Popularity: 3 (history)
| Director: | Nicolas Pesce |
|---|---|
| Writer: | Jeff Buhler, Nicolas Pesce, Takashi Shimizu |
| Staring: |
| After a young mother murders her family in her own house, a detective attempts to investigate the mysterious case, only to discover that the house is cursed by a vengeful ghost. Now targeted by the demonic spirits, the detective must do anything to protect herself and her family from harm. | |
| Release Date: | Dec 31, 2019 |
|---|---|
| Director: | Nicolas Pesce |
| Writer: | Jeff Buhler, Nicolas Pesce, Takashi Shimizu |
| Genres: | Horror, Mystery |
| Keywords | japan, haunted house, curse, reboot, disturbed, bewildered, complicated, horrified |
| Production Companies | Ghost House Pictures, Screen Gems, Stage 6 Films, Good Universe |
| Box Office |
Revenue: $42,800,000
Budget: $10,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Andrea Riseborough | Detective Muldoon |
| Demián Bichir | Goodman |
| John Cho | Peter Spencer |
| Lin Shaye | Faith Matheson |
| Jacki Weaver | Lorna Moody |
| Betty Gilpin | Nina Spencer |
| William Sadler | Detective Wilson |
| Frankie Faison | William Matheson |
| Nancy Sorel | Agent Cole |
| Tara Westwood | Fiona Landers |
| Joel Marsh Garland | Detective Greco |
| Stephanie Sy | Amnio Nurse |
| Bradley Sawatzky | Officer Michaels |
| Robin Ruel | Dr. Friedman |
| Ernesto Griffith | Orderly |
| Robert Kostyra | Truck Driver |
| Lorrie Papadopoulos | Hospital Visitor (uncredited) |
| Derek James Trapp | Forensics (uncredited) |
| Junko Bailey | Kayako Ghost |
| David Lawrence Brown | Sam Landers |
| Zoe Fish | Melinda Landers |
| John J. Hansen | Burke |
| Steven Ratzlaff | Dr. Maher |
| Name | Job |
|---|---|
| Vince Yoshida | Makeup Effects Designer, Makeup Effects |
| Junichi Hosoi | Steadicam Operator, "A" Camera Operator |
| Bruce Cook | Art Direction |
| Chuck Robinson | Stunt Coordinator |
| Virginia Cefaly | Visual Effects |
| Kalvin Kingdon | Visual Effects |
| Culley Bunker | Visual Effects Supervisor |
| Matt Hansen | Visual Effects Supervisor |
| Maxime Lapointe | Visual Effects |
| Chris Rogoski | Visual Effects |
| Giordano Saviotti | Concept Artist |
| Gaia Tradico | Matte Painter |
| Patrick Christensen | ADR Mixer |
| Christine McDermott | Visual Effects Production Manager |
| Andrew Roshka | Visual Effects |
| Luca Saviotti | Visual Effects Supervisor |
| Edgar Ozolins | Sound Mixer |
| Dave Goetter | ADR Mixer |
| Michelle Fitzpatrick | Second Assistant Director |
| Brenda Magalas | Special Effects Makeup Artist |
| Ronaldo Nacionales | First Assistant Director |
| Brandi Boulet | Makeup Department Head |
| Michael Nickiforek | Prosthetic Makeup Artist |
| Jeff Betancourt | Additional Editor |
| Tecla Scatliff | Stunt Double |
| Brandy Hagborg | Assistant Location Manager, Location Assistant |
| Samantha Halas | Stunt Double |
| C. Summer Holmes | Assistant Set Decoration |
| Corey Ticknor | Greensman |
| Brent Bell | Assistant Art Director |
| Dallas Pomedli | Boom Operator |
| Aaron Mallin | Second Assistant "A" Camera |
| Izak Mallin | Second Assistant "B" Camera |
| Simon Schroeder | Camera Trainee |
| Danielle Depeyre | Script Supervisor |
| Heather Arabsky | Draughtsman |
| Mackenzie Fedoruk | Greensman |
| Asuka Sugiyama | Art Department Coordinator |
| Louis-René Landry | Art Direction |
| George Freeman | Storyboard Artist |
| Laura Anania | Costumer |
| John Portnoy | Post Production Supervisor |
| Toby Lindala | Makeup Effects Designer, Special Effects Makeup Artist |
| Margarita Vailas | Makeup Artist |
| David Franceschetti | Key Set Production Assistant |
| Nina Kvaternik | First Assistant Makeup Artist |
| Chris Johnson | Second Assistant Director |
| Jeff Buhler | Screenplay |
| Roberta Gale | Hair Department Head, Hairstylist |
| Gardner Gould | Editor |
| Patricia J. Henderson | Costume Design |
| Jean-Andre Carriere | Production Design |
| Nina McArthur | Hairstylist |
| Kyle Wong | Third Assistant Director |
| Stephanie Holbrook | Casting |
| Alan Tyler | Additional Music |
| Raoul Bolognini | Visual Effects |
| Erick Geisler | Visual Effects |
| Raúl Prado | Visual Effects Supervisor |
| Takayuki Sato | Title Graphics |
| Sierra Siu | Visual Effects Coordinator |
| Tony Kenny | Special Effects Coordinator |
| J.R. Kenny | Special Effects Supervisor |
| Chris Ferguson | ADR Mixer |
| Jeffrey A. Pitts | Sound Designer |
