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The Grudge

It'll never let you go.
2019 | 93m | English

(31791 votes)

TMDb IMDb

Popularity: 3 (history)

Details

After a young mother murders her family in her own house, a detective attempts to investigate the mysterious case, only to discover that the house is cursed by a vengeful ghost. Now targeted by the demonic spirits, the detective must do anything to protect herself and her family from harm.
Release Date: Dec 31, 2019
Director: Nicolas Pesce
Writer: Jeff Buhler, Nicolas Pesce, Takashi Shimizu
Genres: Horror, Mystery
Keywords japan, haunted house, curse, reboot, disturbed, bewildered, complicated, horrified
Production Companies Ghost House Pictures, Screen Gems, Stage 6 Films, Good Universe
Box Office Revenue: $42,800,000
Budget: $10,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Andrea Riseborough Detective Muldoon
Demián Bichir Goodman
John Cho Peter Spencer
Lin Shaye Faith Matheson
Jacki Weaver Lorna Moody
Betty Gilpin Nina Spencer
William Sadler Detective Wilson
Frankie Faison William Matheson
Nancy Sorel Agent Cole
Tara Westwood Fiona Landers
Joel Marsh Garland Detective Greco
Stephanie Sy Amnio Nurse
Bradley Sawatzky Officer Michaels
Robin Ruel Dr. Friedman
Ernesto Griffith Orderly
Robert Kostyra Truck Driver
Lorrie Papadopoulos Hospital Visitor (uncredited)
Derek James Trapp Forensics (uncredited)
Junko Bailey Kayako Ghost
David Lawrence Brown Sam Landers
Zoe Fish Melinda Landers
John J. Hansen Burke
Steven Ratzlaff Dr. Maher
Name Job
Vince Yoshida Makeup Effects Designer, Makeup Effects
Junichi Hosoi Steadicam Operator, "A" Camera Operator
Bruce Cook Art Direction
Chuck Robinson Stunt Coordinator
Virginia Cefaly Visual Effects
Kalvin Kingdon Visual Effects
Culley Bunker Visual Effects Supervisor
Matt Hansen Visual Effects Supervisor
Maxime Lapointe Visual Effects
Chris Rogoski Visual Effects
Giordano Saviotti Concept Artist
Gaia Tradico Matte Painter
Patrick Christensen ADR Mixer
Christine McDermott Visual Effects Production Manager
Andrew Roshka Visual Effects
Luca Saviotti Visual Effects Supervisor
Edgar Ozolins Sound Mixer
Dave Goetter ADR Mixer
Michelle Fitzpatrick Second Assistant Director
Brenda Magalas Special Effects Makeup Artist
Ronaldo Nacionales First Assistant Director
Brandi Boulet Makeup Department Head
Michael Nickiforek Prosthetic Makeup Artist
Jeff Betancourt Additional Editor
Tecla Scatliff Stunt Double
Brandy Hagborg Assistant Location Manager, Location Assistant
Samantha Halas Stunt Double
C. Summer Holmes Assistant Set Decoration
Corey Ticknor Greensman
Brent Bell Assistant Art Director
Dallas Pomedli Boom Operator
Aaron Mallin Second Assistant "A" Camera
Izak Mallin Second Assistant "B" Camera
Simon Schroeder Camera Trainee
Danielle Depeyre Script Supervisor
Heather Arabsky Draughtsman
Mackenzie Fedoruk Greensman
Asuka Sugiyama Art Department Coordinator
Louis-René Landry Art Direction
George Freeman Storyboard Artist
Laura Anania Costumer
John Portnoy Post Production Supervisor
Toby Lindala Makeup Effects Designer, Special Effects Makeup Artist
Margarita Vailas Makeup Artist
David Franceschetti Key Set Production Assistant
Nina Kvaternik First Assistant Makeup Artist
Chris Johnson Second Assistant Director
Jeff Buhler Screenplay
Roberta Gale Hair Department Head, Hairstylist
Gardner Gould Editor
Patricia J. Henderson Costume Design
Jean-Andre Carriere Production Design
Nina McArthur Hairstylist
Kyle Wong Third Assistant Director
Stephanie Holbrook Casting
Alan Tyler Additional Music
Raoul Bolognini Visual Effects
