip Club Patron |
Charlie Riina | Dancer |
Nichole Arya Lentz | Dancer |
Christine Pagulayan | Field Reporter |
Dane Bingenheimer | Superhero Protestor (uncredited) |
Michelle Doiron | Dancer (uncredited) |
Josh Aguirre | Protester (uncredited) |
Derek Barnes | Pyro Man (uncredited) |
Glenda Braganza | Police Detective (uncredited) |
Nick Ford | Protestor (uncredited) |
Michelle Hill | Protester (uncredited) |
Lisa Hinds | Protester (uncredited) |
Eldon Hunter | Police Officer / Civilian (uncredited) |
Elena Khan | Protester (uncredited) |
Heidi Matijevic | Psychic Woman (uncredited) |
Kris Pring | Protestor (uncredited) |
Attila Sebesy | Cook at diner (uncredited) |
Joe Vercillo | SWAT Officer (uncredited) |
Michelle Cormier | Dancer (uncredited) |
Q Fortier | Protester (uncredited) |
Name | Job |
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John Buchan | Casting |
Adam Winlove-Smith | Stunts |
Jeff Chan | Director, Screenstory |
Jason Knight | Casting |
Neil Davison | Stunt Coordinator |
Michael Heathcote | "A" Camera Operator, Steadicam Operator |
Stephanie Nash | Makeup Artist |
John Stead | Stunts |
John MacDonald | Stunts |
Craig Henry | Stunts |
Tig Fong | Stunts |
Chad Camilleri | Stunts |
Kirpa Budwal | Stunts |
Matt Birman | Stunts |
Alex Armbruster | Stunts, Stunt Double |
Nick Alachiotis | Stunts |
Tony Morgan | Stunt Driver |
Brent Jones | Stunt Double |
Alex Disenhof | Director of Photography |
Chris Crane | Production Design |
Andrea Kristof | Art Direction |
David Gruer | Set Decoration |
Grant Boyle | First Assistant Director |
Neesha Patki | Second Assistant Director |
Anna Catley | First Assistant Editor |
Zoë Bigio | Script Supervisor |
William Chang | Visual Effects Supervisor |
Ryan Taubert | Original Music Composer |
Bernadette Croft | Costume Designer |
Paul Skinner | Editor |
Wade Odlum | Color Designer |
Chris Paré | Screenplay |
Brian Campbell | Unit Production Manager |
Consuelo Solar | Script Supervisor |
Vic Rigler | Property Master |
Charles McGlynn | Property Master |
Michael Innanen | Special Effects Coordinator |
Kelly Brennan | Hair Department Head |
Chris Pizzarelli | Makeup Department Head |
Rob Turi | Drone Pilot |
Trevor Goulet | Sound Mixer |
Jonathan Gaudet | Gaffer |
Ira Cohen | Gaffer |
Adam McDonald | Key Grip |
Ian Watson | Still Photographer |
Bruce Fleming | Sound Re-Recording Mixer, Supervising Sound Editor |
Dustin Harris | Dialogue Editor |
Steve Blair | Sound Effects Editor |
Brody Ratsoy | Sound Re-Recording Mixer |
Tim O'Connell | Foley Artist |
Alon Isocianu | Creative Director |
Jeff Moberg | Sound Designer |
Monica Pavez | Prosthetics |
Stuart Pearce | Graphic Designer |
Laura Keightley | Set Decoration Buyer |
David Lewington | Set Designer |
Andy Cung | Storyboard Artist |
Jeremy Lyall | Camera Operator |
Ross Fasullo | Dolly Grip |
Robert Tagliaferri | First Assistant "A" Camera |
Stephanie Bleakley | Casting Assistant |
Charlotte Robertson | Key Costumer |
Bonnie McCabe | Textile Artist |
Marika Latorcai | Script Supervisor |
Fernando Feio Fontana | 3D Generalist |
Daphne Chen | Animation |
Steven Huynh | CG Supervisor |
Justin Perreault | Visual Effects Art Director |
Marlaina Lanese | VFX Editor |
Ryan Freer | Creative Director |
Matthew Kariatsumari | Visual Effects Producer |
Sang Hoon Hwang | Visual Effects Technical Director |
Nicholas Wong | Additional Editor |
Geoff Ashenhurst | Consulting Editor |
Mark Driver | Online Editor |
Sean Anicic | Rigging Gaffer |
Lisa Ghione | Unit Publicist |
Al Vrkljan | Stunts |
Sid Sawant | Stunts |
John Kaye | Stunts |
Don Gough | Stunts |
Dustin Faith | Stunts |
Eric Daniel | Stunts |
Tyler Williams | Stunt Double |
Steve Gagne | Stunt Double |
Cam Fergus | Stunt Double |
Tim Cody | Stunt Double |
Q Fortier | Thanks |
Allan Cooke | Special Effects Makeup Artist |
Ace McCallum | Third Assistant Director |
Lize van der Bijl | Third Assistant Director |
