Popularity: 6 (history)
| Director: | Alejandro González Iñárritu |
|---|---|
| Writer: | Guillermo Arriaga |
| Staring: |
| Paul Rivers, an ailing mathematician lovelessly married to an English émigré; Christina Peck, an upper-middle-class suburban housewife and mother of two girls; and Jack Jordan, a born-again ex-con, are brought together by a terrible accident that changes their lives. | |
| Release Date: | Sep 06, 2003 |
|---|---|
| Director: | Alejandro González Iñárritu |
| Writer: | Guillermo Arriaga |
| Genres: | Drama, Crime, Thriller |
| Keywords | life and death, loss of loved one, transplantation, suicide attempt, new mexico, ex-detainee, sadness, rage and hate, widow, faith, car crash, multiple storylines |
| Production Companies | This is that, Focus Features, Y Productions, Mediana Productions Filmgesellschaft |
| Box Office |
Revenue: $60,427,839
Budget: $20,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Job |
|---|---|
| Rodrigo Prieto | Director of Photography |
| Marlene Stewart | Costume Design |
| Spiro Razatos | Stunt Coordinator |
| Gilbert B. Combs | Stunts |
| Xavier Grobet | Second Unit Director of Photography, Camera Operator |
| Tyrel Ventura | Actor's Assistant |
| Gustavo Santaolalla | Original Music Composer |
| Stephen Mirrione | Editor |
| Deborah Riley | Art Direction |
| Guillermo Arriaga | Writer |
| Robert Salerno | Unit Production Manager |
| Peewee Piemonte | Stunts |
| David M. Graves | Stunts |
| Martín Hernández | Sound Designer, Supervising Sound Editor |
| Damon Michael Gordon | Assistant Location Manager |
| Sergio Díaz | Sound Editor |
| Jack Gill | Stunts |
| Francine Maisler | Casting |
| James Alan Hensz | First Assistant Director |
| Chris Durand | Stunts |
| Alejandro González Iñárritu | Director |
| Andy Gill | Stunts |
| Day Permuy | Assistant Production Coordinator |
| Tony Hernandez | Location Assistant |
| Barbara Harris | ADR Voice Casting |
| Brigitte Broch | Production Design |
| Jolynn Nieto | Hairstylist |
| Gloria Belz | Makeup Artist |
| Tim Pedegana | Post Production Supervisor |
| Michael E. Steele | First Assistant Director |
| Chandra De Alessandro | Stunts |
| Eva Z. Cabrera | Script Supervisor |
| Lisa Guerriero | Second Assistant Camera |
| David J. Thompson | Steadicam Operator |
| Jonathan Fuh | Boom Operator |
| Peter Walts | Best Boy Electric |
| Lee McLemore | Rigging Grip |
| Holly Davis | Key Costumer |
| Phillip Howard | Set Costumer |
| Brian Ufberg | Assistant Editor |
| Cynthia Nibler | Property Master |
| Gary Pilkinton | Special Effects Technician |
| J. Elizabeth Ingram | Production Secretary |
| Len Murach | Location Manager |
| Melinka Thompson-Godoy | Location Coordinator |
| Jeanette Agaronoff | Actor's Assistant |
| Roland N. Thai | Sound Designer |
| Michael Mullane | Sound Editor |
| Vivian Baker | Key Makeup Artist, Prosthetic Makeup Artist |
| Gail Rowell-Ryan | Hair Department Head |
| Kenneth Roth | Second Assistant Director |
| Diego Quemada-Díez | Camera Operator |
| Jay Levy | First Assistant "A" Camera |
| Michael Cruickshank | Camera Loader |
| Paul Murphey | Video Assist Operator |
| Andy Brokmeyer | Cableman |
| Anthony 'Spike' Simms | Rigging Gaffer |
| Riki Lin Sabusawa | Costume Supervisor |
| Ira M. Hammons-Glass | Costumer |
| Douglas Crise | Assistant Editor |
| Anibal Kerpel | Music Editor |
| Allison Gross | Assistant Property Master |