| Michael Miller | ADR Mixer |
| Puneet Chawla | Second Assistant Director |
| Lindsey Bart | Set Dresser |
| Paul Suderman | "B" Camera Operator |
| Ryan Wuckert | Digital Imaging Technician |
| Andrew Gordon | Gaffer |
| David Dinel | Key Grip |
| Patrick Lima | Dolly Grip |
| Ashley Toews | Assistant Property Master |
| Casey Harrison | First Assistant "A" Camera |
| Jeff Hammerback | First Assistant "B" Camera |
| Allen Fraser | Still Photographer |
| Aaron Merasty | Best Boy Electric |
| Paul Tremblay | Best Boy Grip |
| Daniel Robidoux | Rigging Grip |
| Chris Sol | Construction Coordinator |
| Lauren D. Martin | Truck Costumer |
| Ben Boxall | Assistant Location Manager |
| Pam Simons | Production Coordinator |
| Kari Rieger | Extras Casting |
| Corey Walker | Transportation Captain |
| Brooks Larsen | First Assistant Editor |
| Steve Forner | Assistant Editor |
| Michael Baird | Dialogue Editor, Sound Effects Editor |
| Aj Anderson | Rigging Gaffer |
| Denis Bois | Grip |
| Jason Gibbs | Property Master |
| Pieter Jongbloed | Assistant Costume Designer |
| Rachael Poklitar | Costume Coordinator |
| Neal Baksh | Location Manager |
| Delf Gravert | Assistant Location Manager |
| Boeseya Petra | Assistant Production Coordinator |
| Leah Erum | Extras Casting Assistant |
| RoseAnna Schick | Unit Publicist |
| Eric R. Brodeur | First Assistant Editor |
| Angelina Faulkner | Dialogue Editor |
| Susan Dudek | Dialogue Editor |
| Pernell L. Salinas | Assistant Sound Editor |
| Bogdan Zavarzin | Foley Artist |
| Gabriel J. Serrano | Sound Re-Recording Mixer |
| Andrew Silver | Music Editor |
| Sandra Soke | Costume Set Supervisor |
| Eleanor Thiessen | Costumer |
| Timothy Clarkin | Production Accountant |
| Julina Baber | Casting Assistant |
| Ernie Buck | Transportation Coordinator |
| Renee Minasian | Post Production Supervisor |
| Robert Lee | Assistant Editor |
| Paul Bercovitch | Dialogue Editor |
| Jeffrey Roy | ADR Mixer |
| Rustam Gimadiyev | Foley Mixer |
| Ben Zales | Music Editor |
| Fabiana Arrastia | ADR Voice Casting |
| Joshua Adeniji | Sound Effects Editor |
| Illia Popel | Foley Editor |
| Jason Dotts | Sound Re-Recording Mixer |
| Nicholas Fitzgerald | Music Editor |
| Nicolas Pesce | Screenplay, Director, Story |
| Takashi Shimizu | Original Story |
| Carmen Kotyk | Casting |
| Eve Stewart | Production Manager |
| Rick Skene | Second Unit Director, Stunt Coordinator |
| Zachary Galler | Director of Photography |
| Ken Blackwell | Editor |
| Dan Skene | Stunt Coordinator |
| Simon Beaupré | Visual Effects |
| Marie-Claude Lafontaine | Visual Effects |
| Bryan Parker | Supervising Sound Editor |
| Nick Seaman | ADR Mixer |
| Chris Navarro | ADR Mixer |
| Sean Skene | Stunt Double |
| Kristen Sawatzky | Stunt Double |
| Krystle Snow | Stunt Double |
| BJ Verot | Stunt Double |
| Andrew Degryse | Visual Effects Supervisor |
| Andrew Grush | Original Music Composer |
| Taylor Stewart | Original Music Composer |
| Jose Cañas | Producer's Assistant |
| Name | Title |
|---|---|
| Erin Westerman | Executive Producer |
| Romel Adam | Co-Producer |
| Schuyler Weiss | Executive Producer |
| Rhonda Baker | Co-Producer |
| Doug Davison | Executive Producer |
| Brady Fujikawa | Executive Producer |
| Kelli Konop | Co-Producer |
| Sam Raimi | Producer |
| Robert Tapert | Producer |
| Takashige Ichise | Producer |
| Joseph Drake | Executive Producer |
| Nathan Kahane | Executive Producer |
| Andrew Pfeffer | Executive Producer |
| Roy Lee | Executive Producer |
| John Powers Middleton | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 37 | 66 | 21 |
| 2024 | 5 | 59 | 81 | 42 |
| 2024 | 6 | 37 | 54 | 23 |
| 2024 | 7 | 32 | 56 | 16 |
| 2024 | 8 | 26 | 43 | 17 |
| 2024 | 9 | 19 | 30 | 14 |
| 2024 | 10 | 20 | 35 | 12 |
| 2024 | 11 | 17 | 30 | 11 |
| 2024 | 12 | 21 | 39 | 12 |
| 2025 | 1 | 24 | 50 | 15 |
| 2025 | 2 | 15 | 27 | 3 |
| 2025 | 3 | 6 | 20 | 1 |
| 2025 | 4 | 4 | 6 | 2 |
| 2025 | 5 | 3 | 9 | 2 |
| 2025 | 6 | 3 | 4 | 2 |
| 2025 | 7 | 3 | 11 | 1 |
| 2025 | 8 | 3 | 6 | 2 |
| 2025 | 9 | 4 | 6 | 2 |
| 2025 | 10 | 2 | 3 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 941 | 941 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 968 | 968 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 597 | 609 |
