Popularity: 2 (history)
Director: | Eli Roth |
---|---|
Writer: | John Bellairs, Eric Kripke |
Staring: |
When ten-year-old Lewis is suddenly orphaned, he is sent to live with his Uncle Jonathan in a creaky (and creepy) old mansion with a mysterious ticking noise that emanates from the walls. Upon discovering that his uncle is a warlock, Lewis begins learning magic, but when he rebelliously resurrects an evil warlock he must find the secret of the house and save the world from destruction. | |
Release Date: | Sep 15, 2018 |
---|---|
Director: | Eli Roth |
Writer: | John Bellairs, Eric Kripke |
Genres: | Family, Comedy, Fantasy, Horror |
Keywords | based on novel or book, clock, haunted house, uncle, pumpkin, orphan, warlock, secret passageway, 1950s, magician, amused |
Production Companies | DreamWorks Pictures, Amblin Entertainment, Reliance Entertainment, Mythology Entertainment, Amblin Partners |
Box Office |
Revenue: $131,523,093
Budget: $42,000,000 |
Updates |
Updated: Aug 10, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Jack Black | Jonathan Barnavelt |
Cate Blanchett | Florence Zimmerman |
Owen Vaccaro | Lewis Barnavelt |
Kyle MacLachlan | Isaac Izard |
Renée Elise Goldsberry | Selena Izard |
Colleen Camp | Mrs. Hanchett |
Sunny Suljic | Tarby Corrigan |
Lorenza Izzo | Mother |
Braxton Bjerken | Woody Mingo |
Vanessa Anne Williams | Rose Rita Pottinger |
Ricky Muse | Bus Driver |
Charles Green | Soda Jerk |
De'Jon Watts | Clark |
Aaron Beelner | Clown Automaton |
Joshua Phillips | Clown Automaton |
Christian Calloway | Azazel |
Caleb Lawrence | Sweet Shop Employee |
Dylan Gage | Sweet Shop Boy |
Jalyn Hall | Devin |
Jackson T. Giles IV | Student |
Eli Roth | Comrade Ivan |
Alli Beckman | Magician's Assistant |
Emily Brobst | (uncredited) |
Name | Job |
---|---|
John Bellairs | Novel |
Nicole Abellera Hallman | Casting |
Walter P. Martishius | Art Direction |
Randy Torres | Sound Designer |
Natalie Angel | Production Supervisor |
Richard E. Chapla Jr. | Unit Production Manager |
Mark Graziano | Executive In Charge Of Post Production |
Chris Hadlock | Production Executive |
Jeanne McCarthy | Casting |
Ellen Brill | Set Decoration |
Dawn Swiderski | Supervising Art Director |
Mathieu Baptista | Special Effects Makeup Artist |
LaToya Henderson | Makeup Artist |
Melizah Anguiano Wheat | Hair Department Head |
Adrien Morot | Makeup Designer |
Zack Smith | Second Second Assistant Director |
Tristan Paris Bourne | Art Direction |
Martial Corneville | Hairstylist |
Jack Lazzaro | Key Makeup Artist |
Richard Bennett | Storyboard Artist |
Alícia Díaz | Scenic Artist |
Craig Gilmore | Storyboard Artist |
Bria Kinter | Set Designer |
Thomas Minton | Set Designer |
Paul Sonski | Set Designer |
Kathy Tse | Makeup Effects Designer |
Jonathan Gesinski | Storyboard Artist |
Scott Herbertson | Set Designer |
Rob Mallard | Leadman |
Clint Schultz | Graphic Designer |
Paul Flinchbaugh | Assistant Sound Editor |
Michelle Pazer | Dialogue Editor |
Ann Scibelli | Sound Designer |
Phedra Syndelle | Stunt Double |
Jimmy Waitman | Stunt Double |
Chris Jargo | Supervising ADR Editor |
Dan O'Connell | Foley Artist |
D. Chris Smith | Supervising Sound Editor |
Nate Andrade | Stunts |
Tony Vo | Stunts |
Wes Gilbert | Dolly Grip |
Justin Yardley Jones | Rigging Grip |
Bruce Leefook | Electrician |
Scott Sealock | Rigging Grip |
Ron Stanik | Assistant Editor |
Jeremy Borum | Orchestrator |
Melba Jane Armistead | Set Medic |
Troy Gilbert | Stunts |
Peter Staubli | Sound Designer |
Jon Title | Sound Designer |
W. Mark McNair | Unit Production Manager |
Justin Ostensen | Post Production Assistant |
Shelly Strong | Executive In Charge Of Production |
Justin Wagman | Post Production Supervisor |
Philip Banks | Additional Second Assistant Director |
Tom Davies | First Assistant Director |
Andres Cubillan | Art Direction |
Tommy Wilson | Set Decoration |
Aaron C. Fitzgerald | Second Assistant Director |
Richard Oswald | Second Assistant Director |
Cassidy Shipley | Art Direction |
Demetrice Dixon | Key Hair Stylist |
Fleur Morell | Makeup Department Head |
Vague Vartanian | Special Effects Makeup Artist |
Fritz Buckley | Assistant Property Master |
Derek J. Hawthorne | Scenic Artist |
Michael LaCorte | Art Department Coordinator |