Laura Menheere | VFX Artist |
Thomas Therrien | VFX Artist |
Hasan Dadah | Title Designer |
Miguel Basulto | Compositor |
Adam Collver | Compositor |
Roberto Palomeque | Compositor |
Spencer Wyatt | Compositor |
Brian Huynh | Visual Effects Producer |
Name | Title |
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Stephen Amell | Executive Producer |
Jeff Chan | Producer |
Wayne Marc Godfrey | Executive Producer |
Sung Kang | Executive Producer |
Robbie Amell | Executive Producer |
Priscilla Galvez | Associate Producer |
Jay Douglas | Co-Executive Producer |
Robert Jones | Executive Producer |
Lee Kim | Executive Producer |
Peter Huang | Co-Producer |
Ramon Palermo | Associate Producer |
Tiamat Ownby Fox | Associate Producer |
Chris Paré | Executive Producer |
William Chang | Executive Producer |
Eric Diep | Executive Producer |
Omar Spahi | Executive Producer |
Sascha Penn | Executive Producer |
Cynthia Guidry | Executive Producer |
Lainie Guidry | Executive Producer |
Mary Anne Waterhouse | Executive Producer |
Jasmin Morrison | Associate Producer |
Michael Davison | Associate Producer |
Q Fortier | Producer |
Daniel Sun | Co-Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 65 | 78 | 55 |
2024 | 5 | 57 | 81 | 37 |
2024 | 6 | 47 | 82 | 31 |
2024 | 7 | 41 | 65 | 30 |
2024 | 8 | 39 | 70 | 26 |
2024 | 9 | 28 | 41 | 19 |
2024 | 10 | 31 | 44 | 22 |
2024 | 11 | 40 | 102 | 21 |
2024 | 12 | 32 | 84 | 22 |
2025 | 1 | 34 | 60 | 21 |
2025 | 2 | 20 | 33 | 4 |
2025 | 3 | 8 | 23 | 2 |
2025 | 4 | 6 | 9 | 3 |
2025 | 5 | 4 | 9 | 2 |
2025 | 6 | 3 | 6 | 2 |
2025 | 7 | 3 | 3 | 2 |
2025 | 8 | 3 | 4 | 2 |
Trending Position
Year | Month | High | Avg |
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2025 | 7 | 802 | 870 |
Year | Month | High | Avg |
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2025 | 6 | 737 | 859 |
Year | Month | High | Avg |
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2025 | 4 | 590 | 753 |
Year | Month | High | Avg |
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2025 | 3 | 561 | 729 |
Year | Month | High | Avg |
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2025 | 2 | 562 | 805 |
Year | Month | High | Avg |
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2025 | 1 | 722 | 879 |
Year | Month | High | Avg |
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2024 | 12 | 875 | 907 |
Year | Month | High | Avg |
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2024 | 11 | 759 | 856 |
Year | Month | High | Avg |
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2024 | 9 | 791 | 879 |
Year | Month | High | Avg |
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2024 | 8 | 734 | 864 |
I thought the trailer made _Code 8_ look like it was gonna be pretty bad, but I liked the premise, and I wanted to see what Stephen Amell could do in a 2019 feature film, so I gave it a chance, and while I don't think it was great, it was better than I had been expecting. There were some bits that s ... ort of reminded me of last year's _Darkest Minds_, and that's definitely a bad thing, but overall it was actually pretty decent. It goes for both the social commentary, and a *pew pew splodey zap zap* action crime thriller. It doesn't work **spectacularly** as either, but it tries, and its failures certainly are not abysmal ones. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Code 8 never really grabbed me, though I managed to watch it all the way through. Perhaps I am an outlier viewer, but I would have liked to see more time spent on why society lowered the status of the super-powered people to practically second class citizens. To me that might have been more compelli ... ng viewing than the details of Connor’s descent into crime or his mother’s rather stereotypical declining health. But within its narrow plot and limited number of interesting characters, it may have been less than great, but it was better than mediocre.
