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The House with a Clock in Its Walls Poster

The House with a Clock in Its Walls

This house knows what makes you tick.
2018 | 105m | English

(58364 votes)

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Popularity: 2 (history)

Director: Eli Roth
Writer: John Bellairs, Eric Kripke
Staring:
Details

When ten-year-old Lewis is suddenly orphaned, he is sent to live with his Uncle Jonathan in a creaky (and creepy) old mansion with a mysterious ticking noise that emanates from the walls. Upon discovering that his uncle is a warlock, Lewis begins learning magic, but when he rebelliously resurrects an evil warlock he must find the secret of the house and save the world from destruction.
Release Date: Sep 15, 2018
Director: Eli Roth
Writer: John Bellairs, Eric Kripke
Genres: Family, Comedy, Fantasy, Horror
Keywords based on novel or book, clock, haunted house, uncle, pumpkin, orphan, warlock, secret passageway, 1950s, magician, amused
Production Companies DreamWorks Pictures, Amblin Entertainment, Reliance Entertainment, Mythology Entertainment, Amblin Partners
Box Office Revenue: $131,523,093
Budget: $42,000,000
Updates Updated: Aug 10, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Jack Black Jonathan Barnavelt
Cate Blanchett Florence Zimmerman
Owen Vaccaro Lewis Barnavelt
Kyle MacLachlan Isaac Izard
Renée Elise Goldsberry Selena Izard
Colleen Camp Mrs. Hanchett
Sunny Suljic Tarby Corrigan
Lorenza Izzo Mother
Braxton Bjerken Woody Mingo
Vanessa Anne Williams Rose Rita Pottinger
Ricky Muse Bus Driver
Charles Green Soda Jerk
De'Jon Watts Clark
Aaron Beelner Clown Automaton
Joshua Phillips Clown Automaton
Christian Calloway Azazel
Caleb Lawrence Sweet Shop Employee
Dylan Gage Sweet Shop Boy
Jalyn Hall Devin
Jackson T. Giles IV Student
Eli Roth Comrade Ivan
Alli Beckman Magician's Assistant
Emily Brobst (uncredited)
Name Job
John Bellairs Novel
Nicole Abellera Hallman Casting
Walter P. Martishius Art Direction
Randy Torres Sound Designer
Natalie Angel Production Supervisor
Richard E. Chapla Jr. Unit Production Manager
Mark Graziano Executive In Charge Of Post Production
Chris Hadlock Production Executive
Jeanne McCarthy Casting
Ellen Brill Set Decoration
Dawn Swiderski Supervising Art Director
Mathieu Baptista Special Effects Makeup Artist
LaToya Henderson Makeup Artist
Melizah Anguiano Wheat Hair Department Head
Adrien Morot Makeup Designer
Zack Smith Second Second Assistant Director
Tristan Paris Bourne Art Direction
Martial Corneville Hairstylist
Jack Lazzaro Key Makeup Artist
Richard Bennett Storyboard Artist
Alícia Díaz Scenic Artist
Craig Gilmore Storyboard Artist
Bria Kinter Set Designer
Thomas Minton Set Designer
Paul Sonski Set Designer
Kathy Tse Makeup Effects Designer
Jonathan Gesinski Storyboard Artist
Scott Herbertson Set Designer
Rob Mallard Leadman
Clint Schultz Graphic Designer
Paul Flinchbaugh Assistant Sound Editor
Michelle Pazer Dialogue Editor
Ann Scibelli Sound Designer
Phedra Syndelle Stunt Double
Jimmy Waitman Stunt Double
Chris Jargo Supervising ADR Editor
Dan O'Connell Foley Artist
D. Chris Smith Supervising Sound Editor
Nate Andrade Stunts
Tony Vo Stunts
Wes Gilbert Dolly Grip
Justin Yardley Jones Rigging Grip
Bruce Leefook Electrician
Scott Sealock Rigging Grip
Ron Stanik Assistant Editor
Jeremy Borum Orchestrator
Melba Jane Armistead Set Medic
Troy Gilbert Stunts
Peter Staubli Sound Designer
Jon Title Sound Designer
W. Mark McNair Unit Production Manager
Justin Ostensen Post Production Assistant
Shelly Strong Executive In Charge Of Production
Justin Wagman Post Production Supervisor
Philip Banks Additional Second Assistant Director
