Popularity: 1 (history)
Director: | Alex Richanbach |
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Writer: | Lauryn Kahn |
Staring: |
She could do the responsible thing. Or she could go to Ibiza with her best friends to chase down a hot DJ. Easy choice. | |
Release Date: | May 25, 2018 |
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Director: | Alex Richanbach |
Writer: | Lauryn Kahn |
Genres: | Comedy, Romance |
Keywords | spain, nightclub, ibiza, best friend, american, dj |
Production Companies | Gary Sanchez Productions, Good Universe |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Gillian Jacobs | Harper |
Vanessa Bayer | Nikki |
Phoebe Robinson | Leah |
Michaela Watkins | Sarah |
Jordi Mollà | Hernando |
Richard Madden | Leo West |
Anjela Nedyalkova | Custodia |
Nelson Dante | Lazer |
Augustus Prew | Miles |
Anthony Welsh | Peter |
Humphrey Ker | James |
Gwen Elizabeth Duchon | Statue of Liberty |
Félix Gómez | Diego |
Tea Vracic | Aurora Club DJ |
Bojan Ban | 'I Show You Love' Guy |
Tara Thaller | Leo Fan |
Marko Paradžik | DJ Booth Security |
Ivan Devcic | Sound Guy |
Jani Zombori | VIP Security |
Bozena Bilanovic | VIP Woman |
Coco Bolleboom | Sushi Woman |
Petar Cvirn | Guy at Party |
Miguel Ángel Silvestre | Manny |
Marina Salas | Nina |
Albert Suárez | Chris |
Alex Hernandez | Enzo |
Larisa Ivetic | Flow DJ |
Marco Ciglia | Flow Stage Manager |
José Luis García Pérez | Guillermo |
Lolo Herrero | Jose |
Michelle Noh | Julie (uncredited) |
Name | Job |
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Srđan 'Rale' Jovanović | Stunts |
Alex Richanbach | Director |
Kevin Phipps | Production Design |
Josh Salzberg | Editor |
Ben Rimmer | Unit Production Manager |
Iris Sonia Milic | Stunts |
Milica Tikic | Stunts |
Daniel Adams | Stunts |
Aleksandar Gajić | Stunts |
Viktor Hristov | Stunts |
Lauryn Kahn | Writer |
Slaviša Ivanović | Stunt Coordinator |
Luka Todorović | Stunts |
Boris Martinez | Stunts |
Dejan Dragosavac | Stunts |
Marko Vasiljević | Stunts |
Mark Roper | First Assistant Director |
Veselin Angelov | Stunts |
Branko Stefanović | Stunts |
Nikolay Belezirev | Stunts |
Nemanja Latincic | Stunts |
Marko Joksimović | Stunts |
Alison McCosh | Costume Design |
Trygge Toven | Music Supervisor |
Marco Ciglia | First Assistant Director |
Borislav Bogosavac | Stunts |
Filip Todorovic | Stunts |
Dubravka Borosa | Stunts |
Ivan Vodenicharov | Stunts |
Vedran Brkic | Stunts |
Pavel Shalamanov | Stunts |
Mihail Iliev | Stunts |
Anđelija Vlaisavljević | Line Producer |
Ana Biskupljanin | Unit Production Manager |
Martin Stephens | "B" Camera Operator |
Darko Jovanovic | Set Dresser |
Nemanja Petković | First Assistant "B" Camera |
Goran Cvetkovic | Set Dresser |
Dragan Kaplarević | Art Direction |
Lazar Kostic | On Set Props |
Ivana Stefanović | Property Master |
Branko Komatina | Assistant Property Master |
Marko Oršolić | Painter |
Andrijana Sofranic | Art Department Coordinator |
Ana Jovanovic | Set Designer |
Srđan Nedeljković | Assistant Art Director |
Sandra Djurickovic | Production Supervisor |
Jelena Milinovic | Set Decoration |
Marko Radujkovic | Set Dresser |
Branislav Stojanović | First Assistant "A" Camera |
Nenad Ivanovic | Set Dresser |
Marina Lešić | Script Supervisor |
Djordje Milijanovic | Graphic Designer |
Sanja Bulat | Leadman |
Bogdan Kundačina | Set Dresser |
Jovan Zova Todorovic | Set Dresser |
Dušan Demić | Set Designer |