Ruth Mitchell | Scenic Artist |
Tommy Strickland | Greensman |
Scott Troha | Leadman |
Karen Baker Landers | Supervising Sound Editor |
Charlie Campagna | Sound Designer |
Craig Dickerson | Greensman |
Keith Thompson | Concept Artist |
James Ashwill | Foley Mixer |
C. Douglas Cameron | Boom Operator |
Richard Duarte | Foley Mixer |
Bob Kellough | Sound Effects Editor |
Jessie Pariseau | Foley Editor |
Yentle Ansay | Visual Effects Coordinator |
Todd Warren | Stunt Double |
Chrys Blackstone | Electrician |
Richard Cantu | Camera Operator |
Jamaal Crosby | Electrician |
Scott Forte | Second Assistant "A" Camera |
Thomas Lappin | Camera Operator |
Reynaldo Ali Sable | Electrician |
Chris Shrider | Electrician |
Rebecca Ulmo | Second Assistant "B" Camera |
Jason Sweers | Graphic Designer |
Douglas Womack | Construction Coordinator |
Bob Beemer | Sound Re-Recording Mixer |
John T. Cucci | Foley Artist |
Kyle Z. Anderson | Lighting Technician |
Andre Booker | Rigging Grip |
Kelly Clear | Gaffer |
Greg Davis | Rigging Gaffer |
Shawn Kautz | Stunts |
Josh Mueller | Stunts |
Chris Birdsong | Key Grip |
Carl Boyajian | Rigging Grip |
Quantrell D. Colbert | Still Photographer |
Linton Flowers | Best Boy Grip |
Caleb Holland | Epk Camera Operator |
Tom Jordan | First Assistant "B" Camera |
Colin Lutke | Electrician |
Paul Sgroi | Rigging Grip |
Randy Tharpe | Rigging Grip |
Samuel A. Vura | Electrician |
Ashlyn Angel | Costume Supervisor |
Hope Slepak | Costume Supervisor |
Elizabeth Cirillo | Assistant Editor |
Josh Woolf | Post Production Coordinator |
Martin Kitrosser | Script Supervisor |
Kat Delay | Production Secretary |
Frances Heeber | Studio Teacher |
Nadine F. Wilson | Production Accountant |
Aidyn Timothy | Rigging Grip |
Jennifer Cram | Casting Associate |
Hayley Stuppel | Key Costumer |
Tammy L. Smith | Extras Casting |
Dinah Lightsey | Seamstress |
Lindsay Armstrong | Assistant Editor |
Chris Tonick | Assistant Editor |
Robin Whittaker | Music Editor |
Lucia Maria Cesari | Studio Teacher |
Denise Godoy | Unit Publicist |
Maria DeVane | Production Controller |
Kathy Chambless Oliver | Production Coordinator |
Tim Monich | Dialect Coach |
Eli Roth | Director |
Eric Kripke | Screenplay |
Andrew S. Eisen | Editor |
Fred Raskin | Editor |
Rogier Stoffers | Director of Photography |
Nathan Barr | Original Music Composer |
Marlene Stewart | Costume Design |
Jon Hutman | Production Design |
Aldric La'Auli Porter | First Assistant Director |
Brad Einhorn | Property Master |
Evan Kishiyama | Sound Recordist |
Tobias Poppe | Sound Designer |
Gary Rizzo | Sound Re-Recording Mixer |
Lance Gilbert | Stunt Coordinator |
Delmar Reyna | Stunt Double |
Amy Lynn Tuttle | Stunt Double |
Alli Beckman | Stunts |
Emily Brobst | Stunt Double |
Adam Lytle | Stunts |
T. Ryan Mooney | Stunts |
Marque Ohmes | Stunts |
Mila Hermanovski | Assistant Costume Designer |
D.J. Phillips | Camera Loader |
Gregory Irwin | First Assistant "A" Camera |
Name | Title |
---|---|
Tracey Nyberg | Executive Producer |
W. Mark McNair | Executive Producer |
Laeta Kalogridis | Executive Producer |
Eric Kripke | Producer |
William Sherak | Executive Producer |
James Vanderbilt | Producer |
Bradley J. Fischer | Producer |
Holly Bario | Co-Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 28 | 39 | 20 |
2024 | 5 | 32 | 50 | 20 |
2024 | 6 | 30 | 62 | 16 |
2024 | 7 | 32 | 55 | 19 |
2024 | 8 | 23 | 34 | 16 |
2024 | 9 | 20 | 31 | 13 |
2024 | 10 | 26 | 57 | 14 |
2024 | 11 | 28 | 51 | 18 |
2024 | 12 | 21 | 33 | 15 |
2025 | 1 | 22 | 38 | 13 |
2025 | 2 | 21 | 30 | 4 |
2025 | 3 | 8 | 24 | 2 |
2025 | 4 | 4 | 8 | 2 |
2025 | 5 | 3 | 9 | 2 |
2025 | 6 | 3 | 5 | 2 |
2025 | 7 | 2 | 3 | 1 |
2025 | 8 | 3 | 7 | 2 |
2025 | 9 | 4 | 9 | 2 |
2025 | 10 | 2 | 2 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 740 | 852 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 989 | 989 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 438 | 675 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 538 | 544 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 441 | 581 |