Tom Davies First Assistant Director
Andres Cubillan Art Direction
Tommy Wilson Set Decoration
Aaron C. Fitzgerald Second Assistant Director
Richard Oswald Second Assistant Director
Cassidy Shipley Art Direction
Demetrice Dixon Key Hair Stylist
Fleur Morell Makeup Department Head
Vague Vartanian Special Effects Makeup Artist
Fritz Buckley Assistant Property Master
Derek J. Hawthorne Scenic Artist
Michael LaCorte Art Department Coordinator
Ruth Mitchell Scenic Artist
Tommy Strickland Greensman
Scott Troha Leadman
Karen Baker Landers Supervising Sound Editor
Charlie Campagna Sound Designer
Craig Dickerson Greensman
Keith Thompson Concept Artist
James Ashwill Foley Mixer
C. Douglas Cameron Boom Operator
Richard Duarte Foley Mixer
Bob Kellough Sound Effects Editor
Jessie Pariseau Foley Editor
Yentle Ansay Visual Effects Coordinator
Todd Warren Stunt Double
Chrys Blackstone Electrician
Richard Cantu Camera Operator
Jamaal Crosby Electrician
Scott Forte Second Assistant "A" Camera
Thomas Lappin Camera Operator
Reynaldo Ali Sable Electrician
Chris Shrider Electrician
Rebecca Ulmo Second Assistant "B" Camera
Jason Sweers Graphic Designer
Douglas Womack Construction Coordinator
Bob Beemer Sound Re-Recording Mixer
John T. Cucci Foley Artist
Kyle Z. Anderson Lighting Technician
Andre Booker Rigging Grip
Kelly Clear Gaffer
Greg Davis Rigging Gaffer
Shawn Kautz Stunts
Josh Mueller Stunts
Chris Birdsong Key Grip
Carl Boyajian Rigging Grip
Quantrell D. Colbert Still Photographer
Linton Flowers Best Boy Grip
Caleb Holland Epk Camera Operator
Tom Jordan First Assistant "B" Camera
Colin Lutke Electrician
Paul Sgroi Rigging Grip
Randy Tharpe Rigging Grip
Samuel A. Vura Electrician
Ashlyn Angel Costume Supervisor
Hope Slepak Costume Supervisor
Elizabeth Cirillo Assistant Editor
Josh Woolf Post Production Coordinator
Martin Kitrosser Script Supervisor
Kat Delay Production Secretary
Frances Heeber Studio Teacher
Nadine F. Wilson Production Accountant
Aidyn Timothy Rigging Grip
Jennifer Cram Casting Associate
Hayley Stuppel Key Costumer
Tammy L. Smith Extras Casting
Dinah Lightsey Seamstress
Lindsay Armstrong Assistant Editor
Chris Tonick Assistant Editor
Robin Whittaker Music Editor
Lucia Maria Cesari Studio Teacher
Denise Godoy Unit Publicist
Maria DeVane Production Controller
Kathy Chambless Oliver Production Coordinator
Tim Monich Dialect Coach
Eli Roth Director
Eric Kripke Screenplay
Andrew S. Eisen Editor
Fred Raskin Editor
Rogier Stoffers Director of Photography
Nathan Barr Original Music Composer
Marlene Stewart Costume Design
Jon Hutman Production Design
Aldric La'Auli Porter First Assistant Director
Brad Einhorn Property Master
Evan Kishiyama Sound Recordist
Tobias Poppe Sound Designer
Gary Rizzo Sound Re-Recording Mixer
Lance Gilbert Stunt Coordinator
Delmar Reyna Stunt Double
Amy Lynn Tuttle Stunt Double
Alli Beckman Stunts
Emily Brobst Stunt Double
Adam Lytle Stunts
T. Ryan Mooney Stunts
Marque Ohmes Stunts
Mila Hermanovski Assistant Costume Designer
D.J. Phillips Camera Loader
Gregory Irwin First Assistant "A" Camera
Name Title
Tracey Nyberg Executive Producer
W. Mark McNair Executive Producer
Laeta Kalogridis Executive Producer
Eric Kripke Producer
William Sherak Executive Producer
James Vanderbilt Producer
Bradley J. Fischer Producer
Holly Bario Co-Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 28 39 20
2024 5 32 50 20
2024 6 30 62 16
2024 7 32 55 19
2024 8 23 34 16
2024 9 20 31 13
2024 10 26 57 14
2024 11 28 51 18
2024 12 21 33 15
2025 1 22 38 13
2025 2 21 30 4
2025 3 8 24 2
2025 4 4 8 2
2025 5 3 9 2
2025 6 3 5 2
2025 7 2 3 1
2025 8 3 7 2
2025 9 4 9 2
2025 10 2 2 2