Robbie Amell is undoubtedly a good-looking man, but that really does not forgive the fact that as an actor, he is really dead behind the eyes. The concept here is quite interesting - ordinary people have superpowers and are all still pretty much persecuted by the authorities. Amell is down on his lu ... ck and has a sick mother so, to pay for her extortionately expensive treatment, he seeks work casually - and soon falls in with the wrong company where he uses his powers (he can generate and focus electricity) to further their petty, but increasingly ambitious criminal activities. This gets him caught up between a drug-smuggling gang and with the pursuing police. Cousin Stephen discards his bow and arrow for this film, instead heading the druggie gang that will betray everyone/anyone as soon as look at them. The dialogue and pace of the film - there are some decent action scenes - keep it moving quite well, and the visual effects do their job - but the acting is just bland and the story an amalgam of B-grade X-men themes.
Code 8 is X-Men minus the budget and the A-list cast, and that's the good news. Unfortunately, the movie suffers more, not when it deviates from, but when it copies Marvel's mutants. Code 8 is set in a world where 4% of the population are born with various supernatural abilities, but instead of bein ... g rich and famous, they face discrimination, live in poverty, and often turn to crime. As far as I can tell, Code 8 is an allegory about illegal immigrants in the US – the image of day laborers waiting for a van to take them to work is unmistakable, because we have seen it in other, better films (e.g., El Norte). There is also the matter of an addictive narcotic called Psyke manufactured from the cerebrospinal fluid of the People with Power (doesn't quite have the same ring as X-Men, does it?); a drug literally made by and for them. Addressing that some immigrants are forced to smuggle and sell drugs while others turn to alcohol and other drugs to cope with depression and anxiety is one of the things that Code 8 does well. The problem is that the movie doesn't seem to understand that illegal immigrants do these things because they are powerless. If Mexicans entering the United States illegally had the kind of power that Code 8 characters have, Los Angeles would have been returned to Mexico a long time ago. Connor and his similarly 'empowered' peers are oppressed because they want to be; what prison could contain them? I estimate that four “People with Powers” could reasonably demand that the President “kneel to Zod” within a week at most. We know where illegal immigrants come from; of places where, to put it in the terms of the United States Declaration of Independence, life, liberty and the pursuit of happiness are nothing short of impossible (otherwise they'd stay put). Conversely, establishing the origin of the protagonists' powers in Code 8 is not as simple. Like those of the X-Men, these powers are unexplained – and unexplainable –, and include the usual for a superhero (manipulation of electricity, superhuman strength), as well as, for lack of a better term, magic (telepathy, telekinesis) and finally, as Jules Winnfield would say, "miracles according to Hoyle" (healing the sick). Consider this: Sutcliffe's main lackey is bulletproof. Bulletproof! How does one even go about becoming bulletproof? Code 8 is a very imaginative movie (my favorite part is the Guardians, robot cops that drop from drones), but it has absolutely zero curiosity about its own characters. Where do their powers come from? How do they work? And why don't they use them on a larger scale? These are all questions that Code 8 doesn't answer because it doesn't even bother to ask them.
Good use of budget. Interesting enough. Good ideas. I watched it because I thought I had to because Code 8 part two was out as well. I probably wouldn't have watched it without that. I'm glad I watched it. ...