There was a couple of instances over the course of _The House with a Clock in Its Walls_, particularly early on, that had my hopes up, but by the end? God I was so disappointed. The lead is not a great actor (often a trouble when you have to cast young), and the effects are pretty bad. The worst thi ... ng though is that _Clock in Its Walls_ can't keep its story straight, which is a pretty unforgivable sin when it's your own story. Like, you set the rules here, why are you going out of your way to break them for nothing? _Final rating:★½: - Boring/disappointing. Avoid where possible._
I was surprise about how much I enjoy this film. Jack Black and Cate Blanchett are great together in this film. The film felt like a 80s kids horror film. I would love to see more films with these characters. There are a few poop jokes which were the worst part of the film (but these jokes seem to b ... e expected in modern kids films). I feel like this film would have cult film status in a few years.
**Fantasy and light horror are relatively in harmony, even if this is problematic for a lot of people.** I saw this movie recently and I really liked it. It's nothing original, it does what others have done equally well, but manages to entertain the public very well, and especially young people a ... nd teenagers. Alright, the movie has some scarier scenes that might impress, but they didn't strike me as unbearable. The script is based on the journey of a young orphan to his uncle's house, a former illusionist who lives in the mansion of his former partner in the show, also deceased, and who is actually really a sorcerer, even if he is not particularly gifted. The house is enchanted and the furniture and objects have a life of their own, but beyond that there is a clock hidden inside the walls, somewhere, that needs to be found to prevent something very bad from happening. The problem with films that try to harmonize comedy with light horror is that, in fact, they risk not pleasing very few people: those looking for one thing may feel uncomfortable with the other. The film, as I said, can be very appealing to young people, but the stronger scenes may make parents think twice about allowing them to see it. Jack Black is an actor I never particularly liked, not least because I only knew him from rather shallow comic films or films linked to music. This was, as far as I remember, the first of this actor's films that I liked, and it must be recognized that Black is a key part of everything in that he manages to be funny without losing the ability to look serious when necessary. Cate Blanchett is, to some extent, a surprise, she is an extremely high-rated actress that I normally associate with big productions. She's a great actress, she's excellent in this film and it's worth seeing what she's doing, especially when she appears opposite Black, with whom she seems to have established a good collaboration. Unfortunately, I didn't feel anything particularly positive about young Owen Vaccaro. Okay, he's very young and we still can't expect great work as an actor, and there are several moments when he shows signs of talent, but for now it's not much more than that. Eli Roth is not a director I particularly like. Very focused on slash horror movies, it's someone I wouldn't bet a lot on for a movie like this. Surprisingly, the director handled the task at hand with reasonable skill and competence. The film has excellent cinematography, which is solidly based on good quality CGI and a good design of the sets and costumes. The effects are also really good. I particularly liked the scene where the characters play with stars and planets in the garden of the house, and the opening sequence of the film, which is able to intrigue and conquer us. The soundtrack helps a lot, with good melodies that add to the film without stealing our attention. However, there are not only flowers here. The editing work is a little lacking, there are scenes that would benefit from being slightly shortened. The pacing also presents problems: after an excellent beginning, and before an excellent ending, the film has a whole middle part that is not so interesting, and there are several characters that were poorly used, starting with the villain, whose motivations and attitudes they are, to say the least, clichés without any kind of interest and there are, throughout the film, some disturbing scenes (the living puppets, for example) that don't seem to be in the right movie.