Popularity: 1 (history)
| Director: | Josephine Decker |
|---|---|
| Writer: | Josephine Decker |
| Staring: |
| Madeline has become an integral part of a prestigious physical theater troupe. When the workshop's ambitious director pushes the teenager to weave her rich interior world and troubled history with her mother into their collective art, the lines between performance and reality begin to blur. The resulting battle between imagination and appropriation rips out of the rehearsal space and through all three women's lives. | |
| Release Date: | Aug 10, 2018 |
|---|---|
| Director: | Josephine Decker |
| Writer: | Josephine Decker |
| Genres: | Drama |
| Keywords | pregnancy, theatre group, coming of age, mental illness, dream sequence, mentor protégé relationship, woman director, mother daughter relationship, reality shifts, improvisational theatre |
| Production Companies | Bow + Arrow Entertainment, Forager Film, Parris Pictures |
| Box Office |
Revenue: $185,576
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Helena Howard | Madeline |
| Molly Parker | Evangeline |
| Miranda July | Regina |
| Okwui Okpokwasili | Nurse, KK |
| Sunita Mani | Assistant Max |
| Eva Steinmetz | Claire, Woman in Pig Mask |
| Felipe Bonilla | Santos, Cousin Elmer |
| Lolo Haha | Aart |
| Jorge Torres-Torres | Alejandro, Craps |
| Lisa B. Tharps | Laura |
| Dana Eskelson | Lamo |
| Sophie Traub | Hollie, Dr. French |
| Charlotte Hornsby | Charlotte |
| Jaron Elijah Hopkins | Damon |
| Jamal Batts | Jamal |
| Reynaldo Piniella | Jaime |
| Henry Leyva | Henry |
| Sharon Mashihi | Patient in Sexy Video |
| Alexandra Tatarsky | Patient Melissa |
| Eston Clare Jr. | Dean |
| Dale Paul Lazar | Pink Bear, Troupe Musician |
| Ivan Martin | Onur |
| Isolde Chae-Lawrence | Costume Designer at Photo Shoot |
| Sarah Small | Photographer's Assistant |
| Emily Decker | Salome |
| Myra Lucretia Taylor | Kaila |
| Curtiss Cook | George |
| Mike Hodge | George's Stepdad |
| Suzette Gunn | Njiri |
| Julee Cerda | Carrie |
| Blake Baumgartner | Mariana |
| Jazmyn C Dorsey | Street Dancer - Child (uncredited) |
| Marie Check | Child Relative (uncredited) |
| Name | Job |
|---|---|
| Josephine Decker | Writer, Director, Editor |
| Ashley Connor | Director of Photography |
| Charlotte Royer | Production Design |
| Harrison Atkins | Editor |
| Nick Grau | First Assistant Director |
| Ted Day | Second Assistant Director |
| Elizabeth Rao | Post Production Supervisor, Co-Editor |
| Donna di Novelli | Co-Writer |
| Stephanie Holbrook | Casting |
| Alejandro Quevedo | Supervising Sound Editor, Sound Re-Recording Mixer, Sound Designer |
| Sandy Soohoo | Digital Imaging Technician, Second Assistant Camera |
| Sean Hanley | Electrician, Additional Grip |
| Sarah Maiorino | Costume Design |
| Rocio Gimenez | Art Direction |
| Kelley Lutter | Art Direction |
| Lauren Bates Jaffe | Makeup Department Head, Hair Department Head |
| Caroline Shaw | Original Music Composer |
| Jenn Haltman | Additional Casting |
| Will Jefferson | Casting Assistant |
| Will Castellucci | First Assistant Camera |
| Kimberlee Venable | Additional Camera |
| Valerie Schenkman | Additional Camera |
| Daniel April | Gaffer |
| Sean Gradwell | Key Grip |
| Matt Clegg | Electrician, Additional Grip |
| Jesse Ruuttila | Electrician, Additional Grip |
| Kevin McDonald | Electrician, Additional Grip |
| Riley Arthur | Electrician, Additional Grip |
| Jason Duffett | Electrician, Additional Grip |
| Dennis Rainaldi | Production Sound Mixer |
| Diana Sagristá | Additional Production Sound Mixer |
| Geraldine Coello | Boom Operator |
| Mingjian Cui | Utility Sound |
| Olivia West Lloyd | Production Coordinator |
| Jenna Weinstein | Assistant Costume Designer |
| Kelly Decker | Set Costumer |
| Angela Harner | Set Costumer |
| Mark Lukenbill | Assistant Location Manager |
| Ezriel Gelbfish | Assistant Location Manager |
| Faye Driscoll | Choreographer |
| Dale Paul Lazar | Musician |
| Sharon Mashihi | Story Editor |
| Alexandra Tatarsky | Dramaturgy |
| Gail Segal | Story Consultant |