Erick Geisler Visual Effects
Raúl Prado Visual Effects Supervisor
Takayuki Sato Title Graphics
Sierra Siu Visual Effects Coordinator
Tony Kenny Special Effects Coordinator
J.R. Kenny Special Effects Supervisor
Chris Ferguson ADR Mixer
Jeffrey A. Pitts Sound Designer
Michael Miller ADR Mixer
Puneet Chawla Second Assistant Director
Lindsey Bart Set Dresser
Paul Suderman "B" Camera Operator
Ryan Wuckert Digital Imaging Technician
Andrew Gordon Gaffer
David Dinel Key Grip
Patrick Lima Dolly Grip
Ashley Toews Assistant Property Master
Casey Harrison First Assistant "A" Camera
Jeff Hammerback First Assistant "B" Camera
Allen Fraser Still Photographer
Aaron Merasty Best Boy Electric
Paul Tremblay Best Boy Grip
Daniel Robidoux Rigging Grip
Chris Sol Construction Coordinator
Lauren D. Martin Truck Costumer
Ben Boxall Assistant Location Manager
Pam Simons Production Coordinator
Kari Rieger Extras Casting
Corey Walker Transportation Captain
Brooks Larsen First Assistant Editor
Steve Forner Assistant Editor
Michael Baird Dialogue Editor, Sound Effects Editor
Aj Anderson Rigging Gaffer
Denis Bois Grip
Jason Gibbs Property Master
Pieter Jongbloed Assistant Costume Designer
Rachael Poklitar Costume Coordinator
Neal Baksh Location Manager
Delf Gravert Assistant Location Manager
Boeseya Petra Assistant Production Coordinator
Leah Erum Extras Casting Assistant
RoseAnna Schick Unit Publicist
Eric R. Brodeur First Assistant Editor
Angelina Faulkner Dialogue Editor
Susan Dudek Dialogue Editor
Pernell L. Salinas Assistant Sound Editor
Bogdan Zavarzin Foley Artist
Gabriel J. Serrano Sound Re-Recording Mixer
Andrew Silver Music Editor
Sandra Soke Costume Set Supervisor
Eleanor Thiessen Costumer
Timothy Clarkin Production Accountant
Julina Baber Casting Assistant
Ernie Buck Transportation Coordinator
Renee Minasian Post Production Supervisor
Robert Lee Assistant Editor
Paul Bercovitch Dialogue Editor
Jeffrey Roy ADR Mixer
Rustam Gimadiyev Foley Mixer
Ben Zales Music Editor
Fabiana Arrastia ADR Voice Casting
Joshua Adeniji Sound Effects Editor
Illia Popel Foley Editor
Jason Dotts Sound Re-Recording Mixer
Nicholas Fitzgerald Music Editor
Nicolas Pesce Screenplay, Director, Story
Takashi Shimizu Original Story
Carmen Kotyk Casting
Eve Stewart Production Manager
Rick Skene Second Unit Director, Stunt Coordinator
Zachary Galler Director of Photography
Ken Blackwell Editor
Dan Skene Stunt Coordinator
Simon Beaupré Visual Effects
Marie-Claude Lafontaine Visual Effects
Bryan Parker Supervising Sound Editor
Nick Seaman ADR Mixer
Chris Navarro ADR Mixer
Sean Skene Stunt Double
Kristen Sawatzky Stunt Double
Krystle Snow Stunt Double
BJ Verot Stunt Double
Andrew Degryse Visual Effects Supervisor
Andrew Grush Original Music Composer
Taylor Stewart Original Music Composer
Jose Cañas Producer's Assistant
Name Title
Erin Westerman Executive Producer
Romel Adam Co-Producer
Schuyler Weiss Executive Producer
Rhonda Baker Co-Producer
Doug Davison Executive Producer
Brady Fujikawa Executive Producer
Kelli Konop Co-Producer
Sam Raimi Producer
Robert Tapert Producer
Takashige Ichise Producer
Joseph Drake Executive Producer
Nathan Kahane Executive Producer
Andrew Pfeffer Executive Producer
Roy Lee Executive Producer
John Powers Middleton Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 37 66 21
2024 5 59 81 42
2024 6 37 54 23
2024 7 32 56 16
2024 8 26 43 17
2024 9 19 30 14
2024 10 20 35 12
2024 11 17 30 11
2024 12 21 39 12
2025 1 24 50 15
2025 2 15 27 3
2025 3 6 20 1
2025 4 4 6 2
2025 5 3 9 2
2025 6 3 4 2
2025 7 3 11 1
2025 8 3 6 2
2025 9 4 6 2
2025 10 2 3 1