Goran Ivanovic | Leadman |
Igor Kandic | Set Designer |
Vlado Kraisnik | On Set Dresser |
Lazar Perovic | Utility Sound |
Nenad Maksimovic | Key Rigging Grip |
Vladimir Milosavljević | Electrician |
Rado Ivančević | Rigging Gaffer |
Robert Macfarlane | Assistant Costume Designer |
Nataša Krstić | Makeup Artist |
Nikola Ivančević | Best Boy Electric |
Mladen Tanasic | Grip |
Boris Colovic | Grip |
Novica Jankov | Sound Mixer |
Julija Djerkovic | Costume Assistant |
Ivana Rajnvajn | Costumer |
Zoran Prodanović | Boom Operator |
Sonja Mrkobrada | Costume Coordinator |
Miroslava Cvetković | Seamstress |
Jasmina Banović | Hairstylist |
Srđan Gojković | Gaffer |
Lazar Milanović | Best Boy Grip |
Irena Rajnvajn | Costumer |
Miloš Jovanović | Second Assistant "B" Camera |
Zoran Begovic | Grip |
Aurora Bergere | Makeup Department Head |
Ljubomir Anastasijevic | Second Assistant "A" Camera |
Dragana Mladenovic | Costume Supervisor |
Kamaura Eley | Hair Department Head |
Jovana Jovanović | Makeup Artist |
Dragan Jović | Key Grip |
Ivana Saric | Extras Casting |
Vedran Radic | Production Coordinator |
Stefan Matić | Transportation Captain |
Mirna Kapetanović | Unit Production Manager |
Marco Calabrese | Production Supervisor |
Tonucha Vidal | Local Casting |
Mirna Zaric | First Assistant Accountant |
Nenad Pavlović | Local Casting |
Tamara Pešić | Location Manager |
Majda Pilat | Accountant |
Nenad Martinovic | Special Effects Assistant |
Kristina Lovrić | Production Coordinator |
Aleksandar Adžić | Local Casting |
Damir Romanov | Local Casting |
Ana Gobeljić | Production Runner |
Aleksandar Letić | Still Photographer |
Dusko Krekic | Driver |
Jelena Radojevic | Assistant Production Coordinator |
Danijela Đokanović | Accountant |
Dragan Solak | Special Effects Technician |
Sanja Drakulić | Casting Assistant |
Nemanja Milosavljevic | Extras Casting |
Muhamed M'Barek | Special Effects Coordinator |
Petar Banda | Extras Casting |
Nicola Chisholm | Casting Assistant |
Slavko Novaković | Transportation Coordinator |
Nikola Kopilanović | Transportation Co-Captain |
Dejan Juric | Driver |
Damir Kudin | "C" Camera Operator |
Nenad Kokot | Picture Car Coordinator |
Francesca Budd | Production Coordinator |
Ivan Markovic | Assistant Location Manager |
Željko Janković | Driver |
Igor Sestrić | Local Casting |
Dasa Radmanovic | Production Coordinator |
Rita Colimon | Post Production Accountant |
Nenad Madžarević | Driver |
Malissa Hallenbeck | Post Production Accountant |
Marija Lero | Location Manager |
Igor A. Nola | Line Producer |
Emily Buntyn | Casting Assistant |
Karlo Katulic | Extras Casting |
Nicholas Lipari | Assistant Editor |
Christopher S. Aud | Sound Re-Recording Mixer, Supervising Sound Editor |
Eric Gotthelf | ADR Mixer |
Sabine Schenk | Unit Production Manager, Line Producer |
Terry Rodman | Sound Re-Recording Mixer |
Thomas J. O'Connell | ADR Mixer |
Kurt Godwin | Sound Mix Technician |
Clinton Jones | Sound Mix Technician |
Urs Hirschbiegel | First Assistant Director |
Toko Nagata | Music Coordinator |
Eliza Pollack Zebert | ADR Supervisor |
John Portnoy | Post Production Supervisor |
Patty Connolly | ADR Voice Casting |
Ezra Dweck | Sound Effects Editor |
J.J. George | Music Editor |
Laura Graham | ADR Editor |
Alyson Dee Moore | Foley Artist |
Christopher Moriana | Foley Artist |
Oliver Hug | Music Editor |
Brian Tarlecki | Sound Mix Technician |
Joshua A.C. Johnson | Assistant Editor |