| Emily Decker | Story Consultant |
| Houston Jones | Second Second Assistant Director |
| Sydney Stewart | Key Production Assistant |
| Eston Clare Jr. | Set Production Assistant |
| Sarah Gittins | Set Production Assistant |
| Al Michel | Set Production Assistant |
| Arnold Moctezuma | Set Production Assistant |
| Jocelyn Chuang | Set Photographer |
| Karyn Jarmer | Catering Head Chef |
| David Barker | Consulting Editor |
| Joe Nankin | Assistant Editor |
| Michael Kefeyalew | Assistant Editor |
| Allea Ortega | Assistant Editor |
| Molly Herron | Music Consultant |
| Maluz Orozco | Dialogue Editor |
| Carlos Cortés Navarrete | Sound Re-Recording Mixer |
| Greg Mailloux | Additional Dialogue |
| Philip A. Rohr | Additional Dialogue |
| Jennifer Ruffalo | Additional Dialogue |
| Jorge Mondragón Cruz | Foley Artist, Foley Mixer |
| Juan I. Chavez C. | Foley Artist |
| Nathan Ruyle | Additional Sound Re-Recording Mixer |
| Michael Krystek | Sound Editor |
| Mike H. Miller | Foley Artist |
| Devan Maura Saber | Digital Intermediate Producer |
| Russell Barrett | Visual Effects |
| Ryan Coleman | Electrician, Additional Grip |
| Marcus Slabine | Set Dresser |
| Erron Francis | Set Dresser |
| Martín Hernández | Supervising Sound Editor, Sound Re-Recording Mixer, Sound Designer |
| Chantelle Adams | Property Master |
| Elizabeth Piper S. | Key Hair Stylist, Key Makeup Artist |
| Laura Coxson | Location Scout |
| Brighid Greene | Choreographer |
| Malik Vitthal | Set Photographer |
| Marie-Hélène Dozo | Supervising Editor |
| Amanda Krieg Thomas | Music Supervisor |
| Nat Jencks | Colorist |
| Terence Nance | Thanks |
| Jeff Baena | Thanks |
| Name | Title |
|---|---|
| Elizabeth Rao | Producer |
| Joe Swanberg | Executive Producer |
| Adam Kersh | Associate Producer |
| Krista Parris | Producer |
| Allison Rose Carter | Co-Producer |
| Amenya Makuku | Co-Producer |
| Jon Read | Co-Producer |
| Edwin Linker | Executive Producer |
| Peter Gilbert | Executive Producer |
| Michael Decker | Executive Producer |
| Michael Sherman | Executive Producer |
| Matthew Perniciaro | Executive Producer |
| Nick Moceri | Co-Executive Producer |
| Thane Ritchie | Co-Executive Producer |
| Jane Wu | Co-Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 8 | 11 | 6 |
| 2024 | 5 | 12 | 21 | 7 |
| 2024 | 6 | 9 | 15 | 5 |
| 2024 | 7 | 13 | 33 | 5 |
| 2024 | 8 | 7 | 13 | 4 |
| 2024 | 9 | 6 | 11 | 3 |
| 2024 | 10 | 6 | 12 | 4 |
| 2024 | 11 | 6 | 12 | 3 |
| 2024 | 12 | 7 | 17 | 4 |
| 2025 | 1 | 6 | 12 | 4 |
| 2025 | 2 | 5 | 9 | 3 |
| 2025 | 3 | 4 | 7 | 1 |
| 2025 | 4 | 2 | 3 | 1 |
| 2025 | 5 | 2 | 4 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 1 | 2 | 0 |
| 2025 | 10 | 1 | 2 | 1 |
Trending Position
I think part of my problem with this was that however experimental the whole concept, or concept within that concept, was meant to be - I just didn't care one way or the other about the eponymous lass (Helena Howard). It didn't start so well with "you are not a cat, you are inside a cat" - not an im ... age I wished to conjure up on any level! Anyway, she is a wanna-be actress who is quite prepared to put in the graft to succeed, and that's no easy task when surrounded by a combination of attitudes and ambitions that are as likely hostile to her success as not. To be fair to Howard, there is something very natural about her performance - it's just a girl trying to make it whilst juggling the balls of her personal life and the camerawork is sympathetically disjointed to give the whole thing a sense of lively improvisation as her story (sort of) unfolds. It's not that is lacks a traditional structure, it's just that by determining at all costs not to conform it completely failed to offer us any positives as to what it did want to be - and quite who it was for. It's random, bizarre and sometimes quite characterful but ultimately forgets to give us any hooks onto which we could invest. I didn't care nor, I wondered, should I. It's worth a watch; it's quirky and off the wall - but I think maybe just a little too self indulgent.