Trending Position


Year Month High Avg
2025 7 740 852
Year Month High Avg
2025 6 989 989
Year Month High Avg
2025 4 438 675
Year Month High Avg
2025 2 538 544
Year Month High Avg
2024 12 441 581

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Reviews

Ruuz
3.0

There was a couple of instances over the course of _The House with a Clock in Its Walls_, particularly early on, that had my hopes up, but by the end? God I was so disappointed. The lead is not a great actor (often a trouble when you have to cast young), and the effects are pretty bad. The worst thi ... ng though is that _Clock in Its Walls_ can't keep its story straight, which is a pretty unforgivable sin when it's your own story. Like, you set the rules here, why are you going out of your way to break them for nothing? _Final rating:★½: - Boring/disappointing. Avoid where possible._

Jun 23, 2021
donovanhill27
8.0

I was surprise about how much I enjoy this film. Jack Black and Cate Blanchett are great together in this film. The film felt like a 80s kids horror film. I would love to see more films with these characters. There are a few poop jokes which were the worst part of the film (but these jokes seem to b ... e expected in modern kids films). I feel like this film would have cult film status in a few years.

Jun 23, 2021
FilipeManuelNeto
7.0

**Fantasy and light horror are relatively in harmony, even if this is problematic for a lot of people.** I saw this movie recently and I really liked it. It's nothing original, it does what others have done equally well, but manages to entertain the public very well, and especially young people a ... nd teenagers. Alright, the movie has some scarier scenes that might impress, but they didn't strike me as unbearable. The script is based on the journey of a young orphan to his uncle's house, a former illusionist who lives in the mansion of his former partner in the show, also deceased, and who is actually really a sorcerer, even if he is not particularly gifted. The house is enchanted and the furniture and objects have a life of their own, but beyond that there is a clock hidden inside the walls, somewhere, that needs to be found to prevent something very bad from happening. The problem with films that try to harmonize comedy with light horror is that, in fact, they risk not pleasing very few people: those looking for one thing may feel uncomfortable with the other. The film, as I said, can be very appealing to young people, but the stronger scenes may make parents think twice about allowing them to see it. Jack Black is an actor I never particularly liked, not least because I only knew him from rather shallow comic films or films linked to music. This was, as far as I remember, the first of this actor's films that I liked, and it must be recognized that Black is a key part of everything in that he manages to be funny without losing the ability to look serious when necessary. Cate Blanchett is, to some extent, a surprise, she is an extremely high-rated actress that I normally associate with big productions. She's a great actress, she's excellent in this film and it's worth seeing what she's doing, especially when she appears opposite Black, with whom she seems to have established a good collaboration. Unfortunately, I didn't feel anything particularly positive about young Owen Vaccaro. Okay, he's very young and we still can't expect great work as an actor, and there are several moments when he shows signs of talent, but for now it's not much more than that. Eli Roth is not a director I particularly like. Very focused on slash horror movies, it's someone I wouldn't bet a lot on for a movie like this. Surprisingly, the director handled the task at hand with reasonable skill and competence. The film has excellent cinematography, which is solidly based on good quality CGI and a good design of the sets and costumes. The effects are also really good. I particularly liked the scene where the characters play with stars and planets in the garden of the house, and the opening sequence of the film, which is able to intrigue and conquer us. The soundtrack helps a lot, with good melodies that add to the film without stealing our attention. However, there are not only flowers here. The editing work is a little lacking, there are scenes that would benefit from being slightly shortened. The pacing also presents problems: after an excellent beginning, and before an excellent ending, the film has a whole middle part that is not so interesting, and there are several characters that were poorly used, starting with the villain, whose motivations and attitudes they are, to say the least, clichés without any kind of interest and there are, throughout the film, some disturbing scenes (the living puppets, for example) that don't seem to be in the right movie.

Apr 10, 2023