| Steve Cainas | Production Coordinator |
| Robyn Adams | Production Secretary |
| Alex Blagg | Location Scout |
| Annaliese Levy | Actor's Assistant |
| Troy Borisy | Leadman |
| Robert Getty | Sound Editor |
| Jeffrey Wilhoit | Foley Artist |
| Julio Carmona | ADR Recordist |
| Brad Sherman | Sound Re-Recording Mixer |
| Mary Sunshine | Production Accountant |
| Jim Sheldon | Still Photographer |
| Jerry Jackson | Transportation Coordinator |
| Steve Bowen | Colorist |
| Meg Everist | Set Decoration |
| Laurel Van Dyke | Hairstylist |
| Diane L. Sabatini | Production Supervisor |
| Kiersten Pilar Miller | Second Assistant Director |
| Thomas Betts | Set Designer |
| Glenn Kaplan | First Assistant "B" Camera |
| Mark Karavite | Steadicam Operator |
| Robby Baumgartner | Gaffer |
| Joseph Dianda | Key Grip |
| Mark Peterson | Costume Supervisor |
| Nancy Collini | Set Costumer |
| Keith H. Sauter | Assistant Editor |
| Lynn Fainchtein | Music Supervisor |
| Thomas Kittle | Special Effects Technician |
| Sarah Tackett | Location Casting |
| Sato Masuzawa | Actor's Assistant |
| Janey Bergam | Actor's Assistant |
| Michael Hertlein | Sound Editor |
| Christopher Sidor | Sound Recordist |
| James Moriana | Foley Artist |
| Jeffrey Schlatter | Construction Coordinator |
| Jill Rosenblatt | First Assistant Accountant |
| Merrick Morton | Still Photographer |
| Tom Moore | Transportation Captain |
| Hilda Saffari | Digital Intermediate Producer |
| Nerses Gezalyan | Foley Mixer |
| Ron Bedrosian | ADR Mixer |
| Jon Taylor | Sound Re-Recording Mixer |
| Thomas Michael Ryan | Construction Foreman |
| Jennifer Hunt Pedevilla | Payroll Accountant |
| Lucas Moore | Studio Teacher |
| Paul Tanzillo Jr. | Negative Cutter |
| Trevor Ward | Dolby Consultant |
| Luisa Abel | Makeup Department Head |
| Amy J. Kaufman | Executive In Charge Of Production |
| José Antonio García | Sound Mixer |
| Name | Title |
|---|---|
| Ted Hope | Executive Producer |
| Alejandro González Iñárritu | Producer |
| Robert Salerno | Producer |
| Guillermo Arriaga | Associate Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Venice Film Festival | Best Supporting Actress | Melissa Leo | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 31 | 49 | 21 |
| 2024 | 5 | 29 | 50 | 21 |
| 2024 | 6 | 25 | 49 | 12 |
| 2024 | 7 | 24 | 37 | 14 |
| 2024 | 8 | 22 | 39 | 13 |
| 2024 | 9 | 17 | 30 | 11 |
| 2024 | 10 | 20 | 31 | 10 |
| 2024 | 11 | 19 | 32 | 12 |
| 2024 | 12 | 16 | 24 | 10 |
| 2025 | 1 | 21 | 47 | 12 |
| 2025 | 2 | 13 | 21 | 3 |
| 2025 | 3 | 6 | 17 | 1 |
| 2025 | 4 | 4 | 9 | 2 |
| 2025 | 5 | 3 | 9 | 2 |
| 2025 | 6 | 3 | 5 | 2 |
| 2025 | 7 | 2 | 3 | 1 |
| 2025 | 8 | 2 | 3 | 2 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 4 | 6 | 3 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 646 | 805 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 596 | 763 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 436 | 642 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 900 | 939 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 861 | 861 |
21 grams the movie was such a beautifully constructed story. It had the rawest of emotions that are intense. Some may find the content a bit heavy but I thought it was pure craft. The way the story unfolds into each other is fabulous. It’s a film about the basics of human nature. 21 grams i ... s the weight of your soul apparently once it leaves your body when you die.