Trending Position


Year Month High Avg
2025 9 941 941
Year Month High Avg
2025 7 968 968
Year Month High Avg
2025 6 597 609

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Reviews

msbreviews
3.0

If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com It's a brand new year, which means January gets to be the traditional "trash month" once again. In Portugal, it's actually one of the best months of the year since all of the Oscar-contender films ar ... e released (late) during these first few weeks. However, it still contains the formulaic action and/or horror movies. The Grudge, a reboot of a remake (because why not?), is the most recent addition to the group of horror flicks that no one really understands why they were produced. I was never a fan of the film series, so obviously, I wasn't expecting much from a reboot of a franchise that always looked like a lazily cheap way of filming a few jump scare sequences with no remarkable storytelling. Nicolas Pesce shows some hints of talent regarding his filmmaking skills with some efficiently suspenseful scenes, but the aspect to blame in this type of movies is always the same: screenplay. I can't remember the last film I saw that treated the audience like the dumbest people alive. It truly becomes disrespectful. It's like the producers thought that the target audience for a horror flick was 5-year-old children. It reaches a point where the movie itself feels like it's being very intelligent in the way it shares plot information. It creates this tense build-up, filled with characters almost dropping a big twist, and then... it's something so evident since the first few minutes of the film. This process repeats throughout the entire runtime. "Here comes a big twist! Are you ready? Watch out! Here it goes... BAM! You didn't saw that coming, did you?!" Yes. We did. Everyone did. Even the theater supervisor who only shows up for a couple of seconds each half an hour was able to figure out everything that was happening. During the screening, I didn't know if I should laugh due to the ridiculously explicit plot points or if I should be frustrated for being treated like I was totally brainless. Everything about The Grudge feels painfully obvious. I try my best not to think too far ahead. I try not to predict what's going to occur or when a jump scare is going to happen. But this movie is so incredibly generic that I couldn't avoid knowing everything instinctively. Story-wise or jump scares, it doesn't matter. Everything that Pesce tries to do, it's surrounded by such an aura of predictability that makes this horror film extremely dull. I mean, that's one of the worst feelings one can have while watching a horror movie, right? How can someone feel bored by a film constantly throwing jump scares and "massive" plot points every five minutes? Well, The Grudge was able to accomplish this miracle. I don't know why The Grudge, as a film series, continues to exist. The first installment, which was itself a remake of the Japanese original, was a surprising box office success. Still, the majority of the audience and critics didn't really like the movie. The consequent theater releases were a disappointment. So, let's do a reboot of the remake, right? Nicolas Pesce seems to be a great filmmaker, he's able to easily generate tension and a dark environment, but such a huge misstep like this can hurt his career. The talented cast tries their best to bring this film to safe harbor, but the absurdly obvious, generic, formulaic, cliche story sunk the movie pretty hard. Its lack of surprising features, the extremely predictable jump scares, and the complete disregard for the audience, treating the viewers like the dumbest people ever, make The Grudge one of the worst horror films of the last few years. Rating: D

Jun 23, 2021
Ruuz
2.0

The fact that this is how my 2020 film-watching career starts seems like a **REAL** bad omen for this year. Update: Oh boy. _Final rating:★ - Of no value. Avoid at all costs._ ...

Jun 23, 2021
JPV852
3.0

Despite a fine cast, this latest entry (and quasi reboot) is pretty dull. I did like some of Pesce's direction and shots, but far too many of the cliched zingers from these supernatural-horror films. Probably won't remember very much about this in a few days (if not less)... **1.75/5** ...

Jun 23, 2021
maketheSWITCH
2.0

Although handsomely shot, with several good actors doing their best and a small handful of unsettling visuals, 'The Grudge' is ultimately a dull, disjointed mess that is riddled with cheap “boo!“ moments. I hope Pesce rebounds quickly from this failed effort in franchise-building and gets back to ma ... king the kind of idiosyncratic films he's clearly capable of. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-the-grudge-the-movie-reboot-curse-claims-another-victim

Jun 23, 2021