Jeff Sawyer | Sound Effects Editor |
Linda Yeaney | Assistant Sound Editor |
Renee Minasian | Post Production Coordinator |
John Sanacore | Foley Mixer |
Ernesto Solo | Art Direction |
Rajko Bakić | Set Dresser |
Daniel Moder | "A" Camera Operator, Director of Photography |
Jeff Morrow | Original Music Composer |
Dave Jordan | Music Supervisor |
Allison Jones | Casting |
Kaloian Vodenicharov | Stunt Coordinator |
Milica Đorđević | Stunts |
Kalin Kerin | Stunts |
Georgi Stanislavov | Stunts |
Kelley Sims | Production Consultant |
Kathryn Burns | Choreographer |
Olivia Scott-Webb | Local Casting |
Ben Harris | Casting Associate |
Oona Flaherty | Additional Editor |
Mark Sussman | ADR Voice Casting |
Laurent Kossayan | Supervising Sound Editor |
Name | Title |
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Kevin J. Messick | Producer |
Nathan Kahane | Producer |
Adam McKay | Producer |
Lauryn Kahn | Executive Producer |
Erin Westerman | Producer |
Maeve Cullinane | Associate Producer |
Ben Rimmer | Co-Producer |
Kelli Konop | Executive Producer |
Will Ferrell | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 42 | 90 | 17 |
2024 | 5 | 102 | 137 | 79 |
2024 | 6 | 54 | 115 | 18 |
2024 | 7 | 21 | 31 | 11 |
2024 | 8 | 15 | 23 | 8 |
2024 | 9 | 10 | 14 | 5 |
2024 | 10 | 14 | 23 | 8 |
2024 | 11 | 11 | 22 | 7 |
2024 | 12 | 11 | 16 | 6 |
2025 | 1 | 14 | 30 | 7 |
2025 | 2 | 9 | 18 | 3 |
2025 | 3 | 4 | 10 | 1 |
2025 | 4 | 2 | 5 | 1 |
2025 | 5 | 1 | 5 | 1 |
2025 | 6 | 1 | 3 | 1 |
2025 | 7 | 1 | 1 | 0 |
2025 | 8 | 1 | 2 | 0 |
2025 | 9 | 3 | 5 | 2 |
2025 | 10 | 2 | 4 | 1 |
Trending Position
The central romance around which the """plot""" of _Ibiza_ revolves is, in all honesty, actually kind of sweet. But this might be the most self-indulgent, vain crap I've ever watched. So awkward. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._ ...
Music can make or break a film. A good soundtrack can count for a lot. It sets the atmosphere, it sets the tone, it's the heart of a film. Look at Guardians of the Galaxy 2, not a great film...but the soundtrack saved it from being a bad film. Then look at ibiza...the sound track is largely wh ... y the movie stank. And when I mean it stank, I mean it was so bad I literally had to leave the room my girlfriend was watching it in, and go someplace to escape it. The main reason was the music. It was blaring, so loud that you couldn't escape it...and if you turned the volume down it became so quiet you couldn't hear the dialogue...which really, honestly, you wouldn't be missing much. But what you have here are tits...then blaring house music, the kind that is just three beats, on repeat, on a drum machine and played so loud that it shuts down your ability to even think...then dialogue, then House music again. And here and there you have actual songs...with drum machines and auto-tune so it sounds, pretty much, exactly like every other song you hear on the radio today...only again played at 10X the volume as the rest of the film. What was the film about? Who cares? Seriously. The brief lulls between the blaring horrible music were little more than small reprieves before the next round of annoying as all hell music. I've seen plenty of horrible movies...but I've never seen a single film that irritated me as much as this train wreck. If you're the kind of person that likes music that sounds like a scratched CD played at ear popping volumes, this is the movie you deserve.