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com It's a brand new year, which means January gets to be the traditional "trash month" once again. In Portugal, it's actually one of the best months of the year since all of the Oscar-contender films ar ... e released (late) during these first few weeks. However, it still contains the formulaic action and/or horror movies. The Grudge, a reboot of a remake (because why not?), is the most recent addition to the group of horror flicks that no one really understands why they were produced. I was never a fan of the film series, so obviously, I wasn't expecting much from a reboot of a franchise that always looked like a lazily cheap way of filming a few jump scare sequences with no remarkable storytelling. Nicolas Pesce shows some hints of talent regarding his filmmaking skills with some efficiently suspenseful scenes, but the aspect to blame in this type of movies is always the same: screenplay. I can't remember the last film I saw that treated the audience like the dumbest people alive. It truly becomes disrespectful. It's like the producers thought that the target audience for a horror flick was 5-year-old children. It reaches a point where the movie itself feels like it's being very intelligent in the way it shares plot information. It creates this tense build-up, filled with characters almost dropping a big twist, and then... it's something so evident since the first few minutes of the film. This process repeats throughout the entire runtime. "Here comes a big twist! Are you ready? Watch out! Here it goes... BAM! You didn't saw that coming, did you?!" Yes. We did. Everyone did. Even the theater supervisor who only shows up for a couple of seconds each half an hour was able to figure out everything that was happening. During the screening, I didn't know if I should laugh due to the ridiculously explicit plot points or if I should be frustrated for being treated like I was totally brainless. Everything about The Grudge feels painfully obvious. I try my best not to think too far ahead. I try not to predict what's going to occur or when a jump scare is going to happen. But this movie is so incredibly generic that I couldn't avoid knowing everything instinctively. Story-wise or jump scares, it doesn't matter. Everything that Pesce tries to do, it's surrounded by such an aura of predictability that makes this horror film extremely dull. I mean, that's one of the worst feelings one can have while watching a horror movie, right? How can someone feel bored by a film constantly throwing jump scares and "massive" plot points every five minutes? Well, The Grudge was able to accomplish this miracle. I don't know why The Grudge, as a film series, continues to exist. The first installment, which was itself a remake of the Japanese original, was a surprising box office success. Still, the majority of the audience and critics didn't really like the movie. The consequent theater releases were a disappointment. So, let's do a reboot of the remake, right? Nicolas Pesce seems to be a great filmmaker, he's able to easily generate tension and a dark environment, but such a huge misstep like this can hurt his career. The talented cast tries their best to bring this film to safe harbor, but the absurdly obvious, generic, formulaic, cliche story sunk the movie pretty hard. Its lack of surprising features, the extremely predictable jump scares, and the complete disregard for the audience, treating the viewers like the dumbest people ever, make The Grudge one of the worst horror films of the last few years. Rating: D
The fact that this is how my 2020 film-watching career starts seems like a **REAL** bad omen for this year. Update: Oh boy. _Final rating:★ - Of no value. Avoid at all costs._ ...
Despite a fine cast, this latest entry (and quasi reboot) is pretty dull. I did like some of Pesce's direction and shots, but far too many of the cliched zingers from these supernatural-horror films. Probably won't remember very much about this in a few days (if not less)... **1.75/5** ...
Although handsomely shot, with several good actors doing their best and a small handful of unsettling visuals, 'The Grudge' is ultimately a dull, disjointed mess that is riddled with cheap “boo!“ moments. I hope Pesce rebounds quickly from this failed effort in franchise-building and gets back to ma ... king the kind of idiosyncratic films he's clearly capable of. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-the-grudge-the-movie-reboot-curse-claims-another-victim